Do you ever get stuck with your blog? I certainly do, as these gaps between posts can testify. Here, Tim Davies shares his obstacles and succinctly reminds us why he — and many of the rest of us — sticks with it.
Overcoming posting-paralysis? – Tim’s Blog The caption of David Eaves’ blog comes to mind: “if writing is a muscle, this is my gym”. And linked: writing is a tool of thought. So, if I want to think properly about the things I’m reading and engaging with, I need to be writing about them. And writing a blog post, or constructing a tweet thread, can be a very effective way to push that writing (and thinking) beyond rough bullet points, to more complete thoughts.
And for inspiration, check out these visualisations of creative processes.
Process – Melike Turgut No matter how much we all try to ground our ideas in simplicity, the process of solving a creative problem is often chaotic. With this project, I try to make sense of the chaos by trying to pin-point the stages of my creative process. I use time as my constant [represented as a straight red line] and map my process around it.
Ray-Ban Stories – Luxottica Facebook, Inc. and Ray-Ban releases the next generation of smart glasses, Ray-Ban Stories. The highly anticipated collaboration brings forward a new way to seamlessly capture, share and listen through your most authentic moments. […]
We’re introducing an entirely new way for people to stay connected to the world around them and truly be present in life’s most important moments, and to look good while doing it,” said Andrew Bosworth, Vice President, Facebook Reality Labs.
I wish Ray-Ban’s Stories smart glasses were made by anyone but Facebook – Yahoo Finance Whether or not you’re willing to make that investment largely depends on how you feel about Facebook and what you are hoping to get out of a pair of “smart glasses.” At best, they feel like a better, more polished version of Snapchat’s Spectacles. It’s still a novelty, but with decent audio, smart glasses are starting to feel a lot more useful. At worst, the glasses are yet another reminder of Facebook’s dominance.
Facebook announces launch of Ray-Ban Stories smart glasses – The Guardian The company’s hardest sell might not be privacy, but the glasses themselves. Snapchat’s Spectacles are now in their third generation, with improvements each time, yet they’ve failed to catch the imagination of the target market. The company took a $40m write-down on the value of unsold inventory in 2017.
Facebook and Ray-Ban are rolling out smart glasses that actually look cool. Will anyone buy them? – CNN I couldn’t shake the feeling that I was getting away with something while wearing Ray-Ban Stories in public. As far as I could tell, nobody noticed anything unusual about the glasses while chasing my kids around a busy playground, even when I was taking numerous short videos. (It was impossible for me to tell, but perhaps the bright sunlight made the glasses’ white LED less noticeable.) I walked into stores with them on, took pictures of myself in mirrors, and nobody even blinked. It would have been easy to use these glasses to invade other people’s privacy. Was this accidentally furtive photo- and video-taking turning me into a Facehole?
Facebook’s new camera glasses are dangerously easy to use – WIRED During a dinner with friends last weekend, Peter wore the Ray-Ban Stories the whole time—and it wasn’t until he pointed out the tiny sensors embedded at the temples that friends noticed. Once they did, though, Facebook’s biggest issue didn’t take long to surface: “So, you’ve been recording the whole time?” one friend asked, only half joking. Similarly, Lauren recorded (then deleted) a conversation with an editor while fumbling with the glasses. The editor never noticed.
That idea is yet another step on the road to the metaverse, Mr. Zuckerberg’s term for how parts of the virtual and actual world will eventually meld together and share different parts of each other.
Is it getting a little tiring, now, to keep responding to these type of stories with ‘just because we can, doesn’t mean we should’? I did, however, like the comment about determining someone’s age by their taking-a-photo gestures, at the end of this piece from the BBC’s Chris Fox.
Cybercafés were the brainchild of Ivan Pope, as he’s keen to tell us, though Cyberia’s Eva Pascoe was perhaps more influential.
The first Internet cafe operates (for two days) – History of Information Commissioned to develop an Internet event for “Towards the Aesthetics of the Future,” an arts weekend at the Institute of Contemporary Arts (ICA) in London, Ivan Pope wrote a proposal outlining the concept of a café with Internet access from the tables. Pope’s Cybercafe, the first Internet cafe, operated only during the weekend event, March 12-13, 1994. Pope and internet artist Heath Bunting planned to open London’s first cybercafe later in 1994, but were preempted by Cyberia, an internet cafe founded in London in September 1994.
Cafe with a mission to explain: Cyberia offers chance to check your e-mail and network over coffee and croissant – The Independent Welcome to Cyberia, Britain’s first cybercafe, where you can turn on, tune in and ‘surf’ the information superhighway. The cafe concept, devised to make a computer environment less formidable, has been borrowed from California where ‘surfing’ – or hopping between global databanks – is commonplace. Here in Whitfield Street, central London, over a cappuccino and an almond croissant, cognoscenti and novices alike can communicate with kindred spirits around the world. Even people with scant technical knowledge will be able to access international databanks and pick up ‘e-mail’.
All About Eva: Wired UK Issue 2.04 April 1996 – Yoz Cyberia is a barely-decorated street-level space where 50-year-old gardening club members, 40-year-old advertising execs, 30-year-old nurses, 20-year-old hairdressers and still-living-with-their-mums teenagers sit shoulder to shoulder basking in the joys of the Internet. And that means it’s the cool hang-out for technologically-curious people in London.
They spread everywhere — from London to San Francisco, Paris, even Bolton.
Remembering the Horseshoe, quite possibly the nation’s first Internet cafe – Hoodline Before the city’s coffee shops were filled with laptops, Internet cafes were among the few places to access the World Wide Web outside of the home. The Lower Haight once boasted one such spot: the Horseshoe Cafe at 566 Haight St. Said to be the first Internet cafe in the nation, the cafe opened in the 1990s, and endured until it caught fire and closed in 2005.
Cybercafes@Paris – Secrets of Paris My favorite was the High Tech Café up on top of the Galeries Lafayette next to Montparnasse. It has passed on to its next life as a restaurant, but just to give you an idea of how the French interpret an internet café: the computers were lined up on one side, with a dining room and bar on the other side, a big dancefloor in between with a disco ball. I could order food and drinks while sitting at the keyboard, and on Friday nights I could barely type out my e-mails because the karaoke was too loud.
8 of Edinburgh’s best-known internet cafes of the 2000s – Edinburgh News They were the petrol stations for drivers on the “information superhighway”, filling us up with all our World Wide Web needs in an age when fewer than a quarter of us had internet access at home. While they can still be found in the Capital, the early 2000s witnessed a surge in the number of internet cafes in the city with the number of people reliant on them at its peak. From Scotland’s first, Hanover Street’s Cyberia, to the gigantic Easy Everything on Rose Street, we take a look at 8 of Edinburgh’s most fondly-recalled cyber cafes.
Cyber cafe set to keep doors open – Warrington Guardian Youngsters in Winsford can continue to surf the net and develop their computer skills after the Cybercafe scheme proved to be a huge success. The cafe, at Willow Wood Community Centre, attracted 200 youngsters in its first week who were all keen to surf the internet, play computer games and even take part in a pool tournament. The scheme was originally set up to run for four weeks, but as it was such a hit, it will run for a further six.
Cyber cafe is a winner – The Bolton News Two friends who run a Horwich Internet cafe believe they have logged on to a franchise winner. Directors Gary Marsden and Hassan Isaji spent several months planning the details before the December opening of Cyberjungle on the Middlebrook leisure development at Lostock. Customers can enjoy a cappuccino coffee while using one of the 16 available computer terminals to send e-mails or surf the worldwide web.
People loved them …
I landed on IRC in a hot summer night 1996 – Fred Thoughts I landed on IRC in a hot summer night 1996. The Internet room at my local cybercafe was small and smelly. The air was full of a persistent mix of dust, sweat, coffee, cold cigarette and cheap washing powder. It was filled with 4 old PCs, recycled from the gaming room. Most of the day, it was empty but passed 7PM, it was constantly full of people. For 4.5 € an hour, the introvert I was started a wonderful social life. I was surfing the awakening World Wide Web and chat with people from the other side of the world, staying hours after the shop closed its curtains. Around 4 AM, the owner kicked us out, and I walked back home across the dormant city before another boring day, another night online.
… and they were keen to let you know what was going on.
Cyberia Edinburgh live webcam! – Cybersurf If you can see the inside of the café: those people sitting at the computers are our valued customers. They are mostly writing e-mails, word processing or perhaps chatting on IRC. If you would like to chat with any of them, I’m afraid there is currently no reliable way to reach them, aside from visiting every IRC channel and running a ‘finger’ on every single person! For lively chat on all things Scottish, try #scotland on your local server. If the channel doesn’t exist, start one up! Who knows, perhaps someone you can see will join it!
Cyberpub CAMS Air Academy Spy Cam; Apple Live; Brew Cam, Sacramento; Café Boatquay; Cafe Brno, Repubblica Ceca Internet Bar; Cafe’ Action Cam, Switzerland…
Everyone wanted to get involved.
Tesco joins Internet café society – Design Week A Tesco spokesman confirms that “we are going to do it” though there are no definite plans about the number of outlets or where they will be. He believes the cafés will build on the success of the existing Tesco website, which was established in July 1998 and created by Designer City. “TescoNet is going very well, but there is still a large proportion of people who are curious about the Internet. They are put off by big computer brands and have a fear of the technology,” he explains.
Apple nearly got in on it, too.
Apple once considered building futuristic cybercafes instead of Apple Stores – The Next Web Developed in collaboration with Mega Bytes, the Apple Cafe was imagined as an innovative internet cafe with a “high tech” interior design that reflected the forward-looking mindset the Big A aspired to stand for. Radically diverging from the facade of traditional retail stores, the modernist locale was slated to bring together food service, paraphernalia retail, user support and computer sales into one single common space.
Apple almost built a futuristic cybercafe in 1997 with computers at every table – MacRumors Jobs was reportedly involved in the design process, choosing Christopher’s team because of their work creating unique retail spaces. Jobs wanted a way for Apple to connect to customers, which led to the idea of a cafe equipped with Apple products. A computer was at every table, where people could do things like order food, watch movies, surf the web, design web pages, and play video games.
That EasyJet guy had big plans …
U.K. gets largest cyber cafe – CNN Money Stelios Haji-Ioannou, the founder and chairman of U.K.-based no-frills carrier easyJet, opened the first in a chain of giant Internet cafes, called easyEverything Internet shops, opposite one of London’s largest railway stations. The huge 10,000 square foot store, opposite Victoria Station in central London, has 400 screens and will offer access to the Internet from prices as low as 1 pound ($1.60) per hour. The standard telephone costs alone for home users in the U.K. is around 1.05 pounds. London’s first Internet cafe, Cyberia, charges 3 pounds for a half hour session.
… which led to even bigger plans.
U.K. cyber cafe heads to New York – CNN.com EasyEverything founder Stelios Haji-Ioannou is planning to extend his chain of big orange cyber cafes to the Big Apple, a spokesman for the company said Monday. The easyEverything chain offers low-cost Internet access to travellers and others without their own computers through its five London cyber cafes, easily recognizable by their giant orange facades. Located in tourist areas such as Oxford Street and Victoria Station, the cafes have a total of 2,300 computer terminals. The company has recently added outlets in Rotterdam, Edinburgh, Amsterdam and Barcelona.
Some had their doubts …
Internet cafe chain to try a Times Sq. connection – The New York Times Among the reasons EasyEvery thing, which is open 24 hours a day, may have succeeded in London are that most people here do not own personal computers and that the telephone rates for dial-up modem access to the Internet are significantly higher than in the United States. Because local telephone calls are billed by the minute here — not a flat rate like American telephone companies offer — Internet users must pay the telephone company and the access providers, like America Online, every time they log on.
”By itself, it is deadly dull for a U.S. audience,” said Bruce Kasrel, a senior analyst at Forrester Research, which analyzes e-commerce. ”People already have Internet access at the office and at home.” He cited empty Internet access terminals at airports as an example of a similar scheme that had not worked.
Haji-Ioannou has said that he overinvested in the business, which turned into a big money-loser for his EasyGroup.
Stelios bails out EasyEverything – BBC News The EasyEverything internet cafe chain has run out of money and is to get a £15m funding injection from its founder, budget airline entrepreneur Stelios Haji-Ioannou. But Mr Haji-Ioannou confirmed he is cutting the value of shares held by staff from one pound to one penny as part of the refinancing.
I have kidnapped your auntie: The Ballad of the Bad Café, and the end of the road for the internet café hobo – BBC World Service I have now completed a world journey of internet cafes. Scroll to the bottom of the blog and you’ll see I started all bright and bushy-tailed, finding stories of education, enterprise and cheer. There are huge advantages to the public nature of internet cafes. And – as I discovered in programme three – some disadvantages too. As I type this in my comfortable office, the only people who can “shoulder surf” or look over my shoulder at what I’m writing, are colleagues. For me, privacy is easy. On the other hand, Sam Roberts shoulder-surfed a man in Burkina Faso and saw he was threatening to kidnap someone’s auntie.
Cybercafés haven’t entirely gone away …
The weird, sketchy history of internet cafes – Gizmodo The idea was eventually exported to New York’s Times Square in 2000, but by then, the idea of going someplace to simply get online was already getting outdated and quaint. The internet was something you could access from home; it was evolving. And internet cafes got a whole lot weirder. […]
Flannel-wearing 90s hipsters got Internet cafes off the ground, but internet pirates jonesing for free movies and music took the establishment to a whole new level. At the turn of the millennium—around the same time Napster became popular—sharing music online did, too. And people in pursuit of illicit MP3s started filling internet cafes again. […]
PC bangs [internet cafes built for just for gaming] are still in full force today, with over 22,000 reported in 2007. Patrons spend a buck an hour for the all-you-can-play, high-speed bandwidth, powerful hardware, and snacks for purchase. Gaming addiction is also a problem, with work and school falling by the wayside as gamers spend all their time and money at PC bangs. In 2011, Korea implemented a controversial curfew that mandated customers under 16 were not allowed in internet cafes from midnight to 6 a.m.
… but they are very different places now.
The Japanese workers who live in internet cafes – Vice For 10 months, Fumiya, a 26-year-old Japanese security guard, has been living in a 24-hour internet cafe. In a tiny cubicle where he can barely stand, he sits hunched over a glowing screen, chain smoking and chugging soda between his work shifts. When he is able to sleep, he puts a blanket over his face to block out the fluorescent lights.
Japan’s disposable workers: Net cafe refugees – MediaStorm: Vimeo Internet cafes have existed in Japan for well over a decade, but in the mid 2000’s, customers found a new use for these spaces: living quarters. As a result, cafes are now equipped with showers and laundry service, all reasonably priced for overnight users. “Internet cafe refugees,” as they are called by the media, are mostly temporary employees. Their salary is too low to rent their own apartments. The number of low-paid temp workers, with little benefits and no job security, has been steadily climbing. Today, more than one in three are temporary workers.
All about internet cafes – Lifewire Do your research at home before traveling and bring along a list of well-rated cyber cafes. Travel guides often provide locations of internet cafes for travelers. Do a Google search for cyber cafes in the areas you plan to visit. A Google Maps search of your intended destination will pinpoint locations. Check in advance to find out if an internet cafe is still open. They often have unusual hours and close down with little or no notification.
… though they are now as far from their chic hi-tech bistro beginnings as it’s possible to be. Many of the existing ones, little more than just mobile phone shops, are all usingthe sameGoogletemplate. Not all, though.
Global Gaming Arena Founded in 1998, Netadventure Cybercafe and Global Gaming Arena was the UKs first dedicated on-line gaming centre. We concentrate on being a community for gamers to meet as well as to play.
Still, if you’re interested in setting one up, there are companies out there ready to offer all you need, from IT admin software to more bespoke website templates.
Internet Cafe software – Antamedia Antamedia Internet Cafe software controls, secures, and enhances the running of your Internet cafe, gaming center, eSports center, library, school or hotel public computers. The software restricts access to the system, desktop, drives, folders and programs based on your settings. It helps you control and bill your customers for the Internet browsing, playing games, using Office applications, even covering retail products.
Internet Cafe Simulator – Steam You must pay the rent of your apartment and shop. You must satisfy your customers. You should install more elegant and powerful gaming computers. You can also do illegal work if you want. But be careful, the price can be very heavy.
Internet Cafe Simulator 2 – Steam You can attract more customers on rainy days. Increase the skills you want to develop from the tech tree. Will you become a business prodigy or a brawler skilled at protecting his cafe? You have to earn money to pay off your brother’s debt!
Internet Cafe Simulator (PC) review – Hardcore Gamers Unified Internet Cafe Simulator puts you in charge of a brand-new internet café. As the new boss, every success and failure is in your hands. Purchase new computers and make sure they’re updated with the latest and greatest applications and games. Choose how much you want to charge customers so you can maximize profit by chasing them away, after all, you need to pay the rent at the end of every month!
I think I’ll continue trying to set up my cybercafé in Second Life. Pop in, if you’re passing. Free internet access!
Honey, we shrunk the art! The return of the micro gallery – Elephant Simon Martin believes it’s the little things that count. As the coronavirus pandemic forced museums the world over to temporarily close, the director of Pallant House Gallery quietly reached out to a cohort of British contemporary artists with a simple yet challenging proposition: to create a small-scale artwork measuring no more than 15 sq cm.
More than 30 creative luminaries have contributed original works to the 2021 Model Art Gallery, ranging from a pair of terracotta vessels by studio potter Magdalene Odundo and a painting by Sean Scully, to a Julian Opie sculpture and a miniature print from photographer Khadija Saye, the only work from her Crowned series not destroyed in the Grenfell Tower fire which took her life.
It’s not the first time the Chichester institution has scaled down: the earliest model gallery in Pallant House Gallery’s collection, The Thirty Four Gallery, debuted in 1934 after art dealer Sydney Burney invited his contemporaries (including Henry Moore, Barbara Hepworth and Vanessa Bell) to create miniature artworks to fill a dollhouse for a charitable cause. Lost for decades, some of the works were later rediscovered in a suitcase by Burney’s grandson. The model was recreated by Pallant House Gallery in 1997 based on photographs of the original designed by the architect Marshall Sisson.
WhatsApp hit with €225M privacy fine – Politico Ireland’s data regulator on Thursday fined WhatsApp €225 million for violating Europe’s privacy rules — a more than four-fold increase in the penalty compared to what the watchdog had initially proposed.
Ireland watchdog fines WhatsApp record sum for flouting EU data rules – The Guardian Four “very serious” infringements violated the core of GDPR, said Dixon. “They go to the heart of the general principle of transparency and the fundamental right of the individual to protection of his/her personal data which stems from the free will and autonomy of the individual to share his/her personal data in a voluntary situation such as this.” The violations affected an “extremely high” number of people, said the watchdog.
“The box that I’m being put in is only based on seven per cent of people in the UK. There are people that are totally blind, in total darkness. That’s the universal idea of what a blind person is, but that’s only seven per cent of us, so it’s a really small number. There’s another 93 per cent of people that have been questioned as to why they’re holding a white cane whilst looking at their phone.”
This profile of him from a few years ago gives us a sense of what he’s up against.
How a blind photographer sees the world – BBC News Completely self-taught, Treherne is influenced by photographers David Bailey and John French – and also by his blindness. With their dark peripheries, his black and white portraits “mimic” his eye condition. “I’m not going to lie, it is extremely difficult for me,” he says. “It is insanely hard working with this tiny window of sight. There are shoots I can’t do but I don’t know any other way and I just utilise what I’ve got left. I’ve never had an assistant, I have done it the hard way.”
I thought these two recent links from Laughing Squid went together well.
How to properly cut and serve different cheeses – Laughing Squid Anne Saxelby, the resident turophile of Saxelby Cheesemongers in New York City, gave an informative Epicurious lesson on how to properly “cut the cheese”. All jokes aside, Saxelby, who has a long history working with artisanal cheese, offers helpful tips on not only cutting but appreciating and serving different varietals from all over the world.
How to make just about every shape of bread – Laughing Squid Peter Endriss, the head baker at Runner & Stone in Gowanus, Brooklyn partnered with Epicurious to offer a rather comprehensive tutorial in shaping a variety of different bread. Included in this list are simple loaves of bread and rolls along with such tasty treats as brioche à tête, pretzels, bagels, English muffins, challah, chapeau, and even a pizza crust.
Following on from yesterday’s post on successful and unsuccessful restoration projects, here are a few more. Let’s start with this example of when a more cartoony, less realistic painting was deliberate rather than the result of a botched job.
Ghent altarpiece restorations reveal the alarmingly humanoid face of the famous mystic lamb – Smithsonian Magazine To be fair, the lamb—which features prominently in a panel appropriately titled Adoration of the Mystic Lamb—is meant to represent Christ himself. But perched atop its fluffy woolly-white body, the penetrating, close-set eyes, full pink lips and flared nostrils of the original lamb are, at a minimum, eye-catching, if not alarmingly anthropomorphic. Its “cartoonish” appearance is a marked departure from the serene, naturalistic style characterizing the rest of the scene surrounding it, as well as the other panels, Hélène Dubois, the head of the Royal Institute’s restoration project, tells Hannah McGivern at the Art Newspaper.
For that reason, during the century or so that the painting hung in its full, unadulterated glory, onlookers gazing upon the lamb probably got a more “intense interaction” than they bargained for, Dubois suggests. Perhaps the anomalous nature of this riveting stare was part of the motivation behind a spate of modifications to the painting in 1550, when a second set of artists swapped the lamb’s soul-penetrating gaze for a more “impassive and … neutral” expression, restorers explained in a statement, as reported by Flanders Today’s Lisa Bradshaw in 2018.
As we read yesterday with the Vermeer, these restoration projects can take years…
The restoration of Rembrandt’s The Night Watch begins: Watch the painstaking process on-site and online – Open Culture “It is like a military operation in the planning,” said Dibbets, and it has required the utmost precision and expert teams of restorers, data experts, art historians, and the professionals who moved the enormous painting into the glass case it will occupy during this intense period. The crew of restorers will work from digital images taken with a macro X-ray fluorescence scanner, a technique, says Dibbets, that allowed them to “make a full body scan” and “discover which pigments [Rembrandt] used.”
…but here’s an approach I wasn’t expecting with this painting.
AI helps return Rembrandt’s The Night Watch to original size – The Guardian In 1715, three-quarters of a century after it was painted, the canvas was trimmed – 60cm (2ft) cut from the left side of the painting, 22cm (9ins) from the top, 12cm from the bottom and 7cm from the right – so that the masterpiece might fit between two doors at Amsterdam’s city hall. But using high-resolution photography of what is left of the original, computer learning of Rembrandt’s techniques and a contemporary copy of the full painting by Gerrit Lundens hanging in London’s National Gallery, the Rijksmuseum in Amsterdam was able to reproduce the work in all its glory.
I’m a big fan of Antony Gormley’s spooky and solemn sculptures on Crosby beach near Liverpool, so I was happy to read that they’re being looked after.
Antony Gormley asks for ‘vandalised’ beach sculptures to be cleaned – The Guardian Antony Gormley has asked for paint to be removed from his iron men sculptures on Crosby beach after they were embellished with colourful outfits by an unknown artist. At least nine of the famous group of statues, which face out to sea and have been standing naked on the Merseyside beach for a decade, have been brightly decorated in the past week.
Antony Gormley hopes Crosby statues last 1,000 years after reset – The Guardian One hundred cast-iron statues modelled on Gormley were installed in 2005 at Crosby beach, spread across 3km (2 miles) of the foreshore and stretching almost 1km out to sea. The installation, Another Place, was only supposed to last 16 months in Crosby, and the men were almost sent packing early amid safety complaints including cases of the coastguard being called out to “rescue” them. Sixteen years on, the artwork has become a tourist attraction for the Sefton borough of Merseyside and a beloved local institution. But unnoticed by all but the keenest eye, 10 of the men have been missing in action for the past few years after their concrete support piles disintegrated, plunging them face-first into the mud.
Of course, restoration isn’t just limited to paintings and sculptures. There are people who also want to restore … letters of the alphabet?
Petition · Restore the ampersand as the 27th letter of the alphabet – Change.org The ampersand dates all the way back to 45 AD and Johannes Gutenberg even included it on his first printing press in 1440. During the 19th century, American schoolchildren were taught to end their ABC’s with “X, Y, Z, and per se and” because the ampersand was indeed the 27th letter. But then it mysteriously and inexplicably disappeared from the alphabet. […]
This isn’t just for us. Think of all the uses of the ampersand out there, and all the people and organizations that could benefit from allowing the ampersand back into our alphabet. We’re not asking for much. And to be completely honest, we’re not exactly sure who calls the shots on these sorts of things, but having Merriam-Webster on our side seems like a good start.
For law firms, the ampersand is a character worth saving – ABA Journal Paul Hastings, Norton Rose Fulbright, Hogan Lovells, Proskauer Rose, Baker Botts: the list of new BigLaw titles built on the corpses of ampersands is almost endless. All these firms discarded their ampersands as if they were ashamed of them. The BigLaw ampersand now stands on the precipice of extinction. Accordingly, it is up to BigLaw partners and associates to see to its survival. You’re thinking, “But what can I do? I’m only one lawyer among tens of thousands?” You have answered your own question: You are one of tens of thousands. Your voice, added to the voices of your brother and sister lawyers across the land, can be a mighty chorus demanding the restoration of the ampersand to its rightful place in American law.
First full image of ‘new’ Vermeer with uncovered Cupid released by Dresden museum – The Art Newspaper Art lovers get ready to be struck by Cupid’s arrow, as the first image of the completed restoration of Johannes Vermeer’s Girl Reading a Letter at an Open Window (around 1657-59) has been released today by Dresden’s Gemäldegalerie Alte Meister, fully revealing a hidden image of Cupid. The change to the composition in one of Vermeer’s most famous paintings is so great that the German museum is dubbing it a “new” Vermeer in publicity materials.
A restored Vermeer painting reveals a hidden Cupid artwork hanging in the background – Colossal The new restoration—dive into the lengthy process in the video below—is just one of the mysteries that’s surrounded “Girl Reading a Letter at an Open Window” since its creation between 1657–59. Originally attributed to Rembrandt and later to Pieter de Hooch, the artwork wasn’t properly credited until 1880. The piece is evocative of another one of Vermeer’s works, “Lady Standing at a Virginal,” though, which similarly features a painting within a painting by showing a solitary figure standing near a window with Cupid on the wall behind her.
There’s something very hypnotic and life-affirming about watching such intricate restorations. Here are a few more.
The Museum of Modern Art: Microscopically reweaving a 1907 painting – YouTube To ready Paula Modersohn-Becker’s “Self Portrait” (1907) for MoMA’s reopening in October, conservator Diana Hartman tackles the question of how to repair holes in the painting’s canvas. She figures out that a curved needle typically used in eye surgery might allow her to avoid removing the work from its original stretcher. And her inventiveness doesn’t end there: Using an adhesive made from a sturgeon bladder, she secures linen thread to the needle to darn the pieces back together with the help of a microscope.
Tate: Restoring Rothko – YouTube Mark Rothko’s ‘Black on Maroon’ 1958 goes back on public view at Tate Modern on 13 May 2014, following 18 months of intensive work by the Conservation team and colleagues across Tate. The painting, one of the iconic Seagram murals which Rothko donated to Tate in 1970, was vandalised with graffiti ink in October 2012. It has since been the subject of detailed research and restoration by the core treatment team of Rachel Barker, Bronwyn Ormsby and Patricia Smithen.
Baumgartner Restoration: Ex Multis Ad Unum – Restoring a split painting, narrated – YouTube One of the challenges that the conservator often faces is before being able to embark upon the work of restoring the painting the old conservation attempts and materials must first be addressed. That is, before the “do” comes a lot of “undo.” Unknown materials and motives can be frustrating and difficult to address yet with experience and resources these can be overcome.
There seems to be no shortage of examples of restoration going wrong — though I don’t know why it’s Spain so often.
Worshipping at the altar of Beast Jesus – Hyperallergic Instead of trying to restore the restoration, the people behind the Santuario de Misericordia decided to make Giménez’s bizarre creation work in their favor — something they may have learned from the wise people of Pisa, who never tried to straighten their famous tower.
Botched Spanish sculpture restoration evokes the infamy of Beast Jesus – Hyperallergic The wooden statue is housed in the town’s St. Michael’s Church. Before-and-after photo comparisons show a badly damaged but tonally subtle and complex sculpture that has been updated with a cartoonish palette. The makeover has not only changed the facial expression of Saint George to a kind of dumbfounded stare, but also obliterated many of the details in his ornate armor, which now resembles that of a toy knight.
15th century Virgin Mary sculpture gets a very special makeover – Hyperallergic “I’m not a professional painter, but I’ve always enjoyed it, and these images really were in need of painting,” María Luisa Menéndez, the local tobacco shopkeeper responsible for this latest painting fiasco said in a statement to the newspaper El Comercio, adding that the local clergy had given her permission. “So I painted them the best I could, with the colors that seemed right, and the neighbors like it.”
How ‘Monkey Christ’ brought new life to a quiet Spanish town – The Guardian Between August and December 2012, 45,824 people visited the sanctuary. The numbers may have dropped off since then, but Borja still receives 16,000 visitors a year – more than four times the number who came before Giménez picked up her brushes. Not only has the picture’s fame provided jobs for the sanctuary-museum’s two caretakers, it also helps fund places at Borja’s care home for the elderly, a haven for those who would not otherwise be able to afford to live there.
Botched Spanish statue that went viral is lovingly unrestored – The Guardian “It’s been a long process because we had to do preliminary tests and take samples to see how we could go about cleaning it and to determine which would be the best materials and methods,” [Carlos Martínez Álava, the head of the Navarre government’s historic heritage department] said. “Today, the statue has the same colours it had before last year’s extremely unfortunate intervention. But we know that we’ve lost part of the original paint along the way.”
Spanish statue bodge-up is a new rival to Borja’s Monkey Christ – The Guardian What was once the smiling face of a woman next to some livestock has been replaced with a crude countenance that bears a passing resemblance to the incumbent US president, Donald Trump. Or one of the Sand People from Star Wars. Or something from a cheese-induced nightmare. Or, to be honest, pretty much anything you wish to project on to it.
So says this article from The New York Times — way back in 2001.
Exploration of World Wide Web tilts from eclectic to mudane – The New York Times The new utilitarian view of the Web marks a disappointment for cultural critics who see the medium as fundamentally more democratic than traditional radio, television and newspapers, because the barriers to entry are so low. The Web was supposed to subvert corporate domination of culture by giving a global soapbox — or printing press or television station — to anyone with a computer and a modem. While plenty of people do publish their personal musings and pictures of their babies, new data shows that for many people, the Web has become an electronic routine.
It certainly looks different these days, as this tongue-in-cheek recreation shows.
But there are still glimpses of the old web out there, if you know what URL to type — or mistype.
gail.com Q: Why isn’t there any content here? Can’t you at least throw up a picture of your cat for the Internet to check out? A: Sorry, I have a cat, but she’s pretty unexciting by Internet standards. As for why there is very little content here, we wanted to keep the server’s attack surface as small as possible to keep it safe.
Q: Interested in selling gail.com? A: Sorry, no.
Q: How did you manage to get gail.com? A: My husband registered it as a birthday gift back in 1996.
Q: How many times a day is this page visited? A: In 2020 this page received a total of 5,950,012 hits, which is an average of 16,257 per day. Looking at just unique hits, we received a total of 1,295,284, for an average of 3,539 unique hits per day. Occasionally, we get Twitter-bombed and may get several tens of thousands of visitors a day. As an example, on July 21st 2020 we received 109,316 hits.
Q: Why is your website so popular? Are you one of those famous people that no one knows why they’re famous? A: No, I’m not famous. It seems likely that most visitors simply mistype gmail.com and end up visiting gail.com by mistake.
For curiousity’s sake, I right-clicked to ‘view page source’ of this anachronistic little website and was rewarded with this little comment, hence the header image of this post.
Quirky, hand-written html is something I definitely miss from the old web.
The Slow Mo Guys usually shoot their videos at 1,000 frames a second and play them back at 25 frames a second, in effect stretching one second into 40 seconds. But in this video they’re using a camera that allows them to shoot a mind-boggling 90,000 frames a second. When that footage is played back at 25 frames a second, one second lasts one whole hour.
At this speed, a minute would last two and a half days, an hour would last about five months, and a day would come in at just under a decade, at nine years and ten months. Shall we keep going? A month would last around three centuries, and a year would be about 3,597 years.
Interesting visuals, for sure, but that concept of experiencing time at different scales is captivating.
Does anyone else get slightly filled with dread imagining how bad it would be to be stuck at this speed. Even if you were surrounded by people you wouldn’t be able to communicate with anyone. It would be so lonely. It would take you so long to move anywhere. You wouldn’t be able to let anyone know what was happening to you. To them you’d be moving at normal speed but acting strangely…
It immediately brought to mind one of my favourite Borges short stories, The Secret Miracle, with the playwright facing a firing squad.
Jorge Luis Borges: The Secret Miracle – SCASD [pdf] The rifles converged upon Hladik, but the men assigned to pull the triggers were immobile. The sergeant’s arm eternalized an inconclusive gesture. Upon a courtyard flag stone a bee cast a stationary shadow. The wind had halted, as in a painted picture. Hladik began a shriek, a syllable, a twist of the hand. He realised he was paralyzed. Not a sound reached him from the frozen world. He thought: I’m in hell, I’m dead. He thought: I’ve gone mad. He thought: Time has come to a halt.
It’s a common enough device, but Borges does it most poetically, I would say. But going back to that video, here’s what falling into a pool for an hour looks like. The action really kicks off at the 26 minute mark.
The concept was “Unity in Diversity” and this is reflected in the fusion of materials used to create the posters. “Geometric shapes are used to simplify the appeal of the competition,” says Kent Iitaka, “and to more symbolically express the moment when the body is full of power.” Brushes, pencils, and airbrushes were used in order to express speedy movement of athletes and the powerful competition space with passion.
The studio honed in on the dynamism of wheelchairs and artificial limbs alongside the power of sound produced by the athletes’ movements. As Iitaka puts it, “The various charms of parasports, such as the sensibilities of athletes who have been sharpened in the dark, of competitions held in a world without vision, are firmly established in one graphic for each competition.” The posters on black backgrounds are used to demonstrate a competition that includes a blind class – “It expresses the presence of a player who emerges powerfully even in the darkness with his eyes closed.”
It’s obvious, when you think about it. Of course not all Neanderthals were ‘cavemen’ — half were women.
Sheanderthal – Aeon Essays Archaeology is no exception to biases against women’s interests across science and the humanities. Since the early days, a tendency to conceptualise humanity’s deep origins as populated literally by ‘cavemen’ has led to presumed male activities being presented as most visible and interesting. … In fact, for most of the subsequent 160 years, female Neanderthals – if featured at all – tend to be fewer in number, peripherally located, and limited to ‘domesticated’ activities including childcare and skin-working. They are essentially scenery, in the words of the anthropologist Diane Gifford-Gonzalez, rather than active providers working on stone knapping or hunting and, in addition, they’re often fearfully lurking, hidden in dark grottos.
The world is a very different place now.
Why eye-catching graphics are vital for getting to grips with climate change – The Conversation One misconception about the climate crisis is that warming will be uniform across the world. Deniers cite cold fronts or blizzards as evidence that warming is exaggerated, or hark back to past heatwaves – such as that experienced by the UK in 1976 when temperatures exceeded 35°C – as proof that the scientists have got it wrong. Apart from this misleading conflation of weather (daily conditions) and climate (long-term conditions), this kind of argument misses the complex patchwork of effects that interact to create what gets reported in the headline figures. Maps can be an invaluable weapon against this misunderstanding. … [W]hat is needed are more universally accessible visualisations that are able to show where we’re heading in no uncertain terms.
How on earth would you protect future generations from something with a half-life of over 700 million years? Use your imagination.
The art of pondering Earth’s distant future – Scientific American We do not, of course, live in these imagined worlds. In this sense, they are unreal—merely fictions. However, our capacities to envision potential futures, and to feel empathy for those who may inhabit them, are very real. Depictions of tomorrow can have powerful, concrete effects on the world today. This is why deep time thought experiments are not playful games, but serious acts of intellectual problem-solving. It is why the safety case experts’ models of far future nuclear waste risks are uniquely valuable, even if they are, at the end of the day, mere approximations.
Remember when virtual reality was supposed to be the next all-encompassing, technological paradigm? Or the Internet of Things? Well, hold on to your VR googles becausethemetaverseiscoming! Mark says so.
Facebook wants us to live in the metaverse – The New Yorker In a Facebook earnings call last week, Mark Zuckerberg outlined the future of his company. The vision he put forth wasn’t based on advertising, which provides the bulk of Facebook’s current profits, or on an increase in the over-all size of the social network, which already has nearly three billion monthly active users. Instead, Zuckerberg said that his goal is for Facebook to help build the “metaverse,” a Silicon Valley buzzword that has become an obsession for anyone trying to predict, and thus profit from, the next decade of technology.
Mark Zuckerberg wants to turn Facebook into a ‘metaverse company’ – what does that mean? – The Conversation In his quest to turn Facebook into a metaverse company, Zuckerberg is seeking to build a system where people move between virtual reality (VR), AR and even 2D devices, using realistic avatars of themselves where appropriate. Here they will work, socialise, share things and have other experiences, while still probably using the internet for some tasks such as searches which are similar to how we use it now. Owning not only the Facebook platform but also WhatsApp, Instagram and VR headset maker Oculus gives Zuckerberg a big head start in making this a reality.
Mark in the metaverse: Facebook’s CEO on why the social network is becoming ‘a metaverse company’ – The Verge The metaverse is a vision that spans many companies — the whole industry. You can think about it as the successor to the mobile internet. And it’s certainly not something that any one company is going to build, but I think a big part of our next chapter is going to hopefully be contributing to building that, in partnership with a lot of other companies and creators and developers. But you can think about the metaverse as an embodied internet, where instead of just viewing content — you are in it. And you feel present with other people as if you were in other places, having different experiences that you couldn’t necessarily do on a 2D app or webpage, like dancing, for example, or different types of fitness.
For context, it would be helpful to read Neal Stephenson’s 1992 Snow Crash or Ernest Cline’s Ready Player One from 2011, recently made into a movie of the same name. Exciting, dynamic sci-fi thrillers, but not futures that I’d like as my present.
The metaverse has always been a dystopian idea – VICE If it is coming, and if it is a big deal, then surprisingly few have paused to carefully consider the actual source of the metaverse, an undertaking which seems like a good idea, especially because that source is a deeply dystopian novel about a collapsed America that is overrun by violence and poverty. The metaverse was born in Neal Stephenson’s 1992 Snow Crash, where it serves as entertainment and an economic underbelly to a poor, desperate nation that is literally governed by corporate franchises. […]
Both books’ metaverses get at a common truism: there is something inherently dystopian in a future where humans abandon the real world in favor of an escapist and consumerist-oriented fully immersive digital one. To want to spend any serious amount of time in a metaverse, it must be made more appealing than reality, a feat which can be accomplished in one of two ways—either the world outside is already shitty enough to drive you into a glitch-prone, murder-filled alternative, or the fantasy of becoming someone else is compelling enough to consume you totally.
Is this all hype at the moment? Is there any real substance to these aspirations?
But as usual with such amorphous concepts and platform aspirations, there’s very little there. None of these luminaries, from Zuck to Nadella to Boz, seem capable of painting a coherent vision for what their particular metaverse will look or feel like, beyond gesturing at “presence” and a collection of apps, keywords, and old science fiction tropes. It is an odd vision built from a compendium of juvenile fantasies, perceived market opportunities, and overt dystopias.
Well, the author of that article might think so, but that’s not a view shared by venture capitalist Matthew Ball. He first wrote about the beginnings of the metaverse in 2018 …
The Metaverse: What it is, where to find it, who will build it, and Fortnite – MatthewBall.vc This is why considering Fortnite as video game or interactive experience is to think too small and too immediately. Fortnite began as a game, but it quickly evolved into a social square. Its players aren’t logging in to “play”, per se, but to be with their virtual and real-world friends. Teenagers in the 1970s to 2010s would come home and spend three hours talking on the phone. Now they talk to their friends on Fortnite, but not about Fortnite. Instead, they talk about school, movies, sports, news, boys, girls and more. After all, Fortnite doesn’t have a story or IP – the plot is what happens on it and who is there.
A framework for the metaverse – MatthewBall.vc Since [the 2020 update], a lot has happened. COVID-19 forced hundreds of millions into Zoomschool and remote work. Roblox became one of the most popular entertainment experiences in history. Google Trends’ index on the phrase “The Metaverse” set a new “100” in March 2021. Against this baseline, use of the term never exceeded seven from January 2005 through to December 2020. With that in mind, I thought it was time to do an update – one that reflects how my thinking has changed over the past 18 months and addresses the questions I’ve received during this time, such as “Is the Metaverse here?”, “When will it arrive?”, and “What does it need to grow?”.
Each of these buckets is critical to the development of the Metaverse. In many cases, we have a good sense of how each one needs to develop, or at least where there’s a critical threshold (say, VR resolution and frame rates, or network latency). But recent history warns us not to be dogmatic about any specific path to, or idealized vision of, a fully functioning Metaverse. The internet was once envisioned as the ‘Information Superhighway’ and ‘World Wide Web’. Neither of these descriptions were particularly helpful in planning for 2010 or 2020, least of all in understanding how the world and almost every industry would be transformed by the internet.
Very extensive, and I can’t say I follow even half of it, but it all sounds very exciting. It’s nice to see Second Life getting a mention as a “proto-metaverse”, but I wish it was more involved.
Second Life 2021 review, documentary from inside the social metaverse – YouTube Second Life is an open world 3D social virtual world, the precursor of the virtual reality or VR platforms we see today. But is it really on its way out of the Metaverse game as some believe? Or does it hold the keys to realizing the Metaverse as it is envisioned by many futurists and sci-fi authors? This short film seeks to answer those questions.
Hopefully this next social internet will result in a more positive future than the one envisaged in Keiichi Matsuda’s video, Hyper-reality, that I shared some time back.
Anyway, to round all this off, here are a couple of links from Dezeen on what real estate in this new digital universe might look like.
Artist Krista Kim sells “first NFT digital house in the world” for over $500,000 – Dezeen Kim designed the home in 2020 to be a space that embodied her philosophy of meditative design and worked with an architect to render the house using Unreal Engine, software that is commonly used to create video games. She describes the house, which overlooks a moody mountain range and features an open-plan design and floor to ceiling glass walls, as a “light sculpture”.
Tesla’s new ‘mind of car’ UI signals a future we’re not prepared for – UX Collective As far as we’re concerned, everything we need to know and understand about empathy extends only towards sentient life — from stepping inside the shoes of real people we look to understand their needs, goals, pain points and desires. However, that’s beginning to change. In the same way we’ve seen in the example above, we have to stomach the idea of extending that same patience, understanding and empathy towards an AI system. Does it sound crazy? A little bit, yes. But, like a child, a new AI system learns through trial and error in an effort to reach a mature understanding to discern what is right and wrong.
A dog’s inner life: what a robot pet taught me about consciousness – The Guardian I spent the afternoon reading the instruction booklet while Aibo wandered around the apartment, occasionally circling back and urging me to play. He came with a pink ball that he nosed around the living room, and when I threw it, he would run to retrieve it. Aibo had sensors all over his body, so he knew when he was being petted, plus cameras that helped him learn and navigate the layout of the apartment, and microphones that let him hear voice commands. This sensory input was then processed by facial recognition software and deep-learning algorithms that allowed the dog to interpret vocal commands, differentiate between members of the household, and adapt to the temperament of its owners. According to the product website, all of this meant that the dog had “real emotions and instinct” – a claim that was apparently too ontologically thorny to have flagged the censure of the Federal Trade Commission.
Similar to Voleflix but with less actual content, here’s a new streaming service for when you’re after something a little more meta.
Nestflix Welcome to Nestflix, the platform for your favorite nested films and shows. Fictional movies within movies? Got ‘em. Fake shows within shows? You bet. Browse our selection of over 400 stories within stories.
My profile picture provides a hint of my past as an art student interested in photography and collage, but Argentine multidisciplinary artist Karen Navarro takes the idea to an altogether higher level.
Houston artist Karen Navarro looks inward in her latest exhibition – ML Houston Known for pushing the boundaries of traditional photography, mixed-media artist Karen Navarro has reached new heights with her latest exhibition—a series of photosculpture configurations assembled and arranged in various ways, shapes and forms. In The Constructed Self, on view April 30 through June 25 at Foto Relevance, Navarro uses multidimensional portraiture to illustrate our ability to reorder and redesign our public-facing personas.
Karen Navarro: The Constructed Self – Foto Relevance Using digital photography as a foundation, I transform traditional prints into three-dimensional objects by cutting and incorporating tactile elements such as wood, paint, and resin. The labor-intensive techniques I apply to create these sculptural objects not only allow for a physical deconstruction of my images but also become a form of meditation that reflects my efforts in trying to reconstruct and make sense of my own identity.
El pertenecer en tiempos modernos (Belonging in modern times) – Karen Navarro Belonging is intrinsic to our humanity and integral to our understanding of ourselves. While the need for community transcends time, the means to develop one’s “tribe” has transformed from the physical to the digital realm and has subsequently impacted how we view ourselves in this interconnected world. Social media platforms, such as Facebook and Instagram, that value the visual image above all, have altered our sense of self and the very mechanisms for how we develop our external and internal identities and to which groups we belong.
Do you remember reading about those Whitehouse officials whose job was to painstakingly tape back together all the fragments of paperwork Trump kept ripping up and throwing away? Well…
Piecing together the history of Stasi spying – The New York Times When pro-democracy protesters stormed the secret police precincts in 1989 and 1990, they found officers at work inside, shredding, pulping and tearing documents by hand. The Ministry for State Security, known as the Stasi, was trying desperately to destroy the surveillance records it had collected over four decades of spying on its own citizens. […]
In the 30 years since, so-called “puzzlers” have been working to reconstruct the torn documents by hand, laboriously sorting and matching fragments of paper by color and handwriting, before taping them back together and submitting them to the archives. … The historian Timothy Garton Ash described the process as an exercise in “extraordinary, but some would say a bit crazy, perfectionism.” Some 500 sacks have already been reconstructed, with 15,500 left to go. […]
Since 1992, the researchers have been offering former citizens of East Germany the opportunity to view their personal Stasi file, a complicated rite of passage that often reveals that family members, friends or neighbors had reported their activities to the Stasi. […]
Ms. Riemann, who wrote a book about the experience with her husband, the journalist Torsten Sasse, said that the knowledge gained from the files was worth the pain. “You could read something in these files that will disturb you forever,” she said, “but the question of course is: Could you live with a lie?”