The data’s everywhere, but can we make sense of it? Here are some data visualisation approaches and examples – how to do it, and how definitely not to.
This article suggests the young folks are demanding better presentations of statistical data because of Google or Wikipedia or something. Sounds fishy. Surely us old folks appreciate good design too?
Data visualization drives the era of information activism
Having grown up with the web, millennials are used to having access to all the information they want with just a simple finger tap on a screen. As millennials enter the workforce, they are bringing these expectations into the office, behaving less as data consumers and much more as information activists.
But how far should we go in leading the horses to the water?
Narration and exploration in visualization
What should we emphasize when designing a visualization? Should we explain the data, perhaps through a narration, or should we let readers explore the data at will?
Here’s an example of how an interactive presentation not only helps with a story but can spur you into looking for your own.
What happens when a newspaper editor and a data-viz whiz team up to tell stories
With two wins behind them, Rob and Daniel are already discussing future collaborations—perhaps something with sports or crime data. The idea is to tell compelling data stories that have a longer shelf life. (“If you put time into creating something like this, you want people to see it over a certain scale of time,” says Daniel.)
I do like these images, though. Not sure how replicable this approach is, but it works well here.
These playful, funny 3D printed infographics can liven up any data
Instead of flicking hastily to the next page, your gaze can’t help but linger on the adventures of the miniature figures scaling, swinging from or exploring the plastic pieces.
But here are the real gems. Bar pies? Caramel latte football fields?
BestWorstViz contest result
As with last month’s graphiti contest, picking a winner was ever so hard with lots of wonderfully bad work heading my way. The submissions generally fell into two different camps: (1) the most blatant, inelegant in-your-face explosions of design awfulness, and (2) the more subtly deceptive “wolf in sheep’s clothing” designs. My judgments were based on the degree of violation against each of my three key principles: Trustworthy, accessible and elegant.