Art and AI #3

A very interesting follow-up to that story about the first artwork by an AI to be auctioned. It seems the humans behind the AI, Hugo Caselles-Dupré and the Obvious team, have had to face some considerable criticism.

The AI art at Christie’s is not what you think
Hugo Caselles-Dupré, the technical lead at Obvious, shared with me: “I’ve got to be honest with you, we have totally lost control of how the press talks about us. We are in the middle of a storm and lots of false information is released with our name on it. In fact, we are really depressed about it, because we saw that the whole community of AI art now hates us because of that. At the beginning, we just wanted to create this fun project because we love machine learning.” […]

Early on Obvious made the claim that “creativity isn’t only for humans,” implying that the machine is autonomously creating their artwork. While many articles have run with this storyline, one even crediting robots, it is not what most AI artists and AI experts in general believe to be true. Most would say that AI is augmenting artists at the moment and the description in the news is greatly exaggerated. […]

In fact, when pressed, Hugo admitted to me in our interview that this was just “clumsy communication” they made in the beginning when they didn’t think anyone was actually paying attention. […]

As we saw with Salvator Mundi last year and with the Banksy last week, the most prestigious auction houses, like museums, have the ability to elevate art and increase its value by putting it into the spotlight, shaping not only the narrative of the work, but also the narrative of art history.

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Author: Terry Madeley

I work with student data and enjoy reading about art and design, data, education and technology.

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