There’s no escaping the selfie, they’re everywhere. But have we really stopped to consider them as an art form? Here’s a critique of this new genre, with some famous and infamous examples.
Art at arm’s length: A history of the selfie
In some way, selfies reach back to the Greek theatrical idea of methexis—a group sharing wherein the speaker addresses the audience directly, much like when comic actors look at the TV camera and make a face. Finally, fascinatingly, the genre wasn’t created by artists. Selfies come from all of us; they are a folk art that is already expanding the language and lexicon of photography. Selfies are a photography of modern life—not that academics or curators are paying much attention to them. They will, though: In a hundred years, the mass of selfies will be an incredible record of the fine details of everyday life. Imagine what we could see if we had millions of these from the streets of imperial Rome.
And here’s Jason Bailey from Artnome suggesting we could see Rembrandt as the Paris Hilton of his day…
How Rembrandt and Van Gogh mastered the art of the selfie
Next time someone gives you a hard time for spending 15 minutes fussing with filters on your selfie, remind them that Rembrandt spent a full 10% of his career perfecting selfies.