As the slow-motion car crash that is Brexit continues, here’s a look at how some in the art world are dealing with its ramifications.
Art world scrambles to ship art before Brexit deadline
The British Council is sending all works for Cathy Wilkes’s Venice Biennale exhibition in Italy “well ahead of the 29 March deadline to avoid any possible disruption”, says a spokeswoman. Wilkes, who is based in Glasgow, Scotland, has been selected to fill the British Pavilion this year.
The organisers of the biennial’s Irish pavilion are also transporting works from Eva Rothschild’s London studio early to avoid any delays at British ports. “We don’t know what’s going to happen after 29 March but it’s not worth the risk of things getting held up at customs. The ramifications are huge,” says Mary Cremin, the commissioner and curator of the pavilion and director of the Void Gallery in Derry, Northern Ireland.
It’s not just a problem for British art going out to Europe.
The prospect of hefty EU import taxes is already disrupting exhibition programmes in the UK. Tornabuoni Arte in London is closing its show of paintings by Alberto Burri and Lucio Fontana two weeks early and transporting the works back to Italy to avoid a potential multimillion-pound reimport bill. Italy’s import rate stands at 10%.
“We are covering our backs because no decision has been made yet, but we are looking at an enormous amount of money to reimport incredibly expensive works. It’s crippling,” says a gallery spokesman.
The title for the Venice Biannale’s art exhibition is so appropriate.
Biennale Arte 2019
The 58th International Art Exhibition, titled May You Live In Interesting Times, will take place from 11 May to 24 November 2019 (Pre-opening on 8, 9, 10 May). The title is a phrase of English invention that has long been mistakenly cited as an ancient Chinese curse that invokes periods of uncertainty, crisis and turmoil; “interesting times”, exactly as the ones we live in today.