Two artists, one approach.
Palette knife smudges and heavy brushstrokes form colorful abstract portraits by Joseph Lee
Lee began painting as a way to channel his creativity after a failed acting audition. “After working on a long project, I needed to protect my energy and be selfish with my time,” he told Shape/Shift Report. “I don’t have any formal artistic training and coming from a theater background, human behavior and emotions were the closest references I had to paint.” Describing his process as “a bit of a blur,” Lee says that he shuts off mentally and fully engages with the work. No two days are the same, and that’s the way he prefers it. “I am not conscious of what I am doing much of this time,” he explained.
Thick brushstrokes form plump songbirds in oil paintings by Angela Moulton
Chickadees, barn swallows, and goldcrest kinglets emerge from impasto oil paintings by Angela Moulton. The artist works in the aesthetic space between realistic and stylized, using natural tones that are slightly keyed up, and following the body and beak shapes of each bird while giving them just a bit of extra plumpness. Thick brush strokes form the birds’ bodies in just a couple of deft swipes.