Fending off the Jackpot

I’m about halfway through William Gibson’s latest novel, Agency, and was very happy to read somewhere that it’s part two of a trilogy. Here’s hoping we’ll all be around to enjoy the third…

William Gibson on the apocalypse: “it’s been happening for at least 100 years”New Statesman
His characters call it “the Jackpot”. “It’s multi-causal, and it’s of extremely long duration,” he explains. Over many decades, climate change, pollution, drug-resistant diseases and other factors – “I’ve never really had the heart to make up a full list, else I’ll depress myself” – deplete the human race by 80 per cent. The Jackpot is the mundane cataclysm of modernity itself. It is hundreds of millions of people driving to the supermarket in their SUVs, flying six times a year, and eating medicated animals for dinner. “If the Jackpot is going to happen,” Gibson says, “it’s already happening. It’s been happening for at least 100 years.”

As well as bringing to life an all-too-plausible future, he has a keen grasp on the present. (All science fiction is really about the present, I guess. As he has said earlier, “The future is already here. It’s just not very evenly distributed.”)

Putin is the pre-eminent figure in the klept that Gibson sees emerging in the real world. He describes Russia’s reported attempts to influence the 2016 US election as “the most cost-efficient black op in human history. It was a long shot, but it did work, and every day since then they must have had a good laugh, and gotten ready to enjoy yet another day of watching this endlessly exploding grenade at the heart of American government. I doubt they’ve tried to control him very much. It isn’t necessary.”

This story caught my eye. Another artist inspired by a frustrating political situation to produce something positive.

Artist Whitney Bedford is drawing a portrait of Elizabeth Warren every day until she is elected presidentThe Art Newspaper
“It’s really the only currency I have,” says Bedford, fresh from a powerful paintings show at Susanne Vielmetter’s gallery that explored ideas of landscape and toxic land use. “I felt that if I did something I’m known for in public, it could be an incentive for other people to act.” She calls her project “Elizabeth Warren Wins”.

“There’s never been a candidate I’ve been so excited about. And I’ve never done something so fangirl in my life,” she adds. “I don’t get the whole Bernie tsunami because he sounds angry to me. I like how measured and intelligent she is, and I’m on board with pretty much all of her positions.”

jackpot-1

jackpot-2

Author: Terry Madeley

Works with student data and enjoys reading about art and design, data, education and technology.

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