A Dutchman and two Yorkshire men

It was Van Gogh’s birthday the other week. Martin Bailey from The Art Newspaper takes a look at what he was doing on 30 March each year. It ends quite poignantly.

A concise guide to Van Gogh’s adult life: how the artist celebrated his birthday over the yearsThe Art Newspaper
Theo was very worried, writing to him on 29 March: “How pleased I would be to be able to go and see you tomorrow to shake your hand on your birthday. Will it be a celebration for you, or are you still in a state where you find yourself unhappy?” Vincent’s mother posted him a tin of chocolate and sewed him a tobacco pouch. She wrote to Theo: “May the 30th of March not be too unhappy for Vincent. Poor fellow, may he see better days.”

Let’s be more positive and remind ourselves of the joy he took in nature, with this interview with David Hockney from last year at the Van Gogh Museum.

David Hockney on Vincent van Gogh: Full interviewVan Gogh Museum
From 1 March, the colossal works of David Hockney will be on display in the Netherlands. For the first time, this spectacular exhibition offers an extensive and colourful exploration of the common ground between the work of Vincent van Gogh and David Hockney.

Hockney: ‘His paintings are full of movement. What people love about Van Gogh’s paintings is that all the brush marks are visible and you can see how they are painted. When you’re drawing one blade of grass you’re looking and then you see more. And then you see the other blades of grass and you’re always seeing more. Well, that’s exciting to me and it was exciting to Van Gogh. I mean, he saw very clearly’.

That visit to the Netherlands wasn’t without incident, but here’s an interview with another artist from Yorkshire whose latest work goes back to nature in a visually similar way.

Interview: Damien HirstIdler
I’d always made more money the next year than the year before. But it was unsustainable and it bites your arse. They all love you. The bank loves you, and the accountants love you, because they’re taking your money. Every year you get more and more people as well. One guy is taking 10 per cent and then it’s another guy taking 10 per cent and another guy taking 10 per cent and it’s all a big party. But before you know it, suddenly you’ve got an overdraft when before you had loads of cash. The people who give you the overdraft are your best mates as well, smiling at you and telling you that you’re amazing so you keep doing it. […]

You start by thinking you’ll get one assistant and before you know it you’ve got biographers, fire eaters, jugglers, fucking minstrels and lyre players all wandering around. They’re all saying they aren’t being paid enough and they all need assistants. Then one night you ask the lyre player to play for you and they say: “My lyre is all scratched up and I did ask for a lyre technician but you said not yet and if I had one I could come and play for you now.” So you’ve got to have a lyre technician and then you better get him an Uber account too.

Author: Terry Madeley

Works with student data and enjoys reading about art and design, data, education and technology.

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