You seen Tenet yet? I have, though I think I’ll need to go a few more times to be able to tell you what it was all about.
Tenet review: ‘It feels like several blockbusters combined’ – BBC Culture
He has often said that he would like to direct a Bond movie, but he must have got tired of waiting for the producers to hire him, so he has gone ahead and made one of his own. From its opening action set piece, to its whistle-stop tour of international beauty spots, to its super-rich, heavily-accented bad guy with an army of expendable henchmen, Tenet follows the 007 formula to the letter – the only notable change being that the main role has been split in two, with Washington playing the tough, dedicated government agent, and Pattinson adding the English accent, the insouciant humour and the taste for alcohol.
Is seeing Tenet in cinemas worth the coronavirus risk? – Wired UK
As in Nolan’s previous films, characters spend the beginning zooming busily from place to place, delineating the world’s underlying rules. And like his other films, this quickly spun pseudoscience drives the plot. I found both increasingly impenetrable, an impression Nolan seems to anticipate – one scientist, her lab coat underscoring her authority, makes bullets spring, grasshopper-like, backwards through time. “Don’t try to understand it, feel it,” she implores.
It was great to be back in the cinema, though.
The spectacle, then, is the point. Watching a Nolan movie on your laptop is like watching someone else ride a roller coaster; abstractly, you can see why it would be fun, nevertheless, it is not. This is a film best presented in 70mm, at the iMax, the biggest cinema in the UK (™), at a head popping scale of image and sound. And it was moving, just as Nolan described it in his editorial, to be back in the cinema, even this cold new cinema of masks, hand sanitiser and vacant seats. It is so central to social life. The film opens with a crowd attending the theatre – unintentionally its most poignant scene.