Most consonants, fewest vowels – The Generalist Academy
In contrast to this paucity of vowels [two], Ubykh has a lot of consonants. Eighty-four, in fact, including common stalwarts like /p/ and /g/, trills, twenty different sounds made with the uvula (that dangly thing at the back of your throat), a class of sound called ejectives that we don’t have in English, and a delightfully obscure sound called an unvoiced labialized pharyngealized back dorsal uvular ejective stop – /qˤʷʼ/.
There was that guy who accidentally deleted his entire company, but do you remember Michael Landy? He’s one of the Young British Artists, the one who methodically catalogued, disassembled and then shredded all of his possessions — all of them, including clothes, family photos, passport, artwork, car — over a two week period in a performance art piece called Break Down.
Michael Landy on Break Down – Artangel
Certain people criticised Break Down as a spectacle, but a spectacle is passive, and this wasn’t. Shoppers wanted to know what was going on; you could divide them into two groups. People who had heard about the project (knowing faces) and people who walked in from the street (quizzical faces). Certain shoppers thought this was a new way of selling things – they would offer me money for parts of my car, little old ladies would bring back clothes, which they had bought at the C&A closing down sale. […]
One day a young woman approached me whilst I was on the platform. She asked would I consider swapping my dad’s sheepskin coat for what she had in her duffel bag. I told her I couldn’t swap it, but she was more than welcome to try and steal it. Eight months later I was with Gillian in Tesco’s in Bethnal Green and I saw exactly the same sheepskin coat, worn by a man, maybe one size smaller than my dad’s. I wondered whether she did steal it in the end and it was having a second life.
So where does one go after something like that? Back to the drawing board.
Break Down – Michael Landy – Google Arts & Culture
Like a phoenix from the ashes, this drawing was part of the process of recapitulating an experience that left Landy with nothing. It amounts to an existential anti-shopping list. ‘Having nothing was a kind of regression, so I was interested in going back to being a child, to just having a drawing pencil and paper.’ Retrospectively, he traces the stages of the disassembly process in pen and ink, employing a line-by-line precision with the pedantry of a military re-enactment. He anatomises his life in terms of the humdrum, a vision of wheelie bins, goggles, odd socks and camera crews, scrutinising the idea that ‘somehow at some point we begin to create our own biographies from the things we own or possess’.
That was twenty years ago. How does he feel about it all now?
‘Like witnessing my own funeral’: Michael Landy on destroying everything he owned – The Guardian
The minimal aesthetic suggests that Landy’s lifestyle tends towards the ascetic, rather than the accumulative. But still: regrets? “I don’t miss anything,” he says. Then he hesitates. “I’ve never owned up to it, so I can’t own up to it now. I’ve always stuck to that. No, I literally can’t think of anything that I miss.” That’s his story and he’s sticking to it. […]
What was it like when it was all over? In the pub on the last night, he says: “I got very paranoid. I have talked about it as the happiest two weeks of my life, but it was also like witnessing my own funeral. People would come along who I hadn’t seen for years, and then I worked it out: I was only seeing them because I’d in a sense died.”
His work certainly struck a chord, and is as relevant today as it was then (sadly).
The man who destroyed all his belongings – BBC Culture
Break Down – which remains Landy’s best-known work – is considered a provocative masterpiece of recent British art. Moreover, because consumerism in the West has only accelerated since 2001 – witness, for instance, the rise of YouTube vloggers such as Zoella who devote entire videos to rummaging through shopping bags in order to celebrate high-street ‘hauls’ – it has also come to seem remarkably prescient.
Uplifted by Break Down: Breaking down consumerism – Art Breath
In your artwork, were you also referencing that we possess more than what we own? In a sense, even with nothing we have a lot we have our integrity
Yes we do, I think we are more than the sum of our parts.
Actually that cropped up afterwards with the artwork Acts of Kindness on the London underground. It refers to when we don’t have the economic means to offer material things, we have our kindness and humanity to offer, which actually gets overlooked a lot. People don’t even notice they have those elements but they are being kind and humane to others without even realising they are doing so.
I think that is what came out of Break Down too. People were really kind to me and really open and when I literally had nothing I started to think, what makes us human, and basically that was humanity and a connection between a person and a complete stranger, that kind of emotional bridge between the self and other.
He received a CBE recently. I can’t see him throwing that away.
I almost forgot to wish Mozart happy 265th birthday.
Do you remember Second Life? Not only is it still around, but it’s having something of a comeback, thanks to you-know-what.
Huck’s absolute beginner’s guide to Second Life for the coronavirus curious – What the Huck?
Registrations are up. People are rediscovering Second Life. Which makes sense, because one of the first things you realise after a couple of days of self-isolation/working from home is just how much we all need contact with other human beings. It’s so important that we stay at home right now, but that doesn’t mean to say we have to stop socialising, and SL offers that possibility.
A message from our CEO: Coronavirus and Second Life operations – Second Life Community
We are seeing an increase in new registrations and returning residents during this outbreak. Please be kind and welcoming to those who may just need a friendly conversation to escape from this crazy world for a moment or more. If you have a friend or colleague who is looking for a safe place to socialize online during these tough times, we encourage you to help them discover how Second Life can enable them to feel less isolated by connecting them to your favorite communities or experiences.
I had an account with Second Life for a while back in the late-naughties, and remember very little. The only link I have on here about it is this one from 2010, about a university’s virtual version of itself falling foul of Second Life’s codes of conduct. The Chronicle’s news story I was linking to isn’t there anymore, but I found this one from the same time.
California College loses Second Life for a second time – US News
It was a pretty big deal, then, when Woodbury University, a small school in Burbank, Calif., got booted off Second Life for the second time in four years on Tuesday, the Chronicle of Higher Education reports. Woodbury was kicked out the first time in 2007. Linden Labs, which owns and oversees Second Life, didn’t give a specific reason for the ban, but the Chronicle story suggests that it had to do with accusations of vandalism and Woodbury’s ongoing dispute with another group on Second Life.
Here’s another write-up of that from 2010, going in to more detail.
Woodbury University banned from Second Life (again) – Krypton Radio
The real life Woodbury University has been barred from having any official representation in Second Life since July of 2007, when the original Woodbury University region was first trashed by IntLibber Brautigan employee Maldavius Figtree and then completely destroyed less than a week later by Linden Lab itself. Linden Lab deleted the region and most of its users due to its use as a headquarters for planning and executing grid raids by the now inactive griefing group known as the Patriotic Nigras.
The ten year anniversary of all that was noted last year on the Second Life forums, so it must have been quite significant at the time.
I was surprised that this story was the only one on Second Life that I had shared here on this blog. As I explain on my About page, all these links are first gathered up on my Pinboard site, so I went back there to see if I had anything else from around that time. They were all from 2016, the first time I peeked back inside this curiously old-fashioned futuristic land.
Why is ‘Second Life’ still a thing? – Vice
“As the VR market continues to grow, new experiences are introduced, and new hardware is released, we’re seeing many experiences and behaviors that reflect what Second Life users have been doing for years,” Altberg said. Indeed, the most surprising thing about Second Life is not that it’s still a thing, but that 13 years after its inception, it is still way ahead of its time.
The digital ruins of a forgotten future – The Atlantic
Second Life was supposed to be the future of the internet, but then Facebook came along. Yet many people still spend hours each day inhabiting this virtual realm. Their stories—and the world they’ve built—illuminate the promise and limitations of online life.
Whatever happened to Second Life? – Alphr
Three years on, and Second Life seems no closer to finding a respectable reason for being than it did in 2006. It might try and shuffle sex into a corner, and pretend that it’s a melting pot of creativity, business and academia, but it ultimately serves no purpose. It’s like the nouvelle cuisine of the 1980s: pretty, fascinating but ultimately unfulfilling. “What’s the point of Second Life?” I asked one of the “greeters” on the Second Life Help Island, desperate to find something that could make this vast, billion-dollar empire seem worthwhile.
Well I quite like the place, third time round, though I’m still none the wiser about it all. Thankfully, help is still around.
Photo Huckleberry Hax
How to be indistractable – Psyche Guides
Once you understand the depth of distraction, you can start to manage it and improve. After years of experiments, I found myself less distracted – a quality that improved nearly every aspect of my life. It turns out that being able to focus on the subjects and people in my life who matter improved everything from my health to my happiness to my productivity. That can seem obvious, but I couldn’t have fully appreciated the joys of living an indistractable life if I hadn’t gotten there on my own after a five-year journey. Being indistractable can lead you to not just change your life for the better, but also experience life fully.
I liked the way that my posture, whilst reading this article on how to sit correctly when working from home, was exactly the same as the photo they use to show how not to do it. We must both have heavy chins?
How to avoid neck, shoulder and back pain while working from home – Patient
Have you found it hard to set up a comfortable workspace during the coronavirus lockdown? Started missing your standing desk or office chair whilst working from home? Our workspace can cause our muscles considerable pain if not set up properly, so we asked two experts to explain how best to do it.
Nothing that we don’t already know, really — screen at correct height, proper back support etc etc. We know the guidelines, we just need to follow them. Perhaps one of these would help?
Slouching too much? Can’t sleep comfortably at work? Get yourself a helping hand! – Sora News 24
Thanko, Japan’s premiere producer of bizarre products, is back with the “Chin Rest Arm.” … This multipurpose, posable, movable, slightly sexy plastic hand will help keep your head up when times are tough. Literally! You can also use it in place of a neck pillow when you’re trying to escape the slow march into death by catching a few winks at work.
I’m sure President Biden has enough on his to-do list at the moment to be giving Space Force and the politics of space much thought, but this new book from Benedict Redgrove might spark some enthusiasm.
Benedict Redgrove’s intimate photography book lands us inside the world of NASA – IGNANT
Redgrove has been fascinated by space suits and shuttles since he was a young man. “The image of the astronaut or spaceman has been with me ever since, as a sort of talisman to all that is great and good,” he shares. “They symbolize the explorer, the hero, the good character, the leader. The spacesuit takes on that character, the suit and the human become one entity, more powerful than either on their own.” Combining his fascination with space technology with his interest in photography, the British creative took on the challenge to document America’s home of space-based research and development in intimate detail. Redgrove spent almost a decade working on the project, negotiating access and forming relationships with NASA, researching, investigating, and producing over 200 images of NASA’s facilities and the many objects that made their space travel imaginable and possible.
The engineering involved in landing on the moon was incredible. To fully appreciate that, I think I need to add this epic piece of journalism to my reading list.
Of a Fire on the Moon by Norman Mailer – Penguin Random House
For many, the moon landing was the defining event of the twentieth century. So it seems only fitting that Norman Mailer—the literary provocateur who altered the landscape of American nonfiction—wrote the most wide-ranging, far-seeing chronicle of the Apollo 11 mission. A classic chronicle of America’s reach for greatness in the midst of the Cold War, Of a Fire on the Moon compiles the reportage Mailer published between 1969 and 1970 in Life magazine: gripping firsthand dispatches from inside NASA’s clandestine operations in Houston and Cape Kennedy; technical insights into the magnitude of their awe-inspiring feat; and prescient meditations that place the event in human context as only Mailer could.
Norman Mailer’s A Fire on the Moon: a giant leap for reportage – The Guardian
In the age of Gravity, of simulated cinematic immersion in space, it is more striking than ever that footage of the greatest technological feat of all time looked no better “than a print of the earliest silent movies … Ghost beckoned to ghosts and the surface of the moon looked like a ski slope at night.”
That line about the poor quality visuals (deliberately poor, apparently) not matching the scale of the achievement reminded me of Brian Eno’s dissatisfaction with the audio, the chatter of the experts obscuring the event’s grandeur and strangeness.
Of a Fire on the Moon was first published across three issues of Life magazine (much like John Hersey’s Hiroshima, published in its entirety in The New Yorker in 1946), and is yours in book form for a tenner or so. Or, if you want to spend a little more…
Of a Fire on the Moon; $112,500 coffee table edition – Wikipedia
The 40th anniversary of the first Moon landing was marked in 2009 by the release of an abridged, limited edition of the text, re-packaged with images from NASA and Life magazine. This production retitled the work, MoonFire, and was presented in an aluminium box with a lid shaped like the crater-pocked surface of the Moon; the object was mounted on four legs resembling the Apollo Lunar Module’s struts. Thus, the coffee table book came inside its own lunar-themed “coffee table”, with an uneven surface (see photograph). The package included a numbered print of the famous portrait of Buzz Aldrin standing on the Moon, framed in plexiglass and signed by the astronaut himself—and enclosed a lunar meteorite. Only 12 were created and the price was $112,500.
It’s great to see Metallica dueting with Huey Lewis and The News thanks, once again, to the amazing video editing skills of Bill McClintock.
So long, and thanks for all the insults.
The complete list of Trump’s Twitter insults (2015-2021) – The New York Times
As a political figure, Donald J. Trump used Twitter to praise, to cajole, to entertain, to lobby, to establish his version of events — and, perhaps most notably, to amplify his scorn. This list documents the verbal attacks Mr. Trump posted on Twitter, from when he declared his candidacy in June 2015 to Jan. 8, when Twitter permanently barred him.
Let’s see how the new guy’s account gets used.
How Biden becomes @POTUS: A Twitter transition breakdown – Hollywood Reporter
The multi-step process will begin with the archiving of official tweets sent during the Trump administration.
When Joe Biden takes the White House, he’ll also take @WhiteHouse – The New York Times
The tweets on each current account will be archived under different names. The Trump administration’s tweets under @POTUS, for example, will be transferred to @POTUS45.
Biden Twitter account ‘starts from zero’ with no Trump followers – BBC News
Donald Trump inherited the Potus account’s 13 million or so followers when it moved to him from Mr Obama – but that will not happen this time.
Update – 24/01/2021
Here’s an angle on this I hadn’t considered before.
‘I am not sad. I am really not sad’: Trump’s Twitter reply-guys reckon with a post-Trump era – OneZero
Many of Trump’s early reply-guys eventually burned out or changed tactics; others have long since been booted from Twitter themselves. But dozens of otherwise ordinary anti-Trumpers, like Guterman, still draw hundreds of thousands of followers to their online tilts, and they’re facing an unclear future without their archnemesis. “I guess I’ll go read a book,” tweeted Jeff Tiedrich, perhaps the king of the reply-guys and the publisher of a leftist politics blog, in the hours after Trump’s suspension.
“It’s a new era for Twitter now,” Guterman said. “I don’t think there’s any need anymore for me to do this.”
At a time when indoor art galleries and museums are closed because of you know what, it’s good to see some alternative initiatives. Here, an augmented reality app allowed you to explore 36 digital sculptures from artists around the world, arranged as a riverside walking tour.
How an augmented reality app transformed London into an immersive art gallery – Aeon Videos
If you ever hopped on the Pokémon GO craze, you’ll have an inkling of how digital technology is increasingly capable of adding rich new slices to everyday life. The public exhibition ‘Unreal City’, which ran from 8 December 2020 to 5 January 2021 on the River Thames in London – and is, until 9 February 2021, available for at-home viewing – similarly superimposed digital layers on to reality, but with an aim to transform the city into an immersive augmented reality (AR) art gallery.
Have a go at curating your own exhibition at home.
Unreal City at Home – Acute Art
Acute Art and Dazed Media are excited to announce that Unreal City, London’s biggest public festival of AR art will now be available to view and interact with from inside your home for one-month only. Responding to new lockdown measures and the popularity of the exhibition in London and across the United Kingdom, Acute Art and Dazed Media will make these site-specific artworks available for audiences all around the world to discover from the safety of their homes via the free Acute Art app.
Waterstones has uploaded a lengthy, introductory extract from Jenny Odell’s excellent book, How to Do Nothing: Resisting the Attention Economy. Vital reading. There’s also the video and transcript of the related talk she gave in 2017.
William Gibson’s short story Johnny Mnemonic first appeared in Omni magazine in 1981, before being published in his Burning Chrome collection in 1986. It takes place in the same world of Gibson’s cyberpunk novels, Neuromancer, Count Zero and Mona Lisa Overdrive and, in the 1995 movie at least, starts on 17 January 2021.
Johnny Mnemonic – Museum of Arts and Design
Artist Robert Longo’s directorial debut, Johnny Mnemonic adapts for the big screen William Gibson’s story of the same name. Set in a dystopian 2021, when megacorporations rule the world, the movie features Keanu Reeves as Johnny, a “mnemonic courier” who discreetly transports information too sensitive to carry over the Net via a special device implanted into his brain—a career that’s cost him his childhood memories. Hoping to recover them through an expensive surgery, Johnny agrees to one last job, which requires him to download more information than his implant can handle.
2021 and the conspiracies of Johnny Mnemonic – WIRED
Johnny is a digital-era delivery guy. If you need some data transported hypersecurely, simply load it into his head and off he goes: your very own walking—more often running, from bad guys—USB air-gapped meatstick. So what if the gig comes with memory lacunae and the risk, in the event of information overload, of brain-burst, to say nothing of the Yakuza at your back, who are more than happy to carry out a file transfer by way of decapitation? It pays well, and you look cyber-cool doing it.
Gibson’s cyberspace was always bound up with the body. Data can be wet-wired; manipulating files requires Power Gloves and an “Eyephone.” When Johnny jacks in, it kind of hurts. Such meat-meets-metal has, in the quarter-century since Johnny Mnemonic came out, been called a failure of prediction. Our internet ended up disembodied, virtualized, socially distanced, our iPhones more of a figurative prosthesis. Yet, this last year, we sat slack at our desks, muscles atrophying, nerves attenuating, as we doomscrolled our way to new aches, new anxieties, new ailments. Some wild-eyes went so far as to claim that 5G triggered the pandemic, which is the most Gibson-sounding conspiracy of all. In Johnny’s world, the black shakes are caused not by a virus but by a signal. Epidemic through technic. There’s something in the air, no matter what you do. You’re already sick, you’re already dying. Connectivity is killing you.
Looking back at Johnny Mnemonic – Den of Geek
Really, it’s pretty difficult to figure out exactly why this film doesn’t live up to the brilliance of Gibson’s material, and why it didn’t find a wider audience. It may be down to the studio’s interference – allegedly, the film was re-cut shortly before its release, to be more mainstream; Gibson himself attests that the rough cut was funnier and more alternative. It may also be that the general cinema-going audience may not have known what to make of it – it was science-fiction, yes, but without the usual tropes they might expect of the genre. Virtual reality had also been done before, and Johnny Mnemonic’s cyberspace sequences are similar to those seen in 1992’s The Lawnmower Man, and 1995’s Virtuosity also played around with the concept a few months later – really, audiences were promised nothing new. And, of course, nobody knew The Matrix was only four years away, which would redefine the way in which simulated realities had been presented in films forever.
Can technology make you sick, like ‘NAS’ does in Johnny Mnemonic? – Syfy Wire
The real risk of exposure to technology might exist not in the technology itself, but in our relationship to it. It’s true that excessive internet usage is linked to depression. What’s unclear is which factor is the instigator. One interpretation of the data suggests that excessive internet usage causes depression. This makes intuitive sense as the information most readily available online is overwhelmingly negative. Another interpretation is that those predisposed to depression exhibit higher internet usage. […]
NAS or the Black Shakes, the physiological disease showcased in Johnny Mnemonic, has yet to rear its head, but the psychological impact of constant information demanding attention can have real consequences. And we all need to be aware of where we devote our attention, what society is demanding from us, and how we navigate an ever-changing and increasingly digital landscape.
One of the pieces of classical music on YouTube I keep replaying is this performance of Dvořák’s String Quartet No 12, played by the wonderful Pražák Quartet. It’s such a lyrical piece, played with passion and vigour.
It’s fun to compare that early video of the four of them with this performance of Schubert’s String Quartet No 15 several years later.
Time marches on for all of us, though sadly it didn’t march for very long for Schubert himself.
A lost paradise of purity – Standpoint
Of all the premature deaths among the ranks of the creative, none is more painful to contemplate than Franz Schubert’s. His cutting off in November 1828 at the age of 31 was not as brutal in strictly chronological terms as Keats’s at the age of 25 in 1821, but there is with Schubert a yearning to know the music which he never composed that is even greater than the regret for Keats’s unwritten poems. All Schubert’s works are in a sense early works, and it is striking to think that by the time Haydn reached the age at which Schubert died, he had written none of the music for which we now revere him.
Let’s move from Schubert to Bach, and from the sublime to the ridiculous.
Boomwhacker Bach: Prélude n°1 aux tubes musicaux – The Kid Should See This
This performance by Les Objets Volants is a wonderful mix of work and play… an exercise in “juggling” that requires an immense amount of concentration and teamwork. Boomwhacker Bach! In front of an audience in Luxeuil les Bains, France, this is Prélude n°1 aux tubes musicaux, or Johann Sebastian Bach’s first prelude played with boomwhackers.
All good stuff, but perhaps this musical post has been too male-dominated so far? Let’s address that.
New documentary Sisters with Transistors tells the story of electronic music’s female pioneers – Open Culture
“Technology is a tremendous liberator,” says Laurie Anderson in her voiceover narration for the new documentary Sisters with Transistors, a look at the women who have pioneered electronic music since its beginnings and been integral to inventing new sounds and ways of making them. “Women were naturally drawn to electronic music. You didn’t have to be accepted by any of the male-dominated resources. You could make something with electronics, and you could present music directly to an audience.”
“The history of women has been a history of silence,” Rovner writes. “Music is no exception.” Or as Oliveros put it in a 1970 New York Times Op-Ed:
Why have there been no “great” women composers? The question is often asked. The answer is no mystery. In the past, talent, education, ability, interests, motivation were irrelevant because being female was a unique qualification for domestic work and for continual obedience to and dependence upon men.
All good stuff, but perhaps this musical post has been too human-dominated so far? Let’s address that.
Composer transcribes animal sounds to sheet music – Boing Boing
Alexander Liebermann, an accomplished composer living in Berlin, has been challenging himself to transcribe the sounds of penguins, whales, and other animals as an exercise for ear training.
Ear training challenge – Emperor Penguin – YouTube
During courtship, the male and female penguins trumpet loudly to each other, thus learning each other’s call (They recognize each other amidst breeding colonies that consist of up to 40,000 penguins because of their calls). Emperor penguins typically use both sides of their syrinx simultaneously, producing vocalizations using ‘two-voices’. In the videos I have seen, calls of adult penguins mostly consisted of two-voice vocalizations using three different intervals: M2, m3, M3. In contrast, those of the chicks consisted of single voices outlining numerous intervals: m3, M3, P4, TT, P5, m6.
Whilst MI5 gets accused of unlawfully handling their data, the police just lose theirs.
Home Office urged to explain 150,000 arrest records wiped in tech blunder – The Times
Priti Patel has been urged to explain an “extraordinarily serious security breach” after The Times revealed a technology blunder wiped more than 150,000 fingerprint, DNA and arrest history records off police databases. The error may allow offenders to go free because biometric evidence left at crime scenes will not be flagged up on the Police National Computer (PNC).
Priti Patel under fire as 150,000 police records accidentally lost – The Guardian
The Home Office released a statement from the policing minister, Kit Malthouse, but the shadow home secretary, Nick Thomas-Symonds, said this was not good enough and called on Patel to provide an urgent statement.
Don’t worry about it, though. They’ll have that deleted data back in no time.
Police scrambling to recover more than 150,000 records wiped from UK database – The Independent
The policing minister, Kit Malthouse, said Home Office and law enforcement officials were working “at pace to recover the data”. “While the loss relates to individuals who were arrested and then released with no further action, I have asked officials and the police to confirm their initial assessment that there is no threat to public safety,” he added. “A fast time review has identified the problem and corrected the process so it cannot happen again.”
Dratted ‘housekeeping’, eh? 150k+ records deleted off UK’s Police National Computer database – The Register
It is reported that Home Office staff are trying to get some of the deleted information back. This implies, strongly, that they cannot simply restore the deleted information from backup files.
Well, as has been pointed out on Twitter, accidents happen.
Britain destroyed records of colonial crimes – The Guardian
Review finds thousands of papers detailing shameful acts were culled, while others were kept secret illegally.
114 child sex files linked to MPs have ‘vanished’ – Express
A total of 114 files linked to allegations of paedophile activity in Westminster may have been destroyed, MPs were told yesterday.
Grenfell files ‘lost forever’ after laptop wiped, inquiry hears – ITV News
Some emails, documents and design drawings relating to the Grenfell Tower refurbishment appear to have been lost forever after being wiped from a laptop, the inquiry into the fire has heard.
Home Office destroyed Windrush landing cards, says ex-staffer – The Guardian
Evidence of UK arrivals discarded despite case worker protests, says former employee.
Update – 16/01/2021
A day later and that initial total is now seen as a little on the low side.
Starmer urges home secretary to ‘take responsibility’ as it emerges 400,000 police records deleted in ‘human error’ – Sky News
Home Secretary Priti Patel has come under fire since it was first reported by The Times that 150,000 records were lost, although it is now understood the figure is much higher. Some 213,000 offence records were wiped from the Police National Computer, along with 175,000 arrest records and 15,000 person records.
Police probes compromised after computer records deleted – BBC News
[The letter from the National Police Chiefs’ Council] says that some of the records had been marked for indefinite retention following earlier convictions for serious offences. And it reveals that a “weeding system”, developed and deployed by a Home Office PNC team, started to delete records wrongly last November. The process was only brought to a halt at the start of this week. […]
It comes after about 40,000 alerts relating to European criminals were removed from the PNC following the UK’s post-Brexit security deal with the EU.
Have you ever compared Facebook’s algorithmic autonomy and global reach to a Cold War era mechanism for assured nuclear destruction? Perhaps you should.
Facebook is a Doomsday Machine – The Atlantic
[I]t took the concept of “community” and sapped it of all moral meaning. The rise of QAnon, for example, is one of the social web’s logical conclusions. That’s because Facebook—along with Google and YouTube—is perfect for amplifying and spreading disinformation at lightning speed to global audiences. Facebook is an agent of government propaganda, targeted harassment, terrorist recruitment, emotional manipulation, and genocide—a world-historic weapon that lives not underground, but in a Disneyland-inspired campus in Menlo Park, California. […]
Megascale is nearly the existential threat that megadeath is. No single machine should be able to control the fate of the world’s population—and that’s what both the Doomsday Machine and Facebook are built to do. […]
[T]here aren’t enough moderators speaking enough languages, working enough hours, to stop the biblical flood of shit that Facebook unleashes on the world, because 10 times out of 10, the algorithm is faster and more powerful than a person. […]
In other words, if the Dunbar number for running a company or maintaining a cohesive social life is 150 people; the magic number for a functional social platform is maybe 20,000 people. Facebook now has 2.7 billion monthly users. […]
If the age of reason was, in part, a reaction to the existence of the printing press, and 1960s futurism was a reaction to the atomic bomb, we need a new philosophical and moral framework for living with the social web—a new Enlightenment for the information age, and one that will carry us back to shared reality and empiricism.
Those were the paragraphs that Patrick Tanguay highlighted in one of his recent newsletters. As much as I love reading about the horrors of Facebook — and social media more widely — I’m left wondering what the point of this piece was. Will attitudes really change after reading this, or is this just more confirmation bias? Take this paragraph, for instance.
These dangers are not theoretical, and they’re exacerbated by megascale, which makes the platform a tantalizing place to experiment on people. Facebook has conducted social-contagion experiments on its users without telling them. Facebook has acted as a force for digital colonialism, attempting to become the de facto (and only) experience of the internet for people all over the world. Facebook has bragged about its ability to influence the outcome of elections. Unlawful militant groups use Facebook to organize. Government officials use Facebook to mislead their own citizens, and to tamper with elections. Military officials have exploited Facebook’s complacency to carry out genocide. Facebook inadvertently auto-generated jaunty recruitment videos for the Islamic State featuring anti-Semitic messages and burning American flags.
That’s an appalling summary, unconscionable, how can this continue, something must be done etc etc. And yet here we are, nearly 3 billion users. Is it all being dismissed as tabloid exaggeration, resulting in nothing changing? A Doomsday that nobody notices?
Timur Zagirov has converted another famous face, Marilyn’s this time, into a 3D, pixellated sculpture painting thing. An interesting partner to his re-worked Van Gogh, and much nicer to look at than that sculpture of her in Palm Springs.
Art shippers face ‘teething problems’ transporting works to Europe after Brexit – The Art Newspaper
Some air freight crates are being broken open by customs officials in EU, but UK lockdown is posing greater problems, members of the trade say.
US Capitol’s works of art survive amid right-wing rampage in Washington – The Art Newspaper
The authorities say that cleaning and conservation will be needed, however, after art was damaged by tear gas, pepper spray and fire extinguishers.
The Nazi art dealer who supplied Hermann Göring and operated in a shadowy art underworld after the war – The Art Newspaper
A new book by Jonathan Petropoulos explores Bruno Lohse’s devotion to Hitler’s number two.
You wouldn’t think the humble carrier bag would be such an evocative thing.
Plastic fantastic: Vintage carrier bags – The Guardian
Hull-based artist Aaron Thompson’s Instagram project Carry a Bag Man is a trip down memory lane. … So far, he’s photographed more than 250 for Instagram, from shops such as WH Smith, Topshop and HMV.
Many of them are likely to bring back fond memories of the shopping sprees in January sales from years gone by. “The effort put into advertising back then was so much more creative and out-there,” he says. “It’s great to look at a bag and get that burst of nostalgia as soon as you see a design you’ve totally forgotten about.”
But what shall we buy with our hundreds of carrier bags? Thousands of beer cans, of course!
The archaeologist who collected 4,500 beer cans – Gastro Obscura
Maxwell’s work blurs the line between rubbish and relic, raising the question of when beer cans become valuable artifacts worthy of study and preservation. But in many parts of the country, any object on public land that is at least 50 years old is considered historic and therefore eligible for protection under the National Historic Preservation Act of 1966—as long as they meet certain criteria. This makes the ability to date beer cans a useful skill for archaeologists.
For Maxwell, this trash was a treasure trove. “The cans were weird and old and mysterious looking,” he says. “They had punches to open them instead of pull rings, and all I knew was that they predated me.” Maxwell learned to decipher their stories by pouring over collectors’ guides and trade magazines, and summers spent hunting along the highway developed into a lifelong passion for collecting and studying beer cans. Over the decades, Maxwell amassed 4,500 cans, which he recently cut down to 1,700 due to a lack of storage space.
Trump and his followers aren’t going out quietly, are they?
Pro-Trump mob storms US Capitol – The Guardian
A mob of Trump supporters invaded the Capitol after mass demonstrations in the nation’s capital. They breached security, took over the rotunda and House chamber, and disrupted the vote certification for Joe Biden.
Riot, insurrection or social media performance?
The pro-Trump mob was doing it for the ‘Gram – Buzzfeed News
For Trump supporters who occupy those extreme-right universes, anyone who believes that Trump lost the election is the delusional one. What’s more: they experience this narrative entirely online, safe from facts, where stars of this alternate universe emerge to cement it for them. And there is a reward to be found in that stardom: After all, why would anyone don a costume like the QAnon Shaman, if not as a play for the cameras?
But if the stardom is the reward, what of their revolution? Don’t they have work to do, a vote to stop? For many in the mob that showed up in DC, the posing is the work.
Twitter has been such a huge part of this presidency, it’s hard to imagine one without the other. Up to now, at least.
Twitter permanently suspends President Donald Trump’s account – Time
In a series of tweets on its @TwitterSafety account, the social media giant said that Trump’s account had continued to violate the rules even after being warned by temporarily locking Trump’s account on Wednesday evening after the insurrection that caused the death of at least six people, either at the Capitol or from injuries sustained there.
“After close review of recent Tweets from the @realDonaldTrump account and the context around them we have permanently suspended the account due to the risk of further incitement of violence,” Twitter said in its announcement. “In the context of horrific events this week, we made it clear on Wednesday that additional violations of the Twitter Rules would potentially result in this very course of action.”
Permanent suspension of @realDonaldTrump – Twitter Blog
Our public interest framework exists to enable the public to hear from elected officials and world leaders directly. It is built on a principle that the people have a right to hold power to account in the open. However, we made it clear going back years that these accounts are not above our rules entirely and cannot use Twitter to incite violence, among other things.
Well, that’s one less password for him to remember, at least.
Trump goes “ballistic” after Twitter ban, says he’s looking at creating own platform – Slate
Trump seemed to be engulfed by a burning desire to tweet and so he grabbed hold of the official @POTUS Twitter account and published a statement that the White House also issued separately. Trump lashed out at Twitter, saying it had “coordinated with the Democrats and the Radical Left” to remove his account. Trump also said he had been “negotiating with various other sites” and that he and his allies are looking “at the possibilities of building out our own platform in the near future.” Twitter quickly took down the messages from the @POTUS account. Donald Trump Jr. characterized the ban as “absolute insanity,” adding that it showed how “we are living Orwell’s 1984.”
Trump Jr’s reference to 1984 is interesting. He’s not the first to spot similarities.
One alternative to Twitter, favoured by his supporters is (was?) Parler.
Apple suspends Parler from App Store – TechCrunch
Apple confirmed that it has suspended the conservative social media app Parler from the App Store, shortly after Google banned it from Google Play. The app, which became a home to Trump supporters and several high-profile conservatives in the days leading up to the Capitol riots, had been operating in violation of Apple’s rules.
Amazon will suspend hosting for pro-Trump social network Parler – Buzzfeed News
“Recently, we’ve seen a steady increase in this violent content on your website, all of which violates our terms,” the email reads. “It’s clear that Parler does not have an effective process to comply with the AWS terms of service.” […] On Parler, reaction to the impending ban was swift and outraged, with some discussing violence against Amazon. “It would be a pity if someone with explosives training were to pay a visit to some AWS data centers,” one person wrote.
It seems to me that these people aren’t contesting their 2020 loss, but the one from 1865.