Fractured identities

My profile picture provides a hint of my past as an art student interested in photography and collage, but Argentine multidisciplinary artist Karen Navarro takes the idea to an altogether higher level.

Houston artist Karen Navarro looks inward in her latest exhibitionML Houston
Known for pushing the boundaries of traditional photography, mixed-media artist Karen Navarro has reached new heights with her latest exhibition—a series of photosculpture configurations assembled and arranged in various ways, shapes and forms. In The Constructed Self, on view April 30 through June 25 at Foto Relevance, Navarro uses multidimensional portraiture to illustrate our ability to reorder and redesign our public-facing personas.

Karen Navarro: The Constructed Self – Foto Relevance
Using digital photography as a foundation, I transform traditional prints into three-dimensional objects by cutting and incorporating tactile elements such as wood, paint, and resin. The labor-intensive techniques I apply to create these sculptural objects not only allow for a physical deconstruction of my images but also become a form of meditation that reflects my efforts in trying to reconstruct and make sense of my own identity.

More on her website.

El pertenecer en tiempos modernos (Belonging in modern times)Karen Navarro
Belonging is intrinsic to our humanity and integral to our understanding of ourselves. While the need for community transcends time, the means to develop one’s “tribe” has transformed from the physical to the digital realm and has subsequently impacted how we view ourselves in this interconnected world. Social media platforms, such as Facebook and Instagram, that value the visual image above all, have altered our sense of self and the very mechanisms for how we develop our external and internal identities and to which groups we belong.

Author: Terry Madeley

Works with student data and enjoys reading about art, data, education and technology.

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