What makes a classic?

Are all these articles I’m sharing about covers of books, rather than the books themselves, making me look a little shallow? So it goes.

How Penguin’s Modern Classics dared us to judge a book by its coverThe Guardian
“From the beginning, built into the DNA of Penguin, has been this idea that the books need to be beautifully designed,” [says Henry Eliot, author of The Penguin Modern Classics Book]. “If anything has characterised the Penguin design ethos, it’s a kind of elegant simplicity – there’s something deceptively simple about a Penguin cover. It takes a huge amount of work to put them together.” […]

More unsettling is the work of Hungarian-born French cartoonist André Francois. Eliot singles out his cover of William Faulkner’s The Sound and the Fury, “where each eye of the face is made up of a mouth with another set of eyes. It’s just such a scary, striking image. It reminds me of Escher or one of Borges’s short stories – there’s something queasy and vertiginous about it.”

Author: Terry Madeley

Works with student data and enjoys reading about art, data, education and technology.

2 thoughts on “What makes a classic?”

  1. I can see what you mean by the Sound and the Fury….that cover is very creepy 😳 what a cool collection! And admiring the covers doesn’t make you shallow at all. I am the same tend to pick up books based on the cover alone 🤗

    Liked by 1 person

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