I’ve just been reading on the internet that Pamela Paul, the editor of The New York Times Book Review, has written a new book.
100 Things We’ve Lost to the Internet – Pamela Paul [A] captivating record, enlivened with illustrations, of the world before cyberspace—from voicemails to blind dates to punctuation to civility. There are the small losses: postcards, the blessings of an adolescence largely spared of documentation, the Rolodex, and the genuine surprises at high school reunions. But there are larger repercussions, too: weaker memories, the inability to entertain oneself, and the utter demolition of privacy.
Not really, but go on.
What does tech take from us? Meet the writer who has counted 100 big losses – The Guardian “There are a lot of terrible things to say about the internet,” she says. “What I wanted to focus on was not so much all of those doomsday scenarios, although they exist, but to look at all of these forces and say: ‘What does this mean for what we do in our daily lives – from the moment we wake up to the iPhone alarm to the moment when we’re trying to fall asleep at night and we can’t because we’re like: ‘Oh my God, there’s this newsletter that arrives at 11pm, let me just see what it says’? What does it actually mean down here at the level of how we live?”
It’s hard to read that article (about a book I wouldn’t have heard about if it wasn’t for the internet) and not respond with simply, “Ok boomer, whatever.” Yes, the internet’s changed many aspects of society, from book selling to banking, and yes, my predominant response to the web these days is one of disappointment. But I’m not sure many things have been lost, as such. We still have options. We can still make different choices.
She sounds a little pessimistic. Perhaps she should read this.
Pessimists Archive Welcome to Pessimists Archive, a project created to jog our collective memories about the hysteria, technophobia and moral panic that often greets new technologies, ideas and trends.
There are sections that mark the worrying introduction of television and computing amongst others (Pamela Paul bemoaned the loss of civility, above. That went years ago, apparently), but the archive starts way back in 1858.
Telegraph – Pessimists Archive It was humanity’s first taste of mass communications, and immediately triggered the same concerns about information overload, frivolous communications, loss of privacy, and moral corruption that today we blame on the internet.
There are eight newspaper clippings about telegraphs, including one that claimed “global telegraphy could screw with earths currents and disorder the universe.” But there are 65 clippings about bicycles, and even 17 about teddy bears.
Perhaps Pamela Paul needs to be reminded that being pessimistic about a new thing is not itself a new thing.
Remember Aaron Thompson, the Carry a Bag Man? Here’s another high street historian.
A celebration of the humble paper bag – The Guardian Graphic designer Tim Sumner was introduced to the idea of paper bags as a cultural artefact a decade ago by his tutor at the University of Central Lancashire. “I’ve since amassed over 1,000 bags of my own from around the world.” Now he plans to showcase his collection – the largest in the world, he thinks – in a book, To Have and to Hold, which he’s funding on Kickstarter. “The bag designs document not just social history, but the rise and fall of our high street and changes in culture and fashion.”
If you think paper bags are mundane, Tim Sumner asks you to think again – It’s Nice That It’s not news that we’ve all become rather consumption-obsessed these days; we must buy the latest and greatest of everything. Tim wants to reflect on our “relatively recent consumer past, social history and the changes in our visual culture”. As a designer, he says that he can’t help but enjoy looking through the archive: “The bags are very nostalgic to everyone, not just designers. They are a smorgasbord of typography, colour, patterns, and illustration spanning over 100 years.” The archive includes recognisable identities from places including Selfridges, Fortnum & Mason, The British Museum and the National Portrait Gallery, as well as lesser-known and perhaps even more rich designs like “a hand-crafted design that has been created by the local green-grocer”.
Universities are seen as key drivers of social mobility; improving access to opportunity and moving people up the economic ladder. But is that the case for all universities? This new report from the Institute for Fiscal Studies and The Sutton Trust might have the answer.
The average mobility rate across all universities based on those who entered in the mid-2000s is 1.3%. This means just over one in every 100 graduates was eligible for FSM when they were at school and is in the top 20% of earnings at age 30. This compares to the 4.4 students in every 100 graduates we would get if there were equal access to university for all income groups and undergraduates from all income backgrounds had the same chance of making it into the top 20%.
Many of the most selective and prestigious universities do not do well on this ranking. While students from low-income families who go to Russell Group institutions do very well in the labour market, these universities admit very few FSM students, leading to an average mobility rate of just 1%.
Overall, the least selective post-1992 institutions do best, often combining relatively high access rates of FSM students (more than one in every ten students) with slightly below average rates of reaching the top 20%. More selective post-1992 have the lowest mobility rates. They take in fewer FSM students than pre-1992 universities, but have far worse labour market outcomes. […]
Bradford, Aston, Newman University (Birmingham), Birmingham City and Liverpool John Moores are the highest mobility institutions which are not based in or around London.
You can explore the data for yourself with this interactive chart from the Sutton Trust.
The full report and background data is available on the IFS website as well as on GOV.UK.
Which university degrees are best for intergenerational mobility? – Institute for Fiscal Studies Higher education is often seen as a crucial vehicle for improving intergenerational mobility. Previous research in the UK has generally looked in isolation at access to, or outcomes from, university for students coming from low-income backgrounds. Here, we put these components together to investigate the extent to which individual universities, subjects and courses promote intergenerational mobility.
The most impactful actions at COP26 point to progress on climate change – UN News Ms. Donlon noted that the pact calls for a phase down of coal and a phase out of fossil fuel subsidies, “two key issues that had never been explicitly mentioned in a decision at climate talks before – despite coal, oil and gas being the key drivers of global warming”. According to the UN official, Glasgow signaled “an accelerated shift away from fossil fuels and towards renewable energy”.
Most City investors could not care less about ESG and sustainability – City A.M. With COP26 only weeks behind us, more than half of UK investors admit sustainable investing is not a priority for them, with just under 45 per cent saying it is important and it is a priority in their investment portfolio. In fact, less than a third of British investors say COP26 and the UK government’s stance on climate change have accelerated their ESG investment plans to pump capital into sustainable assets.
Broadly, India’s air quality suffers from its appetite for fossil fuels, which has only grown after two decades of rapid economic growth. Last year, India was home to 15 of the 20 cities with the most hazardous air globally, and health experts have detailed how such conditions can lead to brain damage, respiratory problems and early death.
Here’s a different take on the move to electric cars (complete with an unexpected reference to my sister’s favourite 80s boy band).
Norway is running out of gas-guzzling cars to tax – WIRED UK When it comes to sales of electric cars, Norway is in a league of its own. In September, battery-powered electric vehicles accounted for 77.5 percent of all new cars sold. That figure makes Norway a world leader by a long way—leapfrogging over the UK, where 15 percent of new car sales were electric as of October, and the US, where that number is just 2.6 percent. Norway’s electric dream has been credited to a series of tax breaks and other financial carrots that mean brands like Tesla can compete on price with combustion engines. But these incentives—and their success—have created a unique predicament: Norway is running out of dirty cars to tax.
Lots to unpack from COP26. Will subsequent generations see it as a decisive moment? It’s interesting to see how various aspects of the Climate Pact were strengthened and weakened through the first, second, third and final drafts.
Will the Glasgow climate pact curb emissions — or is it doomed for failure? – Wake Up To Politics Like the Montreal pact [the 1987 treaty that targeted substances responsible for degradation of the ozone layer], the Glasgow agreement also acknowledged these varying degrees of responsibility — but it did not provide any sort of financial incentive to follow reductions of greenhouse gas emissions. The Montreal agreement was also made stronger because of the nature of the problem it addressed: with a focus on a specific type of emissions, it was easy to ensure adherence to the protocol with transfers. The Glasgow summit’s target — climate change caused by greenhouse gas emissions — is much broader, and therefore harder to mitigate.
6 essential numbers to understand the Glasgow Climate Pact – WIRED UK A noteworthy breakthrough at COP26 was the pledge from Scotland to give £2 million ($2.7 million) to vulnerable countries for loss and damage caused by the climate crisis. No developed country has ever offered up such money before, so while the amount is small in terms of the actual cash on offer, it is significant in terms of its politics.
Loss and damage refers to the harms done by climate change which can no longer simply be adapted to, such as climate migration due to droughts or island territory lost to rising sea levels. The Paris Agreement acknowledges it as an issue, but rich countries have been extremely hesitant to offer up any kind of finance for it, including at COP26.
So Scottish first minister Nicola Sturgeon’s comments last week that “the rich developed industrialized countries that have caused climate change … have a responsibility to step up, recognize that and address it” were a surprise breakthrough. Her use of the words “reparation” and “debt” in this context are also significant, considering the huge resistance from many developed countries, especially the US, to use this kind of language.
That line above, “island territory lost to rising sea levels,” can seem a little abstract from where I’m sitting. But it must be terrifying for those in the thick of it.
To hell with drowning – The Atlantic In my corner, Micronesia, the facts are frightening. We are seeing a rate of sea-level rise two to three times the global average. Some scientists theorize that most of our low-lying coral-atoll nations may become uninhabitable as early as 2030. Faced with the prospect of climate-induced relocation, some leaders have contemplated buying land in other countries in anticipation of having to move some or all of their people.
Tuvalu looking at legal ways to be a state if it is submerged – Reuters “We’re actually imagining a worst-case scenario where we are forced to relocate or our lands are submerged,” the minister, Simon Kofe, told Reuters in an interview. “We’re looking at legal avenues where we can retain our ownership of our maritime zones, retain our recognition as a state under international law. So those are steps that we are taking, looking into the future,” he said.
Chennai, India. People wade with their bicycles through a waterlogged road during incessant heavy rains in Chennai. According to the intergovernmental panel on climate change, major coastal cities like Mumbai, Kochi, Visakhapatnam and Chennai could go underwater by the end of the century.
It’s good to read some positive news about the pandemic.
Pfizer will allow its Covid pill to be made and sold cheaply in poor countries – The New York Times The agreement follows a similar arrangement negotiated by Merck last month, and together the deals have the potential to vastly expand global production of two simple antiviral pills that could alter the course of the pandemic by preventing severe illness from the coronavirus. The agreement follows a similar arrangement negotiated by Merck last month, and together the deals have the potential to vastly expand global production of two simple antiviral pills that could alter the course of the pandemic by preventing severe illness from the coronavirus.
But then you read things like this.
Covid denial to climate denial: How conspiracists are shifting focus – BBC News Anti-lockdown and anti-vaccine Telegram groups, which once focused exclusively on the pandemic, are now injecting the climate change debate with the same conspiratorial narratives they use to explain the pandemic. The posts go far beyond political criticism and debate – they’re full of incorrect information, fake stories and pseudoscience. According to researchers at the Institute for Strategic Dialogue (ISD), a think tank that researches global disinformation trends, some anti-lockdown groups have become polluted by misleading posts about climate change being overplayed, or even a so-called “hoax” designed to control people.
“Increasingly, terminology around Covid-19 measures is being used to stoke fear and mobilise against climate action,” says the ISD’s Jennie King. She says this isn’t really about climate as a policy issue. “It’s the fact that these are really neat vectors to get themes like power, personal freedom, agency, citizen against state, loss of traditional lifestyles – to get all of those ideas to a much broader audience.”
Another melancholic series of photographs documenting our changing environment, this time of the United Arab Emirates.
Depicted through poignant landscapes, the grim reality of consumption by Richard Allenby-Pratt – IGNANT The UAE is less than half a century old; before the formation of its federation, the region had only really changed on a geological timescale—“a timescale so vast that the human mind cannot even begin to perceive it,” he explains, “and yet, in one human generation, we have altered or in some way touched, almost every square kilometer.” In the series, Allenby-Pratt depicts exactly this disruption, with otherworldly scenes that seem both futuristic and as if time was standing still. He portrays structures that should appear totally out of context, if not for human intervention: endless fields of solar panels and carparks, nuclear facilities under construction, and power lines far out into the ocean, are just some of the creations humankind applauds as progress, while ignoring the more vitally important creations of nature.
None of this makes sense. It didn’t make sense back in March when I first tried to get my head around it all, and I’m none the wiser now.
Miramax is suing Tarantino over Pulp Fiction NFT auction — Quartz Earlier this month, Tarantino announced plans to auction off unique digital versions of items from the 1994 cult classic, including scanned copies of script pages for seven scenes that didn’t make the final cut. The “secret” NFTs will only be viewable by whoever purchases them. But here’s the five-dollar shake: Miramax claims these NFTs are not Tarantino’s to sell.
A fake Banksy sold for $330K is a perfect symbol of a wild NFT market – The Next Web There are numerous reports of NFT fraudsters selling fake artworks, stealing credit card information, and hacking into cryptocurrency accounts. Perhaps the most notorious example yet is this week’s sale of a fake Banksy NFT. […] As well as not looking like a Banksy, the piece was reportedly unsigned and hadn’t been authenticated by the artist’s agency. The true mastermind may forever remain a mystery. Whoever they may be, their ruse has further exposed the risks of buying NFTs.
Boy, 12, makes £290,000 in non-fungible tokens with digital whale art – The Guardian Benyamin Ahmed’s collection of pixelated artworks called Weird Whales went viral during the school holidays. His success may be a harbinger of the digital business models that could disrupt the banking sector. His father, Imran, a software developer, described the artwork as similar to “digital Pokémon cards” and said they had been a big success because collectors realised their historical significance.
Last week, the government announced their GCSE and A Level exam contingency plan, in case things go wrong again …
Contingency plans confirmed for GCSEs, AS and A levels – GOV.UK The government intends for exams to take place next summer. But if they cannot go ahead safely or fairly due to the pandemic, contingency arrangements will be in place to ensure that schools and colleges are well prepared to enable students to achieve their qualifications. Following a consultation, the department and qualifications regulator Ofqual have confirmed students would receive Teacher Assessed Grades based on a range of their work, similar to this summer.
Ofsted accelerates inspections for schools and further education providers – GOV.UK This will mean parents and learners will get up-to-date assurance about the quality of education that their children or they are receiving. Schools, colleges and other FE providers will receive timely information to inform their improvement plans. Beginning with last term’s inspections, all schools and FE providers will be inspected at least once by summer 2025.
Nick Brook, the deputy general secretary of the National Association of Head Teachers, added: “Given the pressure schools are currently under and the recent calls to pause inspections this term, the announcement of more to come feels completely tone-deaf.” […]
Former school inspectors have added their voices to the growing disenchantment, among them Frank Norris, a former senior HMI with Ofsted, who expressed “deep concern”. “I’m based in the north and the pandemic has hit some of our communities the hardest. Schools have managed amazingly well and kept things rolling,” Norris said. “It is shameful that Ofsted inspectors apparently choose to give this crucial area of work little attention when they produce their inspection reports.”
Worrying about inspections is possibly the last things teachers need at the moment.
How to handle the student disrespect sweeping the country – Smart Classroom Management Since returning to in-person learning, respect has taken a nosedive. Students are just different. We all see it. We all know it. The question is, what to do about it? Well, the usual keys are still in play: Clear Boundaries; 100% Consistency; Calm Enforcement. Keeping your cool regardless of what a student does or says, and doing what you say you’re going to do, are now more important than ever before. Fail on this front and the battles will be constant, the disrespect unrelenting. However, the time has come for something more.
Well done to the data team at The Economist, having to visualise a 12-year journey of a space probe as it makes a flying visit to eight different asteroids. They’ve made a very complicated journey look quite straightforward and elegant.
A probe intended to study the Trojan asteroids takes off – The Economist Lucy, as this planetary-ancestor-investigating mission is dubbed, after a well-known specimen of Australopithecus, an early hominid, blasted off from Cape Canaveral, in Florida, and will now follow one of the most complex paths around the solar system yet devised by NASA’s orbital navigators. The diagram which shows Lucy’s journey, indicates how the craft will first pick up speed using two velocity-boosting fly-bys of Earth. It will then head for the Greek camp, passing, for a practice run at observation, by way of a convenient main-belt asteroid that the mission’s scientists have named Donaldjohanson, in honour of the discoverer of Lucy the Australopithecine. When it arrives at L4 in 2027, it will encounter five bodies: Eurybates and its tiny satellite Queta, Polymele, Leucus and Orus. Having examined each of these, it will leave the Greek camp in 2028 and cross, via another velocity-boosting fly-by of Earth, to the Trojan camp at L5. Its final planned encounter, when it reaches L5 in 2033, is with Patroclus and Menoetius.
Lucy mission trajectory – NASA Scientific Visualization Studio Lucy will launch in October 2021 and, with boosts from Earth’s gravity, will complete a twelve-year journey to eight different asteroids — a Main Belt asteroid and seven Jupiter Trojans, the last two members of a “two-for-the-price-of-one” binary system. Lucy’s complex path will take it to both clusters of Trojans and give us our first close-up view of all three major types of bodies in the swarms (so-called C-, P- and D-types).
The refugee crisis is often in the news, and like other complex, global issues it can be hard to relate to. Perhaps focussing on the arduous journey of just one unaccompanied minor would help.
The Walk – One little girl. One BIG hope. In 2021, from the Syria-Turkey border all the way to the UK, The Walk brought together celebrated artists, major cultural institutions, community groups and humanitarian organisations, creating one of the most innovative and adventurous public artworks ever attempted. At the heart of The Walk is ‘Little Amal’, a 3.5 metre-tall puppet of a young refugee girl, created by the acclaimed Handspring Puppet Company. Representing all displaced children, many separated from their families, Little Amal is travelling over 8,000km embodying the urgent message “Don’t forget about us”.
Four months, 5,000 miles: A refugee puppet looks for home – The New York Times The puppeteers were watching Tamara closely in order to mimic her behavior and create a 9-year-old Syrian refugee named Little Amal, the lead character in “The Walk,” one of the year’s most ambitious pieces of theater — and certainly the piece of theater with the biggest stage. The plot of “The Walk” was simple: Little Amal had lost her mother, and was looking to find her. But the logistics to pull off the almost $4 million project — a 5,000 mile journey from Turkey to England — were anything but.
She set off from Turkey in July.
Puppet of young Syrian refugee embarks on 5,000-mile journey – Euronews Walking through the streets of Gaziantep, Turkey, a 12-foot-tall puppet of a 9-year-old Syrian refugee girl, called ‘Little Amal’, attracts the attention of passersby. Towering over crowds, it’s the beginning of a transcontinental trip that organisers hope will bring awareness to the refugee crisis, and the plight of millions of displaced children around the world.
And arrived in England in October.
Refugee puppet Little Amal welcomed at St Paul’s Cathedral – indy100 The crowd cheered as Little Amal neared St Paul’s, and a group of children chanted “Amal! Amal! Amal!” The 3.5-metre tall puppet then climbed the cathedral’s steps before handing a gift – a wood carving of a ship at sea from St Paul’s birthplace at Tarsus in Turkey – to the dean, David Ison. Dr Ison addressed the puppet, saying: “The dome of St Paul’s is known around the world. Our doors are big enough to receive you. Our hope here for London is that it is big enough to receive all those who seek refuge in this city.”
The journey of Little Amal – The Atlantic Amir Nizar Zuabi, the project’s artistic director, says, “The purpose of The Walk is to highlight the potential of the refugee, not just their dire circumstances. Little Amal is 3.5 meters tall because we want the world to grow big enough to greet her.”
Highlighting these journeys is a contentious issue, however.
Giant puppet ruffles some feathers on a long walk through Greece – The New York Times On Monday, the local council of Meteora, a municipality in central Greece, voted to ban Amal from walking through a village in the area, which is home to a UNESCO World Heritage site known for its cluster of Orthodox monasteries built on towering rock formations. The objection raised by several council members was that a puppet depicting a Muslim refugee should not be permitted to perform in a space of such importance to Greek Orthodox believers. The local bishop opposed the project for that reason, while a local heritage group complained that the initiative could bring more refugees to a country that has already taken in tens of thousands.
The Walk: Little Amal puppet’s 8,000 km march across Europe to highlight refugee crisis – World Socialist Web Site If Amal was a real girl, she would not have made her way to Manchester so easily. Her way would have been blocked by barbed wire and national borders. Most likely, she would not have passed through Turkey, but would have been thrown into a concentration camp funded by the European Union (EU) as part of its Fortress Europe barring the way to asylum seekers. An EU deal signed in 2016 allows Greece to deport refugees that manage to reach its territory to Turkey. […]
Had Amal managed the journey across Europe, at the mercy of people smugglers, on reaching the port of Calais in northern France she would have joined 2,000 migrants, including 300 unaccompanied children stranded at the site of “The Jungle”—1.5 square miles (3.9 sq km) of refugee camps demolished in 2016. Police in Calais carry out daily evictions there, seizing tents, sleeping bags and blankets. They placed boulders to impede access to aid agency vehicles providing water, food and clothing.
But she did make it to Manchester, and then continued further north to the UN Climate Change Conference in Glasgow this week.
Migrant justice = Climate justice – UN Climate Change Conference (COP26) The climate crisis is forcing people to move, and it will force millions more to move in the future. The issue of safe passage is an urgent one. Little Amal, a young refugee and 3.5m high puppet, has just completed a remarkable 8000km journey – The Walk, produced by Good Chance Theatre in association with Handspring Puppet Company. Along the way, Amal met with refugees like her, many affected directly by the consequences of the climate crisis. As borders are raised, how should we respond to this growing need to move to find safety?
Giant Syrian refugee puppet Amal attend COP26 in Glasgow – The Scotsman The giant puppet’s visit comes at the Gender + Science and Innovation Day at the conference. The day focuses on not only the ways in which women, girls and marginalised people are disproportionately impacted by climate change, but also the importance of their leadership and participation in driving solutions.
Telegrams (a one-to-one system with messages carried “under lock and key”) and radio stations (broadcasting, with a “public interest standard”) were cutting edge technologies once, requiring new approaches to regulation and legislation. Here, Nicholas Carr takes us on a trip back in time to draw interesting comparisons between how those approaches came about and what might be required to improve our experience of social media. It’s not going to fix itself.
How to fix social media – The New Atlantis Disentangling personal speech and public speech is clarifying. It reveals the dual roles that social media companies play. They transmit personal messages on behalf of individuals, and they broadcast a variety of content to the general public. The two businesses have very different characteristics, as we’ve seen, and they demand different kinds of oversight. The two-pronged regulatory approach of the last century, far from being obsolete, remains vital. It can once again help bring order to a chaotic media environment. For a Congress struggling with the complexities of the social media crisis, it might even serve as the basis of a broad new law — a Digital Communications Act in the tradition of the original Communications Act — that both protects the privacy of personal correspondence and conversation and secures the public’s interest in broadcasting.
Clive Thompson had a very specific way of doodling when he was a kid, quite etch-a-sketchy. It reminded me of the patterns I found myself making at school when I should have been doing something more productive. He’s turned his into a web app, so we can all take our lines for a meander round the screen.
Are all these articles I’m sharing about covers of books, rather than the books themselves, making me look a little shallow? So it goes.
How Penguin’s Modern Classics dared us to judge a book by its cover – The Guardian “From the beginning, built into the DNA of Penguin, has been this idea that the books need to be beautifully designed,” [says Henry Eliot, author of The Penguin Modern Classics Book]. “If anything has characterised the Penguin design ethos, it’s a kind of elegant simplicity – there’s something deceptively simple about a Penguin cover. It takes a huge amount of work to put them together.” […]
More unsettling is the work of Hungarian-born French cartoonist André Francois. Eliot singles out his cover of William Faulkner’s The Sound and the Fury, “where each eye of the face is made up of a mouth with another set of eyes. It’s just such a scary, striking image. It reminds me of Escher or one of Borges’s short stories – there’s something queasy and vertiginous about it.”
Last year I shared some “postinternet photography” from Google Street View, showing how it can transport us across the globe to strange, unfamiliar places and situations. But we can travel through time, too, with profound results.
Memory lanes: Google’s map of our lives – The Guardian Street View traps the dead and the living alike between pages of cartography, like dried flowers. The dead may not be visible to us in the living world any more, but on Street View, they achieve permanence. “They keep updating the images for her street every few years,” Bell says, “but you go back to that year, and she’s still there. Sometimes I think about it and have a little look. I turn back the clock on the dial and she’s there again.”
But Street View does more than just capture our loved ones in candid moments. Because you can turn back the clock on earlier versions, Street View allows us to move through digital space in a non-temporal, non-linear way and connect with the past on an emotional level. “A sense of place is so important in memory,” says the photographer Nancy Forde, from Waterloo, Ontario. Her Addressing Loss project asks users to submit stories and images of loved ones they miss, and the comfort they’ve found remembering them via Street View images from when they were alive.
Handwriting can be bold and mad, or beautifully meaningless, but always personal and genuine, right? Designer Jon Hicks wanted to convert his dad’s “distinctive architect’s handwriting” into its own typeface.
Bryan Font – Hicks There were several stylistic choices my dad made in his handwriting that were vital to reproduce in the font. For example, the shape of the lowercase T altered depending on whether it was written cursively or on its own.
It’s very cool, though the motivation behind it could be seen as a little … morbid?
I’ve had a focus for getting this font ready, as I wanted to use it on the Order of Service for his funeral.
That reminded me a little of Bobby McIlvaine’s diary and the desire to hold on to something handwritten by a lost loved one. Except that this Order of Service has been kind of faked — you don’t write your own, surely?
Anyway, here’s another.
Creating a handwritten font for Culture Amp – UX Collective If you think about your own handwriting, there are always letters that you customise and (whether consciously or subconsciously) have become distinctly yours. I remember that era in school where many of my friends customised their handwriting with little love heart or open circle dots on their i’s ….ah simpler times. But I’m not talking about that. I’m talking about little quirks that come from the way you hold your pen badly (as I am notorious for) or because you the way you learnt to construct a letter was backwards. Those are what moves handwriting from feeling like anybody’s to yours. That’s what this typeface needed.
After looking at collections of books all with the same cover, here’s news of a single book with a collection of covers.
Dave Eggers’ latest novel has 32 book covers, with even more on the way – PRINT Magazine Never one to shy away from pushing boundaries, Eggers teamed up with art director Sunra Thompson for the project, who discovered that the dust jacket printer they were using could run several cover designs on one sheet of paper at once, providing the means to print dozens of different versions at the same time. Thompson decided to exploit this printing feature, enlisting a boatload of artists to design a completely new version of The Every cover, thanks to connections made by Noah Lang from the San Francisco gallery Electric Works.
It’s safe to say that Dave Egger is not a fan of Amazon.
The novel follows a former forest ranger and tech skeptic, Delaney Wells, as she tries to take down a dangerous monopoly from the inside: a company called The Every, formed when the world’s most powerful e-commerce site merged with the biggest social media company/search engine.
“One of the themes of the book is the power of monopolies to dictate our choices, so it seemed a good opportunity to push back a bit against the monopoly, Amazon, that currently rules the book world,” he said. “So we started looking into how feasible it would be to make the hardcover available only through independent bookstores. Turns out it is very, very hard.”