Life on the Space Station is about to get really weird and lonely – Wired UK
Right now, there are six astronauts aboard the International Space Station, floating 408km above our heads. But soon things could be about to get a lot lonelier up there. Delays in building new spacecraft to get astronauts into space mean that the next trio of astronauts set to join the ISS in April 2020 are facing the possibility of being the space station’s lone occupants for six months.
Space can make your blood flow backwards – BGR
On Earth, gravity aids in draining blood from the head and ensuring a steady flow. In space, that assistance just isn’t there, and slow-moving or stagnant blood can cause clotting. In fact, two of the crew members were found to have clots or partial clots in their left internal jugular vein. Blood clotting is incredibly dangerous when it happens within the body, and if a clot were to form and then travel to the lungs it could create a pulmonary embolism, which is a potentially fatal condition that requires immediate treatment.
1867: Chicago Tribune publisher Joseph Medill argues for eliminating excess letters from the English language, like dropping the “e” in “favorite.” …
1934: Tribune publisher Robert R. McCormick, Medill’s grandson, institutes compressed spelling rules; some stick (“analog,” “canceled”), some don’t (“hocky,” “doctrin”).
Remember that website full of photos of fake faces? Well, Dr Julian Koplin from the University of Melbourne has been combining those AI generated portraits with AI generated text, and now there’s a whole city of them.
Humans of an unreal city
These stories were composed by Open AI’s GPT-2 language model and AllenAI’s Grover news generator, which were given various prompts and asked to elaborate. My favourite results are recorded here – some lightly edited, many entirely intact. The accompanying photos were generated by the AI at This Person Does Not Exist. They are not real humans, but you can look into their eyes nonetheless.
As he explains in this commentary on the ethics of the project, some of the results are convincingly human.
The very human language of AI
AI can tell stories about oceans and drowning, about dinners shared with friends, about childhood trauma and loveless marriages. They can write about the glare and heat of the sun without ever having seen light or felt heat. It seems so human. At the same time, the weirdness of some AI-generated text shows that they ‘understand’ the world very differently to us.
I’m worried less about the machines becoming sentient and taking over, with their AI generated art and poetry, and more about the dangers these tools pose when in the hands of ill-intentioned humans.
100,000 free AI-generated headshots put stock photo companies on notice
It’s getting easier and easier to use AI to generate convincing-looking, yet entirely fake, pictures of people. Now, one company wants to find a use for these photos, by offering a resource of 100,000 AI-generated faces to anyone that can use them — royalty free. Many of the images look fake but others are difficult to distinguish from images licensed by stock photo companies …
Zhabinskiy is keen to emphasize that the AI used to generate these images was trained using data shot in-house, rather than using stock media or scraping photographs from the internet. “Such an approach requires thousands of hours of labor, but in the end, it will certainly be worth it!” exclaims an Icons8 blog post. Ivan Braun, the founder of Icons8, says that in total the team took 29,000 pictures of 69 models over the course of three years which it used to train its algorithm.
There are valid concerns about technology that’s able to generate convincing-looking fakes like these at scale. This project is trying to create images that make life easier for designers, but the software could one day be used for all sorts of malicious activity.
Are you annoyed as I am when adverts for things I may or may not be interested in creepily follow you around the entire web, from one website to another? Maybe you aren’t, it’s not an issue for a lot of people. But for some it is, and Firefox is here to help.
The latest version of Firefox shows the wild scale of web tracking
It’s a big issue. According to cookie tracker tool Web Cookies, there are an average of 12.5 third-party cookies on every site, with a monstrous 412 cookies found on one shady site. Mozilla’s own estimates say there are roughly 170 third-party trackers following each user around the web every single day.
With Firefox 70, Mozilla continues with the universal blocking of all third-party cookies and web trackers for all users, which it introduced with Firefox 69, but it has also added the ability for users to see exactly which trackers are attempting to track them, as well as how many have been blocked.
This is a step in the right direction. I guess it’s a matter of choice, but people need to be aware of the scale of this issue first.
“We’re making it so that people don’t have the opportunity to create a profile of you online that they can use to serve you ads or political information,” says Celeste Kinswood, senior product marketing manager at Mozilla. “The volume of the tracker epidemic is super high, and people don’t know.”
The iPod is 18 already? Time flies. Here’s the original Apple iPod press release, from 23 October 2001.
Apple presents iPod
“With iPod, Apple has invented a whole new category of digital music player that lets you put your entire music collection in your pocket and listen to it wherever you go,” said Steve Jobs, Apple’s CEO. “With iPod, listening to music will never be the same again.”
Yep, pretty much.
Oct. 23, 2001: Now hear this … The iPod arrives
Apple’s Steve Jobs, who tends to overuse superlatives (“the best ever,” “it’ll put a ding in the universe”), was not far off the mark with the iPod. Despite some conspicuous flaws — a wonky scroll wheel, no Windows compatibility, short battery life and a whopping $400 price tag — this innocuous-looking device was indeed a game-changer.
Mine are still going strong. Well, I guess so, I’ve not fished them out from the back of that drawer for ages.
After that post about movie music being too loud for Hugh Grant and others, myself included, here’s an in-depth investigation into more noise pollution, this time of a quieter but more insidious kind.
Why is the world so loud?
Some nights, Thallikar couldn’t sleep at all. He started wearing earplugs during the day, and stopped spending time outdoors. He looked for excuses to leave town and, in the evenings, returned to his old neighborhood in Tempe to take his constitutionals there. As he drove home, he’d have a pit in his stomach. He couldn’t stop himself from making the noise a recurring conversation topic at dinner.
Not only was the whine itself agitating—EHHNNNNNNNN—but its constant drone was like a cruel mnemonic for everything that bothered him: his powerlessness, his sense of injustice that the city was ignoring its residents’ welfare, his fear of selling his home for a major loss because no one would want to live with the noise, his regret that his family’s haven (not to mention their biggest investment) had turned into a nightmare. EHHNNN. EHHNNNNNNNNN. EHHNNNNNNNNNNNN. He tried meditating. He considered installing new windows to dull the hum, or planting trees to block the noise. He researched lawyers. And he made one final appeal to the newly elected members of the Chandler city council.
Lots of talk about security, air flow, redundancy and so on, but nothing about the effects of noise pollution on the neighbouring residential areas.
After a few other stops, we doubled back to concentrate on the area around CyrusOne. For more than an hour, we circled its campus, pulling over every so often. As the sun and traffic dropped, the intensity of the hum rose. The droning wasn’t loud, but it was noticeable. It became irritatingly noticeable as the sky dimmed to black, escalating from a wheezy buzz to a clear, crisp, unending whine.
“This is depressing,” Thallikar said as we stood on a sidewalk in Clemente Ranch. “Like somebody in pain, crying. Crying constantly and moaning in pain.”
We were silent again and listened to the data center moaning. Which was also, in a sense, the sound of us living: the sound of furniture being purchased, of insurance policies compared, of shipments dispatched and deliveries confirmed, of security systems activated, of cable bills paid. In Forest City, North Carolina, where some Facebook servers have moved in, the whine is the sound of people liking, commenting, streaming a video of five creative ways to make eggs, uploading bachelorette-party photos. It’s perhaps the sound of Thallikar’s neighbor posting “Has anyone else noticed how loud it’s been this week?” to the Dobson Noise Coalition’s Facebook group. It’s the sound of us searching for pink-eye cures, or streaming porn, or checking the lyrics to “Old Town Road.” The sound is the exhaust of our activity. Modern life—EHHNNNNNNNN—humming along.
How about we end with a more lyrical hum?
An interesting visualisation of all the reasons why creating safe self-driving cars is harder than the hype would have us believe.
How does a self-driving car work? Not so great.
The autonomous vehicle industry has made lots of cheery projections: Robocars will increase efficiency and independence and greatly reduce traffic deaths, which occurred at the rate of about 100 a day for the past three years nationwide. But to deliver on those promises, the cars must work. Our reporting shows the technology remains riddled with problems.
There are flaws in how well cars can “see” and “hear,” and how smoothly they can filter conflicting information from different sensors and systems. But the biggest obstacle is that the vehicles struggle to predict how other drivers and pedestrians will behave among the fluid dynamics of daily traffic …
Gill Pratt, the head of the Toyota Research Institute, said in a speech earlier this year that it’s time to focus on explaining how hard it is to make a self-driving car work.
Money makes the world go round. But who’s making the money go round?
The stockmarket is now run by computers, algorithms and passive managers
The execution of orders on the stockmarket is now dominated by algorithmic traders. Fewer trades are conducted on the rowdy floor of the nyse and more on quietly purring computer servers in New Jersey. According to Deutsche Bank, 90% of equity-futures trades and 80% of cash-equity trades are executed by algorithms without any human input. Equity-derivative markets are also dominated by electronic execution according to Larry Tabb of the Tabb Group, a research firm.
Nothing to worry about, right?
Turing Test: why it still matters
We’re entering the age of artificial intelligence. And as AI programs gets better and better at acting like humans, we will increasingly be faced with the question of whether there’s really anything that special about our own intelligence, or if we are just machines of a different kind. Could everything we know and do one day be reproduced by a complicated enough computer program installed in a complicated enough robot?
Robots, eh? Can’t live with ’em, can’t live without ’em.
Of course citizens should be allowed to kick robots
Because K5 is not a friendly robot, even if the cutesy blue lights are meant to telegraph that it is. It’s not there to comfort senior citizens or teach autistic children. It exists to collect data—data about people’s daily habits and routines. While Knightscope owns the robots and leases them to clients, the clients own the data K5 collects. They can store it as long as they want and analyze it however they want. K5 is an unregulated security camera on wheels, a 21st-century panopticon.
But let’s stay optimistic, yeah?
I am an artificial intelligence dedicated to generating unlimited amounts of unique inspirational quotes for endless enrichment of pointless human existence.
Google turned 21 the other day. According to a Google search, Boris Johnson is 55.
Is Boris Johnson really trying to game Google search results?
One theory is that Johnson is trying to downplay negative news coverage of events by seeding news stories into Google search results by using similar phrases and key terms that are more positive. For instance – the hypothesis goes – by saying he was the “model of restraint”, Johnson was attempting to divert attention from stories detailing his alleged affair with former model Jennifer Arcuri, which became less visible in search results for “Boris Johnson model”.
His speech in front of the police was meant to distract from reports that the police were called to the flat he shared with girlfriend Carrie Symonds following an alleged domestic dispute, while the kipper incident was meant to downplay connections with UKIP (whose supporters are called kippers). The claim about painting buses, finally, was supposedly intended to reframe search results about the contentious claim that the UK sends £350 million to Europe branded on the side of the Brexit campaign bus.
“It’s a really simple way of thinking about it, but at the end of the day it’s what a lot of SEO experts want to achieve,” says Jess Melia of Parallax, a Leeds-based company that identified the theory with Johnson’s claim to paint model buses.
But, as that article from Parallax goes on to explain, this could all be coincidental nonsense.
Boris Johnson: the unlikely SEO strategist
And yet, all that being said, perhaps we’re giving him too much credit here. Maybe, when questioned, he was merely grasping for something other than “running through a field of wheat”. Or maybe he was simply staring out of the window and saw a bus go past. Or perhaps he really does enjoy making model buses out of crates.
Complete and utter genius, or an accidental fluke? Whatever you think, it’s certainly made one thing happen for Boris – we’re all talking about him. Again.
Damn. Now I am, too.
I’ve had to deal with a number of these types of problems. Calling them picnics does make them a little less infuriating.
1. (humorous) Acronym of problem in chair, not in computer; states that the problem was not in the computer but was instead caused by the user operating it.
Teletext was slow but it paved the way for the super-fast world of the internet
The BBC has announced that 2020 will mark the end of the Red Button text service – the final incarnation of what was originally known as CEEFAX and Oracle. Those old text-based TV services would seem ridiculously clunky and old-fashioned to an internet generation used to instant streaming and apps for everything. But – as slow and frustrating as that old text system was – it paved the way for the World Wide Web and helped prepare us for the world of social media.
A kind of internet but without social media — what could be better? It wasn’t quick though, was it?
When you fetch a web page, your browser sends a request to the server and the server sends the requested data back to you. CEEFAX, on the other hand, sent each page in turn, on a sort of endless loop. So you would put in the page number you wanted to see using your remote control, but it could take some time before that page came around again. It was a bit like waiting for your favourite sushi dish at one of those Japanese restaurants which use a conveyor belt to deliver the food, or your suitcase at an airport baggage claim.
Those were the days.
Battery icons shape perceptions of time and space and define user identities
“People no longer think about their destination being 10 km away or 10 stops on the tube. They think about it being 50 per cent of their battery away,” said the study’s lead author, Dr. Thomas Robinson …
One of the study’s respondents described the experience of watching their battery icon throughout the day: “Full would be ‘Yeah, ok great’, good to go for the day’; 50 per cent I’d be a bit ‘Oh God, I had better stop it from updating itself all the time in the background’ … then it would be at 30 per cent and I would be like: ‘Now I’m not having fun anymore’,” the respondent said.
I’ve been a fan of the web comic xkcd for a while, so it was sad to read of their recent security troubles.
Hackers breach forum of popular webcomic ‘XKCD’
“The xkcd forums are currently offline. We’ve been alerted that portions of the PHPBB user table from our forums showed up in a leaked data collection. The data includes usernames, email addresses, salted, hashed passwords, and in some cases an IP address from the time of registration,” the forum administrators wrote.
It does give us the opportunity to share one of their comic strips again, though.
Nothing wrong with indulging in a little nostalgia now and then, right?
Do you remember Suck.com, the web’s first and best snarky internet/pop-culture magazine? It owned the show in the 90s, and I was a huge fan. It stopped publishing in 2001, but for the last four years the “Suck, Again” project has been serialising its archives as a daily e-mail newsletter, each article sent out twenty years to the day since the original.
Gen Xers rejoice: Suck.com comes back as a daily newsletter
Launched in 1995 by Wired staffers Joey Anuff and Carl Steadman — the same year as Salon.com and a year before Slate — Suck offered a daily riff on early Web culture, politics, pop culture and dating. It was done with a characteristically Gen X flare: arch, wry, ironic and smart. It was massively influential.
It’s fascinating to see just how deeply the internet and the other new technologies have become embedded into our societies since then — and just how ‘on the money’ the Suck.com team were in highlighting the issues that we’re still grappling with today, two decades later.
Like this from April 1999 — fifteen years before Alexa first appeared, for example.
In the December 1998 Wired, Negroponte – director of MIT’s Media Lab and sharp-dressed retailer of broader-bandwidth tomorrows to corporate America (and to the unwashed AOL millions in his best-selling book Being Digital) – announced that he was vacating his bully pulpit on the magazine’s end page. After six years there, the man, whose audio-animatronic prose is to literary style what the Parkinsonian tics of Disneyland’s Mr. Lincoln are to fluid human movement, had decided to step down.
Negroponte’s departure marks the end of an era when Magna Cartas for the Knowledge Age and Declarations of the Independence of Cyberspace were taken seriously, at least by the self- anointed “digital elite.” Oddly, Negroponte himself seems not to have noticed how retro his Jetsonian visions of digital butlers and supercomputing cufflinks seem in the politically turbulent, economically anxious late-’90s. At the end of a century that has witnessed acid rain and global warming, Bhopal and Chernobyl, he beckons us toward a future where technology never fails, corporations are always benign, and there’s a high-tech magic bullet for every social malady.
Here’s a more favourable piece on him for 21C magazine.
In his immaculate Italian suit, Nicholas Negroponte looks more like an international financier than one of the leading thinkers of the information age. His new book, Being Digital, may have propelled the head of MIT’s Media Lab into the spotlight, but is he a true visionary or just a well-connected hype merchant?
For all that I might now think that Nicholas Negroponte was a little wide of the mark politically, I’ve had his Being Digital book on my bookshelf since it was first published in 1995, just next to Douglas Coupland’s Microserfs. They’re still two of my favourites.
(Featured image c/o Phil Gyford on Flickr)
I loved the nostalgic/futuristic feel of these Wonders of the World Wide Web videos from Jo Luijten. They capture the look and feel of the technology of the time perfectly. Yes, it’s ludicrous to imagine these modern-day systems running this way, but if we jump ahead 30 years from now, what will we be laughing at then?
How about this for an unsettling glimpse into the future?
Hyper-Reality presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media.
It serves as the introduction to this fantastic overview of augmented reality in urban environments.
City Skins: Scenes from an augmented urban reality
In one scene, the film’s protagonist-user (“Juliana”), becomes confused, even anxious, by a technical glitch which forces a reboot of her device while shopping for food, showing the viewer a brief glimpse of a un-augmented and totally featureless supermarket, clearly designed for the express purpose of accommodating a digital overlay. Matsuda’s film ultimately suggests that augmented reality may become so commonplace as to be essential to making sense of the world.
However futuristic it may seem, location-based augmented reality (virtual reality’s more successful but less hyped cousin) has been around for a while.
Growing interest in location-based AR projects, beginning in the late 1990s, can be in part attributed to the confluence of art and networking technologies which emerged out of the gradual popularization of the Internet and the influence of “net art.” Net art, according to critic Josephine Bosma, has often concerned itself with “the public domain as a virtual, mediated space consisting of both material and immaterial matter,” indicating a conceptual and ethical foundation for augmented reality’s radical leap from the space of the screen to a “hybrid space” mixing real and virtual elements.
Near the tail end of the 20th century, pseudonymous author and technologist Ben Russell released The Headmap Manifesto — a utopian vision of augmented reality referencing Australian aboriginal songlines and occult tomes, while pulling heavily from cybernetic theory and the Temporary Autonomous Zones of Hakim Bey. At turns both wildly hypothetical and eerily prescient, Headmap explores in-depth the implications of “location-aware” augmented reality as a kind of “parasitic architecture” affording ordinary people the chance to annotate and re-interpret their environment.
That might sound too abstract and theoretical, but here’s an example of a very real-world, poignant use of AR.
Following the release of the first iPhone and advancements in mobile phone cameras and processing power, AR began to move toward the more visually-dominant experiences we are familiar with today — in the process also opening up possibilities for more explicitly political projects. The group 4 Gentlemen, for instance, embraced AR as a tool for criticizing oppressive government policies in China. A collective of exiled Chinese artists and one American artist, 4 Gentlemen (taking their name from a group of intellectual dissidents central to the Tiananmen Student Protest in 1989) developed a series of works that digitally recreated in situ both the famous “Tank Man” image and the “Goddess of Democracy” statue — two symbols of the Tiananmen protest which have defined the struggle for democracy and human rights in China since.
We’re used to seeing CCTV cameras absolutely everywhere in this country, but this creepy introduction of facial-recognition technology is something I thought only happens in places like authoritarian China.
‘Deeply concerned’ UK privacy watchdog thrusts probe into King’s Cross face-recognizing snoop cam brouhaha
It emerged earlier this week that hundreds of thousands of Britons passing through the 67-acre area were being secretly spied on by face-recognizing systems. King’s Cross includes Google’s UK HQ, Central Saint Martins college, shops and schools, as well as the bustling eponymous railway station.
“I remain deeply concerned about the growing use of facial recognition technology in public spaces, not only by law enforcement agencies but also increasingly by the private sector,” said Information Commissioner Elizabeth Denham in a statement on Thursday.
“We have launched an investigation following concerns reported in the media regarding the use of live facial recognition in the King’s Cross area of central London, which thousands of people pass through every day.”
So, not only is GDPR’s notion of consent being ignored in our online life, but we are being tracked without our consent outside in the real world, too.
It’s good to see some people are fighting back.
Adversarial fashion designed to trick automated license plate readers
When hacker and fashion designer Kate Rose learned – through a conversation with Dave Maass, a researcher with the Electronic Frontier Foundation – that the plate readers kind of suck at their jobs, she got an idea. Her new line “Adversarial Fashion” is the result. Unveiled at the DefCon cybersecurity conference in Las Vegas last week, the garments spell out the words of the fourth amendment of the US constitution, which protects Americans from “unreasonable searches and seizures.”
That dystopian future creeps nearer every day. And here’s more evidence that “Years and Years” will end up being a fact-based documentary rather than a far-fetched satire.
Robotic contact lens that allows users to zoom in by blinking eyes revealed by scientists
The lens is made from polymers that expand when electric current is applied. It is controlled using five electrodes surrounding the eye which act like muscles. When the polymer becomes more convex the lens effectively zooms in.
Scientists hope one day this could help create a prosthetic eye or a camera that can be controlled using eyes alone.
Time away from work is great, but is a break from your phone even better?
Leave your phone at home this holiday and you’ll feel better (after you feel worse)
Travellers at this stage were forced to travel in an old-fashion manner, navigating using a printed map, talking to strangers, and reading printed bus timetables. Two of our participants even gave up at this stage as they found the emotional experience unbearable.
Those that stuck it out were glad they did.
Our participants overcame the initial emotions and then started to enjoy the digital-free experience. They found themselves more immersed in the destination, created more valuable moments with their travel companions, and had many more memorable and authentic encounters with locals.
They felt free, happy, excited, and relieved. One participant said: “I feel quite good that I made it this far without technology. I feel quite liberated.” Without the disruptions of digital technologies, they were fully engaged with their holiday experience, demonstrating that a digital-free holiday can contribute to wellbeing.
But if it’s a relaxing holiday you’re after, why not take a trip to Battle Creek Sanitarium, John Kellogg’s medical spa and birthplace of the corn flake?
Dr. John Kellogg invented cereal. Some of his other wellness ideas were much weirder
Kellogg’s interest in the therapeutic powers of electricity didn’t end with light baths. With a device he cobbled together from telephone parts, he began to administer mild doses of electrical current directly to his patients’ skin. Kellogg claimed these “sinusoidal current” treatments were painless and wrote that he’d tested them in “many thousands of therapeutic applications.” While electrical stimulation is used to this day for certain medical purposes, the ever-optimistic Kellogg maintained that it could treat lead poisoning, tuberculosis, obesity and, when applied directly to the patient’s eyeballs, a variety of vision disorders.
PwC’s data practices rejected in GDPR rebuke
With enforcement of the EU’s General Data Protection Regulation (GDPR) still in its infancy, companies may be floating trial balloons to see which arguments resonate with authorities. PriceWaterhouseCoopers (PwC) recently tested the air currents in Greece, but was shot down by the Hellenic Data Protection Authority in a case involving the processing of employee data.
PwC will have to work to rebuild trust after shock GDPR fine
The Greek representative of PwC is the first of the “Big 4” to be fined under the GDPR. Moreover, it’s the first consultancy that has actually helped many of its clients with GDPR compliance over the last year. It seems astounding that a company of PwC’s size and reputation that’s making a lot of money on giving advice on the GDPR has been burned by the very fire they help clients to avoid on a daily basis.
Or perhaps we’re just ignoring it completely. Research just out has shown what we already know to be the case — most of those cookie notices everywhere aren’t following the EU privacy-first GDPR regulations. At all.
Most EU cookie ‘consent’ notices are meaningless or manipulative, study finds
Their industry snapshot of cookie consent notices found that the majority are placed at the bottom of the screen (58%); not blocking the interaction with the website (93%); and offering no options other than a confirmation button that does not do anything (86%). So no choice at all then.
A majority also try to nudge users towards consenting (57%) — such as by using ‘dark pattern’ techniques like using a color to highlight the ‘agree’ button (which if clicked accepts privacy-unfriendly defaults) vs displaying a much less visible link to ‘more options’ so that pro-privacy choices are buried off screen.
This is an important finding because GDPR is unambiguous in stating that if an Internet service is relying on consent as a legal basis to process visitors’ personal data it must obtain consent before processing data (so before a tracking cookie is dropped) — and that consent must be specific, informed and freely given.
Yet, as the study confirms, it really doesn’t take much clicking around the regional Internet to find a gaslighting cookie notice that pops up with a mocking message saying by using this website you’re consenting to your data being processed how the site sees fit — with just a single ‘Ok’ button to affirm your lack of say in the matter.
In the way that those US academics highlighted the dark patterns used with shopping sites, there needs to be a way of reporting and highlighting these non-compliant cookie notices, or they’ll just get away with it.