The IKEA Catalog is dead. Long live the IKEA Catalog – Print The company has announced that after seven decades—following an “emotional but rational decision”—the publication is coming to an end. As for the Swedish furniture purveyor’s corporate reasoning, the lines are familiar—IKEA has become increasingly digital, and the catalog has less and less of a place in the modern world. Interestingly, IKEA is also nixing the digital version of the catalog, as well.
Premiere for the IKEA catalogues online! – IKEA Museum For over 70 years, the IKEA catalogue has been produced in Älmhult, growing in number, scope and distribution. From the 1950s when Ingvar Kamprad wrote most of the texts himself, via the poppy, somewhat radical 1970s, all the way to the scaled-down 1990s and the present day – the IKEA catalogue has always captured the spirit of the time.
OK, don’t mind me, I’m just going to sit here for a while and work my way through all the catalogues from the 90s; Billy bookcases, Poang chairs, prehistoric laptops…
New Banksy-style art appears in Bristol’s famous Vale Street – Bristol Live Banksy murals tend to poke fun at current affairs, so suggestions were made that the sneeze referred to Covid-19. One Totterdown woman added that it could be a nod towards the strong wind on Vale Street. Vale Street is known for being the steepest street in England and is home to an annual egg-rolling competition.
Time for another post about trees, I think. Here are a couple of links that have been languishing in my drafts folder for a while.
Gramazio Kohler Research, ETH Zurich plants ‘future tree’ in Swiss courtyard – designboom This structure — known as the ‘future tree’ — combines state-of-the-art design techniques, material science, and robotic fabrication to create an eye-catching architectural object. Demonstrating the latest research of Gramazio Kohler Research at ETH Zurich, the ‘future tree’ consists of a funnel-shaped, lightweight timber frame structure built by a robot, and a bespoke concrete column created using an ultra-thin 3D printed formwork. The entire design and fabrication were developed as inseparable and fully digital processes.
The photographs documenting its construction are extraordinary.
Ai Weiwei: Iron Tree – Yorkshire Sculpture Park Iron Tree is the largest and most complex sculpture to date in the artist’s tree series, which he began in 2009. Inspired by the wood sold by street vendors in Jingdezhen, southern China, Iron Tree comprise of 97 tree elements cast in iron and interlocked using a classic – and here exaggerated – Chinese method of joining. Iron Tree expresses Ai’s interest in fragments and the importance of the individual, without which the whole would not exist.
Artificial trees of a different kind, now. OK, so the trees are real, but their glitch-art shapes certainly aren’t natural.
I may have been familiar with this type of word puzzle, though I was unaware of its name or history.
Emoji 🐝4 Emoji – I love Typography Rebus writing substitutes pictures or symbols for words, but not in the same way that pictograms do. With pictograms, a picture of, for example, a bee simply represents the insect. But in rebus writing, a picture of a bee is used to substitute for the letter b or its sound — as in the title of this article. Likewise, a picture of an eye represents the letter i, and so on. The use of rebuses turns what is otherwise an unremarkable broadside advertisement into something much more engaging, fun, and valuable.
Although emoji started out as a limited number of symbols, they were eventually expanded into a dizzying number of pictograms and ideograms, many of which can be used in rebus writing. The ancient Sumerians, Egyptians, and Chinese, to name just a few, used rebuses thousands of years before emoji appeared on our screens. And it would appear that our fascination with symbols, of all kinds, and our willingness to experiment and use them in reshaping how we communicate is motivated by the very same thing that inspired our very distant ancestors — a desire to communicate better.
Sorry to any bean curd enthusiasts out there, but this has nothing to do with coagulating soy milk but is about these little boxes and Google’s plan to get rid of them.
Google Noto Fonts When text is rendered by a computer, sometimes characters are displayed as “tofu”. They are little boxes to indicate your device doesn’t have a font to display the text. Google has been developing a font family called Noto, which aims to support all languages with a harmonious look and feel. Noto is Google’s answer to tofu. The name noto is to convey the idea that Google’s goal is to see “no more tofu”.
I had picked the Noto Sans typeface for this blog without realising any of this — I just thought it looked quite elegant.
Preserving endangered languages with Noto fonts – Google Keyword From billions of readers to very small language communities, the freely available, open source Noto font family from Google Fonts supports literacy for hundreds of languages. The Cherokee Nation, with an estimated 20,000 speakers, uses Noto on phones for texting, email and teaching their language in the USA. Noto is used every day for Tibetan, millions of African users, and hundreds of languages of Asia. The government of British Columbia in Canada, with a population of 5 million people, wanted to cover all their languages, including indigenous ones, in a single font and merged Noto Sans + Noto Sans Canadian Aboriginal into a single font, BC Sans font.
“There are some characters you can only see on stones,” says Xiangye Xiao, product manager at Google. “If you don’t move them to the web, over time those stones will become sand and we’ll never be able to recover those drawings or that writing.”
You can never have too many watches, I say. I used to have a very thin one, a Swatch Skin possibly? It was nothing like this one from Piaget, that’s for sure.
Altiplano Ultimate Concept Watch – Piaget Altiplano watch, 41 mm. Cobalt alloy case. World’s thinnest mechanical hand-wound watch : 2 mm, a total fusion between the case and the Manufacture movement. Manufacture Piaget 900P ultra-thin, hand-wound mechanical movement. Winner of the prestigious “Aiguille d’Or” watch price at the 2020 Grand Prix d’Horlogerie de Genève (GPHG).
It’s only 2mm thick? Yep.
The incredible inner workings of the world’s thinnest watch – Wired UK The Piaget Ultimate Concept first launched as a show-stealing proof-of-concept in 2018; now the watch is now in fully commercialised form (confusingly, still with the “Concept” nomination). It’s a mere 2mm-thick whisper of mechanical virtuosity that’s unlikely to be trumped in thinness any time soon […]
Made to order, the watch is described as “price on application”, though WIRED understands it to be well to the north of 300,000 Swiss francs.
So what’s 300,000 Swiss francs in sterling? Perhaps it’s one of those hyperinflated currencies like the Zimbabwe dollar and this amazing watch is within reach after all.
(For instance, did you know that a German 5 Million Mark coin, worth about $700 in January 1923, was only worth about one-thousandth of one cent by October 1923. And in Hungary, their highest banknote value in 1944 was 1,000 pengő, but by the end of 1945, it was 10,000,000 pengő, and the highest value in mid-1946 was 100,000,000,000,000,000,000 pengő.)
Of, or For Mary Wollstonecraft? – History Workshop Hambling asserts that it is a sculpture, rather than a statue, that is for Wollstonecraft, not of her. A video to mark the unveiling of the statue premiered on the Mary on the Green social media profile in which Hambling describes the design as ‘a tower of intermingling female forms, culminating in the figure of the woman at the top who is challenging, and ready to challenge, the world.’ The ‘intermingling’ forms are suggestive of a historic community of women, out of which the more detailed, lone female figure is born into the ‘now’. This design choice is intended to represent the legacy of Wollstonecraft’s feminist work.
But, as this piece from The Art Newspaper says, even backlashes get a backlash.
What I like about Hambling’s figure is that it is nude, but not erotic. Wollstonecraft would have recognised the honesty of Hambling’s focus. “For man and woman,” she wrote in The Vindications of the Rights of Women (1792), “truth… must be the same; yet the fanciful female character, so prettily drawn by poets and novelists, demanding the sacrifice of truth and sincerity, virtue becomes a relative idea, having no other foundation than utility, and of that utility men pretend arbitrarily to judge, shaping it to their own convenience.” Naked, stripped of outward signs of wealth and privilege, we are all equal.
This status, for a very different woman, is also proving controversial, though for very different reasons.
Is Margaret Thatcher’s hometown ready to put her on a pedestal? – The New York Times [W]hile the unveiling of a statue is usually a festive occasion, few in Grantham expect Mrs. Thatcher’s homecoming to be celebrated as a hero’s return. “If you’re a Conservative,” said Graham Newton, the news editor of the weekly Grantham Journal, “you want a statue, and you want her recognized. But if you’re not, there’s a lot of people who — not to put a fine point on it — hated her.”
“She was never very fond of Grantham, and so Grantham was never very fond of her,” said John Campbell, a biographer, pointing out that Mrs. Thacher rarely visited the town as prime minister, and did not mention it in speeches. “She was happy to leave it behind,” he said.
“You come out of the museum and the first thing you’re going to see is a 26-foot-tall Marilyn Monroe with her entire backside and underwear exposed,” Grachos pointed out. “We serve over 100,000 school-age children that come to our museum every single year. What message does that send to our young people, our visitors and community to present a statue that objectifies women, is sexually charged and disrespectful?”
In his project, A Product’s Self Portrait, Rotterdam-based visual artist Helmut Smits commits a playful approach to this topic. Because photography is a material process, Helmut has been magically creating 27 pinhole photos of products, using 27 matching pinhole cameras made from their packaging.
The of the year articles seem a little early this year. I wonder why we’re so keen to get 2020 behind us.
2020’s weather photography of the year doesn’t disappoint – Moss and Fog The Royal Meteorological Society Weather Photographer of the Year contest is now in its 5th year, and has some amazing entrants that show us 2020 wasn’t just about a raging global pandemic. Indeed, Mother Nature, combined with a rapidly warming planet has resulted in record storms, floods, droughts, and wildfires this year.
There are many more beautiful images on those pages, do check them out. And here are some more wonderful things of a different kind.
100 best inventions of 2020 – TIME Every year, TIME highlights inventions that are making the world better, smarter and even a bit more fun. … 100 groundbreaking inventions—including a smarter beehive, a greener tube of toothpaste, and technology that could catalyze a COVID-19 vaccine—that are changing the way we live, work, play and think about what’s possible.
Featured image White Pocket, Arizona — Felix Röser
who took us to his lodging close by, and did shew us a little flower-pot of his doing, the finest thing that ever, I think, I saw in my life; the drops of dew hanging on the leaves, so as I was forced, again and again, to put my finger to it, to feel whether my eyes were deceived or no. He do ask 70l. for it: I had the vanity to bid him 20l.; but a better picture I never saw in my whole life; and it is worth going twenty miles to see it.
Around the time Peyps was poking the painting of Verelst, another northern European painter, Cornelis Norbertus Gijsbrechts, was also causing confusion with the brush, creating his masterpiece known as The Reverse of a Framed Painting (ca. 1670), an image that is, to modern eyes at least, his most striking.
I love it, but I wonder how it was initially shown off. The gag would be wholly lost if this painting of a frame was itself framed. But weren’t all paintings framed?
I’ve been revisiting my post earlier in the week about the online worldwide Van Gogh exhibition. As well as high resolution scans of the actual paintings, the curators have documented the backs of them too — sturdy, wooden frames covered in gallery stickers. They remind me of airport tags on luggage.
Wheatfield with Crows was in Manchester? I would have loved to have seen that.
Has anyone checked for any radio signals being transmitted to Jupiter?
DPS Aero Bureau encounters monolith in Red Rock Country – DPS News Official Statement from the Bureau of Land Management: “Although we can’t comment on active investigations, the Bureau of Land Management would like to remind public land visitors that using, occupying, or developing the public lands or their resources without a required authorization is illegal, no matter what planet you are from.”
Even Utah’s mysterious monolith may be no match for Google Earth – The Verge A Utah DPS public affairs officer didn’t immediately respond to a request for comment about the supposed location of the monolith. And I’m not printing the alleged coordinates beyond confirming that the place is remote and highly inhospitable. In all seriousness: please don’t visit the mysterious Utah monolith.
That said, the monolith-hunting process is impressive in its own right. And the evidence for its location, put forward by Reddit user Tim Slane, is strong. Slane pinpointed the coordinates of a small redstone canyon with a narrow gap that closely matches the social media photos. Satellite images from Google Earth reveal something in the middle: a hard-to-see object that casts a sharp, tall, and narrow shadow across the ground. The object seems relatively new. Google Earth photos from 2013 and mid-2015 show no trace of it, but it’s clearly visible by October of 2016, when the surrounding ground has also been apparently cleared of scrub.
Looks like the aliens have come back for their property.
Earthlings, it seems, not aliens, removed the Utah monolith – The New York Times He did not photograph the men who took down the sculpture, saying he “didn’t want to start a confrontation by bringing out my camera and putting it in their face — especially since I agreed with what they were doing.” But a friend who accompanied him on the trip, Michael James Newlands, 38, of Denver, took a few quick photographs with his cellphone.
Yesterday, upon the stair, I met a man who wasn’t there.
I’ve shared articles about these fake, engineered nobodies before, but the transitions, animations and sliders in this piece from the New York Times are very effective, and great fun — a genuine individual on every frame.
Designed to deceive: Do these people look real to you? – The New York Times Given the pace of improvement, it’s easy to imagine a not-so-distant future in which we are confronted with not just single portraits of fake people but whole collections of them — at a party with fake friends, hanging out with their fake dogs, holding their fake babies. It will become increasingly difficult to tell who is real online and who is a figment of a computer’s imagination.
You think you know someone …
… but they turn out to be …
… someone completely different.
All these fakes — people, art, feet — it’s hard to keep track. Well, not any more.
This X Does Not Exist Using generative adversarial networks (GAN), we can learn how to create realistic-looking fake versions of almost anything, as shown by this collection of sites that have sprung up in the past month.
Deborah Roberts reminding us that even a flat sheet of text isn’t a level playing field.
As well as saying that Black lives, history, respect and status matters, I should have added spelling.
The Spell Checkers Agenda – Kottke The piece above is part of a series called Pluralism by artist Deborah Roberts — it’s a collage of dozens of Black names marked as misspelled by Microsoft Word’s built-in spell checker. I don’t know about you, but this makes me think about the neutrality of technology, how software is built, who builds it, and for whom it is designed.
Glasstire and Contemporary Art Review Los Angeles have more on this piece, and how it fits in with Deborah’s wider body of work.
Naming and shaming: Deborah Roberts at Art Palace – Glasstire Other text pieces involve roughly printed words like bad offset printing. In the best of these, Roberts prints black-sounding women’s names (Tynisha, Shawanna, Roneshia) in a jittery, repeated overlay of red and black. Printed over them in a nearly-illegible, but unmistakable, light yellow, are four white women’s names: lean in close and you can barely discern Bethany, Lindsey, Becky, Haley.
Deborah Roberts at Luis De Jesus – Carla Opposite Human nature and Golden Smile hung the triptych Sovereignty (2016), a hand-drawn set of three serigraphs of black women’s names that Roberts sourced from friends. The far right in the triptych was a dense list of 213 names, from Khepri to Sharnell. All, however, were underlined with that all-too-familiar squiggly red line—these names were ostensibly misspelled, unrecognizable to word processing programs. The drawing on the left side of the triptych contrasted the list by featuring a sole name— Sharkesha—in large serif font. This work followed a similar logic to the collages: the viewer’s gaze moved from the minute to the masses and back again. However, the simplicity of this solution—names, listed— can’t be ignored. Sovereignty suggested a way to begin to humanize the silent figures that Roberts depicts, or at least to begin to find words that do the work.
Color of the Year 2020 – Pantone Suggestive of the sky at dusk, the reassuring qualities of the thought-provoking PANTONE 19-4052 Classic Blue highlight our desire for a dependable and stable foundation on which to build as we cross the threshold into a new era. Imprinted in our psyches as a restful color, PANTONE 19-4052 Classic Blue brings a sense of peace and tranquility to the human spirit, offering refuge. Aiding concentration and bringing laser like clarity, PANTONE 19-4052 Classic Blue re-centers our thoughts. A reflective blue tone, Classic Blue fosters resilience.
I had picked a blue too, back in January, but obviously, with such a subjective topic, not everyone agreed with the choice.
“In choosing blue Pantone has missed the mark once more” – Dezeen Certainly, the dominant narrative in many other 2020 COTY camps has been green. Whether dark or bright, neon or dusky, colour companies and trend forecasters from Dulux and WGSN to the US-based Behr paints, plumped for the colour intuitively associated with regrowth and rebirth. Green reassures us at a primal level and speaks of optimism. Crucially, it’s representative of the wider ecological story that’s top of the cultural agenda right now. In this way, green chimes with the zeitgeist and its ascension of the colour charts is born of authenticity, not marketing.
Interestingly, that critique was written back in December 2019, before we knew the full extent of the impact of the coronavirus pandemic on all our lives. They were focussing on greens because of environmental connections, not realising what 2020 had in store for us.
The surprising power of color to ease quarantine anxiety – ARTnews.com Global sales of Curator’s three most popular greens—Fisherman’s Boat, Dock Leaf, and March Day—increased by 59 percent during the pandemic while a few of its neutrals—Scalloped Silk, Soft Bisque, and Stoney Way—increased 57.8 percent. Rather than urban excitement, the selection conjures an outdoor adventure, or perhaps the waiting room of a well-appointed doctor’s office. We want to be reassured, not overstimulated, by our wall colors. It’s a contrast to Pantone’s 2019 color of the year, the electric Living Coral, which was described as “vivifying and effervescent.” “Everyone is a bit upset; they want things clean,” Cohn said. “They’re choosing positive colors because when things are negative, you want to be out there with something positive.”
Dutch museums unveil free digital collection of 1,000+ artworks by Van Gogh – My Modern Met Van Gogh Worldwide is a new project by a group of Dutch museums which presents a digital collection of over 1,000 of the artist’s masterpieces. Building off the digitized collection begun several years ago by the Van Gogh Museum in Amsterdam, almost half of the post-Impressionist works of this prolific artist are now available to view—with scholarly commentary—from the safety of your own home.
Take a wander yourself, there’s so much to take in.
Van Gogh Worldwide Van Gogh Worldwide is a free digital platform providing art-historical and technical data about the work of Vincent van Gogh (1853–1890). The artist produced a total of approximately 2000 artworks, and the aim of Van Gogh Worldwide is to present data for these in an accessible way, via a user-friendly website.
The resolution of each image is wonderful, allowing you to get closer to the paintings than you probably could in real life.
And you can even view the paintings in a raking light, to get a sense of just how heavily textured and expressive these were. Not quite as three-dimensional as Timur Zagirov’s wooden blocks, but still.
The shops need customers, but do the customers need to be in the shops?
Black Friday’s just round the corner, or is it?
When is Black Friday 2020? The deals aren’t canceled, but shopping will look different – Good Housekeeping Black Friday is going to look a little different this year. Even if you’re used to going in person to a certain store every year for its Black Friday sales, this year you’re going to want to call ahead and confirm that they’re going to be open on the big day. If you are going out, you can assume most stores will have COVID-19 safety protocols in place and limits on how many people will be allowed in the building at once, so endless lines and door-buster stampedes are going to be a thing of the past.
Holiday shopping will certainly be different this year — less crowds, more clicks.
Reinventing online shopping on Microsoft Edge – Microsoft Design As new shopping behaviours emerge and retailers revamp their selling strategies, we investigated how the browser can play a more active role to help navigate online shopping instead of being the traditionally dormant gateway to websites. Our vision is to empower people to make confident purchase decisions by saving time and money. By automatically applying coupons and surfacing price comparisons in the browser, we are taking our first step towards realizing this vision.
So it’s safer online, but safer for who?
Amazon says more than 19,000 workers got Covid-19 – CNBC The information comes months after labor groups, politicians and regulators repeatedly pressed Amazon to disclose how many of its workers were infected by Covid-19. Early on in the pandemic, warehouse workers raised concerns that Amazon wasn’t doing enough to protect them from getting sick and called for facilities with confirmed cases to be shut down. Lacking data from Amazon, warehouse workers compiled a crowdsourced database of infections based on notifications of new cases at facilities across the U.S.
Almost 20,000 Amazon workers in US test positive for Covid-19 – The Guardian Athena, a coalition of US activist groups campaigning for greater regulatory oversight over Amazon, called for immediate investigations into the company by public health officials as well as regular reporting on the number of employees with Covid-19. Athena’s director, Dania Rajendra, said in a statement: “Amazon allowed Covid-19 to spread like wildfire in its facilities, risking the health of tens of thousands of people who work at Amazon – as well as their family members, neighbours and friends. “Amazon is, in no uncertain terms, a threat to public health.”
Inside an Amazon fulfillment center, masked up and spaced apart during COVID-19 – GeekWire Not far from where hundreds of robots were buzzing about the floor of Amazon’s sprawling BFI4 fulfillment center south of Seattle this week, a human stood in her own wheeled contraption. The innovation-in-progress, intended to allow a supervisor to roll up to various work stations and provide support behind a protective barrier, is one of the more striking ways the tech giant is addressing employee safety in the age of the COVID-19 pandemic.
But we just can’t get enough of it, can we?
How Amazon became a pandemic giant – and why that could be a threat to us all – The Guardian A few weeks ago, Amazon announced results from the following quarter, and yet another boost to sales and profits. Now Christmas looms, while lockdowns have returned across the world, sending even more customers its way. Every time “nonessential” bricks-and-mortar shops are told to close, you can sense the company once again seizing its chances, and a great social and economic transformation gaining pace. […]
“You’ll never get a major retailer boasting about opportunity in the middle of a pandemic,” [says Natalie Berg]. “But it’s clear that the timing and very nature of Covid has been fortunate for Amazon. I think they’ll be the only retailer in the UK, possibly the world, to come out stronger on the other side. If there are winners and losers of the pandemic, Amazon is hands-down the winner.”
The Truth About Amazon – All 4 As the high street goes into lockdown, Amazon is booming. This Supershoppers special reveals how to buy smart off the online retail giant, from the best bargains to avoiding scams.
I got off the iPhone conveyor belt around iPhone 4, I think, so all the recent talk about the new Windows Phone-style widgets within iOS14 has passed me by.
These iOS 14 apps offer home screen widgets and more – 9to5Mac Apple has officially released iOS 14, iPadOS 14, and watchOS 7 to the public. The updates bring many new features to iPhone, iPad, and Apple Watch users, and third-party developers have been hard at work on updating their apps to take advantage of Apple’s latest tools.
I know I’m biased but– I don’t know, is it all starting to look a little too busy? I’d much rather look at these homescreens.
iOS: A visual history – The Verge Although it may be difficult to imagine now, when the original iPhone was introduced, it was actually well behind the competition when it came to a strict feature-by-feature comparison. Windows Mobile, Palm OS, Symbian, and even BlackBerry were all established systems in 2007, with a wide and deep array of features. Comparatively, the iPhone didn’t support 3G, it didn’t support multitasking, it didn’t support 3rd party apps, you couldn’t copy or paste text, you couldn’t attach arbitrary files to emails, it didn’t support MMS, it didn’t support Exchange push email, it didn’t have a customizable home screen, it didn’t support tethering, it hid the filesystem from users, it didn’t support editing Office documents, it didn’t support voice dialing, and it was almost entirely locked down to hackers and developers.
Yet all of those missing features hardly mattered and nearly everybody knew it.
I’ve been reading about two things that seem to happen to each US President once they’ve left office. They write a memoir, and get a library. Here’s something to set the mood.
In ‘A Promised Land,’ Barack Obama thinks — and thinks some more — over his first term – The New York Times Nearly every president since Theodore Roosevelt has written a memoir that covers his years in office; this one contains some inevitable moments of reputation-burnishing and legacy-shaping, though the narrative hews so closely to Obama’s own discursive habits of thought that any victories he depicts feel both hard-won and tenuous. An adverb he likes to use is “still” — placed at the beginning of a sentence, to qualify and counter whatever he said just before. Another favorite is “maybe,” as he reflects on alternatives to what happened, offering frank confessions of his own uncertainties and doubts. At a time of grandiose mythologizing, he marshals his considerable storytelling skills to demythologize himself.
Can you imagine Trump being so reflective? Me neither.
Who knows what he’d write about. Certainly not the truth.
A Trump memoir would sell. Will publishers buy it? – The New York Times “I would take a meeting,” said Dana Canedy, the senior vice president and publisher of Simon & Schuster’s namesake imprint. “But there’s a huge gap between taking a meeting and publishing a book.” … “I’d have to be satisfied that he met Simon & Schuster’s overall standards for publishing a book, which is that book be honest, fair and balanced,” Ms. Canedy said. “We’d want to know that he would be willing to be edited and submit to a rigorous fact-checking process.”
The Office of Presidential Libraries, within the National Archives and Records Administration agency, oversees the 14 libraries established so far, from Hoover’s to Obama’s (possibly), via JFK’s, Nixon’s and all the others in between. These are repositories for preserving and making accessible the papers, records, and other historical materials of the US Presidents. Many aspects of Trump’s presidency are without precedent, so who knows if he’ll get one. Not that there will be much to archive.
Will Trump burn the evidence? – The New Yorker Donald Trump is not much of a note-taker, and he does not like his staff to take notes. He has a habit of tearing up documents at the close of meetings. (Records analysts, armed with Scotch Tape, have tried to put the pieces back together.) No real record exists for five meetings Trump had with Vladimir Putin during the first two years of his Presidency. Members of his staff have routinely used apps that automatically erase text messages, and Trump often deletes his own tweets, notwithstanding a warning from the National Archives and Records Administration that doing so contravenes the Presidential Records Act.
Trump’s library hasn’t been built yet, but as we’re used to wandering around libraries and museums virtually these days, let’s take a stroll round this online version. With its Autocrats Gallery, Alt-Right Auditorium, Felon’s Lounge and Wall of Criminality, there’s something for everyone.
Donald J. Trump Presidential Library We are still grappling with what it means to have endured Donald J. Trump’s presidency while still repairing the historic carnage of this tumultuous period in American history. This Presidential Library is an attempt to provide the American and International communities a place to reflect on what the rise of White Nationalism has meant to our country and try to eradicate it from our political discourse.
And it’s fun to see others joining in with the pranks.
President pranked as comedians snap up Trump 2024 domain – The Guardian “We got the domain DonaldJTrump2024.com,” comics Jason Selvig and Davram Stiefler, AKA The Good Liars, wrote on Twitter. … Selvig and Stiefler offered to give the president the domain name “if you tweet ‘My name is Donald Trump and I lost the 2020 election by A LOT. I am a loser. SAD!’” As of Wednesday lunchtime Trump had not done so, despite having plenty of phone time on a day officially free of public engagements.
Spindly trees, I’m a big fan. They’re just giant, 3D pen and ink drawings, really, and I’ve been snappingphotos of them for a while. Though none of my pics come anywhere close to capturing the atmosphere of these tulgey woods, as Things Magazine described them.
Mystical – Neil Burnell “There’s real magic in this series, with thick fog shrouding the gnarled moss-clad oaks, one can almost visualise fairies flying effortlessly into the scenes.”
Perhaps my love of twisty, organic lines explains why I found these sculptures by Sun-Hyuk Kim so fascinating.
Stainless steel roots sprawl into figurative sculptures by artist Sun-Hyuk Kim – Colossal Just like a tree, the spindly branches that shape Sun-Hyuk Kim’s sculptures extend from a larger, sturdy limb—or in the South Korean artist’s case, neck or spine, too. Kim creates sprawling artworks that merge human anatomy and the root systems that crawl underneath the earth’s surface. Sometimes painted in neutral tones and others plated in gold, the sculptures are composed of stainless steel that trails out into figurative forms.
Today marks a year of Covid-19 – Kottke According to an unpublicized report by the Chinese government, the first documented case of Covid-19 was a 55-year-old person living in Hubei province on November 17, 2019. That makes today the first anniversary of the start of the Covid-19 pandemic.
A year later, and 1,340,000 people have died. That might not be enough for some, though.
Hartmann was convinced this was the purpose of creation: that our universe exists in order to evolve beings compassionate and clever enough to decide to abolish existence itself. He imagined this final moment as a shockwave of deadly euthanasia rippling outwards from Earth, blotting out the “existence of this cosmos” until “all its world-lenses and nebulae have been abolished”.