Hot on the heels of that Second Life/digital identity documentary I shared earlier is news of another documentary exploring virtual themes, but of a very different kind. Have you heard of simulation theory? It’s like Second Life, but instead of being outside looking in, we’re on the inside wanting to look out.
Are we all living in the Matrix? Behind a documentary on simulation theory – The Guardian Coincidences we accept as quirks of chance are just imperfections in the system we’ve been plugged in to, whatever shape it might take. We could be brains in a vat, receiving electrical stimuli through wires manipulated by scientists, or perhaps we’re nothing more than bytes of data on some intelligent being’s hard drive. Plato posited that we could be shackled in a cave, mistaking the shadows on the wall for the things casting them. From VR video games to pop culture, any number of metaphors speak to the core concept of a dimension that can be seen through by those who know how to look. In the case of the more adventurous psychonauts accepting these figurative ideas as literal fact, some even attempt to control the illusion.
What is Simulation Theory? Do we live in a simulation? – Built In New York University philosophy professor David Chalmers has described the being responsible for this hyper-realistic simulation we may or may not be in as a “programmer in the next universe up,” perhaps one we mortals might consider a god of some sort — though not necessarily in the traditional sense. “[H]e or she may just be a teenager,” Chalmers said, “hacking on a computer and running five universes in the background… But it might be someone who is nonetheless omniscient, all-knowing and all-powerful about our world.”
Yes, as conspiracy theories go, it’s pretty out there. But think of it as just another whacky creation myth. I mean, do you really understand superstring theory and quantum entanglement? Nah, me neither.
Why remote work may render the 5-day workweek obsolete – Fast Company A mere 300 years ago, before the industrial revolution, there was no such thing as grinding it out for five days in order to run to a Saturday date night or a day of lesiure on Sunday. From the start of when Homo erectus first began roaming the earth, working and living were one and the same. Every day we did our chores. Every day we enjoyed the company of our tribe. The five-day workweek is a sociocultural artifact, not evidence-based framework for maximizing productivity and well-being.
I know several people that enjoy working on weekends (myself included). On weekends there is no steady stream of emails and calls during the day and no scheduled meetings, so all of the time can be allocated to deep-thought tasks, a luxury employees long for but never have the time to get to.
One of the issues education providers have during this pandemic is keeping up with all the ever-changing guidance.
Higher education providers: coronavirus (COVID-19) – GOV.UK Information on the return of students from January 2021 and NHS Test and Trace channels. Updated ‘Students returning to, and starting higher education in spring term 2021’ with changes to when students can return to campus, updates on testing asymptomatic students and international students, and added information about Erasmus+.
Actions for schools during the coronavirus outbreak – GOV.UK What all schools will need to do during the coronavirus (COVID-19) outbreak from the start of the autumn term. Updated with latest changes to: system of controls, attendance, recruitment, free schools meals, estates, wraparound care, physical activity in schools, remote education, catch up, assessment and accountability, and exams.
We should always take the time to appreciate well-designed details. Designer and Apple fan Arun Venkatesan has done a wonderful job here explaining the context behind some of the Apple Watch design cues and references.
The iconic watches that inspired Apple Watch faces – Arun Venkatesan [T]he analog faces reveal what Apple does so well — taking the familiar and making it their own. Over the years, they have released quite a few faces with roots in history. Each one started as an iconic watch archetype and was remade to take advantage of the Apple Watch platform. … Let’s dive into five Apple Watch faces — California, Chronograph, Chronograph Pro, Count Up, and GMT.
The intricacy of these old watches is amazing, so sit back and relax to some smooth jazz whilst this rusty old Rolex is repaired.
Restoration of Rusty Rolex – Water damaged 1996 GMT Master II – YouTube This 1996 Rolex GMT Master II suffered badly. Soaked in water, it spent two years in a drawer. The amount of rust was unbelievable. Actually, apart from the case and bracelet, only 8 of close to 100 internal parts were preserved. But the core challenge was to preserve the mainplate: the very base of the watch that holds all components together.
Second Life Book Club – Second Life Meet book authors and discuss your favorite books at the Second Life Book Club, a series of literary-minded events. Draxtor Despres will bring established as well as up-and-coming authors, poets, publishers, and indie store owners together for virtual book discussions.
Our Digital Selves: My Avatar is Me – YouTube Filmmaker Bernhard Drax travels from Los Angeles to rural South England to explore why people ranging from 24 to 92 years of age find solace and inspiration in a user-created digital wonderland that only exists inside their computers. Drax sends his documentarian avatar Draxtor Despres into the virtual universe of Second Life as well as next generation VR platforms like High Fidelity and Sansar where he meets a 40-something disabled Chicago native feels best represented by a colorful superhero gecko and Cody LaScala – confined to a wheelchair his entire life – who makes his avatar an exact replica of his physical self.
Here are some crappy pics I took from last week’s Book Club event, with the sci-fi writer Julie Novakova. It’s all really piqued my interest in digital identities again, though I feel like such a newbie.
Tinnitus is a strange thing — invisible and, to everyone else at least, silent. That’s the one thing it takes away from us, though. Today is the first day of Tinnitus Week 2021, and the theme this year is #ThisIsMySilence.
#ThisIsMySilence – British Tinnitus Association As a hidden condition, people without tinnitus do not truly understand the huge impact it can have on someone’s life: on the ability to get a peaceful night’s sleep, to concentrate, or just to enjoy silence. Tinnitus can and does have a huge impact on mental health and we need your help to make more people aware of this. The more we show the real impact tinnitus has, the more likely we are to be successful in making tinnitus research funding an urgent priority.
British Tinnitus Association presents #ThisIsMySilence – YouTube For people living with tinnitus, there is no silence. As a hidden condition, people without tinnitus do not truly understand the huge impact it can have on someone’s life: on the ability to get a peaceful night’s sleep, to concentrate, or to just enjoy silence.
If you need support with your tinnitus, contact us for information, advice and an understanding ear. Monday to Friday, 9am to 5pm: Freephone: 0800 018 0527, Web chat: tinnitus.org.uk, Email: firstname.lastname@example.org, Text/SMS: 07537 416841
Their latest report, looking into the patient journey and how referrals are managed (or not), makes for interesting reading.
Most consonants, fewest vowels – The Generalist Academy In contrast to this paucity of vowels [two], Ubykh has a lot of consonants. Eighty-four, in fact, including common stalwarts like /p/ and /g/, trills, twenty different sounds made with the uvula (that dangly thing at the back of your throat), a class of sound called ejectives that we don’t have in English, and a delightfully obscure sound called an unvoiced labialized pharyngealized back dorsal uvular ejective stop – /qˤʷʼ/.
There was that guy who accidentally deleted his entire company, but do you remember Michael Landy? He’s one of the Young British Artists, the one who methodically catalogued, disassembled and then shredded all of his possessions — all of them, including clothes, family photos, passport, artwork, car — over a two week period in a performance art piece called Break Down.
Michael Landy on Break Down – Artangel Certain people criticised Break Down as a spectacle, but a spectacle is passive, and this wasn’t. Shoppers wanted to know what was going on; you could divide them into two groups. People who had heard about the project (knowing faces) and people who walked in from the street (quizzical faces). Certain shoppers thought this was a new way of selling things – they would offer me money for parts of my car, little old ladies would bring back clothes, which they had bought at the C&A closing down sale. […]
One day a young woman approached me whilst I was on the platform. She asked would I consider swapping my dad’s sheepskin coat for what she had in her duffel bag. I told her I couldn’t swap it, but she was more than welcome to try and steal it. Eight months later I was with Gillian in Tesco’s in Bethnal Green and I saw exactly the same sheepskin coat, worn by a man, maybe one size smaller than my dad’s. I wondered whether she did steal it in the end and it was having a second life.
So where does one go after something like that? Back to the drawing board.
Break Down – Michael Landy – Google Arts & Culture Like a phoenix from the ashes, this drawing was part of the process of recapitulating an experience that left Landy with nothing. It amounts to an existential anti-shopping list. ‘Having nothing was a kind of regression, so I was interested in going back to being a child, to just having a drawing pencil and paper.’ Retrospectively, he traces the stages of the disassembly process in pen and ink, employing a line-by-line precision with the pedantry of a military re-enactment. He anatomises his life in terms of the humdrum, a vision of wheelie bins, goggles, odd socks and camera crews, scrutinising the idea that ‘somehow at some point we begin to create our own biographies from the things we own or possess’.
That was twenty years ago. How does he feel about it all now?
What was it like when it was all over? In the pub on the last night, he says: “I got very paranoid. I have talked about it as the happiest two weeks of my life, but it was also like witnessing my own funeral. People would come along who I hadn’t seen for years, and then I worked it out: I was only seeing them because I’d in a sense died.”
His work certainly struck a chord, and is as relevant today as it was then (sadly).
The man who destroyed all his belongings – BBC Culture Break Down – which remains Landy’s best-known work – is considered a provocative masterpiece of recent British art. Moreover, because consumerism in the West has only accelerated since 2001 – witness, for instance, the rise of YouTube vloggers such as Zoella who devote entire videos to rummaging through shopping bags in order to celebrate high-street ‘hauls’ – it has also come to seem remarkably prescient.
Yes we do, I think we are more than the sum of our parts.
Actually that cropped up afterwards with the artwork Acts of Kindness on the London underground. It refers to when we don’t have the economic means to offer material things, we have our kindness and humanity to offer, which actually gets overlooked a lot. People don’t even notice they have those elements but they are being kind and humane to others without even realising they are doing so.
I think that is what came out of Break Down too. People were really kind to me and really open and when I literally had nothing I started to think, what makes us human, and basically that was humanity and a connection between a person and a complete stranger, that kind of emotional bridge between the self and other.
Do you remember Second Life? Not only is it still around, but it’s having something of a comeback, thanks to you-know-what.
Huck’s absolute beginner’s guide to Second Life for the coronavirus curious – What the Huck? Registrations are up. People are rediscovering Second Life. Which makes sense, because one of the first things you realise after a couple of days of self-isolation/working from home is just how much we all need contact with other human beings. It’s so important that we stay at home right now, but that doesn’t mean to say we have to stop socialising, and SL offers that possibility.
A message from our CEO: Coronavirus and Second Life operations – Second Life Community We are seeing an increase in new registrations and returning residents during this outbreak. Please be kind and welcoming to those who may just need a friendly conversation to escape from this crazy world for a moment or more. If you have a friend or colleague who is looking for a safe place to socialize online during these tough times, we encourage you to help them discover how Second Life can enable them to feel less isolated by connecting them to your favorite communities or experiences.
I had an account with Second Life for a while back in the late-naughties, and remember very little. The only link I have on here about it is this one from 2010, about a university’s virtual version of itself falling foul of Second Life’s codes of conduct. The Chronicle’s news story I was linking to isn’t there anymore, but I found this one from the same time.
California College loses Second Life for a second time – US News It was a pretty big deal, then, when Woodbury University, a small school in Burbank, Calif., got booted off Second Life for the second time in four years on Tuesday, the Chronicle of Higher Education reports. Woodbury was kicked out the first time in 2007. Linden Labs, which owns and oversees Second Life, didn’t give a specific reason for the ban, but the Chronicle story suggests that it had to do with accusations of vandalism and Woodbury’s ongoing dispute with another group on Second Life.
Here’s another write-up of that from 2010, going in to more detail.
Woodbury University banned from Second Life (again) – Krypton Radio The real life Woodbury University has been barred from having any official representation in Second Life since July of 2007, when the original Woodbury University region was first trashed by IntLibber Brautigan employee Maldavius Figtree and then completely destroyed less than a week later by Linden Lab itself. Linden Lab deleted the region and most of its users due to its use as a headquarters for planning and executing grid raids by the now inactive griefing group known as the Patriotic Nigras.
The ten year anniversary of all that was noted last year on the Second Life forums, so it must have been quite significant at the time.
I was surprised that this story was the only one on Second Life that I had shared here on this blog. As I explain on my About page, all these links are first gathered up on my Pinboard site, so I went back there to see if I had anything else from around that time. They were all from 2016, the first time I peeked back inside this curiously old-fashioned futuristic land.
Why is ‘Second Life’ still a thing? – Vice “As the VR market continues to grow, new experiences are introduced, and new hardware is released, we’re seeing many experiences and behaviors that reflect what Second Life users have been doing for years,” Altberg said. Indeed, the most surprising thing about Second Life is not that it’s still a thing, but that 13 years after its inception, it is still way ahead of its time.
The digital ruins of a forgotten future – The Atlantic Second Life was supposed to be the future of the internet, but then Facebook came along. Yet many people still spend hours each day inhabiting this virtual realm. Their stories—and the world they’ve built—illuminate the promise and limitations of online life.
Whatever happened to Second Life? – Alphr Three years on, and Second Life seems no closer to finding a respectable reason for being than it did in 2006. It might try and shuffle sex into a corner, and pretend that it’s a melting pot of creativity, business and academia, but it ultimately serves no purpose. It’s like the nouvelle cuisine of the 1980s: pretty, fascinating but ultimately unfulfilling. “What’s the point of Second Life?” I asked one of the “greeters” on the Second Life Help Island, desperate to find something that could make this vast, billion-dollar empire seem worthwhile.
Well I quite like the place, third time round, though I’m still none the wiser about it all. Thankfully, help is still around.
How to be indistractable – Psyche Guides Once you understand the depth of distraction, you can start to manage it and improve. After years of experiments, I found myself less distracted – a quality that improved nearly every aspect of my life. It turns out that being able to focus on the subjects and people in my life who matter improved everything from my health to my happiness to my productivity. That can seem obvious, but I couldn’t have fully appreciated the joys of living an indistractable life if I hadn’t gotten there on my own after a five-year journey. Being indistractable can lead you to not just change your life for the better, but also experience life fully.
I liked the way that my posture, whilst reading this article on how to sit correctly when working from home, was exactly the same as the photo they use to show how not to do it. We must both have heavy chins?
I’m sure President Biden has enough on his to-do list at the moment to be giving Space Force and the politics of space much thought, but this new book from Benedict Redgrove might spark some enthusiasm.
Benedict Redgrove’s intimate photography book lands us inside the world of NASA – IGNANT Redgrove has been fascinated by space suits and shuttles since he was a young man. “The image of the astronaut or spaceman has been with me ever since, as a sort of talisman to all that is great and good,” he shares. “They symbolize the explorer, the hero, the good character, the leader. The spacesuit takes on that character, the suit and the human become one entity, more powerful than either on their own.” Combining his fascination with space technology with his interest in photography, the British creative took on the challenge to document America’s home of space-based research and development in intimate detail. Redgrove spent almost a decade working on the project, negotiating access and forming relationships with NASA, researching, investigating, and producing over 200 images of NASA’s facilities and the many objects that made their space travel imaginable and possible.
The engineering involved in landing on the moon was incredible. To fully appreciate that, I think I need to add this epic piece of journalism to my reading list.
Of a Fire on the Moon by Norman Mailer – Penguin Random House For many, the moon landing was the defining event of the twentieth century. So it seems only fitting that Norman Mailer—the literary provocateur who altered the landscape of American nonfiction—wrote the most wide-ranging, far-seeing chronicle of the Apollo 11 mission. A classic chronicle of America’s reach for greatness in the midst of the Cold War, Of a Fire on the Moon compiles the reportage Mailer published between 1969 and 1970 in Life magazine: gripping firsthand dispatches from inside NASA’s clandestine operations in Houston and Cape Kennedy; technical insights into the magnitude of their awe-inspiring feat; and prescient meditations that place the event in human context as only Mailer could.
That line about the poor quality visuals (deliberately poor, apparently) not matching the scale of the achievement reminded me of Brian Eno’s dissatisfaction with the audio, the chatter of the experts obscuring the event’s grandeur and strangeness.
Of a Fire on the Moon was first published across three issues of Life magazine (much like John Hersey’s Hiroshima, published in its entirety in The New Yorker in 1946), and is yours in book form for a tenner or so. Or, if you want to spend a little more…
Of a Fire on the Moon; $112,500 coffee table edition – Wikipedia The 40th anniversary of the first Moon landing was marked in 2009 by the release of an abridged, limited edition of the text, re-packaged with images from NASA and Life magazine. This production retitled the work, MoonFire, and was presented in an aluminium box with a lid shaped like the crater-pocked surface of the Moon; the object was mounted on four legs resembling the Apollo Lunar Module’s struts. Thus, the coffee table book came inside its own lunar-themed “coffee table”, with an uneven surface (see photograph). The package included a numbered print of the famous portrait of Buzz Aldrin standing on the Moon, framed in plexiglass and signed by the astronaut himself—and enclosed a lunar meteorite. Only 12 were created and the price was $112,500.
The complete list of Trump’s Twitter insults (2015-2021) – The New York Times As a political figure, Donald J. Trump used Twitter to praise, to cajole, to entertain, to lobby, to establish his version of events — and, perhaps most notably, to amplify his scorn. This list documents the verbal attacks Mr. Trump posted on Twitter, from when he declared his candidacy in June 2015 to Jan. 8, when Twitter permanently barred him.
Here’s an angle on this I hadn’t considered before.
‘I am not sad. I am really not sad’: Trump’s Twitter reply-guys reckon with a post-Trump era – OneZero Many of Trump’s early reply-guys eventually burned out or changed tactics; others have long since been booted from Twitter themselves. But dozens of otherwise ordinary anti-Trumpers, like Guterman, still draw hundreds of thousands of followers to their online tilts, and they’re facing an unclear future without their archnemesis. “I guess I’ll go read a book,” tweeted Jeff Tiedrich, perhaps the king of the reply-guys and the publisher of a leftist politics blog, in the hours after Trump’s suspension.
“It’s a new era for Twitter now,” Guterman said. “I don’t think there’s any need anymore for me to do this.”
At a time when indoor art galleries and museums are closed because of you know what, it’s good to see some alternative initiatives. Here, an augmented reality app allowed you to explore 36 digital sculptures from artists around the world, arranged as a riverside walking tour.
How an augmented reality app transformed London into an immersive art gallery – Aeon Videos If you ever hopped on the Pokémon GO craze, you’ll have an inkling of how digital technology is increasingly capable of adding rich new slices to everyday life. The public exhibition ‘Unreal City’, which ran from 8 December 2020 to 5 January 2021 on the River Thames in London – and is, until 9 February 2021, available for at-home viewing – similarly superimposed digital layers on to reality, but with an aim to transform the city into an immersive augmented reality (AR) art gallery.
Have a go at curating your own exhibition at home.
Unreal City at Home – Acute Art Acute Art and Dazed Media are excited to announce that Unreal City, London’s biggest public festival of AR art will now be available to view and interact with from inside your home for one-month only. Responding to new lockdown measures and the popularity of the exhibition in London and across the United Kingdom, Acute Art and Dazed Media will make these site-specific artworks available for audiences all around the world to discover from the safety of their homes via the free Acute Art app.
William Gibson’s short story Johnny Mnemonic first appeared in Omni magazine in 1981, before being published in his Burning Chrome collection in 1986. It takes place in the same world of Gibson’s cyberpunk novels, Neuromancer, Count Zero and Mona Lisa Overdrive and, in the 1995 movie at least, starts on 17 January 2021.
Johnny Mnemonic – Museum of Arts and Design Artist Robert Longo’s directorial debut, Johnny Mnemonic adapts for the big screen William Gibson’s story of the same name. Set in a dystopian 2021, when megacorporations rule the world, the movie features Keanu Reeves as Johnny, a “mnemonic courier” who discreetly transports information too sensitive to carry over the Net via a special device implanted into his brain—a career that’s cost him his childhood memories. Hoping to recover them through an expensive surgery, Johnny agrees to one last job, which requires him to download more information than his implant can handle.
2021 and the conspiracies of Johnny Mnemonic – WIRED Johnny is a digital-era delivery guy. If you need some data transported hypersecurely, simply load it into his head and off he goes: your very own walking—more often running, from bad guys—USB air-gapped meatstick. So what if the gig comes with memory lacunae and the risk, in the event of information overload, of brain-burst, to say nothing of the Yakuza at your back, who are more than happy to carry out a file transfer by way of decapitation? It pays well, and you look cyber-cool doing it.
Gibson’s cyberspace was always bound up with the body. Data can be wet-wired; manipulating files requires Power Gloves and an “Eyephone.” When Johnny jacks in, it kind of hurts. Such meat-meets-metal has, in the quarter-century since Johnny Mnemonic came out, been called a failure of prediction. Our internet ended up disembodied, virtualized, socially distanced, our iPhones more of a figurative prosthesis. Yet, this last year, we sat slack at our desks, muscles atrophying, nerves attenuating, as we doomscrolled our way to new aches, new anxieties, new ailments. Some wild-eyes went so far as to claim that 5G triggered the pandemic, which is the most Gibson-sounding conspiracy of all. In Johnny’s world, the black shakes are caused not by a virus but by a signal. Epidemic through technic. There’s something in the air, no matter what you do. You’re already sick, you’re already dying. Connectivity is killing you.
Looking back at Johnny Mnemonic – Den of Geek Really, it’s pretty difficult to figure out exactly why this film doesn’t live up to the brilliance of Gibson’s material, and why it didn’t find a wider audience. It may be down to the studio’s interference – allegedly, the film was re-cut shortly before its release, to be more mainstream; Gibson himself attests that the rough cut was funnier and more alternative. It may also be that the general cinema-going audience may not have known what to make of it – it was science-fiction, yes, but without the usual tropes they might expect of the genre. Virtual reality had also been done before, and Johnny Mnemonic’s cyberspace sequences are similar to those seen in 1992’s The Lawnmower Man, and 1995’s Virtuosity also played around with the concept a few months later – really, audiences were promised nothing new. And, of course, nobody knew The Matrix was only four years away, which would redefine the way in which simulated realities had been presented in films forever.
Can technology make you sick, like ‘NAS’ does in Johnny Mnemonic? – Syfy Wire The real risk of exposure to technology might exist not in the technology itself, but in our relationship to it. It’s true that excessive internet usage is linked to depression. What’s unclear is which factor is the instigator. One interpretation of the data suggests that excessive internet usage causes depression. This makes intuitive sense as the information most readily available online is overwhelmingly negative. Another interpretation is that those predisposed to depression exhibit higher internet usage. […]
NAS or the Black Shakes, the physiological disease showcased in Johnny Mnemonic, has yet to rear its head, but the psychological impact of constant information demanding attention can have real consequences. And we all need to be aware of where we devote our attention, what society is demanding from us, and how we navigate an ever-changing and increasingly digital landscape.