The Overview Effect, first described by author Frank White in 1987, is an experience that transforms astronauts’ perspective of the planet and mankind’s place upon it. Common features of the experience are a feeling of awe for the planet, a profound understanding of the interconnection of all life, and a renewed sense of responsibility for taking care of the environment.
There’s more about this at www.overviewthemovie.com.
Colin McSwiggen explains why he’s so against chairs. I have to admit to not giving them a second thought, other than the times at work when my recline lever slips and I end up suddenly horizontal. The problems seem much deeper than temperamental office furniture though.
I hate to piss on the party, but chairs suck. All of them. No designer has ever made a good chair, because it is impossible. Some are better than others, but all are bad. Not only are chairs a health hazard, they also have a problematic history that has inextricably tied them to our culture of status-obsessed individualism. Worse still, we’ve become dependent on them and it’s not clear that we’ll ever be free.
History, ergonomics, politics, it’s all in there.
And here’s another take on the chair, which I guess backs up his point. Make of it what you will.
The Harvard Business Review has a rundown of the top five career regrets according to some survey or other. I think it’s safe to say we can identify with most if not all of them.
“Disappointment doesn’t discriminate; no matter what industry the individual operated in, what role they had been given, or whether they were soaring successes or mired in failure, five dominant themes shone through.”
We all know the web’s certainly a different place now than it was ten or fifteen years ago, but Anil Dash points out exactly how — and to what extent — things have changed.
“The tech industry and its press have treated the rise of billion-scale social networks and ubiquitous smartphone apps as an unadulterated win for regular people, a triumph of usability and empowerment. They seldom talk about what we’ve lost along the way in this transition, and I find that younger folks may not even know how the web used to be. So here’s a few glimpses of a web that’s mostly faded away:”
And then a few days later he writes an update on how to rebuild the web we lost.
Nassim Nicholas Taleb: The future will not be cool – Salon.com
“Tonight I will be meeting friends in a restaurant (tavernas have existed for at least 25 centuries). I will be walking there wearing shoes hardly different from those worn 5,300 years ago by the mummified man discovered in a glacier in the Austrian Alps. At the restaurant, I will be using silverware, a Mesopotamian technology, which qualifies as a “killer application” given what it allows me to do to the leg of lamb, such as tear it apart while sparing my fingers from burns. I will be drinking wine, a liquid that has been in use for at least six millennia. The wine will be poured into glasses, an innovation claimed by my Lebanese compatriots to come from their Phoenician ancestors, and if you disagree about the source, we can say that glass objects have been sold by them as trinkets for at least twenty-nine hundred years. After the main course, I will have a somewhat younger technology, artisanal cheese, paying higher prices for those that have not changed in their preparation for several centuries.”
The new Samsung Chromebook – For Everyone “An ultraportable, sleek laptop for everyday adventures. It weighs 1.1kg and has over 6.5 hour hours of battery life, so you can bring it anywhere and use it everywhere.”
Fourteen years of pantone colors-of-the-year (tecznotes)
“I love the language patterns in press releases that accompany annual announcements, like Pantone’s Color Of The Year. Leatrice Eiseman, executive director of the Pantone Color Institute, has been providing adjectives and free-associating since 1999. Between 9/11 and the economy, a lot of political freight gets bundled into these packages as well—“concern about the economy” is first mentioned in late 2005 (sand dollar).”
A psychiatrist’s (and Charlie Brooker’s) insightful perspective on news coverage’s perpetuation of mass shootings in schools.
Can’t begin to imagine how he’s gone about these (someone’s bound to spoil it for me by saying machines were involved), but I think their delicate intricacy balances well with their stark graphic nature. “Nature”, even. Also, is this sculpture?
Link: Feather Dioramas by Chris Maynard