In a manner reminiscent of Loving Vincent, Em Cooper has created a wonderful short animation for a Berghaus ad campaign.
Em Cooper is a live-action filmmaker working with oil paint
“I was actually on a walk in Cornwall when the detail of how I would make it came into my mind. I wanted every transformation to feel natural and effortless — the transitions working like silent slippages of paint with the brushstrokes loosening just a touch and then reforming quietly into the next moment. It is painstaking and labour-intensive work: I hand paint every single frame individually, but the results are magical, and I think viewers can sense the time and effort that has gone into it.”
Time to get out
Rhett Jones from Gizmodo strikes a cautionary note about Apple’s positioning following Facebook’s recent data sharing controversies.
Apple isn’t your friend
In its own deliberate fashion, Apple appears to see a market opportunity in the privacy debate that goes beyond polishing its own image. As headlines blared about Facebook’s latest data-sharing turmoil, the Wall Street Journal reported that Apple has been quietly planning to launch a new advertising network for the past year. It’s said to be a re-imagining of its failed iAd network that was shuttered in 2016.
Generally, more competition is welcome. If Apple is giving Facebook and Google headaches, we say that’s great. But it’s a thorny issue when we’re talking about a few billion-dollar companies exchanging places on the ladder as they strive to be trillion-dollar companies. It’s just not enough for the least bad megacorp to keep the evil ones in check.
Ah, those were the days, puffing away around a burning maypole without a care in the world.
The vibrant world of vintage tobacco and alcohol ads
“This is a great example of the lush illustration used at the time and it shows a kind of surrealistic, whimsical approach with people dancing around a giant cigarette,” said Jim Heimann, author of 20th Century Alcohol & Tobacco Ads.
Russell Davies on the backward steps we’ve taken with how we relate to the web.
Let’s make the grimy architecture of the web visible again
And, for a while, domain names and URLs became part of the fun of the web. While the more commercial parts of town got excited about the money changing hands for cars.com, the bohemian quarters were creating baroque constructions like del.icio.us or mucking about with ridiculously domains. I don’t think I’ve ever been as excited as when I realised I could buy agoodplaceforacupofteaandathink.com. Surely, I thought, this must already have been snapped up. And then the URL shorteners arrived.
It’s increasingly apparent that a more digitally literate citizenry would be good for a thousand different reasons. A great way to start would be to make URLs visible again, to let people see the infrastructure they’re living in. Perhaps it’s time for some pro-URL sloganising: Beneath The Shorteners, The Web!
Agreed. Another example of this has been prevalent in TV and radio advertising for a while now — adverts ending with calls to search specific keywords or hashtags, rather than directing potential customers to web addresses. As well as reinforcing this move to de-emphasise URLs, dumbing-down the internet and creating more reliance on search engines, it can also work against those companies themselves.
The lunacy of search term CTAs in TV ads
Additionally, it is very difficult to dominate page one of the search results for those generic terms. Taking the Mini Original commercial shown above, the search query they told viewers to search for online was ‘New Original’. When conducting this search on Google, the first page of results are no where near dominated by Mini. As you can see from the screenshot below, seven of the listings are nothing to do with the car.
TechCrunch has a summary of the latest report from Google on its attempts to clear up its mess. Some of the numbers are incredible.
In 2017, Google removed 3.2B ‘bad ads’ and blocked 320K publishers, 90K sites, 700K mobile apps
Google also removed 130 million ads for malicious activity abuses, such as trying to get around Google’s ad review. And 79 million ads were blocked because clicking on them led to sites with malware, while 400,000 sites containing malware were also removed as part of that process. Google also identified and blocked 66 million “trick to click” ads and 48 million ads that tricked you into downloading software.
Sounds impressive, but that’s not all they’re trying to tackle currently.
The bad ads report publication comes in the wake of Google taking a much more proactive stance tackling harmful content on one of its most popular platforms, YouTube. In February, the company announced that it would be getting more serious about how it evaluated videos posted to the site, and penalising creators a through a series of “strikes” if they were found to be running afoul of Google’s policies.
The strikes have been intended to hit creators where it hurts them most: by curtailing monetising and discoverability of the videos.
This week, Google started to propose a second line of attack to try to raise the level of conversation around questionable content: it plans to post alternative facts from Wikipedia alongside videos that carry conspiracy theories (although it’s not clear how Google will determine which videos are conspiracies, and which are not).
That sounds quite intractable. It will be interesting to see how that plays out.
People Too create striking paper sculptures for Amnesty’s brutality campaign
Their deceptively delicate and very intricate creations for Amnesty International’s Fan the Flame campaign, which are fashioned entirely from white paper. Depicting acts of violence and brutality with a quiet poignancy that is hard to match is any other medium, the detailed sculptures all the more impressive for their impermanence.