Following on from that post about music formats we’ve loved and lost, here’s news of a unique record collection up for grabs.
For Sale: 40 years of vinyl singles that topped the British charts
Tim Claydon acquired his first vinyl single—“She Loves You,” by the Beatles—in 1963, when he was just three years old. The purchase kicked off a lifetime of voracious vinyl-collecting, and Claydon can still recall the most minute details from that auspicious day in Maldon, in southeastern England. He remembers walking to Woolworths on High Street with his grandmother, and watching the vendor slip the vinyl into its brown paper packaging. “I can even smell it now,” he says, more than half a century later.
If you’re looking for something on cassette that’s a little more avant-garde and experimental, check these out.
Various cassette tapes
A collection of digitized commercial and amateur mixtapes recorded on cassette format, dating over the last 30 years.
Once upon a time, these physical things, vinyl and cassette tapes, were bought with real, physical money, and a proportion of that money would find its way to the artist. Nowadays, of course, it’s all online and streamy, and the way the money flows is less clear.
Let’s imagine Anna, a fictitious Spotify user, spent the whole of last month only listening to one album by her favourite band. You’d think that all of her $10 subscription for that month would go to that band, right? Well.
Your Spotify and Apple Music subscriptions pay artists you never listen to
They take all of the money generated from users, whether by advertisements or subscriptions, and put in a big pot. They then divide that pot by the total share of streams each artist received. So, if Apple Music gave $100 million of their revenues to artists in a month, and Drake songs accounted 1% of all streams that month, then Drake (and the writers of Drake’s songs) would receive $1 million. Essentially, 1% of Anna’s money is going to Drake.
Nothing’s ever straightforward, is it?