The A-Z of AI – With Google
This beginner’s A-Z guide is a collaboration between the Oxford Internet Institute (OII) at the University of Oxford and Google, intended to break a complex area of computer science down into entry-level explanations that will help anyone get their bearings and understand the basics.
This AI poet mastered rhythm, rhyme, and natural language to write like Shakespeare – IEEE Spectrum
Deep-speare’s creation is nonsensical when you read it closely, but it certainly “scans well,” as an English teacher would say—its rhythm, rhyme scheme, and the basic grammar of its individual lines all seem fine at first glance. As our research team discovered when we showed our AI’s poetry to the world, that’s enough to fool quite a lot of people; most readers couldn’t distinguish the AI-generated poetry from human-written works.
I think they’re better off sticking to the visuals.
Beck launches Hyperspace: AI Exploration, a visual album with NASA – It’s Nice That
The project was made possible by AI architects and directors OSK, founded by artists Jon Ray and Isabelle Albuquerque, who began the project by asking, “How would artificial intelligence imagine our universe?” In answering this question it allowed the directors to create “a unique AI utilising computer vision, machine learning and Generative Adversarial neural Networks (GAN) to learn from NASA’s vast archives.” The AI then trained itself through these thousands of images, data and videos, to then begin “creating its own visions of our universe.”
Some of them can really hold a tune, though.
What do machines sing of? – Martin Backes
“What do machines sing of?” is a fully automated machine, which endlessly sings number-one ballads from the 1990s. As the computer program performs these emotionally loaded songs, it attempts to apply the appropriate human sentiments. This behavior of the device seems to reflect a desire, on the part of the machine, to become sophisticated enough to have its very own personality.
Lastly, it’s good to see that you can still be silly with technology and music.
It’s been months since I’ve been to a gallery or museum. More of them are reopening, though many are still facing a difficult future. But how they are dealing with their past and present is just as challenging.
Black artists and gallerists on what a more inclusive art world would look like – Artsy
In an interview with Hyperallergic, Brandon explained her comment. “Ever since I started working at SFMOMA, I have watched leadership tokenize their non-white employees all while trying to silence them by implying that their concerns, frustrations, and experiences are not real,” she said. “The events that transpired regarding the Instagram post highlights leadership’s inability to recognize the racism within museums amongst employees and donors.” In recent weeks, five senior leaders have resigned from SFMOMA amid a growing chorus of accusations of institutional racism.
Penn Museum to remove skull collection of enslaved people – Hyperallergic
The objectionable collection belongs to Samuel George Morton, a 19th-century Philadelphia-born, UPenn-educated physician who collected hundreds of skulls, including those of enslaved Africans, Native Americans, and Cubans to try to reinforce his white supremacist, pseudoscientific theory that the brains of some races are larger than others.
Anish Kapoor says art gallery ‘tokenism’ with diversity must end – The Guardian
As he prepared to open the UK’s first large-scale art exhibition since the lockdown began in March, Kapoor delivered blistering criticism of the museum world. “Contemporary museums, they need to stop tokenism. Collect an Iranian artist here, a South African artist there or whatever. They need to really begin to try to properly take on … what is contemporary culture today? How do we represent it in objects in our museums. It is not straightforward. But tokenism can’t happen any longer.”
How recent anti-racism protests have pushed a longstanding debate about colonial looting in Europe – The Art Newspaper
“All these things are connected,” says George Abungu, an archaeologist and former director of the National Museums of Kenya. “If the museums had dealt with it a long time ago, it wouldn’t have been looked at like this. But now history has caught up. Repatriation is part of this discussion about colonialism and racism.”
The museum where racist and oppressive statues go to die – Atlas Obscura
The museum’s message is clear: A monument is not a descriptive account of history, but instead a historical artifact that tells a story about power. In a setting that invites scrutiny, visitors can study Berlin’s monuments to grasp more clearly who had power and how that power was used. […]
“It is a great mistake to describe the monuments as history or heritage,” Neiman goes on. “We don’t memorialize every piece of our histories. We pick and choose those men and women whose lives embodied values we want our communities to share.”
Banksy paintings worth an estimated £1.2m to be sold at charity auction – The Guardian
This triptych hangs in Sotheby’s galleries alongside works by some of history’s greatest landscape painters, including Bellotto, Van Goyen and Turner. Banksy’s work, however, stands alone for its potent political message.
Remember that stolen Van Gogh painting? Photos of it turned up a few weeks ago. I wonder if there’s been any further news.
Images of a stolen van Gogh give experts hope it can be recovered – The New York Times
A private art detective investigating the case said he was sent the images of the work, which was taken from a Dutch museum in March.
Dutch art detective says he has ‘proof of life’ of stolen Van Gogh painting – The Guardian
They have been passed to the police after being obtained by Arthur Brand, a renowned art detective. Brand told Agence France-Presse that the photographs had been “circulating in mafia circles” and had been handed to him by a source he declined to identify.
Then there’s this odd story about (another) one of his selfies.
Self-portrait or portrait of Theo? – Van Gogh Museum
Van Gogh specialists from the museum recently returned to study the two portraits afresh. A publication on photographs of Vincent and Theo contained new insights regarding the likenesses and differences between the physical appearance of the two brothers. Some researchers had also harboured prolonged doubts about the identification made in 2011.
The resulting discussion made it clear that, based on all sources and arguments, it was not possible to determine with certainty which of the brothers is depicted on the portrait that was identified as being of Theo van Gogh in 2011. The decision has therefore been taken to use the title Self-Portrait or Portrait of Theo van Gogh for this painting from now on.
Perhaps this might help.
Here’s how 20 famous historical and fictional figures ‘really’ looked like – deMilked
Bas Uterwijk is a Dutch photographer and digital artist who likes to show how famous historical and fictional figures ‘really’ looked like in his realistic digital portraits.
He’s not the only one using ‘deep learning’ networks to understand more about Van Gogh and his work.
MIT CSAIL develops AI to show how artists created their famous paintings – designboom
You mightn’t have thought that Vincent van Gogh and artificial intelligence go hand-in-hand, but thanks to a system developed by researchers at MIT Computer Science and Artificial Intelligence Laboratory (CSAIL), we can now see his painting technique like never before. The system, called ‘Timecraft’, takes the image of a finished painting and analyzes how it was likely to have been originally created. The resulting time-lapse videos provide an amazing insight into renowned works from famous artists such as Cezanne and van Gogh.
But let’s not forget what brought us all here in the first place, some incredible imagery.
Getting inside Van Gogh: A new blockbuster show in Paris in photos – Forbes
The digital art museum L’Atelier des Lumières brings Vincent Van Gogh’s paintings to life, projecting them on the walls, ceilings and floors of a former foundry, accompanied by music and immersing visitors in the chromatic splendor of the artist’s pictorial world. […]
The first digital art center in Paris, established in a restored 19th-century foundry, the Atelier des Lumières creates monumental digital exhibitions that surround visitors with the pictorial world of the greatest artists.
Van Gogh, Starry Night – Atelier des Lumières
The new digital exhibition in the Atelier des Lumières immerses visitors in the paintings of Vincent van Gogh (1853–1890), a genius who was not recognised during his lifetime and who transformed painting. Projected on all the surface of the Atelier, this new visual and musical production retraces the intense life of the artist, who, during the last ten years of his life, painted more than 2,000 pictures, which are now in collections around the world.
You remember I mentioned one of Christo’s final projects was going to involve the Arc de Triomphe? The one he’d been working on since the sixties? It looks like it’s still going ahead.
It’s Christo’s final show. But is it the last we’ll see of him? – The New York Times
Christo’s team “are extraordinarily competent, and they know all the nuances of the Arc de Triomphe project, because they’ve been there working on everything,” said Jonathan Fineberg, a professor at the University of the Arts in Philadelphia who has written extensively on Christo and Jeanne-Claude. “They know exactly what Christo wanted to do, and Christo wanted this project to be built whether he was there or not.”
It would be a fitting trubute. Here, perhaps, is another.
A 3D mural by artist Leon Keer wraps a French housing complex like a gift – Colossal
Dutch artist Leon Keer is known for his large-scale anamorphic and Trompe-l’œil projects, transforming the sides of buildings and sidewalks into illusory public art. His latest mural, titled “Safe House,” turns the side of a housing complex in Morlaix, France, into a massive, wrapped gift. Despite its flat surface, the gold paper appears to crinkle and bulge under the bright, imperfectly cut tape. “It is not obvious for everybody to have a roof over their head. Your home is precious and gives you the comfort and protection, a gift for the necessary needs in life. In honor of the great Christo and Jeanne-Claude,” the artist writes in a statement.
Featured image Christo
Look back at Hockney’s visits to Bradford over the years – Bradford Telegraph and Argus
Legendary Bradford-born artist David Hockey celebrates his 83rd birthday today. Here are a few images of the legendary figure’s trips to his home district over the years and some well wishes from Bradford-based groups.
What a little gem of an exhibition. Everything is Going to be OK is an installation by US conceptual artist Allan McCollum, currently on show at the Thomas Schulte gallery in Berlin.
Allan McCollum at Thomas Schulte – Contemporary Art Daily
From his image archive An Ongoing Collection of Screengrabs with Reassuring Subtitles with currently 1.200 screenshots from American TV series and movies with subtitles such as “It will be ok” or “Don’t worry, Babe,” McCollum has chosen 400 motifs to be printed on canvas, each framed simply in black wood and measuring 26.3 x 43.8 x 4 cm (10.4 x 17.2 x 1.6 in). […]
Allan McCollum began his collection of screenshots in 2015 as a visual essay about the meaning of closeness and comfort in our society. He wants his project to serve as a reminder that it is through the telling and sharing of stories that we perceive the world. It is also a critique of Hollywood and populist rhetoric which both instrumentalize our emotions by promoting the narrative of a hero coming to the rescue, while in reality we depend on being part of a community of family, friends, neighbors and colleagues.
Images Thomas Schulte, Berlin. Photos Stefan Haehnel.
Nine Eyes of Google Street View is over ten years old now. For a while, no new photos were being added, but it seems to have picked up again in recent months. Here are a number of old articles about the project, interspersed with some of the newer images.
Nine Eyes of Google Street View – Net Art Anthology
In 2008, Jon Rafman began to collect screenshots of images from Google Street View. At the time, Street View was a relatively new initiative, an effort to document everything in the world that could be seen from a moving car. A massive, undiscerning machine for image-making whose purpose is to simply capture everything, Street View takes photographs without apparent concern for ethics or aesthetics, from a supposedly neutral point of view.
Towards a postinternet sublime: Jon Rafman’s Street View romanticism – Rhizome
As postinternet photography, the images in Nine Eyes of Google Street View testify above all to the processes of their own making and dissemination. There is no coherent subject matter unifying the images. Certain themes recur, such as glitches in the stitching system or people giving the finger to the camera, but what organizes the photographs together into one single work is simply that they have been selected from Street View during one of the artist’s marathon surfing sessions. Rafman highlights the digital aspects of his photographs—such as pixelation, watermarks, and the navigational interface which appears in nearly every image—but this never detracts from the sense that the photographs portray something real. Instead, they declare the extent to which offline life is always already structured by the online. This is what leads Geoff Dyer to describe Nine Eyes of Google Street View as giving the impression that not only is Rafman not an “old-school photographer,” but that it almost seems as if he has never even been outdoors, and that “his knowledge of the world derives entirely from representations of it.”
Poaching memories from Google’s wandering eye – The New York Times
At first I saw the camera as totally neutral: It’s just whoever happens to be out gets captured. But the truth is that the neutrality of the camera is actually somewhat . . . there’s hidden ideologies within it. For example, the camera only captures who’s on the street during daylight hours, while most, let’s say, white-collar workers are in their offices somewhere. People like prostitutes, people living on the street, they have much more of a chance to be captured by the camera.
He’s not the only one working in this area of course.
How Google Street View is inspiring new photography – The Guardian
[Michael Wolf] saw quickly that the indifferent gaze of the Street View camera randomly recorded what he called (in one of the series resulting from this discovery) Unfortunate Events: altercations and accidents, pissings and pukings, fights and fatalities. The Street View cars usually go about their business unnoticed – or at least unheeded – but occasionally people respond to their all-seeing presence by giving them the finger (hence the title of another of Wolf’s series, FY). And so Wolf combed through mile after uneventful mile of boring footage in search of moments that might or might not prove decisive.
So perhaps we can all be armchair photographers now.
A couple of recent Colossal finds that I thought went well together.
Rope twists into massive, fibrous circuit boards by artist Windy Chien – Colossal
I find the metaphor of the journey to be potent and relevant here. For me, the visual pleasure derived from the Circuit Boards comes from choosing one rope end and following it to the conclusion of its journey through the work. Electronic circuit boards connect and conduct power; subway maps (maps in general) provide a kind of simulation of a journey, a guide to choices and paths.
Images Windy Chien
Constellations of found electronics shape faces on vintage rackets by Artist Leonardo Ulian – Colossal
The egg shape of the “head” of these vintage rackets reminded me of something yet familiar but at the moment lost. The result is a composition that resembles vaguely a human face made from a recycled object from the past, the racket, clashing with the rest of the elements, electronic parts, and the found objects. Then, an anomaly called “pareidolia,” the mechanism that leads our brain to bring things and objects of all kinds back to known and sensible forms does the rest. Will these be the faces of the future?
Images Leonardo Ulian
How come I’ve only now come across things magazine? What have I been doing all this time? I’m getting a little dizzy with the thought of how much I need to catch up on.
Another Monday morning has rolled round again, and whilst we might not be back in the office yet, there’s still a need for a coffee. Take care with these, though.
Ceramic artist Lalese Stamps creates 100 wildly varying mug handles in 100 Days – Colossal
While some of Lalese Stamps’s mugs might be safe to grab before you’re fully caffeinated, exercise caution with others. Last year, the Columbus-based ceramicist, of Lolly Lolly Ceramics, embarked on a 100 Day Project, her personal challenge to design dozens of new handles for her monochromatic mugs.
Images Lalese Stamps
Some time in the 90s, I was convinced, absolutely convinced, that I had come across a secret Christo within the grounds of the University of Leeds. Of course it turned out just to be some wrapped scaffolding for a building renovation project. It did look pretty cool, though, and gave me just an inkling of what looking at the Reichstag (and perhaps still the Arc de Triomphe?) might have been like.
Christo (1935–2020) – Christo and Jeanne-Claude
Artist Christo Vladimirov Javacheff, known as Christo, passed away of natural causes today, on May 31, 2020, at his home in New York City. He was 84 years old. Statement from Christo’s office: “Christo lived his life to the fullest, not only dreaming up what seemed impossible but realizing it. Christo and Jeanne-Claude’s artwork brought people together in shared experiences across the globe, and their work lives on in our hearts and memories.
How the visionary artist Christo (RIP) changed the way we see the world – Open Culture
After removing the wrapping from the Biscayne Bay islands, a project he called “my Water Lilies” in honor of Claude Monet,” Christo remarked that Surrounded Islands lived on, “in the mind of the people.” So too will Christo live on—remembered by millions as an artist who did things no one else would ever have conceived of, much less carried out.
The story behind Christo′s ′Wrapped Reichstag′ – DW
In 1978, Christo presented a model of a veiled Reichstag at the Zurich Museum für Gestaltung (Museum of Design). Despite the troubled history of the structure built in the late 19th century under Kaiser Wilhelm II, Christo saw it as a symbol of freedom: the Republic was proclaimed there in 1918. Freedom had been a recurring theme in Christo’s art since his escape from communist Bulgaria in 1951.
It was Van Gogh’s birthday the other week. Martin Bailey from The Art Newspaper takes a look at what he was doing on 30 March each year. It ends quite poignantly.
A concise guide to Van Gogh’s adult life: how the artist celebrated his birthday over the years – The Art Newspaper
Theo was very worried, writing to him on 29 March: “How pleased I would be to be able to go and see you tomorrow to shake your hand on your birthday. Will it be a celebration for you, or are you still in a state where you find yourself unhappy?” Vincent’s mother posted him a tin of chocolate and sewed him a tobacco pouch. She wrote to Theo: “May the 30th of March not be too unhappy for Vincent. Poor fellow, may he see better days.”
Let’s be more positive and remind ourselves of the joy he took in nature, with this interview with David Hockney from last year at the Van Gogh Museum.
David Hockney on Vincent van Gogh: Full interview – Van Gogh Museum
From 1 March, the colossal works of David Hockney will be on display in the Netherlands. For the first time, this spectacular exhibition offers an extensive and colourful exploration of the common ground between the work of Vincent van Gogh and David Hockney.
Hockney: ‘His paintings are full of movement. What people love about Van Gogh’s paintings is that all the brush marks are visible and you can see how they are painted. When you’re drawing one blade of grass you’re looking and then you see more. And then you see the other blades of grass and you’re always seeing more. Well, that’s exciting to me and it was exciting to Van Gogh. I mean, he saw very clearly’.
Interview: Damien Hirst – Idler
I’d always made more money the next year than the year before. But it was unsustainable and it bites your arse. They all love you. The bank loves you, and the accountants love you, because they’re taking your money. Every year you get more and more people as well. One guy is taking 10 per cent and then it’s another guy taking 10 per cent and another guy taking 10 per cent and it’s all a big party. But before you know it, suddenly you’ve got an overdraft when before you had loads of cash. The people who give you the overdraft are your best mates as well, smiling at you and telling you that you’re amazing so you keep doing it. […]
You start by thinking you’ll get one assistant and before you know it you’ve got biographers, fire eaters, jugglers, fucking minstrels and lyre players all wandering around. They’re all saying they aren’t being paid enough and they all need assistants. Then one night you ask the lyre player to play for you and they say: “My lyre is all scratched up and I did ask for a lyre technician but you said not yet and if I had one I could come and play for you now.” So you’ve got to have a lyre technician and then you better get him an Uber account too.
2,500 museums you can now visit virtually – Hyperallergic
Google Arts & Culture’s collection includes many of the world’s biggest museums: Tate Modern and the British Museum in London, the Van Gogh Museum and the Rijksmuseum in Amsterdam, and the Museum of Modern Art and the Whitney Museum in NYC, among hundreds of others. In most, you can browse through entire exhibitions online, and in many, you can also walk through the museum using Google’s street view.
(and how can you let this one pass you by)
Tim alone: Mona’s human artwork is still sitting in an empty gallery for six hours a day – The Guardian
Tim is one of numerous artworks in Mona and museums around the world that continue to hang, or stand, or sit, in emptiness. As coronavirus has shut down live access to the arts, the art remains. The humans behind, around and under the art remain. They remain in anxious, faithful anticipation of their audience’s return. They hold firm. Steady. Constant.
… but one thing I hadn’t thought about was an exhibition about this pandemic, and how difficult that might be to co-ordinate and collect.
How museums will eventually tell the story of COVID-19 – Atlas Obscura
Collecting during a pandemic means that curators must grapple with both practical challenges and thorny moral questions. Herman would like the City Reliquary to eventually collect face masks, which have become a ubiquitous sight in Brooklyn and all over the world, but, he says, “we certainly don’t want to take masks off of people’s faces right now to make sure they go into an archive.” (Several museums, including the New-York Historical Society, have donated the protective garb that conservators wear, including face masks and latex gloves, to medical staff.) Scouting for artifacts “is not an essential service at this particular moment,” Herman adds. “But when we look back, it will be essential to see how this has affected us.”
UK Science Museum group is building a coronavirus collection in response to pandemic – The Art Newspaper
The museum will research stories and identify objects linked to the pandemic but crucially “our curators are undertaking this serious project within strict ethical guidelines, given the current global emergency, so as not to distract from vital work,” the spokeswoman stresses. There are no plans to show the coronavirus artefacts, however. “Indeed, we have not talked about a timeframe, and in any event the timing would reflect public appetite,” she adds. […]
Other UK museums are also documenting this historically significant moment. Leeds Museums and Galleries has asked people via its social media platforms to share their “positive and negative experiences… these could be things like hygiene notices, images of your working from home set-ups, diaries or empty shopping aisles.”
Pentagram’s Yuri Suzuki creates a crowdsourced sound archive of the pandemic era – It’s Nice That
Pentagram partner and sound designer Yuri Suzuki has created a new artwork in collaboration with the Dallas Museum of Art which aims to capture the sounds of the pandemic across the world. Sound of the Earth: The Pandemic Chapter invites people from any country to submit their sounds to be part of the digital artwork. Be it cooking dinner at home to an ambulance passing by or online connections with loved ones, the artist is looking for all types of auditory experiences, which will be mapped onto a virtual rendering of the globe based on the location it is captured.
What would Mussorgsky have made of these virtual promenades around pictures at exhibitions, I wonder.
Google virtual tour – The National Gallery
In 2016, Google created this 360° tour of Rooms 4, 5, 9, 10, 11, 12, 15 and Central Hall. Immerse yourself in Renaissance masterpieces from Northern Italy, the Netherlands and Germany, including works by Titian, Veronese, and Holbein.
How to explore the British Museum from home – The British Museum Blog
Did you know that the Museum is the world’s largest indoor space on Google Street View? You can go on a virtual visit to more than 60 galleries – perfect for creating your own bespoke tour around your favourites. See highlights like the Rosetta Stone in the Egyptian Sculpture Gallery or discover gems like the beautiful textiles in the Sainsbury African Galleries.
It’s not the same, though, is it?
The rise of the virtual gallery tour: what works and what doesn’t (yet) – Frame
Received wisdom, and newspaper columnists, would have you believe that we’re currently experiencing a revolution in the way we consume art and artefacts online. The British Museum, frequently the institution at the top of the global visitor-number leaderboard, has seen a corresponding surge in its digital audience since it closed its doors. Meanwhile Art Basel has rushed through the development of its digital viewing rooms (which had over €248 million of art on display for its Hong Kong inauguration) and Hauser and Wirth is hosting its first digital-only exhibition, a collection of drawings by Louise Bourgeois.
But for gallery-goers who are yet to log on, visiting these aforementioned virtual venues is likely to result in disappointment.
I found myself nodding along vigorously to this part further down.
Perhaps the answer lies in the more creative use of an established medium. It’s interesting to note that, as lockdown was looming, and perhaps in a nod to the insufficiency of the above interfaces, The Van Gogh Museum launched an alternative form of the gallery tour. A series of seven carefully choreographed 4K films, available on their YouTube channel, walk the user through the museum’s various rooms to an accompanying sound track. It’s clearly a more prescribed way of experiencing both the art and the space, but one that also feels more natural. The camera movement doesn’t equate to a true point-of-view walkthrough; the stabilized image glides through the rooms in a rather disembodied way. But the manner in which it glances across paintings, occasionally stopping and approaching a particularly affecting portrait before pulling back, does a far better job of transmitting the pleasure of being in the presence of the artefacts than staccato jumping and zooming.
That’s certainly been my experience. I’ve been randomly clicking around the National Gallery for a while now, feeling like that Anish Kapoor fan unable to find his way out.
So I think I’ll head over to the Van Gogh Museum’s YouTube channel, after I’ve been guided round the Tate’s Warhol exhibition.
Andy Warhol exhibition guide – Tate
This major retrospective is the first Warhol exhibition at Tate Modern for almost 20 years. As well as his iconic pop images of Marilyn Monroe, Coca-Cola and Campbell’s soup cans, it includes works never seen before in the UK. […] Join curators Gregor Muir and Fiontán Moran as they discuss Warhol through the lens of the immigrant story, his LGBTQI identity and concerns with death and religion.
There are other ways of approaching this.
You can download thousands of coloring book pages from museum collections – My Modern Met
This year alone touts 117 PDFs from various cultural institutions that can be downloaded and printed right at home, and colored in. You can jump into the past through local advertisements from the West Virginia and Regional History Center Coloring Book or take a ride on a vintage motorcycle with the Harley-Davidson Archive’s digital collection. Visit these exhibits through pages detailing the beloved fairy tale Cinderella, to fascinating diagrams of medical equipment from a bygone era. Simply, there are coloring pages made for every kind of interest a person may have, and the ones available through the #ColorOurCollections website will help you refine your coloring skills at the same time.
Manchester Museum in Quarantine
We believe connection and inspiration is needed during challenging times like this one. We have uploaded our digital content onto this mobile site so you can explore and enjoy Manchester Museum in your own home. We hope it helps entertain, educate and sparks joy and wonder until we re-open.
An augmented reality tool to sell art during the pandemic – Design Milk
ALL World is a self-publishing platform that allows artists to digitally exhibit and sell their work via augmented reality. Artists and designers can upload images of their work, create AR exhibitions, and then share it with users, allowing them to visualize the work within their own space. By being able to see the work at scale in context, the guesswork of whether or not it will work dissolves which could potentially create more sales. While it’s a great tool for established artists and designers, imagine what it could do for those just starting out and struggling to get eyes on their work.
Perhaps some normality (kind of) is slowly returning.
German galleries will reopen next week with strict precautions – Artsy
Galleries in Germany are carefully preparing to reopen their doors over the next few weeks as the government begins to lift business restrictions in the wake of COVID-19. These reopenings will come with strict precautions including a visitor limit and facemasks.
‘Bring your own mask’: German art galleries prepare to reopen in a new reality, giving US dealers a preview of things to come – ArtNet
“I am more than thrilled to be opening again. Galleries cannot exist in an online-only world,” dealer André Schlechtriem tells Artnet News. “My gallery is a personal social space where every visitor is greeted personally by myself or my staff. We are always happy to answer questions and talk about the art we present. That’s what we live for.”
‘We are all Edward Hopper paintings now’: is he the artist of the coronavirus age? – The Guardian
Who can fail to have been moved by all the images of people on their doorsteps clapping for the NHS last night? They filled TV screens and news websites, presenting a warming picture of solidarity in enforced solitude – all alone yet all together. But there are some far less reassuring images circulating on social media. Some people are saying we now all exist inside an Edward Hopper painting. It doesn’t seem to matter which one.
I see Banksy’s been working from home recently.
It’s good to see that strangely creative people are continuing to be strangely creative during the lockdown. And they don’t come much stranger than James O’Brien.
Meet the artist spending his quarantine making potato prints of celebrity dentures – It’s Nice That
Beginning the project a few weeks ago as countries around the world began to head into lockdown, “like most people at this time, I was feeling a bit lost and longed to hear or see something familiar,” says James. “My dad loved listening to Terry Wogan, so I made a set of Wogan’s dentures. I don’t quite know why dentures,” he says, “but I found it oddly comforting.”
Posting the results on his Instagram, James then decided he’d offer up his services to anyone in need of a free set of celebrity dentures on a postcard (everyone). “It went berserk: Freddie Mercury, Jurgen Klopp, Joanna Lumley, Elton John, Madonna, Bowie (original set), Ken Dodd, the list goes on.”
We all need a hobby, I guess. You must check out his Dictator potato printed calendar, Dictatoes, for a glimpse into the hobbies of Ugandan dictator, Idi Amin and friends.
Yes, it’s another post about that virus, but these two articles about it are a little different.
Scientists translate the novel coronavirus structure into beautiful music – Boing Boing
Translating abstract scientific data into sound can give researchers new insight into the complexities of the phenomena they are studying. MIT materials science professor and musician Markus Buehler, who has employed this technique to understand biological materials and develop new proteins, has now transformed the novel coronavirus into music.
Dazzling coronavirus painting by biologist David Goodsell – Kottke
“You have to admit, these viruses are so symmetrical that they’re beautiful,” said Mr. Goodsell, an associate professor at Scripps Research Institute in La Jolla. “Are bright colors and pretty stuff the right approach? The jury’s still out. I’m not trying to make these things look dangerous, I want people to understand how they’re built.”
Thousands of satisfyingly stacked drinks crates or a real life Tetris game waiting to be played? – It’s Nice That
“I wanted to capture just a few shots of the crate stacks location,” Bernhard tells It’s Nice That, “But when I looked through the viewfinder and saw how interesting the crate stacks looked, we spontaneously changed the plan and flew over the location several times from different heights and angles to get as many interesting and different motives as possible.” Flying over the stacks, which look more like some kind of digitally rendered bar chart than real life, the photographer captured a little known aspect of the drinks industry.
It goes to show, no matter how many times Bernhard takes to the air, the stance he returns with never fails to surprise. From the skies, Bernhard presents us viewers with a different way to look at the world. What may seem trivial or unalarmingly ubiquitous in every day life, like a crate for instance, is seen in a totally new light from the way Bernhard twists and turns the camera lens from high above.
I thought these two went together well.
colors.lol – Overly descriptive color palettes
Created as a fun way to discover interesting color combinations. Palettes are hand-selected from the Twitter bot @colorschemez. The feed randomly generates color combinations as well as their descriptions, with each color being matched with an adjective from a list of over 20,000 words.
A painting and photography duo poking fun at fine art – It’s Nice That
The idea behind the project is for the pair to travel to locations any arts aficionado may recognise. Environments painted by Paul Cezanne, Claude Monet or Vincent Van Gogh are all visited, but rather than replicating their celebrated works, Hank chooses to paint the pattern of his shirt instead.