Timur Zagirov has converted another famous face, Marilyn’s this time, into a 3D, pixellated sculpture painting thing. An interesting partner to his re-worked Van Gogh, and much nicer to look at than that sculpture of her in Palm Springs.
Art shippers face ‘teething problems’ transporting works to Europe after Brexit – The Art Newspaper
Some air freight crates are being broken open by customs officials in EU, but UK lockdown is posing greater problems, members of the trade say.
US Capitol’s works of art survive amid right-wing rampage in Washington – The Art Newspaper
The authorities say that cleaning and conservation will be needed, however, after art was damaged by tear gas, pepper spray and fire extinguishers.
The Nazi art dealer who supplied Hermann Göring and operated in a shadowy art underworld after the war – The Art Newspaper
A new book by Jonathan Petropoulos explores Bruno Lohse’s devotion to Hitler’s number two.
Many of us are feeling the pinch these days, as the pandemic continues to take its toll on jobs and livelihoods. But there are still people out there more than happy to keep spending.
Instagram rules but don’t expect loyalty: new report analyses our online art buying behaviour – The Art Newspaper
The online art market has been a rare winner during the Covid-19 pandemic, with rising totals and many new buyers starting their collections digitally. […] Art collectors have also spent more money online, increasing the average spend—29% paid an average of $10,000+ per painting, up from 20% in 2019. Those spending over $50,000 on a work went up to 11% ( 4% in 2019).
A little out of my league, but have you seen this? Unique, original art for under £100. Generative art has a rich background, and I know I’ve highlighted new ways of buying art before, but does this feel a little scammy to anyone else?
ART AI – AI generated paintings
We use artificial intelligence to create a vast variety of original artworks. This allows us to sell each artwork once, making one of a kind art accessible to all. […] When you find something you really love, you don’t always want to share it. We find that we are emotionally connected to the art we make and the art we buy – we want it just for ourselves. Thanks to our advanced artificial intelligence, ART AI makes owning one of a kind AI art accessible to everyone, for the first time ever.
I mean, these types of images are ten-a-penny now, aren’t they?
GANksy – A.I. street artist
We trained a StyleGAN2 neural network using the portfolio of a certain street artist to create GANksy, a twisted visual genius whose work reflects our unsettled times. 256 masterpieces are for sale starting at £1, rising by a pound as each one is purchased.
This Fucked Up Homer Does Not Exist
Created by Thomas Dimson (@turtlesoupy) Based on Lightweight GAN from lucidrains.
That’s crying out to be monetised. The way one Bartkrustyhomer transitions to the next would make for a nightmarishly soothing screensaver, for instance.
Do you remember Noah Kalina, the photographer who took a picture of himself every day for twenty years? Here’s something similar — less structured, perhaps more melancholic.
The photographer who set out to watch herself age – The New Yorker
Over nearly four decades, beginning in the early eighties, the photographer Nancy Floyd executed an epic project of self-documentation, the results of which are collected in her new volume, “Weathering Time.” But it is not Floyd’s strict adherence to a plan that makes her project so compelling. It’s that she completed it with a laid-back kind of tenacity—an anti-perfectionistic, unfixed attitude, which lends her book, a curiously organized archive of some twelve hundred black-and-white images, a meandering charm.
Nancy Floyd has been photographing herself every day for almost 40 years – i-D
The resulting “visual calendar”, as Nancy calls it now, consists of over 2,500 photographs. “Most often I’m by myself in these straightforward images, but sometimes I’m with family and friends. As time passes, births, deaths, celebrations, and bad days happen. Pets come and go, fashions and hairstyles evolve, typewriters, analog clocks, and telephones with cords disappear; film gives way to digital and the computer replaces the darkroom.”[…]
I like the surprises that arise when I pull together photographs to create new categories, such as Trousers or Shirts with Word. … I’ve been waiting for years to be the same age as my parent’s in my pictures. This year I made my first image: Mom and Me at 63. Viewing the pictures side-by-side there is no doubt that I am my mother’s daughter.
I’ve got to try this for myself. There must be some interesting juxtapositions to be found within the thousands of photos I’ve got on Flickr, not to mention all the boxes of old prints squirreled away in various cupboards upstairs…
Venice, 1570s, and Paolo Veronese, who had been commissioned by the Dominicans to paint the Last Supper, finds himself up against the Venetian version of the Spanish Inquisition. His depiction of this biblical scene seemed irregular, to say the least. Perhaps even blasphemous?
The Lost Last Supper – Yale University Press Blog
That dog, what is the dog doing there, a dog in the vicinity of Jesus, this is surely blasphemy? He should have painted Mary Magdalene there, should he not?
Yes, but he did not think she would look right in that spot.
And that bloody nose? That’s not fitting, is it?
Yes, but it was intended as a servant who had had an accident.
And what about that man there, the one who looks so German, armed with a halberd? That would take some time to explain. Please answer!
You see, we painters are accustomed to taking the same liberties as poets and madmen, and so I painted those two halberdiers, one eating and the other drinking at the foot of the stairs, yes, but so that they can immediately be of service, because I believe that a man as wealthy as the host would have had such servants.
And that fellow who looks like a court jester, with a parrot on his fist, what is he doing there?
He is there for decoration, as is customary.
And who is sitting at the Lord’s table?
The twelve Apostles.
What is Saint Peter doing, the first one sitting there?
He is carving the lamb into portions for the whole table.
And the man beside him?
He is holding up his plate.
And the next one?
He is picking his teeth with a fork.
Who do you think was actually present?
I believe there was only Christ and his apostles, but if there is any space remaining in a painting then I fill it with figures of my own invention.
So did someone commission you to include Germans and jesters and people of that sort?
No, Sirs, but I saw that I had lots of space, so I could add a great deal.
The Holy Tribunal determines that this rabble is not worthy to accompany such a sacred event, and orders the dog, the bloody nose, the tooth-picker, the Germans, all of it, to be painted over. But the artist, with the permission of the Dominicans, has a better idea.
He barely changes the painting at all, he just gives it a different name, and that is what it is still called today in the Accademia: Feast in the House of Levi, and if paintings were allowed to have a subtitle, in this case it might be: or, Hoodwinking the Inquisition.
I enjoyed these recent interviews with a couple of creatives. It’s good to see some more work from Simon Stålenhag is on its way.
Simon Stålenhag puts a darker twist on his nostalgic sci-fi worlds – The Verge
There’s a weird coincidence in that it features police brutality and face masks — it has nothing to do with COVID or the protests in the US. I did it before they broke out. And that made me feel like I was afraid people might see this as a cheap exploitation of real-world events.
There are a lot of faceless enforcers of state violence. That’s a theme in The Labyrinth. While doing this, those images started pouring in from the protests in the US. When I started thinking about it, it was from protests in Spain in 2016 or 2017, I remember thinking it’s so weird that a democracy can have these thugs on the payroll to do these things. […]
It felt really weird when I really saw stuff in the news… reality is worse than your imagination.
Reality may be worse than your imagination for that artist, but it’s better for this one.
A conversation with animator and director Anna Mantzaris explores her penchant for nuanced emotion and finding humor in the mundane – Colossal
Sometimes reality is better than your imagination. Sometimes when I try to make things up, I cannot make them as funny as a really good observation of something that happens. You’re like, “This is too good to be true. This is so weird.”
I thought I had already shared a link here to Anna’s witty and poignant Enough animation, but I can’t find it now, so I guess I didn’t. So here it is.
Staff Pick Premiere: Enough is enough – Vimeo Blog
Mantzaris’ work lives somewhere between tragedy and comedy – a duality beautifully realized in her visual aesthetic. Her characters are stuck in a modern world defined by a sense of loneliness and isolation, where communication is either muffled or noisy, but never pleasant. … “I knew I wanted the characters to be quite awkward, imperfect but yet sympathetic,” explains Mantzaris. “I wanted them to have a soft feeling to contrast the not so soft actions.”
Let’s wait and see.
‘Banksy’ sneezing woman artwork appears on Bristol house – BBC News
The creation, on the side of a semi-detached house in Totterdown, depicts a woman in a headscarf sneezing and her dentures flying into the air. Resident Dale Comley, said he saw a “bulky guy in ahigh vis jacket” early on Thursday who he thinks was Banksy.
New Banksy-style art appears in Bristol’s famous Vale Street – Bristol Live
Banksy murals tend to poke fun at current affairs, so suggestions were made that the sneeze referred to Covid-19. One Totterdown woman added that it could be a nod towards the strong wind on Vale Street. Vale Street is known for being the steepest street in England and is home to an annual egg-rolling competition.
Shortly after posting this, I can see that, yes, Banksy has authenticated this.
And with this photo, its location — the steepest street in England — makes much more sense now.
Time for another post about trees, I think. Here are a couple of links that have been languishing in my drafts folder for a while.
Gramazio Kohler Research, ETH Zurich plants ‘future tree’ in Swiss courtyard – designboom
This structure — known as the ‘future tree’ — combines state-of-the-art design techniques, material science, and robotic fabrication to create an eye-catching architectural object. Demonstrating the latest research of Gramazio Kohler Research at ETH Zurich, the ‘future tree’ consists of a funnel-shaped, lightweight timber frame structure built by a robot, and a bespoke concrete column created using an ultra-thin 3D printed formwork. The entire design and fabrication were developed as inseparable and fully digital processes.
The photographs documenting its construction are extraordinary.
Ai Weiwei: Iron Tree – Yorkshire Sculpture Park
Iron Tree is the largest and most complex sculpture to date in the artist’s tree series, which he began in 2009. Inspired by the wood sold by street vendors in Jingdezhen, southern China, Iron Tree comprise of 97 tree elements cast in iron and interlocked using a classic – and here exaggerated – Chinese method of joining. Iron Tree expresses Ai’s interest in fragments and the importance of the individual, without which the whole would not exist.
Artificial trees of a different kind, now. OK, so the trees are real, but their glitch-art shapes certainly aren’t natural.
A Japanese forestry technique prunes upper branches to create a tree platform for more sustainable harvests – Colossal
Literally translating to platform cedar, daisugi is a 14th- or 15th-century technique that offers an efficient, sustainable, and visually stunning approach to forestry. The method originated in Kyoto and involves pruning the branches of Kitayama cedar so that the remaining shoots grow straight upward from a platform. Rather than harvesting the entire tree for lumber, loggers can fell just the upper portions, leaving the base and root structure intact.
Perhaps they got too close to Paul Trillo’s black hole?
A recently unveiled memorial to Mary Wollstonecraft, the “mother of feminism,” has raised many an eyebrow, though I think people are coming round now.
Mary Wollstonecraft statue: a provocative tribute for a radical woman – The Conversation
Ultimately, statues don’t represent people, they represent ideas. Ideas of how we choose to see the world. Hambling’s more abstract and representative form perhaps tries to do too much: to celebrate the life and contribution of one woman, whilst celebrating the life and possibilities of all women.
Of, or For Mary Wollstonecraft? – History Workshop
Hambling asserts that it is a sculpture, rather than a statue, that is for Wollstonecraft, not of her. A video to mark the unveiling of the statue premiered on the Mary on the Green social media profile in which Hambling describes the design as ‘a tower of intermingling female forms, culminating in the figure of the woman at the top who is challenging, and ready to challenge, the world.’ The ‘intermingling’ forms are suggestive of a historic community of women, out of which the more detailed, lone female figure is born into the ‘now’. This design choice is intended to represent the legacy of Wollstonecraft’s feminist work.
But, as this piece from The Art Newspaper says, even backlashes get a backlash.
People see only ‘silver tits’ and ‘bouffant pubes’ now—but I predict Mary Wollstonecraft sculpture will become widely admired – The Art Newspaper
If Sculpture for Mary Wollstonecraft does become more widely admired, then I claim my place among those who declared that “actually, they always quite liked it”. Certainly, the silvery colour takes getting used to—it looks as if Goldfinger has been experimenting with cheaper ways to kill—but a few years of London pollution will help it acquire some much-needed patina. […]
What I like about Hambling’s figure is that it is nude, but not erotic. Wollstonecraft would have recognised the honesty of Hambling’s focus. “For man and woman,” she wrote in The Vindications of the Rights of Women (1792), “truth… must be the same; yet the fanciful female character, so prettily drawn by poets and novelists, demanding the sacrifice of truth and sincerity, virtue becomes a relative idea, having no other foundation than utility, and of that utility men pretend arbitrarily to judge, shaping it to their own convenience.” Naked, stripped of outward signs of wealth and privilege, we are all equal.
This status, for a very different woman, is also proving controversial, though for very different reasons.
Is Margaret Thatcher’s hometown ready to put her on a pedestal? – The New York Times
[W]hile the unveiling of a statue is usually a festive occasion, few in Grantham expect Mrs. Thatcher’s homecoming to be celebrated as a hero’s return. “If you’re a Conservative,” said Graham Newton, the news editor of the weekly Grantham Journal, “you want a statue, and you want her recognized. But if you’re not, there’s a lot of people who — not to put a fine point on it — hated her.”
“She was never very fond of Grantham, and so Grantham was never very fond of her,” said John Campbell, a biographer, pointing out that Mrs. Thacher rarely visited the town as prime minister, and did not mention it in speeches. “She was happy to leave it behind,” he said.
Margaret Thatcher statue: More than 1,000 vow to attend ‘egg throwing contest’ at unveiling amid backlash – Sky News
Councillors say the sculpture will be a fitting tribute to the Iron Lady, who was born and brought up in the town, and that the local authority will seek to raise as much of the £100,000 as possible through donations from the public and local businesses. But the potential outlay sparked anger among critics who suggested it was excessive during a time of national hardship.
Provocative Marilyn Monroe sculpture to return to Palm Springs—permanently – The Art Newspaper
When it was first shown in the California desert town, from 2012 to 2014, Forever Marilyn was a popular tourist attraction, with many visitors posing for photographs between the statue’s feet. But its return is seen as an embarrassment to the feminist movement and the local art community, and the art museum’s director has spoken out against it.
“You come out of the museum and the first thing you’re going to see is a 26-foot-tall Marilyn Monroe with her entire backside and underwear exposed,” Grachos pointed out. “We serve over 100,000 school-age children that come to our museum every single year. What message does that send to our young people, our visitors and community to present a statue that objectifies women, is sexually charged and disrespectful?”
Making a spectacle of themselves.
Helmut Smits creates pinhole cameras that take playful selfies of your favourite objects – It’s Nice That
What would a self-portrait made by an object look like? We usually forget a product’s packaging once we bin it after using the product. But what about, say, a tin of pringles? Is it the too-salty curved crisps that you think of, or is it the red tin that’s always too small for your hand to fit through? Can you separate what you consume from the way that it has been advertised?
In his project, A Product’s Self Portrait, Rotterdam-based visual artist Helmut Smits commits a playful approach to this topic. Because photography is a material process, Helmut has been magically creating 27 pinhole photos of products, using 27 matching pinhole cameras made from their packaging.
Is this what happens when you paint a palindrome?
This painting caught my eye recently. I love the idea of not being sure which way round to hang it.
The Reverse of a Framed Painting, and other trompe l’oeil by Cornelis Norbertus Gijsbrechts (ca. 1670) – The Public Domain Review
On Easter Sunday 1669, the diarist Samuel Pepys was bowled over by the ability of the Dutch painter Simon Verelst (1644-1710),
who took us to his lodging close by, and did shew us a little flower-pot of his doing, the finest thing that ever, I think, I saw in my life; the drops of dew hanging on the leaves, so as I was forced, again and again, to put my finger to it, to feel whether my eyes were deceived or no. He do ask 70l. for it: I had the vanity to bid him 20l.; but a better picture I never saw in my whole life; and it is worth going twenty miles to see it.
Around the time Peyps was poking the painting of Verelst, another northern European painter, Cornelis Norbertus Gijsbrechts, was also causing confusion with the brush, creating his masterpiece known as The Reverse of a Framed Painting (ca. 1670), an image that is, to modern eyes at least, his most striking.
I love it, but I wonder how it was initially shown off. The gag would be wholly lost if this painting of a frame was itself framed. But weren’t all paintings framed?
I’ve been revisiting my post earlier in the week about the online worldwide Van Gogh exhibition. As well as high resolution scans of the actual paintings, the curators have documented the backs of them too — sturdy, wooden frames covered in gallery stickers. They remind me of airport tags on luggage.
Wheatfield with Crows was in Manchester? I would have loved to have seen that.
Has anyone checked for any radio signals being transmitted to Jupiter?
DPS Aero Bureau encounters monolith in Red Rock Country – DPS News
Official Statement from the Bureau of Land Management: “Although we can’t comment on active investigations, the Bureau of Land Management would like to remind public land visitors that using, occupying, or developing the public lands or their resources without a required authorization is illegal, no matter what planet you are from.”
A towering metallic monolith was just discovered in a remote area of Utah – Colossal
As of Tuesday morning, it’s still unknown who created the structure, although internet sleuths who located the object on Google Earth suggest it may have been in existence for more than five years.
Even Utah’s mysterious monolith may be no match for Google Earth – The Verge
A Utah DPS public affairs officer didn’t immediately respond to a request for comment about the supposed location of the monolith. And I’m not printing the alleged coordinates beyond confirming that the place is remote and highly inhospitable. In all seriousness: please don’t visit the mysterious Utah monolith.
That said, the monolith-hunting process is impressive in its own right. And the evidence for its location, put forward by Reddit user Tim Slane, is strong. Slane pinpointed the coordinates of a small redstone canyon with a narrow gap that closely matches the social media photos. Satellite images from Google Earth reveal something in the middle: a hard-to-see object that casts a sharp, tall, and narrow shadow across the ground. The object seems relatively new. Google Earth photos from 2013 and mid-2015 show no trace of it, but it’s clearly visible by October of 2016, when the surrounding ground has also been apparently cleared of scrub.
Looks like the aliens have come back for their property.
Mysterious metal monolith in Utah disappears days after it was discovered – Sky News
On Facebook, the bureau said: “We have received credible reports that the illegally installed structure, referred to as the ‘monolith’ has been removed from Bureau of Land Management (BLM) public lands by an unknown party.”
OK, so not aliens.
Earthlings, it seems, not aliens, removed the Utah monolith – The New York Times
He did not photograph the men who took down the sculpture, saying he “didn’t want to start a confrontation by bringing out my camera and putting it in their face — especially since I agreed with what they were doing.” But a friend who accompanied him on the trip, Michael James Newlands, 38, of Denver, took a few quick photographs with his cellphone.
2020 continues to be very 2020.
Mystery monolith identical to one which disappeared in US desert reappears in Europe – Mirror Online
The monolith was spotted on Batca Doamnei Hill in the city of Piatra Neamt in Romania’s north-eastern Neamt County on November 26. Authorities said the owner of the property is still unknown but whoever propped the monument up should have sought permission from the country’s Ministry of Culture.
Now that one’s gone, too.
Utah monolith copycat appeared in Romania, but just as quickly disappeared – Hyperallergic
Shortly before the sudden disappearance of the Utah monolith on the evening of November 27, a similar sculpture popped up near a fortress in the Romanian city of Piatra Neamt. The monolith has since disappeared, and police in Piatra Neamt have launched an investigation into the illegally-installed sculpture.
Deborah Roberts reminding us that even a flat sheet of text isn’t a level playing field.
As well as saying that Black lives, history, respect and status matters, I should have added spelling.
The Spell Checkers Agenda – Kottke
The piece above is part of a series called Pluralism by artist Deborah Roberts — it’s a collage of dozens of Black names marked as misspelled by Microsoft Word’s built-in spell checker. I don’t know about you, but this makes me think about the neutrality of technology, how software is built, who builds it, and for whom it is designed.
Glasstire and Contemporary Art Review Los Angeles have more on this piece, and how it fits in with Deborah’s wider body of work.
Naming and shaming: Deborah Roberts at Art Palace – Glasstire
Other text pieces involve roughly printed words like bad offset printing. In the best of these, Roberts prints black-sounding women’s names (Tynisha, Shawanna, Roneshia) in a jittery, repeated overlay of red and black. Printed over them in a nearly-illegible, but unmistakable, light yellow, are four white women’s names: lean in close and you can barely discern Bethany, Lindsey, Becky, Haley.
Deborah Roberts at Luis De Jesus – Carla
Opposite Human nature and Golden Smile hung the triptych Sovereignty (2016), a hand-drawn set of three serigraphs of black women’s names that Roberts sourced from friends. The far right in the triptych was a dense list of 213 names, from Khepri to Sharnell. All, however, were underlined with that all-too-familiar squiggly red line—these names were ostensibly misspelled, unrecognizable to word processing programs. The drawing on the left side of the triptych contrasted the list by featuring a sole name— Sharkesha—in large serif font. This work followed a similar logic to the collages: the viewer’s gaze moved from the minute to the masses and back again. However, the simplicity of this solution—names, listed— can’t be ignored. Sovereignty suggested a way to begin to humanize the silent figures that Roberts depicts, or at least to begin to find words that do the work.
We might not be able to get to the galleries, but now some of them can come to us.
He’s the artist I keep coming back to. He’s even on my phone’s lockscreen now.
Van Gogh’s self portrait recreated with stunning sculpture painting – Moss and Fog
Artist Timur Zagirov has created a beautiful rendition of Van Gogh’s famous self portrait, using a myriad of colored wooden blocks. 425 polished pine cubes, to be precise.
I love the idea of an abstract, sculptural painting.
But wait, here’s more Van Gogh. Lots more.
Dive into Van Gogh Worldwide, a digital archive of more than 1,000 works by the renowned Dutch artist – Colossal
A point of levity during the temporary shutdowns of museums and cultural institutions during the last few months has been the plethora of digital archives making artworks and historical objects available for perusing from the comfort and safety of our couches. A recent addition is Van Gogh Worldwide, a massive collection of the post-impressionist artist’s paintings, sketches, and drawings.
Dutch museums unveil free digital collection of 1,000+ artworks by Van Gogh – My Modern Met
Van Gogh Worldwide is a new project by a group of Dutch museums which presents a digital collection of over 1,000 of the artist’s masterpieces. Building off the digitized collection begun several years ago by the Van Gogh Museum in Amsterdam, almost half of the post-Impressionist works of this prolific artist are now available to view—with scholarly commentary—from the safety of your own home.
Take a wander yourself, there’s so much to take in.
Van Gogh Worldwide
Van Gogh Worldwide is a free digital platform providing art-historical and technical data about the work of Vincent van Gogh (1853–1890). The artist produced a total of approximately 2000 artworks, and the aim of Van Gogh Worldwide is to present data for these in an accessible way, via a user-friendly website.
The resolution of each image is wonderful, allowing you to get closer to the paintings than you probably could in real life.
And you can even view the paintings in a raking light, to get a sense of just how heavily textured and expressive these were. Not quite as three-dimensional as Timur Zagirov’s wooden blocks, but still.
Spindly trees, I’m a big fan. They’re just giant, 3D pen and ink drawings, really, and I’ve been snapping photos of them for a while. Though none of my pics come anywhere close to capturing the atmosphere of these tulgey woods, as Things Magazine described them.
Mystical – Neil Burnell
“There’s real magic in this series, with thick fog shrouding the gnarled moss-clad oaks, one can almost visualise fairies flying effortlessly into the scenes.”
Perhaps my love of twisty, organic lines explains why I found these sculptures by Sun-Hyuk Kim so fascinating.
Stainless steel roots sprawl into figurative sculptures by artist Sun-Hyuk Kim – Colossal
Just like a tree, the spindly branches that shape Sun-Hyuk Kim’s sculptures extend from a larger, sturdy limb—or in the South Korean artist’s case, neck or spine, too. Kim creates sprawling artworks that merge human anatomy and the root systems that crawl underneath the earth’s surface. Sometimes painted in neutral tones and others plated in gold, the sculptures are composed of stainless steel that trails out into figurative forms.
Something about them reminds me of Kumi Yamashita’s installations.
Banksy’s not the only street artist out there trying to make a difference.
Stik hoping to raise £120k at auction to fund sculptures by local artists – Hackney Citizen
Hackney’s street art megastar Stik is to auction off a unique model of his first ever public sculpture, Holding Hands, to fund a series of outdoor artworks by local artists. The maquette, a one-off, small-scale version of the sculpture, is predicted to fetch around £120,000 when it opens for bidding at Christie’s tomorrow as part of the auction house’s ‘Post-War and Contemporary Art’ sale. All proceeds will be donated to Hackney Council to help bankroll a series of public works by East London artists.
Hackney Street artist Stik to ‘empower’ local artists by funding a series of sculptures – Hackney Gazette
Hackney Mayor Phillip Glanville thanked the artist, who has lived and worked in Hackney for 20 years, for his “record of activism” and generous donation. “We’re proud in Hackney to be able to support and share the creativity of our residents. This represents a long-standing commitment to inclusive public art that can be enjoyed by everyone in our parks and public spaces and I can’t wait to see the creativity that Stik is helping us to showcase and unlock,” the mayor said.
Check out Christie’s video about the original sculpture.
How the street artist STIK is standing up for the next generation – Christie’s
The Holding Hands sculpture is being installed at a poignant time in our history, when holding hands is not always possible. But it is a symbol of hope for what has always been, and what will be again.
That bronze maquette had an estimate of £80,000–120,000, and went for a fantastic £287,500, great news for Hackney’s artists and residents.
The story doesn’t end there, though.
Stolen posters donated to Hackney by artist Stik returned after appeal – Sky News
“Holding Hands shows two people looking in opposite directions yet holding hands in a symbol of universal love and solidarity,” Stik said. “The fact that so many prints were returned to the people of Hackney only amplifies its meaning.”
Detective Constable James Readman said it is “really encouraging” that the public has listened to the appeal and “done the right thing by returning a large proportion of the prints”.
A year ago I shared an article about British Airways being fined a record £183,000,000 by the ICO for a data breach in 2018. Here’s an update to that story.
BA fined record £20m for customer data breach – The Guardian
The fine is the biggest ever issued by the Information Commissioner’s Office (ICO), but a fraction of the £183m fine initially announced last year. This was reduced after investigators accepted BA’s representations about the circumstances of the attack; and was reduced further to take into account the dire financial position of BA since the onset of Covid-19.
They’re not having an easy time, to say the least. I wonder how successful this auction was for them.
Hit hard by travel disruptions, British Airways will sell a $1 million Bridget Riley painting and 16 other works at Sotheby’s this month – ArtNet News
The painting, titled Cool Edge, carries no guarantee and is estimated to bring in between £800,000 and £1.2 million ($1 million to $1.5 million) at the July 28 “Rembrandt to Richter” evening sale. It was previously on view in a luxury lounge at Heathrow airport in London. […]
With the exception of Terry Frost’s 1997 painting Colour Down the Side 1968, which is expected to go for £20,000 to £30,000 ($25,000 to $37,000), each work in the online sale is estimated below £15,000 ($19,000).
Well, that Bridget Riley looks to have sold for £1,875,000. That would have helped towards that ICO fine…
Nice to see another Banksy bringing a little bit of inner city cheer. Do you think he does requests?
Start the day with an egg.
Watch a Korean chef make the perfect tornado omelet – The Awesomer
We have a hard enough time making omelets that don’t break apart on us when folding them over, but this Korean chef makes it look easy to create one with a swirled design that looks like a tornado.
How about a sandwich for lunch.
Figure and ground – Futility Closet
A recipe for “toast sandwiches,” from Mrs. Beeton’s Dictionary of Every-Day Cookery, 1865.
Ingredients. — Thin cold toast, thin slices of bread-and-butter, pepper and salt to taste. Mode. — Place a very thin piece of cold toast between 2 slices of thin bread-and-butter in the form of a sandwich, adding a seasoning of pepper and salt. This sandwich may be varied by adding a little pulled meat, or very fine slices of cold meat, to the toast, and in any of these forms will be found very tempting to the appetite of an invalid.
Don’t forget your five portions of fruit and veg.
The value of a banana: understanding absurd and ephemeral artwork – The Conversation
In September, the Guggenheim Museum in New York acquired Maurizio Cattelan’s Comedian by anonymous donation. … Comedian reignited a set of questions that seem to flare up with some regularity: what makes something a high-priced artwork when another, seemingly identical, object is not?
A little more than five portions here, though.
A Goldsmiths grad student just dumped 31 tons of carrots into the School’s courtyard for his MFA exhibition – ArtNet News
“In the city, we are not very connected to the processes of how the things we consume are produced, under which circumstances and conditions,” Evans explained. “Looking into peasant culture, ecology, farming, and the soil is a way to reorient my compass into finding other ways of relating which perhaps aren’t so detached from land, plants and foods.”