Best foot forward

It’s good to see Doc Martens taking fast fashion at a walking pace.

Dr Martens to get foot in the door of resale market with help from DepopThe Guardian
Under Dr Martens’ ReSouled scheme with Depop, ageing DMs can be repolished, given new laces, soles, heel loops and insoles before being put back on the market. The footwear is priced at about 80% that of a new pair. The lower price is likely have wider appeal after Dr Martens raises the price of its classic 1460 eight-hole boots in the UK by £10 a pair to £159 in July.

Others are taking a somewhat different approach.

‘Rubbish bin’ Balenciaga trainers that cost US$1,850 slammed by Chinese consumers who question value of luxury brandsSouth China Morning Post
Luxury fashion brand Balenciaga was panned by Chinese consumers after it launched a 12,000 yuan (US$1,850) trainers line that looks like they have been fished out from the rubbish dump to promote environmental protection. […]

The shoes went viral on Weibo this week and were widely criticised as being too ugly to be an effective awareness tool but more as an example of tone-deafness from wealthy people. “I can find a pair of these shoes in the bin for free,” one person wrote. Another asked: “Wouldn’t it be more eco-friendly not to sell these shoes?”

From the sublime to the ridiculous ridiculous to the even more ridiculous.

The Mullet Shoe is here!Sad And Useless
The Mullet Shoe is a high-top with silky smooth set of light brown locks cascading down the back. It’s a mullet… for a shoe… ready to swish all sultry when you walk, and blow romantically in the breeze. And also get muddy, matted, and rank when you drag it through the dirt, and possibly make you trip and fall on your face if you don’t mind its flowing length, which appears to be couple inches longer than the shoe itself.

Finally, here are some shoes making a more artistic spectacle of themselves.

Assembled sculptures by artist Willie Cole cluster high hHeels into expressive masksColossal
Artist Willie Cole juxtaposes readymade footwear and African tradition in his series of sculptural masks. The figurative assemblages stack women’s heels into clusters that are expressive and distinctly unique, an effect Cole derives from the shoes’ material, color, and pattern rather than a preconceived plan or sketch. Depicting exaggerated toothy grins, pointed brows, and outstretched tongues, the sculptures span more than a decade of the artist’s career.

Paperwork

Tackling a massive pile of paperwork means something a little different to Lisa Nilsson.

Six years in the making, the elaborate ‘Grand Jardin’ by Lisa Nilsson pushes the boundaries of paperColossal
Taking several years to complete, she paid painstaking attention to the complexities and details of the design, balancing intricate organic shapes with precise geometric patterns, all while preserving the composition’s overall symmetry. “The phases of my creative process—as it progressed from the initial spark of inspiration to settling in to work, to decision-making and problem solving, to finding flow, losing flow and finding it again, to commitment and renewal of commitment—were repeated many times over the six years and within the context of widely varying moods,” she tells Colossal.

Such intricate details.

There are many more wonderful photos of this and other designs (tapestries?) from this series on her website.

Tapis seriesLisa Nilsson
This series of works is a continuation of my exploration of the possibilities of the medium of quilling, a centuries-old craft in which narrow strips of paper are rolled into coils and shaped. In moving beyond my initial inspiration in anatomical subject matter, I have opened up the color palette, textures and shapes that are available to me. I am finding renewed inspiration in the decorative arts, predominantly in Persian rugs, Renaissance book bindings, and Byzantine enamels.

And here’s a link to a wonderful essay she wrote about her practice and how she reacts when people say she must have a lot of patience.

I would wish this on anyoneDirty Laundry
My work requires a certain kind of attention, as well as a good deal of focus, faith, tenacity, and boatloads of time – but not what I’d call patience. Patience to me implies tedium. There’s an embarrassment of things in life that I experience as tedious, but making my work ain’t on the list.

To my viewers I offer this analogy: It’s like building a puzzle. Once you get rolling you don’t want to quit. The challenge is not in sticking with it, but in walking away when you ought to, your eyes and back are sore, and you know you really should get up to pee or eat or stretch or get back to the rest of your life. But watching this barnyard scene come together is now the most important thing ever. Finishing it will complete you.

Fading memories

Hyperallergic have a review of a fascinating and poignant exhibition from Colombian artist Oscar Muñoz, Invisibilia, that “captures the fleeting, fading sensation of trying to recall something that’s already in the past.”

Oscar Muñoz visualizes the invisibleHyperallergic
The artist’s own face appears in a number of works. In “El juego de las probabilidades” (The Game of Probabilities) (2007), 12 color and black-and-white passport photos taken at different points in his life are cut and spliced together into new combinations. Each face represents a disorienting collapse of time, and raises questions about how much of ourselves continues or changes with time. The composite collages are photographed up close, held by the artist’s fingers, suggesting a sense of intimacy but also hinting at the smallness and randomness of our own existence.

Those woven photos reminded me of Karen Navarro a little. I wish there were some photos of this piece, though.

More faces — and conservation challenges — come with the series Pixeles (Pixels) (1999-2000), a set of portraits made with coffee on sugar cubes. This time Muñoz’s subjects are victims killed in the long-running conflict between Colombia’s military forces and insurgent rebels. When seen up close, the faces break down and the country’s key exports — coffee and sugar — come into focus. Still, Muñoz’s portraits are clearly meant to denounce not just the violence, but also our desensitization to these sorts of images that can occur as they are repeatedly shown in the news media.

Spotting a fashion comeback?

You wouldn’t normally connect fashion and beauty with flies.

The secret code of beauty spotsMessy Nessy
Also referred to as a mouche or fly (insect) by the French, the beauty spot was a very small, often distinctively shaped fabric patch that was applied to the face or exposed upper body, and was solely applied for the purpose of inviting attention. […]

The origins of mouche fashion are a bit of a mystery. Some suggest they were adopted to cover pox marks – although to disguise the damage wrought by a smallpox or syphilis attack would’ve required far more than two or three fly-sized patches. For the elite, they ultimately became a means of sending clandestine messages by means of a familiar design and placement code. Think of them like the social media emojis of the day. At high society gatherings, getting noticed was essential and appearance was the be-all and end-all.

Despite being all the rage for almost two centuries, the mouche made little or no appearance in the grand aristocratic portraits of the 18th century. It wasn’t until “It Girl” Clara Bow was famously photographed with a star on her cheek that mouches returned as a fleeting fad in the 1920s, and again in the 1940s and 1950s when Marilyn Monroe and her natural beauty spot took Hollywood by storm. Then there was Cindy Crawford’s beauty spot in the 90s of course, but in the 2020’s we appeared to have come full circle with cute emoji-style pimple patches to not only hide blemishes, but treat them Salicylic Acid to help break up congestion in pores.

Meanwhile, over at the National Gallery…

Some monumental women #2

To mark International Women’s Day, here’s a recent article from Hyperallergic.

“I will show your Lordship what a woman can do”: Artemisia Gentileschi’s compelling feminist lifeHyperallergic
Arguably, the sexual assault she suffered aged 17 at the hands of her father Orazio’s colleague Agostino Tassi has come to define her, if not in art historical terms then certainly in the popular imagination; her images of powerful female figures are easily summarized in auction or museum blurbs as avatars for feminist strength in defiance of (or revenge against) this singular biographical event. The 2020 show made inroads toward shaking off this reductive and emotionally driven interpretation. Barker deliberately sets out to correct “panegyric” accounts of her life and work, bringing together the most recent art historical developments and discoveries of primary documents to flesh out her biography, and asserting that we “have only begun to get to know her.”

For more on this powerful artist, you really must check out these reviews of her (and others’) paintings of Judith and Holofernes, both part one and part two, that I shared a while back.

And it was nice to see Sheffield’s Women of Steel statue as today’s Bing background image.

Women of Steel bronze sculpture in Sheffield city centre, by sculptor Martin JenningsPeapix
With working-age men away fighting, women – some girls as young as 14 – were conscripted to work in Sheffield’s factories and steel mills, often undertaking dangerous and physically demanding work. But when the war ended, they were dismissed and their contribution went unrecognised for decades until, after a fundraising campaign, this sculpture was unveiled in 2016.

What a mess #2

The war in Ukraine is horrendous, doesn’t bear thinking about. But if you do want to think about it, here are a few interesting links. Let’s start with something positive from the art world.

A selection of resources in support of the people of UkraineIt’s Nice That
We stand in solidarity and support of the Ukrainian people and everyone affected by this war, and wish to use our platform to help. So, here, we’re sharing a growing list of resources put together with our sister company Creative Lives in Progress, shared by our team and community. They include places to donate and volunteer; creative responses to the crisis including projects, campaigns and fundraising sales; key information for those who need it; and other useful links, such as a free photo bank to tackle Russian government propaganda, a list of Ukrainian illustrators to commission, and a callout for help with Ukrainian artist visas.

STOP WAR: A new series of works by Sho Shibuya in support of UkraineDesign You Trust
In the peak of the coronavirus epidemic, he decided to recycle each of the New York Times front pages to turn them into works of art. The designer dedicates his new series of works to the war in Ukraine, a senseless and fratricidal war. A war that became a tragedy for millions of people. A war that cannot be justified.

Ukraine-based content platform launches a free resource of images of Russia’s war in Ukraine for anyone to useIt’s Nice That
Vista’s Depositphotos, a Ukraine-based content platform, has launched a free image collection, Say No to War, detailing the “brutal truth of what’s happening in Ukraine, as well as images of protests from around the world and inside of Russia”, says the Depositphotos team.

Rich with imaginative detail, Maria Prymachenko’s colorful folk art speaks to life in UkraineColossal
Expressive and consistently advocating for peace, Prymachenko’s paintings are widely known throughout Ukraine and internationally: she received a gold medal at the Paris World Fair in 1937, when Pablo Picasso is said to have dubbed her “an artistic miracle.”

Earlier this week, Russian attacks northwest of Kyiv destroyed the Ivankiv Historical and Local History Museum, where about 25 of her works were housed. According to the Ukrainian Institute, though, local residents were able to retrieve the pieces from the burning museum before they were lost entirely. The aggression subsequently prompted calls for Russia to be removed from UNESCO, which declared 2009 the year of Prymachenko.

Ukraine accuses Russia of burning down a museumHyperallergic
About 25 paintings by Ukrainian artist Maria Pryimachenko were destroyed in a fire incited by an attack as part of the Russian invasion, Ukraine’s Ministry of Foreign Affairs said today, February 28, on Twitter. The works were housed at the Ivankiv Local History Museum in the Kyiv province. A video circulating on Twitter shows what appears to be the museum’s building in flames. The destruction of the museum was also reported by the Kyiv Independent. Hyperallergic could not independently verify these reports.

Some big names from the world of music aren’t faring too well.

Anna Netrebko withdraws from upcoming Met Opera engagementsOpera Wire
The company noted that in “not complying with the Met’s condition that she repudiate her public support for Vladimir Putin while he wages war on Ukraine, soprano Anna Netrebko has withdrawn from her upcoming Met performances in Puccini’s ‘Turandot’ this April and May, as well as the run of Verdi’s Don Carlo next season.”

Putin’s Maestro, and the limits of cultural exchange in wartimeThe New York Times
How will we think of Valery Gergiev a century from now? One of the world’s leading conductors, he has in just the last week lost a series of engagements and positions, including as chief conductor of the Munich Philharmonic, for not disavowing the war in Ukraine being waged by his longtime friend and ally, President Vladimir V. Putin of Russia.

How would those cancellations be spun in Russia, I wonder.

Outside Russia, Putin’s propaganda machine is swiftly crashing downVanity Fair
Under pressure from the Ukrainian government and other foreign leaders, tech giants and cable providers are issuing a flurry of measures to curb the reach of Russian state media in Europe as Russia wages war on Ukraine. Google on Tuesday blocked the YouTube channels of RT and Sputnik, two Kremlin-owned outlets that serve as mouthpieces for Vladimir Putin’s propagandistic agenda across the continent. The move came a day after Meta, the parent company of Facebook and Instagram, and TikTok both said they would block RT and Sputnik content on their platforms in the E.U. Nick Clegg, Meta’s head of global affairs, cited “requests from a number of governments and the E.U.” and “the exceptional nature of the current situation” as he announced the restrictions, which prevent users across E.U. countries from accessing pages or content posted by the two state-backed outlets. Microsoft likewise took action against “state-sponsored disinformation campaigns” Monday as it blocked RT and Sputnik content from appearing on its platform in Europe and banned advertising from Russian state media. In doing so, the company joined Google, YouTube (which is owned by Google), Twitter, and Facebook, all of which have either restricted or banned state-backed media outlets from selling ads.

Russian state TV is covering the war very differentlyCNN
Russian media coverage looks very different than how CNN and other western news outlets are covering the Russian invasion of Ukraine.

Ukraine war: ‘My city’s being shelled, but mum won’t believe me’BBC News
“I didn’t want to scare my parents, but I started telling them directly that civilians and children are dying,” she says. “But even though they worry about me, they still say it probably happens only by accident, that the Russian army would never target civilians. That it’s Ukrainians who’re killing their own people.” […] Oleksandra says her mother just repeats the narratives of what she hears on Russian state TV channels. “It really scared me when my mum exactly quoted Russian TV. They are just brainwashing people. And people trust them,” says Oleksandra.

Some Russians are breaking through and trying to make a different, though.

How Pussy Riot’s Nadya Tolokonnikova is using crypto to fight for equalityTime
[I]n the days following the late-February invasion of Ukraine, she helped launch UkraineDAO, a fundraising campaign that racked up almost $7 million in cryptocurrency donations in less than a week, with funds channeled towards Ukrainian aid organizations. “It’s really important for me to be a good activist and be an influential artist to be able to maintain my anti-Putin voice. In that way, it’s all inherently connected,” she says.

Here’s another example of new technology being used for good.

When war struck, Ukraine turned to TelegramWIRED UK
“How to distinguish our equipment from the enemy?” UkraineNOW posted on Friday, sharing pictures of Ukrainian and Russian tanks. On Saturday, three separate posts in the space of just six minutes warned of imminent airstrikes across Ukraine (“air alarm: Lviv, Rivne ❗️❗️❗️”); maps showing air raid shelter locations were shared. On Sunday the channel advised on ways to safely pass military checkpoints (“turn on the hazard warning light, no video recording”) and what to do if there are attacks on chemical processing plants (“close the windows and do not open them unnecessarily”).

With nearly 500,000 members before Russia’s invasion, UkraineNOW was already one of the country’s biggest Telegram channels. Now a million people depend on it for updates about the war.

And it’s nice to see the Second Life community playing its part too.

Linden Lab statement on UkraineSecond Life Community
Effective Monday, we will be further supporting our eligible Ukrainian-based community members by granting them a temporary 30-day moratorium on recurring account fees such as Premium Membership and Land Maintenance fees. We will review this again after 30 days and assess what we can do as next steps where necessary. We invite any of our Ukraine-based community members to contact support with any specific questions they may have.

Second Life community rallies to help Ukraine-based creators on platformNew World Notes
This is a Google Spreadsheet of Second Life stores and website Marketplace shops owned by Ukraine-based creators on the virtual world platform. It was quickly created by SL community members within the first 24 hours of the Putin regime’s invasion of that country, with a goal of supporting these merchants with L$ purchases — which they can subsequently convert into their local currency. (Whenever, that is, they are able to find a stable Internet connection in the now-embattled region.)

Slava Ukraini! Ways to show your support for Ukraine in Second Life (and in real life, too!)Ryan Schultz
You might be surprised to learn that current events in the real world are often quickly reflected in the virtual world! The war in Ukraine is no exception, and in almost no time at all, Second Life content creators have responded! This blogpost will showcase FREE clothing and home/yard decor to allow you to express your feelings about this unwanted, unnecessary, heartbreaking war.

Sadly, not everything online is a positive influence.

Scammy Instagram ‘war pages’ are capitalizing on Ukraine conflictInput
Hayden, who claims to be a 21-year-old from Kentucky, says that after learning about the war breaking out through the hip-hop Instagram page @Rap, he saw an opportunity. He had already run a popular war page called @liveinafghanistan. More recently, he had renamed it @newstruths and pivoted to posting viral, vaguely conservative-leaning videos featuring people shoplifting and clips of President Biden. But on Wednesday night, it was wartime again, and so the page became @livefromukraine.

Seven ways to spot fake photographs of the war in UkraineThe Art Newspaper
As it turns out, this piece of video was produced in DCS, a popular flight simulator game, and was originally posted to YouTube as a tribute to the Ghost, before being repurposed and circulated online as genuine footage. The footage is purposely miscaptioned and therefore fabricated.

Russia using TikTok to spread anti-Ukraine disinformation, experts sayUSA Today
Cyabra’s analysts tracked thousands of Facebook and Twitter accounts that had recently posted about Ukraine. Researchers saw a sudden and dramatic increase in anti-Ukrainian content in the days immediately before the invasion. On Valentine’s Day, for instance, the number of anti-Ukrainian posts created by the sample of Twitter accounts jumped by 11,000% when compared with just days earlier. Analysts believe a significant portion of the accounts are inauthentic and controlled by groups linked to the Russian government. […]

Russia tailors its propaganda message for specific audiences. For Russians and pro-Russian separatists in Ukraine, the message is that Russia is trying to defend its own people against Western-fueled aggression and persecution in Ukraine. Similar tactics have been used, including by Nazi Germany when it invaded Czechoslovakia under the guise of protecting ethnic Germans living there, Ludes noted.

But let’s not forget Western media is not without its flaws.

‘They seem so like us’: In depicting Ukraine’s plight, some in media use offensive comparisonsThe Washington Post
Such coverage resorts to “Orientalist concepts of ‘civilization’ that have long been present in European colonial discourse,” said Denijal Jegic, a postdoctoral researcher in communication and multimedia journalism at Lebanese American University in Beirut, in an interview. “This implicitly suggests that war is a natural phenomenon in places outside of the Euro-American sphere, and the Middle East in particular, and that war would take place because of a lack of civilization, rather than due to unjust geopolitical power distribution or foreign intervention.”

Recalling that Western media cares more about people Western countriesThe Morning News
In light of a round-up in the Washington Post of offensive descriptions in the media of the Ukraine invasion—ironic considering a headline the Post used for a George F. Will column as recently as July: “Civilized nations’ efforts to deter Russia and China are starting to add up”—an old graphic feels pertinent:

The Fox News journalist fact-checking channel’s pundits on air over UkraineThe Guardian
Last week Griffin had already corrected Fox & Friends’ Steve Doocy and lectured the Fox News host Harris Faulkner about how Joe Biden stationing troops at Ukraine’s border would have given Putin “a pretext to go into Ukraine”, but the veteran journalist stepped it up in recent days as she apparently lost patience with the opinions of some of the Fox News punditocracy.

It’s hard to know what to say.

Help for teachers and families to talk to pupils about Russia’s invasion of Ukraine and how to help them avoid misinformationDfE Education Hub
Establish the facts by pointing pupils towards “trusted, reputable sources that explain the what, where, when, why and who”. It encourages teachers to challenge incorrect information when they see it and to present evidence for facts and get pupils to do the same.

How to talk to children about what’s happening in UkraineMetro News
As parents and carers we can feel like what we should be doing is giving them all of the facts and keeping them informed. But this approach can sometimes leave children feeling overwhelmed, Tania explains. ‘Children tend to be really good at spontaneous questioning. If they want to know something, they’ll ask,’ she says. But if they do ask, or you feel that they need some explanation or reassurance, it’s important to think about how you’re feeling first.

Let’s take a step back.

Ukraine Recap: the origins of Putin’s war – and why it’s not gone to planThe Conversation
Putin has also expressed his concern the Nato has reneged on a pledge after the Soviet Union collapsed in 1991 that it would not expand into the former Soviet republics. Whether there was indeed a formal pledge along these lines is doubtful, writes Gavin Hall of the University of Strathclyde. But what is not in doubt, writes Aldo Zammit Borda of City, University of London, is that Russia, Ukraine, the UK and US sat down and agreed that Ukraine’s sovereignty and territorial integrity would be respected. In return, Ukraine gave up its nuclear arsenal, at the time the third-largest in the world.

Beyond the fog of war: books to help us understand the invasion of UkraineThe Guardian
A crucial weapon that Putin’s Kremlin deployed in defanging the – albeit rickety and imperfect – democracy that grew up in Russia in the 1990s was his control of the press. No one has written about this better than Kyiv-born Peter Pomerantsev in Nothing Is True and Everything Is Possible, a hilarious but terrifying account of his own career in the Russian media. Joshua Yaffa did a fantastic job of exploring how ordinary people navigated the system Putin built in Between Two Fires: Truth, Ambition and Compromise in Putin’s Russia.

But the west is very much not guiltless in supporting the corrupt systems that have bedevilled both Russia and Ukraine (anger at which drove Kyiv’s 2014 revolution). To understand how kleptocracy is enabled out of western capitals, and, above all, out of London, read Kleptopia by Tom Burgis. The oligarchs from both sides employ western lawyers, accountants and wealth managers to hide the money they stole, then spend it on property, luxury goods, fine art and more.

The best books on Ukraine and RussiaFive Books
The Soviet Union fell apart on the issue of Ukraine. The first to raise the banner of independence were the Baltic states, but they’re small countries and they’re not Slavic. The Ukrainian referendum of December 1991 didn’t ask the question of what one wanted to do with the Soviet Union, the referendum was about Ukraine only: ‘Do you want Ukraine to be independent?’ But once more than 90% of Ukrainians responded in the affirmative, the USSR was gone within a week. The Central Asian republics were really pushed out of the Soviet Union because Russia was not interested in a union with them without Ukraine. That’s the beginning of the most recent part of the story: the Soviet Union fell on the issue of Ukraine and now, if there are to be effective Russian economic, military and other spheres of influence, Ukraine is essential, like it was back in 1991.

UK universities brace for impact of sanctions against RussiaThe Guardian
Simon Marginson, a professor of higher education at the University of Oxford, said most academics would support a research boycott with heavy hearts and concerns for Russian colleagues. “All the Russian academics I know oppose the war. The internal situation in Russia will get nastier and they will need solidarity, so there is a case for maintaining ties,” he said.

What a mess. Let’s leave the last word to the Ukrainians themselves.

Thoughts, hopes and disappointments in Kyiv: a street photographer’s photos of Ukraine – 2001-2021Flashbak
Everyday moments in Kyiv before the tanks rolled in.

In the nation’s darkest hours, Ukrainians look out for each otherKyiv Independent
Civilians all across the country do whatever it takes to help each other: They deliver medicine and food for those hiding in bomb shelters. Both regular citizens and restaurant chefs prepare meals for the military, refugees, and civilians. People adopt abandoned animals and offer shelters and rides to fellow Ukrainians.

Liutyk is no exception: The girl, together with her mother and best friend, has been offering warm food and drinks for free to fleeing Ukrainians who are spending exhausting hours in lines on the border with Poland in Lviv Oblast, where she lives. “Such difficult times either break the nation or, just like in our case, unite it entirely,” Liutyk says.

Eye to eye #2

A horrible act of vandalism in a Russian art gallery occurred last December.

Vandal added eyes to figures in painting by Malevich’s studentThe Art Newspaper Russia
Anna Leporskaya’s painting “Three Figures” (1932-1934) from the collection of the State Tretyakov Gallery, provided for the exhibition “The World as Non-Objectivity. The Birth of a New Art” to the Yekaterinburg Foundation “Presidential Center of B.N. Yeltsin”, as it became known to our publication, suffered from the hands of a vandal. An unknown person drew small eyes with a ballpoint pen on the abstract faces of two figures in the picture.

A somewhat different set of art gallery eyes than Chris Eckert’s, certainly, but still a case for the local police, surely?

Russian police won’t investigate after vandal draws eyes on painting at museumARTnews
Once the damage was reported, law enforcement agencies refused to open a criminal case because there were no signs of a crime as defined by the Criminal Code of the Russian Federation. Since the image did not look fundamentally different, and since the painting was no longer in Yekaterinburg at that time (it had returned to Moscow for restoration by the time police got involved), the Ministry of Culture of the Russian Federation sent a complaint to the Russian Prosecutor General’s Office about the refusal to initiate a criminal case. When asked about the subject, Alexander Drozdov, executive director of the Yeltsin Center, said, “We were not even slightly puzzled when police decided not to open the case, because based on their damage assessment there was no legal grounds for [an investigation]. They say ‘no,’ you obey. We’re law-abiding citizens.”

Turns out it was another inside job.

“Bored” security guard draws eyes on faceless Russian painting on his first dayIt’s Nice That
Anna Leporskaya’s Three Figures, a painting on display at the Boris Yeltsin Presidential Center, has been vandalised by a security worker, who scribbled small eyes on two of the figures with a ballpoint pen. In what is possibly one of the worst first-day-on-the-job horror stories in recent history, the security guard had apparently worked at the gallery for less than 24 hours before he drew on the painting; Three Figures is insured for approximately £740,000.

Russian gallery guard charged after drawing eyes on avant-garde painting with ballpoint penThe Art Newspaper
The guard has been fired and was last week detained by police on criminal vandalism charges. He faces a fine of up to RUB 74.9m (£738,000)—the amount the painting was insured for—and up to one year of correctional labour or up to three months in prison, according to The Times.

Bird’s eye view

Some wonderfully atmospheric images from the unlikeliest of early twentieth-century photographers — pigeons.

The turn-of-the-century pigeons that photographed Earth from aboveThe New Yorker
That perspective that is so commonplace to us now, in which the rooftops stretch out before us as though they were made of a child’s blocks, and people crawl along like ants, was a rare sight when Neubronner took his pigeon pictures. The photos offered a glimpse of the world rendered pocket-size, as it eventually would be via a hundred types of new technology—by airplanes, or skyscrapers, or Google Earth.

But there’s also something a bit wild about the photos, precisely because they were taken by birds. Their framing is random and their angles are askew; sometimes a wing feather obscures the view.

Pigeons are surely the most pedestrian of birds, but, looking at these oddly graceful photographs, or at Neubronner’s pictures of the birds looking stately and upright in their photo kits, they start to seem like heavenly creatures.

Moving animation #2

The 2022 Oscar nominations were announced today. It’s nice to see Dune doing well, but I loved the way a recent Aeon newsletter coincidentally highlighted this Oscar-nominated film — from the late 1960s.

An Oscar-nominated animation that celebrates walking with humansPsyche Films
Walking by the Canadian animator and artist Ryan Larkin (1943-2007) made an indelible mark in the history of animation in 1968 with its innovative combination of drawing and colourwash techniques. The film was nominated for an Oscar® and seemed to augur a bright future for Larkin. However, he made only one more film – Street Musique (1972) – before a long run of drug addiction, alcoholism and destitution.

Wonderfully hypnotic — perhaps an influence on Universal Everything’s walker? A troubled soul, though, as this incredible Oscar-winning animation shows so effectively.

Artistic genius and fragility intersect in this surreal, Oscar®-winning animationAeon Videos
This experimental animation from 2004 finds fellow animator Chris Landreth interviewing Larkin about his brief, storied animation career before confronting him about his alcoholism. Rendered in a world where emotional scars manifest themselves as surreal physical aberrations, Ryan is a strange and striking glimpse into Larkin’s life, including the sometimes fraught relationship between creativity and mental health. Ryan won the 2005 Academy Award for Best Animated Short Film. Following the film’s completion, Larkin revived his animation career before dying from cancer in 2007.

I think I remember that film when it was first out. I’m so glad I’ve had a chance to revisit it now. And Chris Landreth’s other films are well worth a look too.

Here’s looking at you, Vincent

There’s a new Van Gogh exhibition in London.

Van Gogh. Self-PortraitsThe Courtauld
Van Gogh. Self-Portraits takes as its springboard Van Gogh’s iconic Self-Portrait with Bandaged Ear, one of the most celebrated works in The Courtauld’s collection, and will bring together around half of the self-portraits Van Gogh created during his short years as a painter. This will be the first time that the full span of Van Gogh’s self-portraiture has been explored in an exhibition. Several works in the exhibition were last together in Van Gogh’s studio and have never been reunited, until now.

I very much like the sound of it. It’s great to see one of my favourite portraits of his is included.

Van Gogh Self-Portraits at the Courtauld Gallery review: beg, borrow or steal, you have to see thisEvening Standard
It would be easy to phone-in a Van Gogh self-portraits show, but the Courtauld’s is rigorous and thoughtful, with smart pairings and groupings. And it has a compelling argument: that we inevitably see the artist’s paintings of himself through the prism of his mental health and suicide, but they should instead be seen as him pursuing a unique artistic language despite rather than because of his illness. Yes, they were vehicles for expression, but it was a more rational pursuit rather than one governed only by torment.

‘Magical, mysterious and electrifyingly intimate’ – Van Gogh: Self-Portraits reviewThe Guardian
One of the star attractions in the collection of the Courtauld Gallery in London is Vincent van Gogh’s Self-Portrait with Bandaged Ear, which was painted in January 1889. The artist had mutilated his left ear two days before Christmas, following a quarrel with Paul Gauguin, with whom he had been sharing a house in Arles. Van Gogh looks pale and introspective, clean-shaven, dressed for the winter chill in his yellow room, an easel behind him and a Japanese print on the wall (the Courtauld owns this print, too, but it was stolen in the 1980s and never recovered). The Dutch artist has the hunted look of a man not yet ready to re-enter the world, except through his painting. The open blue door on the right is the same blue door that appears in the picture of his straw-bottomed yellow chair, which now hangs in the same room at the Courtauld. You can take the chair as a kind of self-portrait, too. It is as if he has stepped out for a second, leaving his pipe and tobacco pouch on the seat.

A trip down to the capital is in order, I think. And whilst we’re there, we might visit this other Van Gogh exhibition. It takes a very different approach, similar to that one in Paris.

Van Gogh Exhibition: The Immersive Experience – London
Van Gogh: The Immersive Experience is a 20,000 square foot light and sound spectacular featuring two-story projections of the artist’s most compelling works. Encounter the brilliance of one of history’s greatest artists in 360 degrees.

Your first look at the eye-popping, immersive Van Gogh exhibitionTime Out
As you can see from the photos, Van Gogh’s paintings are beamed hyper-sharp all over the floors and walls, using dozens of cutting-edge projectors. The all-encompassing sight of iconic works like Starry Night and Wheatfield with Crows (complete with flying birds, natch) knock a lot of socks off (particularly when augmented and combined with VR headsets).

History, homeward bound (hopefully)

That recent post about the not-really-“homecoming” of the Nedra Sky Disc got me thinking about those culturally significant artefacts and paintings that really do need to go home. Here’s a brief list of recent articles from The Art Newspaper to get us started. I’m sure there are unfortunately many more.

Austria takes first step to return artefacts from colonial eraThe Art Newspaper
Though country was not a colonial power, major museums in Vienna have acquisitions of colonial goods.

German museums may have thousands of looted relics from China’s Imperial Palace, research group believesThe Art Newspaper
Collaborative research by major German institutions may expose huge amounts of Chinese objects taken during Boxer Rebellion.

Nigeria seeks to calm tensions over return of Benin bronzesThe Art Newspaper
Government museums body takes control of repatriated artefacts after ruler of Benin challenges new trust set up to unify Nigerian claimants.

Germany returns Nazi-looted, Dutch Golden Age painting to Jewish dealer’s heir—but more than 800 works are still missingThe Art Newspaper
Ice Skating by Adam van Breen was acquired by Hermann Göring, Adolf Hitler’s second-in-command, and bequeathed to the city of Trier’s museum in 1987.

Combating art crime

From stolen golden toilets and botched Dalí robberies, to fake Banksy NFTs and almost entirely fake museums, the scale of art crime is enormous. How do you tackle all this?

How does the FBI Art Crime team operate?Hyperallergic
Though high-profile art thefts certainly still happen — in March 2020, for example, a masterpiece by Vincent van Gogh was stolen from a Dutch museum that was temporarily closed under pandemic lockdown — the publicity generated around the theft of important works hinders their resale. The FBI Art Crime Team maintains a public “Top 10 Art Crimes” list inspired by the FBI’s “10 Most Wanted Fugitives” list, which has been around since 1950. Topping the list are artifacts looted from Iraq in 2003 — many of which have been recovered and repatriated, though thousands of returns remain outstanding — and the infamous Isabella Stewart Gardner Museum Heist, which involved the theft of an estimated $500 million of paintings in a single night in 1990; despite the museum’s offer of a $10 million reward, the crime remains unsolved more than three decades later.

Did you know there are more than 52,000 items on Interpol’s Stolen Works of Art database? Thankfully, there’s an app for that.

You can now report stolen art using Interpol’s new appHyperallergic
A new mobile app launched by Interpol, the global criminal police organization, aims to help identify and track stolen art and cultural property. The ID-Art app provides real-time access to the agency’s Stolen Works of Art database, an international archive of more than 52,000 objects verified to be missing along with images, descriptions, and certified police reports.

I was wondering if they got anywhere with that stolen Van Gogh from March 2020. It turns out they did.

Man sentenced to eight years in prison for theft of van Gogh and Hals paintingsARTnews.com
A Dutch man was sentenced to eight years in prison for stealing paintings by Vincent van Gogh and Frans Hals in 2020. In its ruling on Friday, the Central Netherlands Court also said the that the man, who was not identified in the sentencing, must pay €8.73 million ($10.2 million) to the owner of the Hals painting. Both the Hals and the van Gogh paintings remain missing.

Moving children’s drawings

We all like a list of life hacks/advice for better living, especially this time of year.

100 ways to slightly improve your life without really tryingThe Guardian
Whether it’s taking fruit to work (and to the bedroom!), being polite to rude strangers or taking up skinny-dipping, here’s a century of ways to make life better, with little effort involved.

This one in particular caught my eye.

15 Keep your children’s drawings and paintings. Put the best ones in frames.

A great idea!

Why children’s drawings matterThe School of Life: YouTube
Children can’t draw very well in the technical sense – but their art has important value for us nevertheless.

If only they could come to life and dance around as they do in that animation. Well, now they can.

Animated drawingsMeta AI Research
Bring children’s drawings to life, by animating characters to move around!

Children’s drawings have a wonderful inventiveness, energy, and variety. We focus on the consequence of all that variety in their drawings of human figures as we develop an algorithm to bring them to life through automatic animation.

Microscopic masterpiece

We’ve had Van Gogh’s Starry Night appear virtually in Second Life, and be recreated in Lego. Now look what we’ve got.

Mutant bacteria accidentally recreated one of Van Gogh’s most iconic paintingsScience Alert
When a certain gene is overexpressed in a bacterium known as Myxococcus xanthus, the individual organisms self-organize into tiny circular swarms within hours. Once the resulting swarms are artificially colored, the scene looks remarkably similar to Van Gogh’s The Starry Night.

It takes two?

A pair of articles from Hyperallergic on two pairs of artists.

The neglected afterlife of the great Georges BraqueHyperallergic
Why is this show by Georges Braque such a quiet, hole-in-corner sort of affair? I find myself wondering as I wander around The Poetry of Things, a new exhibition at Bernard Jacobson Gallery of 14 magnificent still life paintings (and a single collage) by the man who is best known as the co-creator, with Picasso, of Cubism.

It doesn’t always work, though. Take this exhibition of the works of Marisol Escobar and Andy Warhol, for instance, “the queen and king of Pop“.

Does a pairing with Warhol do Marisol any favors?Hyperallergic
The basic plan of this show reveals an unfortunate curatorial lapse. To put Warhol’s famous works alongside Marisol’s now relatively unknown art does no favors for her. Rather than lift up her art, this strategy makes it look marginal and obscure, a minor version of what he did with such success. Jeffrey Deitch, whose judgments I take seriously, says in the catalogue, “Marisol, for me, was one of the geniuses who defined contemporary art. . . .” I would love to see a full Marisol show, so as to come to grips with her work on its own terms. These present comparisons don’t do that.

Landscape doodling

Clive Thompson had a very specific way of doodling when he was a kid, quite etch-a-sketchy. It reminded me of the patterns I found myself making at school when I should have been doing something more productive. He’s turned his into a web app, so we can all take our lines for a meander round the screen.

A machine for helping you doodleBetter Humans
Doodling helps cognition — so I built an app based on the strange way I doodled back in elementary school.

But why limit ourselves to just a computer monitor? Let’s take our lines for a wander around the whole world.

Land lines: Start with a line, let the planet complete the pictureChrome Experiments
Satellite images provide a wealth of visual data from which we can visualize in interesting ways. Land Lines is an experiment that lets you explore Google Earth satellite imagery through gesture. “Draw” to find satellite images that match your every line; “Drag” to create an infinite line of connected rivers, highways and coastlines.