What a mess #2

The war in Ukraine is horrendous, doesn’t bear thinking about. But if you do want to think about it, here are a few interesting links. Let’s start with something positive from the art world.

A selection of resources in support of the people of UkraineIt’s Nice That
We stand in solidarity and support of the Ukrainian people and everyone affected by this war, and wish to use our platform to help. So, here, we’re sharing a growing list of resources put together with our sister company Creative Lives in Progress, shared by our team and community. They include places to donate and volunteer; creative responses to the crisis including projects, campaigns and fundraising sales; key information for those who need it; and other useful links, such as a free photo bank to tackle Russian government propaganda, a list of Ukrainian illustrators to commission, and a callout for help with Ukrainian artist visas.

STOP WAR: A new series of works by Sho Shibuya in support of UkraineDesign You Trust
In the peak of the coronavirus epidemic, he decided to recycle each of the New York Times front pages to turn them into works of art. The designer dedicates his new series of works to the war in Ukraine, a senseless and fratricidal war. A war that became a tragedy for millions of people. A war that cannot be justified.

Ukraine-based content platform launches a free resource of images of Russia’s war in Ukraine for anyone to useIt’s Nice That
Vista’s Depositphotos, a Ukraine-based content platform, has launched a free image collection, Say No to War, detailing the “brutal truth of what’s happening in Ukraine, as well as images of protests from around the world and inside of Russia”, says the Depositphotos team.

Rich with imaginative detail, Maria Prymachenko’s colorful folk art speaks to life in UkraineColossal
Expressive and consistently advocating for peace, Prymachenko’s paintings are widely known throughout Ukraine and internationally: she received a gold medal at the Paris World Fair in 1937, when Pablo Picasso is said to have dubbed her “an artistic miracle.”

Earlier this week, Russian attacks northwest of Kyiv destroyed the Ivankiv Historical and Local History Museum, where about 25 of her works were housed. According to the Ukrainian Institute, though, local residents were able to retrieve the pieces from the burning museum before they were lost entirely. The aggression subsequently prompted calls for Russia to be removed from UNESCO, which declared 2009 the year of Prymachenko.

Ukraine accuses Russia of burning down a museumHyperallergic
About 25 paintings by Ukrainian artist Maria Pryimachenko were destroyed in a fire incited by an attack as part of the Russian invasion, Ukraine’s Ministry of Foreign Affairs said today, February 28, on Twitter. The works were housed at the Ivankiv Local History Museum in the Kyiv province. A video circulating on Twitter shows what appears to be the museum’s building in flames. The destruction of the museum was also reported by the Kyiv Independent. Hyperallergic could not independently verify these reports.

Some big names from the world of music aren’t faring too well.

Anna Netrebko withdraws from upcoming Met Opera engagementsOpera Wire
The company noted that in “not complying with the Met’s condition that she repudiate her public support for Vladimir Putin while he wages war on Ukraine, soprano Anna Netrebko has withdrawn from her upcoming Met performances in Puccini’s ‘Turandot’ this April and May, as well as the run of Verdi’s Don Carlo next season.”

Putin’s Maestro, and the limits of cultural exchange in wartimeThe New York Times
How will we think of Valery Gergiev a century from now? One of the world’s leading conductors, he has in just the last week lost a series of engagements and positions, including as chief conductor of the Munich Philharmonic, for not disavowing the war in Ukraine being waged by his longtime friend and ally, President Vladimir V. Putin of Russia.

How would those cancellations be spun in Russia, I wonder.

Outside Russia, Putin’s propaganda machine is swiftly crashing downVanity Fair
Under pressure from the Ukrainian government and other foreign leaders, tech giants and cable providers are issuing a flurry of measures to curb the reach of Russian state media in Europe as Russia wages war on Ukraine. Google on Tuesday blocked the YouTube channels of RT and Sputnik, two Kremlin-owned outlets that serve as mouthpieces for Vladimir Putin’s propagandistic agenda across the continent. The move came a day after Meta, the parent company of Facebook and Instagram, and TikTok both said they would block RT and Sputnik content on their platforms in the E.U. Nick Clegg, Meta’s head of global affairs, cited “requests from a number of governments and the E.U.” and “the exceptional nature of the current situation” as he announced the restrictions, which prevent users across E.U. countries from accessing pages or content posted by the two state-backed outlets. Microsoft likewise took action against “state-sponsored disinformation campaigns” Monday as it blocked RT and Sputnik content from appearing on its platform in Europe and banned advertising from Russian state media. In doing so, the company joined Google, YouTube (which is owned by Google), Twitter, and Facebook, all of which have either restricted or banned state-backed media outlets from selling ads.

Russian state TV is covering the war very differentlyCNN
Russian media coverage looks very different than how CNN and other western news outlets are covering the Russian invasion of Ukraine.

Ukraine war: ‘My city’s being shelled, but mum won’t believe me’BBC News
“I didn’t want to scare my parents, but I started telling them directly that civilians and children are dying,” she says. “But even though they worry about me, they still say it probably happens only by accident, that the Russian army would never target civilians. That it’s Ukrainians who’re killing their own people.” […] Oleksandra says her mother just repeats the narratives of what she hears on Russian state TV channels. “It really scared me when my mum exactly quoted Russian TV. They are just brainwashing people. And people trust them,” says Oleksandra.

Some Russians are breaking through and trying to make a different, though.

How Pussy Riot’s Nadya Tolokonnikova is using crypto to fight for equalityTime
[I]n the days following the late-February invasion of Ukraine, she helped launch UkraineDAO, a fundraising campaign that racked up almost $7 million in cryptocurrency donations in less than a week, with funds channeled towards Ukrainian aid organizations. “It’s really important for me to be a good activist and be an influential artist to be able to maintain my anti-Putin voice. In that way, it’s all inherently connected,” she says.

Here’s another example of new technology being used for good.

When war struck, Ukraine turned to TelegramWIRED UK
“How to distinguish our equipment from the enemy?” UkraineNOW posted on Friday, sharing pictures of Ukrainian and Russian tanks. On Saturday, three separate posts in the space of just six minutes warned of imminent airstrikes across Ukraine (“air alarm: Lviv, Rivne ❗️❗️❗️”); maps showing air raid shelter locations were shared. On Sunday the channel advised on ways to safely pass military checkpoints (“turn on the hazard warning light, no video recording”) and what to do if there are attacks on chemical processing plants (“close the windows and do not open them unnecessarily”).

With nearly 500,000 members before Russia’s invasion, UkraineNOW was already one of the country’s biggest Telegram channels. Now a million people depend on it for updates about the war.

And it’s nice to see the Second Life community playing its part too.

Linden Lab statement on UkraineSecond Life Community
Effective Monday, we will be further supporting our eligible Ukrainian-based community members by granting them a temporary 30-day moratorium on recurring account fees such as Premium Membership and Land Maintenance fees. We will review this again after 30 days and assess what we can do as next steps where necessary. We invite any of our Ukraine-based community members to contact support with any specific questions they may have.

Second Life community rallies to help Ukraine-based creators on platformNew World Notes
This is a Google Spreadsheet of Second Life stores and website Marketplace shops owned by Ukraine-based creators on the virtual world platform. It was quickly created by SL community members within the first 24 hours of the Putin regime’s invasion of that country, with a goal of supporting these merchants with L$ purchases — which they can subsequently convert into their local currency. (Whenever, that is, they are able to find a stable Internet connection in the now-embattled region.)

Slava Ukraini! Ways to show your support for Ukraine in Second Life (and in real life, too!)Ryan Schultz
You might be surprised to learn that current events in the real world are often quickly reflected in the virtual world! The war in Ukraine is no exception, and in almost no time at all, Second Life content creators have responded! This blogpost will showcase FREE clothing and home/yard decor to allow you to express your feelings about this unwanted, unnecessary, heartbreaking war.

Sadly, not everything online is a positive influence.

Scammy Instagram ‘war pages’ are capitalizing on Ukraine conflictInput
Hayden, who claims to be a 21-year-old from Kentucky, says that after learning about the war breaking out through the hip-hop Instagram page @Rap, he saw an opportunity. He had already run a popular war page called @liveinafghanistan. More recently, he had renamed it @newstruths and pivoted to posting viral, vaguely conservative-leaning videos featuring people shoplifting and clips of President Biden. But on Wednesday night, it was wartime again, and so the page became @livefromukraine.

Seven ways to spot fake photographs of the war in UkraineThe Art Newspaper
As it turns out, this piece of video was produced in DCS, a popular flight simulator game, and was originally posted to YouTube as a tribute to the Ghost, before being repurposed and circulated online as genuine footage. The footage is purposely miscaptioned and therefore fabricated.

Russia using TikTok to spread anti-Ukraine disinformation, experts sayUSA Today
Cyabra’s analysts tracked thousands of Facebook and Twitter accounts that had recently posted about Ukraine. Researchers saw a sudden and dramatic increase in anti-Ukrainian content in the days immediately before the invasion. On Valentine’s Day, for instance, the number of anti-Ukrainian posts created by the sample of Twitter accounts jumped by 11,000% when compared with just days earlier. Analysts believe a significant portion of the accounts are inauthentic and controlled by groups linked to the Russian government. […]

Russia tailors its propaganda message for specific audiences. For Russians and pro-Russian separatists in Ukraine, the message is that Russia is trying to defend its own people against Western-fueled aggression and persecution in Ukraine. Similar tactics have been used, including by Nazi Germany when it invaded Czechoslovakia under the guise of protecting ethnic Germans living there, Ludes noted.

But let’s not forget Western media is not without its flaws.

‘They seem so like us’: In depicting Ukraine’s plight, some in media use offensive comparisonsThe Washington Post
Such coverage resorts to “Orientalist concepts of ‘civilization’ that have long been present in European colonial discourse,” said Denijal Jegic, a postdoctoral researcher in communication and multimedia journalism at Lebanese American University in Beirut, in an interview. “This implicitly suggests that war is a natural phenomenon in places outside of the Euro-American sphere, and the Middle East in particular, and that war would take place because of a lack of civilization, rather than due to unjust geopolitical power distribution or foreign intervention.”

Recalling that Western media cares more about people Western countriesThe Morning News
In light of a round-up in the Washington Post of offensive descriptions in the media of the Ukraine invasion—ironic considering a headline the Post used for a George F. Will column as recently as July: “Civilized nations’ efforts to deter Russia and China are starting to add up”—an old graphic feels pertinent:

The Fox News journalist fact-checking channel’s pundits on air over UkraineThe Guardian
Last week Griffin had already corrected Fox & Friends’ Steve Doocy and lectured the Fox News host Harris Faulkner about how Joe Biden stationing troops at Ukraine’s border would have given Putin “a pretext to go into Ukraine”, but the veteran journalist stepped it up in recent days as she apparently lost patience with the opinions of some of the Fox News punditocracy.

It’s hard to know what to say.

Help for teachers and families to talk to pupils about Russia’s invasion of Ukraine and how to help them avoid misinformationDfE Education Hub
Establish the facts by pointing pupils towards “trusted, reputable sources that explain the what, where, when, why and who”. It encourages teachers to challenge incorrect information when they see it and to present evidence for facts and get pupils to do the same.

How to talk to children about what’s happening in UkraineMetro News
As parents and carers we can feel like what we should be doing is giving them all of the facts and keeping them informed. But this approach can sometimes leave children feeling overwhelmed, Tania explains. ‘Children tend to be really good at spontaneous questioning. If they want to know something, they’ll ask,’ she says. But if they do ask, or you feel that they need some explanation or reassurance, it’s important to think about how you’re feeling first.

Let’s take a step back.

Ukraine Recap: the origins of Putin’s war – and why it’s not gone to planThe Conversation
Putin has also expressed his concern the Nato has reneged on a pledge after the Soviet Union collapsed in 1991 that it would not expand into the former Soviet republics. Whether there was indeed a formal pledge along these lines is doubtful, writes Gavin Hall of the University of Strathclyde. But what is not in doubt, writes Aldo Zammit Borda of City, University of London, is that Russia, Ukraine, the UK and US sat down and agreed that Ukraine’s sovereignty and territorial integrity would be respected. In return, Ukraine gave up its nuclear arsenal, at the time the third-largest in the world.

Beyond the fog of war: books to help us understand the invasion of UkraineThe Guardian
A crucial weapon that Putin’s Kremlin deployed in defanging the – albeit rickety and imperfect – democracy that grew up in Russia in the 1990s was his control of the press. No one has written about this better than Kyiv-born Peter Pomerantsev in Nothing Is True and Everything Is Possible, a hilarious but terrifying account of his own career in the Russian media. Joshua Yaffa did a fantastic job of exploring how ordinary people navigated the system Putin built in Between Two Fires: Truth, Ambition and Compromise in Putin’s Russia.

But the west is very much not guiltless in supporting the corrupt systems that have bedevilled both Russia and Ukraine (anger at which drove Kyiv’s 2014 revolution). To understand how kleptocracy is enabled out of western capitals, and, above all, out of London, read Kleptopia by Tom Burgis. The oligarchs from both sides employ western lawyers, accountants and wealth managers to hide the money they stole, then spend it on property, luxury goods, fine art and more.

The best books on Ukraine and RussiaFive Books
The Soviet Union fell apart on the issue of Ukraine. The first to raise the banner of independence were the Baltic states, but they’re small countries and they’re not Slavic. The Ukrainian referendum of December 1991 didn’t ask the question of what one wanted to do with the Soviet Union, the referendum was about Ukraine only: ‘Do you want Ukraine to be independent?’ But once more than 90% of Ukrainians responded in the affirmative, the USSR was gone within a week. The Central Asian republics were really pushed out of the Soviet Union because Russia was not interested in a union with them without Ukraine. That’s the beginning of the most recent part of the story: the Soviet Union fell on the issue of Ukraine and now, if there are to be effective Russian economic, military and other spheres of influence, Ukraine is essential, like it was back in 1991.

UK universities brace for impact of sanctions against RussiaThe Guardian
Simon Marginson, a professor of higher education at the University of Oxford, said most academics would support a research boycott with heavy hearts and concerns for Russian colleagues. “All the Russian academics I know oppose the war. The internal situation in Russia will get nastier and they will need solidarity, so there is a case for maintaining ties,” he said.

What a mess. Let’s leave the last word to the Ukrainians themselves.

Thoughts, hopes and disappointments in Kyiv: a street photographer’s photos of Ukraine – 2001-2021Flashbak
Everyday moments in Kyiv before the tanks rolled in.

In the nation’s darkest hours, Ukrainians look out for each otherKyiv Independent
Civilians all across the country do whatever it takes to help each other: They deliver medicine and food for those hiding in bomb shelters. Both regular citizens and restaurant chefs prepare meals for the military, refugees, and civilians. People adopt abandoned animals and offer shelters and rides to fellow Ukrainians.

Liutyk is no exception: The girl, together with her mother and best friend, has been offering warm food and drinks for free to fleeing Ukrainians who are spending exhausting hours in lines on the border with Poland in Lviv Oblast, where she lives. “Such difficult times either break the nation or, just like in our case, unite it entirely,” Liutyk says.

Bringing Beethoven back

We’ve seen how AI can bring to life people that have never existed, as well as those that certainly have. And we’re familiar with the ridiculous surreal art it can churn out and the sublime Bach-like harmonies it can spin. But what about creating something much more substantial, like a whole symphony? And a Beethoven symphony, at that.

The project started in 2019 …

How a team of musicologists and computer scientists completed Beethoven’s unfinished 10th SymphonyThe Conversation
When Ludwig van Beethoven died in 1827, he was three years removed from the completion of his Ninth Symphony, a work heralded by many as his magnum opus. He had started work on his 10th Symphony but, due to deteriorating health, wasn’t able to make much headway: All he left behind were some musical sketches.

Ever since then, Beethoven fans and musicologists have puzzled and lamented over what could have been. His notes teased at some magnificent reward, albeit one that seemed forever out of reach.

Now, thanks to the work of a team of music historians, musicologists, composers and computer scientists, Beethoven’s vision will come to life.

Artificial intelligence to “complete” Beethoven’s tenth symphonyi24News: YouTube

… and earlier this month, they premiered the result.

After more than two centuries, Beethoven’s 10th Symphony has been completed by an AIEuronews
For Werzowa, it was exciting to discover variations of Beethoven’s work each morning, that had been sent overnight by his US colleagues from Rutgers University.

“Because of the time difference, in the morning, I got up early, quite excited and ran to my computer to find hundreds of possibilities which were formulated overnight, well during my night,” he said. “And it was always a beautiful morning occupation, drinking tea and coffee while listening and choosing those Beethoven inspirations”. […]

As for the master computer, no gigantic machine with tons of buttons and keyboards were involved: a simple laptop was used to finish to unfinishable.

“I asked him many times ‘please send me pictures’ and I was so curious, it’s like I imagined like this Star Trek, Star Wars kind of thing, with kilometres of computers,” Werzowa told AP. “He never sent it to me over the two years and finally he did after this whole thing was done. And what he showed me was basically a computer rig which looks like my son’s computer rig so it was actually disappointing: This is it? This made that amazing work?”

And the Beethoven goes on: Bonn premieres ‘new’ 10th symphonyIrish Times
No word on whether London’s Royal Philharmonic Society – who commissioned the symphony in 1817 – ever got its money back from the composer’s estate for services not rendered.

How an AI finished Beethoven’s last symphony and what that means for the future of musicBBC Science Focus Magazine
What has the response been like from musicians and composers? Their response is really mixed. There are people who loved this very much, and love the idea of having an AI that understands music and can help you finish your composition or have you explore different musical ideas.

But on the other side of the spectrum, there are people who just reject even the concept of being able to complete a Beethoven symphony using AI. They are afraid of AI taking their jobs and think that it has nothing to do with this kind of thing.

But enough of all the words — let’s hear the music!

Beethoven X: The AI Project: III Scherzo. Allegro – TrioModern Recordings: YouTube
Modern Recordings / BMG present as a foretaste of the album “Beethoven X – The AI Project” (release: 8.10.) the edit of the 3rd movement “Scherzo. Allegro – Trio” as a classical music video.

That was just a short edit of the third movement. Embedded within this next link is a video of the whole premiere, featuring movements 3 and 4.

World Premiere: Beethoven XMagentaMusic 360
It is done: Shortly before his death, Ludwig van Beethoven began to compose his 10th Symphony, but it remained unfinished. On the 250th birthday of the genius, Deutsche Telekom and an international team of music experts and artificial intelligence experts have dared to try to complete Beethoven’s 10th Symphony with the help of artificial intelligence. On 9 October, the 10th Symphony was premiered in Bonn by the Beethoven Orchestra Bonn under the direction of Dirk Kaftan.

I’m relying on Google Translate for the text of that link. The introductory speeches are in German too, though the little documentary they play that starts 12 minutes in is subtitled and worth a look. The performance itself is 16 minutes in.

It’s also been released on Spotify, together with a recording of the eighth symphony from the premiere.

Beethoven X: The AI ProjectSpotify
Beethoven Orchestra Bonn, Dirk Kaftan, Walter Werzowa 2021

It seems this is not the only version of Beethoven’s 10th symphony. There’s also this one, “realized” by Barry Cooper, plus documentary (ignore that crazy sax intro). But seriously, nothing — not even his fifth — matches his ninth. I mean, come on!

Take five

I think I’ve mentioned the Morning Briefing (Europe edition) newsletters from The New York Times before, but they’re a great way to start the day, I think — a wider, less inward-looking summary of current affairs. As well as the usual news roundup, a recent email included links to this marvellous series.

Hooking readers on classical music, five minutes at a timeThe New York Times
Now two and a half years and a dozen segments into the project, Mr. Woolfe said he had been surprised at readers’ appetite for the series, regardless of the theme. “It’s like, ‘OK, ‘5 Minutes That Will Make You Love Mozart’ is super appealing,’” he said. “But ‘5 Minutes That Will Make You Love Baroque Music’? Or ‘5 Minutes That Will Make You Love 21st-Century Composers’? But those both did terrifically as well.”

The name for the series came to him in the shower in 2018 as he was pondering ways he could make The Times’s classical music coverage accessible to a broader audience. “I was thinking about being at a concert or listening to a recording, and being like, ‘OMG, that note she hit!’” Mr. Woolfe said. “Then I had the idea of asking different people to pick their favorite little five-minute nuggets and presenting them like a playlist.” […]

Mr. Woolfe also credited the appeal to the series’s vibrant, eye-catching animations, like pulsating cello strings or a silhouette of Mozart caught in a colorful confetti storm. “They enhance the playfulness and accessibility of the series,” he said. Angie Wang, the freelance illustrator who creates them, said she watched videos of the musicians and noted their characteristic movements, paying particularly close attention to wrist and elbow articulation. “I wanted to render them with delicacy,” she said. “The animations are a kind of visualization for the music.”

5 minutes that will make you love MozartThe New York Times
Mark Hamill, actor I was in the first national tour of “Amadeus,” then I finished my run on Broadway. I did it for 11 months, the longest run I’ve ever had in a play. Beforehand, my wife and I went to Salzburg. You can tour Mozart’s house, and they even had a lock of his hair; it was a sort of reddish brown. That was chilling, hundreds of years later, to be so physically close to him. So much of the play is underscored with his music, which is more common to do in film. I never got tired of the sound; I could use it to inform my performance. And to underplay, because the music was doing a lot of the work. Particularly at the end, when he’s on his knees, wondering whether he’s really been so wicked. He’s so vulnerable, and his Requiem is playing.

5 minutes that will make you love the celloThe New York Times
Yo-Yo Ma, cellist Dvorak’s Cello Concerto is perhaps the most beloved work for cello and orchestra. It is an astounding piece. But as a performer, I am always looking for the preconditions of a composer’s creativity, the genealogy of a work. A very short story: In March 1894, Dvorak heard the New York Philharmonic perform his friend Victor Herbert’s new E-minor cello concerto. Afterward, Dvorak is said to have rushed backstage, telling Herbert it was “splendid, absolutely splendid.” Almost exactly a year later, Dvorak finished writing the concerto that we know so well. […]

Andrew Lloyd Webber, composer I love the cello. My brother was a concert cellist, and I wrote my “Paganini Variations” for him. Although my favorite work for the instrument is Shostakovich’s First Cello Concerto, the most moving musical experience I have ever had was at the BBC Proms. It was the night Mstislav Rostropovich played the Dvorak Cello Concerto with the Soviet State Symphony Orchestra on the day Russia invaded Czechoslovakia in August 1968. While demonstrators chanted outside the hall, Rostropovich’s tears poured down as he played this most deeply nationalistic of Dvorak’s works. The closing minutes will forever remain with me.

Musical meanderings

One of the pieces of classical music on YouTube I keep replaying is this performance of Dvořák’s String Quartet No 12, played by the wonderful Pražák Quartet. It’s such a lyrical piece, played with passion and vigour.

It’s fun to compare that early video of the four of them with this performance of Schubert’s String Quartet No 15 several years later.

Time marches on for all of us, though sadly it didn’t march for very long for Schubert himself.

A lost paradise of purityStandpoint
Of all the premature deaths among the ranks of the creative, none is more painful to contemplate than Franz Schubert’s. His cutting off in November 1828 at the age of 31 was not as brutal in strictly chronological terms as Keats’s at the age of 25 in 1821, but there is with Schubert a yearning to know the music which he never composed that is even greater than the regret for Keats’s unwritten poems. All Schubert’s works are in a sense early works, and it is striking to think that by the time Haydn reached the age at which Schubert died, he had written none of the music for which we now revere him.

Let’s move from Schubert to Bach, and from the sublime to the ridiculous.

Boomwhacker Bach: Prélude n°1 aux tubes musicauxThe Kid Should See This
This performance by Les Objets Volants is a wonderful mix of work and play… an exercise in “juggling” that requires an immense amount of concentration and teamwork. Boomwhacker Bach! In front of an audience in Luxeuil les Bains, France, this is Prélude n°1 aux tubes musicaux, or Johann Sebastian Bach’s first prelude played with boomwhackers.

All good stuff, but perhaps this musical post has been too male-dominated so far? Let’s address that.

New documentary Sisters with Transistors tells the story of electronic music’s female pioneersOpen Culture
“Technology is a tremendous liberator,” says Laurie Anderson in her voiceover narration for the new documentary Sisters with Transistors, a look at the women who have pioneered electronic music since its beginnings and been integral to inventing new sounds and ways of making them. “Women were naturally drawn to electronic music. You didn’t have to be accepted by any of the male-dominated resources. You could make something with electronics, and you could present music directly to an audience.”

“The history of women has been a history of silence,” Rovner writes. “Music is no exception.” Or as Oliveros put it in a 1970 New York Times Op-Ed:

Why have there been no “great” women composers? The question is often asked. The answer is no mystery. In the past, talent, education, ability, interests, motivation were irrelevant because being female was a unique qualification for domestic work and for continual obedience to and dependence upon men.

All good stuff, but perhaps this musical post has been too human-dominated so far? Let’s address that.

Composer transcribes animal sounds to sheet musicBoing Boing
Alexander Liebermann, an accomplished composer living in Berlin, has been challenging himself to transcribe the sounds of penguins, whales, and other animals as an exercise for ear training.

Ear training challenge – Emperor PenguinYouTube
During courtship, the male and female penguins trumpet loudly to each other, thus learning each other’s call (They recognize each other amidst breeding colonies that consist of up to 40,000 penguins because of their calls). Emperor penguins typically use both sides of their syrinx simultaneously, producing vocalizations using ‘two-voices’. In the videos I have seen, calls of adult penguins mostly consisted of two-voice vocalizations using three different intervals: M2, m3, M3. In contrast, those of the chicks consisted of single voices outlining numerous intervals: m3, M3, P4, TT, P5, m6.

A Christmas singalong like no other

Missing live music? Make some yourself, with another interactive musical thing from Google.

Google’s Blob Opera lets you conduct a quartet of singing blobs for instant festive joyIt’s Nice That
Whatever you’re doing right now, it can wait – because Blob Opera is probably the most fun you’ll have today. A new machine learning experiment by David Li for Google Arts & Culture, the online interactive instrument features four animated blob characters which you can conduct to create your own music.

Try it for yourself!

Blob OperaGoogle Arts & Culture
Create your own opera inspired song with Blob Opera – no music skills required! A machine learning experiment by David Li in collaboration with Google Arts & Culture.

it’s all very silly, but you have to admit, they do make a wonderful sound. That’s due, no doubt, to some clever coding, but also to the skills of the real humans behind these machine-learned voices.

You can now create your own 4-part ‘Blob Opera‘ with this addictive Google appClassic FM
The voices are those of real-life opera singers, tenor Christian Joel, bass Frederick Tong, mezzo-soprano Joanna Gamble and soprano Olivia Doutney, who recorded many hours of singing for the experiment. You don’t hear their actual voices in the tool, but rather the machine learning model’s understanding of what opera singing sounds like, based on what it learned from the four vocalists.

It’s all great fun. And I hadn’t realised how extensive the Google Arts & Culture site is. Lots to play with, whilst we wait for all the real galleries and museums to get back to normal.

Making music again #2

Back in July I shared a few ways we could still see live music in spite of the pandemic, but it was marvellous to experience it for myself recently.

Orchestra of Opera North: The Four SeasonsOpera North
From baroque Mantua to mid-20th century Buenos Aires, two radiant evocations of place and the passing of time. Celebrated British violinist Chloë Hanslip joins musicians from the Orchestra of Opera North as soloist/director in Vivaldi’s tour de force.

Vivaldi’s Four Seasons is so well known as to be almost cliche, but Chloe’s performance, together with a slimmed-down (though no less powerful) version of the Orchestra of Opera North, was stunning — so joyful and energetic. And following it with Piazzolla’s version was great fun, too.

Written in the mid to late 1960s, Argentine composer and bandoneon virtuoso Ástor Piazzolla’s Cuatro Estaciones Porteñas are a witty and playful tribute in tango to Vivaldi’s concerti.

I had never heard this piece before. My knowledge of Piazzolla starts and ends with Libertango, so it was wonderful to be introduced to some more. Here’s a performance of it by the Curtis Institute of Music.

I wasn’t the only one to appreciate being back in the Town Hall again, however different the seating arrangements might be now.

But let’s not forget opera and ballet. 25 October was World Opera Day, swiftly followed by World Ballet Day on 29 October.

Celebrating opera freelancers for World Opera DayOpera Holland Park
At Opera Holland Park, we know the most exciting part of the year has arrived when our team grows from just under twenty to around 300, as we’re joined by the talented freelancers who work onstage, backstage, Front of House and in our Box Office. For World Opera Day 2020, we want to share a few of the projects some of those freelancers have been working on over the last few months.

Calling all ballet lovers! World Ballet Day 2020 is on October 29Pointe
“Now, more than ever, the digital celebration of dance promises to unite us all as we face new, shared challenges across the world,” says Royal Ballet director Kevin O’Hare, adding that he looks forward to “bringing our art form to audiences who are missing live performances.”

2020, eh? Will things ever be the same again?

How hundreds of freelance musicians asked for help with a socially distanced protest and performance at WestminsterITV News
Parliament Square echoed to the sound of classical music today as 400 musicians staged a mini concert to highlight the impact of coronavirus. The pop-up performance of Gustav Holst’s Mars was limited to 90 seconds by the police to avoid attracting a crowd.

‘Being told to retrain is an insult’: 150 opera singers fight for the arts in Parliament protestClassic FM
“This protest today is really one of the largest musical gatherings in the UK since coronavirus,” said Romaniw, speaking to Classic FM. “It’s about coming together and singing together in unison, to really protest for the future of our industry, and to celebrate the importance of art and live music. There’s nothing quite like it.

Worth the wait?

Well, I’m back in the office for the first time in six months, surrounded by hand sanitisers and risk assessments, one child has returned to school for her final year after in effect six months off, another will be leaving home in a week to start university in a place currently under a local lockdown, so my head’s full of concerns and anxieties I don’t wish to think more about here thank you very much. So let’s put all that to one side and relax with some music.

John Cage, the man behind a much loved piece of nothing, perhaps hadn’t realised how literally some people would take his instruction to play ‘as slow as possible’ when performing one of his compositions. Piano notes eventually fade away, but notes on an organ can be held indefinitely.

A 639-year-long John Cage organ performance has a long-awaited chord change todayClassic FM
Organ2/ASLSP, ‘As Slow as Possible’ is a keyboard work written by John Cage in the mid-1980s. The score consists of eight pages of music, to be played at the piano or organ, well, very, very slowly. […] Up until this time, the most recent note change occurred on 5 October 2013, and the next change will sound on 5 September 2020, with the organ playing a G sharp and an E, until the next scheduled chord change on 5 February 2022.

The concert (installation art performance? sculptural exhibition?) is taking place in Halberstadt, in Germany, thought to be the place where the first modern keyboard organ was built in 1361, 639 years before the turn of the 21st century, hence the duration of this piece.

A 639-year concert, with no intermission for coronavirusThe New York Times
Andreas Henke, the town’s mayor, said that most of Halberstadt’s inhabitants probably didn’t even know about the piece, or, if they did, they referred to it as “that cacophony.” But, he added, “John Cage carries Halberstadt’s name out into the world.”He said the performance raises “philosophical questions about how we confront time.” “We are all so consumed by our daily working lives,” he said. “This forces us to stand back and slow down. It is very special to be a part of an art project that will connect generations and last for generations,” Mr. Henke added. He said that it was “his great hope” that the project would make it to 2640.

Of course it was livestreamed, but see if you can resist the urge not to fast-forward to the chord change moment, three hours and twenty minutes in…

Too subtle a change for me, I think. It’s an interesting idea, though: if you remove the human from the music-making process, you remove the need to constrain time to human scales. But without the human, can we still comprehend it as music? A drone that lasts for years and years just reminds me of my tinnitus.

Making music again

Our concert halls might be re-opening in the summer, but in the meantime:

A cello concert in a swimming pool – this is classical music during COVID-19 distancingClassic FM
The concert took place south of Stuttgart, in the empty swimming lanes of the Entringen outdoor pool. We fancy the shape of the pool, with its steady slope and cellist against a wall, would have provided quite a fantastic acoustic.

Some people are staying indoors, though.

IndoorsScottish Ballet
With 28 doors and 36 dancers, Indoors is a playful new work by Sophie Laplane, set to Mozart’s ‘Papageno, Papagena’. Rehearsed via Zoom and recorded in lockdown, the short film explores ways we can open our doors to new possibilities, all in Laplane’s distinctly unique style.

A taste of things to come?

Around the world, we’re getting a glimpse of what live music looks like post-lockdownClassic FM
Theatres reopen in Europe and concert halls around the world have started to implement social distancing policies to stem the spread of coronavirus – here’s how music, of all genres, looks in a new era.

Puccini and the plants

Something else I’d found around my birthday then forgotten to male a note of here was news of this wonderful concert. If playing music to plants helps them grow, there are thousands of ficus trees, palms and plants in Spain that must be feeling pretty healthy at the moment.

The artist Eugenio Ampudia inaugurates activity at the Liceu with a concert for 2,292 plantsLiceu Opera Barcelona
On the first day after the state of alarm instituted due to the pandemic ends, the Gran Teatre del Liceu reopens its doors, but it does so for an unusual audience. Conceptual artist Eugenio Ampudia is preparing an original, unique and different concert, in which the 2,292 seats of the auditorium will be occupied on this occasion by plants. It will be on 22 June at 5:00 p.m., broadcast live online, when the UceLi Quartet string quartet performs Puccini’s “Crisantemi” for this verdant public, brought in from local nurseries.

2,292 plants fill the audience in opening performance at Barcelona’s Gran Teatre del LiceuColossal
A collaboration with Madrid-based artist Eugenio Ampudia and the Max Estrella gallery, the concert was meant to reflect on humans’ relationship with nature. “I thought why don’t we go into the Liceu like weeds, take it over and let nature start growing everywhere and turn it into something alive even when there are no people,” Ampudia said in an interview.

Plants fill seats at Barcelona opera house concertAssociated Press
“I heard many more birds singing. And the plants in my garden and outside growing faster. And, without a doubt, I thought that maybe I could now relate in a much intimate way with people and nature,” he said before the performance.

At the end of the eight-minute concert, the sound of leaves and branches blowing in the wind resonated throughout the opera house like applause.

Here’s the performance in full, complete with “please silence your mobile phones and no pictures please” announcement.

It’s strange seeing these places, designed especially for large crowds, being so empty.

Plush seats and ornate balconies sit empty in Joanna Vestey’s unobstructed photographs of London theatersColossal
In Joanna Vestey’s Custodians for COVID series, one worker poses idly amid an otherwise unobstructed shot of a historic venue. The Oxford-based photographer has been capturing the empty seats and balconies of London theaters, which have been closed due to the ongoing coronavirus pandemic. For the timely series, Vestey visited 20 venues, including Royal Albert Hall, The Globe, and National Theatre, to photograph the breadth of the vacant architecture.

Belated birthday wishes

I thought it would be fun to share this on my birthday (like I did with something similar the other year), but that was a few weeks ago — I had forgotten all about it.

Happy birthday in the styles of 10 classical composers – Nahre Sol

Some dazzling playing there, and those annotations really get across just how complicated these musical structures can be. I love the idea of Steve Reich and John Cage wishing me happy birthday.

Missing music

Like no doubt many other homes up and down the land, music is always playing here, somewhere—the kitchen radio, the kids’ laptops or Alexas, the piano and tuba even (that damned thing is so loud). But it’s been a long time since we went out to hear live music. For music fans like Rob Sheffield, that’s becoming a problem.

Life without liveRolling Stone
This is the longest I’ve gone between live shows since . . . the Replacements broke up? I go see bands every chance I get, and I live in New York City, where there’s plenty of chances. Live music is how I measure out the next week, month, year of my life. But on a bigger scale, the shows are how we measure history. When you picture the past or the future, you imagine what musicians are doing in a room and who shows up to hear it. You can define any point in the arc of human history by who was in Fleetwood Mac at the time. (And whose hotel bed they were sharing.) So what does music fandom mean at a time when we can’t gather together to celebrate, discover, experiment?

Here’s an interesting take on the future of the kind of concerts I’ve been missing recently.

Coronavirus conditions make us rethink classical music for decade aheadVoice of OC
So far, we’ve been assuming that there will continue to be problems that, at least now and then, require social distancing and home quarantines. It’s definitely something all these groups are going to have to consider over the next decade. Something good could come out of it, though, and that would be the end of subscription seasons as we know them. Subscription seasons, designed to attract a particular kind of listener, older, moneyed, more conservative, able to fork out for a year’s worth of tickets in advance, have long been holding classical music back from its better, more exciting and interesting self.

But for now, we have to make do with streamed performances at home, the equivalent of those art gallery postcards.

Symphonies silenced, sonatas streamed: The state of classical music during COVID-19Los Angeles Review of Books
Notwithstanding the quality of the audio — piped through his iPhone — the music felt exuberant, and also demanding and manic. “The concert halls are empty,” Levit had tweeted earlier. “Listening and experiencing music together is not possible.” It was mid-March — what feels like eons ago — and on both sides of the Atlantic, governments were starting to roll out isolation measures, suddenly putting all of us into suspended animation. With so much uncertainty in the world, his joyous performance provided a half hour of reprieve, disassociating us from the fear of contagion. Three hundred and twenty thousand users on Twitter and Instagram tuned in — more than at any venue he’s ever performed.

The way we experience music is bound to change in unexpected ways, but the strength of our appreciation of music can already be a little peculiar.

The pandemic hasn’t dulled Japan’s special love for QueenAtlas Obscura
“Queen Day is an important occasion for Japanese fans to reaffirm the bond between Queen and Japan,” writes fan Yoko Doi of Tokyo in an email. In 2019, Doi—along with 300 others—marked Queen Day with an outdoor screening of the 2018 film Bohemian Rhapsody, featuring band cosplay and plenty of Moet et Chandon, naturally (see the lyrics to “Killer Queen,” if you’re not an initiate).

Tracing Eastern Europe’s obsession with Depeche ModeDazed
Urbanovic, who has been a fan since 1986, runs the DM Bar in Riga, a nightclub completely dedicated to the band. There is another, non-affiliated and older club in Tallinn that has been visited by the band themselves. Both establishments are covered in Depeche Mode merchandise (from cardboard cutouts to tour scarves and lyrics scrawled on the walls in different languages) and both put on regular parties playing the band’s music as well as records by other ‘industrial’ bands. “Depeche Mode gigs in Latvia are very well-attended, especially when you take into account the relatively small population – and we get a lot of fans from other Eastern European countries who make a special trip to the bar,” Urbanovic adds.

Keeping yourself occupied?

What to do when you’ve got too much time on your hands? Play a video game? This one looks a little laggy.

Super Mario Rubik’s Cube stop motionBigWendy

Some people are just eating their way through this time of uncertainty.

Pass the pepper: Social distancing is nothing to sneeze AtJoseph’s Machines

Don’t overdo it, though, or you’ll be expanding your vocabulary as well as your waistline.

keeping-yourself-occupied

Do you speak corona? A guide to covid-19 slang1843

Coronaspeck

1. Coronavirus fat (noun)

German workers ordered to stay at home to help the government flatten one sort of curve have found themselves battling the emergence of another, just above the belt. Home workouts sound great, but the days are long and dull and your latest bout of Hamsterkäufe (panic-buying; lit. “hamster-purchase”) has left the fridge gloriously well-stocked. There’s always another variety of Ritter Sport to try, oder? Anyway, what’s a few kilos between socially distanced friends?

Coronaspeck is the helpful German word for the fat deposited by weeks of stay-at-home grazing. Shoppers in Germany may know Speck as a bacon-like foodstuff, perhaps found on a crisp Flammkuchen or inside hearty Swabian Maultaschen. But its broader meaning corresponds to something like the English “flab”.

Perhaps you need some exercise, but what if you can’t think of a routine or a soundtrack? No problem. This website will pair up a random move with a random piece of music.

Random workout generator

keeping-yourself-occupied-1

I’ll pass on that, thanks. But speaking of music…

Plink, Plank, Plunk! virtual performanceChicago Sinfonietta

RPO trombones play Elgar’s ‘Nimrod’ over ZoomRoyal Philharmonic Orchestra

Le Boléro de Ravel par l’Orchestre national de France en #confinement #ensembleàlamaisonFrance Musique

That sounds more like it.

Peter and the Typographic Wolf

Let’s have some more orchestral goodness.

Pierre et le loup, a stunning, typography-filled animated storyThe Kid Should See This
In 2014, Camera Lucida and Radio France teamed up to create a series of classical music-filled apps for children. One of these shared Sergei Prokofiev’s Pierre et le loup in a typography-filled adaptation by Gordon (Thierry Guernet), Pierre-Emmanuel Lyet, and Corentin Leconte. It’s a stunning version that mixes animation, musical symbols, and musicians, featuring the National Orchestra of France, conducted by the maestro Daniele Gatti.

peter-and-the-typographic-wolf-3

Classical music and typography, two of my favourite things!

All together now, sprach Zarathustra

This is wonderful. There have been a few of these doing the rounds, but I felt duty bound to share the one from my home town.

2020: An Isolation Odyssey – Opera North
When our concert performances of Strauss’ Also Sprach Zarathustra were cancelled as the coronavirus pandemic intensified, two members of the Orchestra of Opera North decided that the show must go on – virtually.

“They sent their recordings back to us, and we added instrument by instrument, part by part, until this amazing ‘performance’ took shape”, Daniel says. “It has really felt like watching a huge building being constructed, and with Tobias’ musical vision as a starting point, the resemblance to the creative process of an actual rehearsal and concert has been remarkable.”

A concert, nonetheless

The Sinfonia of Leeds, the orchestra my wife ordinarily plays in, were supposed to be playing a concert this weekend. That didn’t happen, obviously, but they invited us to enjoy their programme anyway.

Their Facebook page directed us to live recordings of other orchestras performing the pieces they were going to play, and we watched along from the comfort of our sofa, starting at 7:30pm and with ice cream at the interval, as is only proper.

We had a wonderful evening (you can’t really go wrong with a Sibelius symphony), so much so that we’ve promised ourselves to create another YouTube concert evening next weekend. And it’s my turn to pick the programme.

Too soon?

The coronavirus outbreak continues apace, but has China turned the corner?

With its epidemic slowing, China tries to get back to workThe Economist
So along with reporting the number of new infections every day, officials are now reporting on the number of reopened businesses in their territories. The province of Zhejiang, a manufacturing powerhouse and home to Yiwu, leads the country so far, with 90% of its large industrial enterprises having restarted. But many of these are running at low capacities. Jason Wang is a manager with a clothing company that sells winter coats at Yiwu International Trade City. His factory started up again but only half of his employees have returned. “The government, enterprises, workers—everyone is making a gamble in restarting. But we have no choice, we have to make a living,” he says.

Meanwhile.

China pushes all-out production of face masks in virus fightNikkei Asian Review
Companies ranging from state-owned carmakers to oil producers are installing production lines as the government aims to raise output by at least 70%. But it will not be easy to meet demand from 1.4 billion people desperate for a measure of protection against infection.

Iran’s Deputy Health Minister has tested positive for coronavirusBuzzFeed News
Iraj Harirchi, the head of Iran’s anti-coronavirus task force, tested positive a day after a news conference where he appeared visibly sick. He wasn’t wearing a mask.

Coronavirus has now spread to every continent except AntarcticaCNN
Public health officials warned Wednesday that the spread of the novel coronavirus is inching closer toward meeting the definition of a global pandemic, as the number of cases outside mainland China continues to grow, including in South Korea where a US soldier has tested positive for the virus.

Rush Limbaugh: Coronavirus is being ‘weaponized’ by Chinese communists to ‘bring down’ TrumpMediaite
“It looks like the coronavirus is being weaponized as yet another element to bring down Donald Trump,” claimed Limbaugh. “I want to tell you the truth about the coronavirus…. The coronavirus is the common cold, folks.”

Pianist Yuja Wang issues emotional reply after critics shame her for wearing glasses on stageClassic FM
“Humiliated” after being detained at the airport, Yuja Wang says she delivered the recital in sunglasses to hide her tears.

How the coronavirus revealed authoritarianism’s fatal flawThe Atlantic
China’s use of surveillance and censorship makes it harder for Xi Jinping to know what’s going on in his own country.

Mass coronavirus testing to be launched in Britain to uncover how far disease has spreadThe Telegraph
Thousands of Britons will be tested by GPs for coronavirus, amid fears that the explosion of cases in Europe means there could be far more cases in the UK than are known about.

Facebook is banning ads that promise to cure the coronavirusBusiness Insider
In a statement, a spokesperson told Business Insider: “We recently implemented a policy to prohibit ads that refer to the coronavirus and create a sense of urgency, like implying a limited supply, or guaranteeing a cure or prevention.”

I’ll just share this here, too.

An authentic 16th century plague doctor mask preserved and on display at the German Museum of Medical HistoryDesign You Trust
The mask had glass openings in the eyes and a curved beak shaped like a bird’s beak with straps that held the beak in front of the doctor’s nose. The mask had two small nose holes and was a type of respirator which contained aromatic items. The beak could hold dried flowers (including roses and carnations), herbs (including mint), spices, camphor, or a vinegar sponge.

too-soon-2

Bach’s perfect prelude

It’s an iconic piece of classical music, and even if you’re not a fan of the genre you’ve probably come across it before now—Bach’s prelude from his Cello Suite No. 1 in G Major. It’s only a couple of minutes long, depending on who’s playing it (and on what instrument), but it’s perfectly constructed. To understand why, let’s take a closer look with Alisa Weilerstein. (via Kottke)

Bach’s G major prelude, deconstructedVox
If you hear the first few measures you’ll likely recognize it. A simple G major arpeggiated chord played expressively on the cello opens a short, but harmonically and melodically rich, 42 measures of music. Bach makes a single instrument sound like a full ensemble. How does he do it?

It’s simple, really (to some, perhaps!), just the tonic key G and the dominant key D playing off each other.

That famous cello prelude, deconstructedYouTube

I could listen to this over and over. Wonderful music. I just need someone to go through the rest of it.

perfect-2

(I wish I had stuck with it now.)

Sledging with Beethoven

Understanding music can be a challenge to those of us who have difficulty reading a score. Thankfully, there are ways to visualise what’s going on.

Some are helpfully straightforward, some are quite complex yet followable and others are more abstract and hypnotic, but I especially love this one, via Jeremy. As he says, “Have a look, but be warned once you’ve started you’ll be there to the end!”

Line Riders – Beethoven’s 5thYouTube

Check out the rest of DoodleChaos‘s YouTube channel for more clever animations. Can you imagine how long he spent rehearsing for this synchronised screen juggling, for instance.