Here’s an interesting follow-on to yesterday’s post about Chernobyl. Rather than an accidental nuclear catastrophe, how would we react to a planned attack?
A secret UK committee drafts a message to be played in case of nuclear attack
In 1973, fearing a Soviet nuclear strike, a UK government committee was formed to write a message to be played from the British Broadcasting Corporation’s secret bunker in Scotland during a worst-case-scenario attack. Irreverently constructed using declassified documents and scenes from the BBC’s drama-documentary The War Game (1965), Final Draft: Scripting the Apocalypse is a darkly comic, Kubrickian examination of the deep weirdness of modern warfare.
Final Draft: Scripting the Apocalypse
Two recent articles, from within different contexts but with the same unconventional conclusion: most political debates are pointless and serve just to reinforce division and animosity.
The confident assertion of a clear statement beats caution and caveats. Experiments tell us that people often mistake overconfidence for competence thereby selecting for it and against actual ability. Debates favour articulate overconfident posh folk who in fact know nothing – which is why we got into this mess.
Resolved: Debate is stupid
People — yes, even you — do not make decisions on an entirely rational basis. An audience is more easily won over with a one-liner that inspires applause or laughter than a five-minute explanation of a complicated phenomenon. A false statistic repeated confidently will be more convincing than a truth stated haltingly by some guy you’ve never heard of.
And here’s another article that I think is related. It’s from Slate and wants to be about how Twitter is finally proving itself to be a useful, benevolent platform for debate, with historians acting as fact-checkers and context-providers. I’m not so sure.
Viral history Twitter threads: 2018 was the year historians embraced the platform.
Historians used the Twitter thread to add context and accuracy to the news cycle in 2018. Here’s how they did it.
I’m growing more and more disillusioned with Twitter, and social media in general. Yes, these longer sets of tweets can provide ‘explanations of complicated phenomena’, and are interesting to read. But are we really saying that Twitter, with its average tweet length of about 50 characters, can overcome those problems with political debates, highlighted above? Or are they just preaching to the converted?
How many tweets have you seen that have included the words, “Oh yeah, you’re right, I hadn’t thought of it like that.”
Ian Bogost from the Atlantic gets to grips with Apple’s wireless ear air bud head phone pod buds. Yes, they’re technically quite remarkable, but if they are as successful and therefore as ubiquitous as expected, they may change how we relate to each other.
Apple’s Airpods are an omen
There are some consequences to this scenario, if it plays out. For one, earbuds will cease to perform any social signaling whatsoever. Today, having one’s earbuds in while talking suggests that you are on a phone call, for example. Having them in while silent is a sign of inner focus—a request for privacy. That’s why bothering someone with earbuds in is such a social faux-pas: They act as a do-not-disturb sign for the body. But if AirPods or similar devices become widespread, those cues will vanish. Everyone will exist in an ambiguous state between public engagement with a room or space and private retreat into devices or media.
In the way that we didn’t realise old style traffic lights melt the snow that falls on them until we moved to LED traffic lights that don’t, I think we’re overlooking a benefit of using your hand to speak into your phone. As well as the visual clues it provides other people, as the article above points out, having your hand to your ear helps to keep your focus inwards, as well as slightly muffling your voice to keep your conversation to yourself. We’re already losing that with people talking into the mic on their earphones, and that’s only going to get worse.
I know I sound like one of those old farts that complain about the kids oversharing on social media, but perhaps this is just an extension of that — loudly oversharing conversations.
I think I might have remembered that the Inkas never invented the wheel, but I didn’t know they hadn’t invented writing. It seems so fundamental to civilisation development. Apparently ‘knot’.
The khipu code: the knotty mystery of the Inkas’ 3D records
But, after more than a century of study, we remain unable to fully crack the code of the khipus. The challenge rests not in a lack of artifacts – over 1,000 khipus are known to us today – but in their variety and complexity. We confront tens of thousands of knots tied by different people, for different purposes and in different regions of the empire. Cracking the code amounts to finding a pattern in history’s knotted haystack.
Ok, I can just about understand the like-an-abacus-but-made-of-string category of these strange artefacts, but those types only accounts for two thirds of the ones remaining today.
The remaining third of these devices – the so-called narrative khipus – appear to contain encoded non-numerical, narrative information, including names, stories and even ancient philosophies. For those who love puzzles, the narrative khipus are a godsend.
Another great find on Brain Pickings.
Reality, representation, and the search for meaning: Argentine artist Mirtha Dermisache’s invented graphic languages
A century after Nietzsche, the Argentine artist Mirtha Dermisache (February 21, 1940–January 5, 2012) set out to probe the limits and possibilities of language by filling countless notebooks, letters, and postcards with text. None of it was legible.
In the 1970s, Dermisache invented an array of graphic languages, each with a distinct syntactic texture and a visual rhythm that inclines toward meaning, or the longing for meaning. The lines she composed in them — so purposeful, so fluid, evocative of a script in a foreign tongue or a cardiograph or birdsong notation — become a Rorschach test, beckoning the mind to wrest from them a message, a meaning, a representation of some private reality of thought and feeling.
And from the Mirtha Dermisache: Selected Writings Amazon page:
Her work, which she created while living under the junta in Argentina, is lasting and subversive even though she barely penned a legible word…In our current environment, it is difficult to look at her work and not think about the impossibility of discourse, the primacy of self-expression, and the fallacy of a shared objective language, not to think of this art as both radically political and necessary today.–Will Fenstermaker “The Paris Review “
Very poetic. A little spooky? Teeline? What would the graphologists make of them, I wonder.
This Communication 101 flowchart from Caroline Paul and Wendy MacNaughton sums up the options quite nicely. Have to admit to being fond of the work-related>no>can-you-keep-a-straight-face>yes>im route.