Let Colossal cheer you up

Colossal is one of the largest art, design, and culture blogs on the web, and I’ve been a big fan for ages. The trouble is I mainly use an RSS reader to keep up-to-date with its posts, rather than visiting it directly, and so I can easily mess changes to the design or layout of its website.

Take the ‘Editor’s Pick’ collections, for example, and this one — the best of humour.

colossal-humour-580

Drawing data

With perhaps the funniest headline I’ve seen in a while, the ever-reliable It’s Nice That website has this interview with the remarkable Mona Chalabi, as part of its International Women’s Day series:

“If it’s about farts, draw a butt for god’s sakes”: Mona Chalabi tells us how to illustrate data
By day, Mona is a data editor at the US version of the Guardian where she uses self-taught illustration methods to bring data to life. Covering everything from body hair removal to the popularity of nose jobs in the US to the number of decapitated animals found in New York parks, Mona’s tongue-in-cheek approach to information communication has won her column inches and an immovable place in our hearts.

There are many more of her illustrations on her website, as well as links to her journalism and videos.

unreported

A university union rep unhappy with their university’s spending?

I think it’s traditional to mock corporate rebrands and be appalled at the sums of money involved swapping one little logo for another little logo, but the timing of this one could have been better.

University of Portsmouth under fire over £800,000 rebrand costs as departments face cuts
Dr James Hicks, city university branch secretary of the University and College union, said: ‘I don’t understand why they would spend so much money on a logo and shortly after that say we’re having difficulties and might need to make savings. ‘You would assume they would have thought this through and it would be a little more joined up.’

I wouldn’t like to comment on the levels of marketing and recruitment expertise the UCU rep has – obviously it’s not £800,000 on just a logo – but after yesterday’s post about strike action, and the attention currently on VC pay, this could have been managed better.

Times Higher Education v-c pay survey 2018
Times Higher Education’s survey of vice-chancellors’ pay in the most recently reported financial year, 2016-17, reveals that Snowden’s total remuneration rose to £433,000 in 2016-17, while that of Breakwell – who announced last November that she would retire at the end of the current academic year – reached £471,000, a rise of 4.4 per cent. But even that salary looked paltry compared with the headline-grabbing £808,000 earned by Christina Slade of neighbouring Bath Spa University, a figure that – as THE revealed in December – included a £429,000 pay-off for “loss of office”.

Bath University vice-chancellor quits after outcry over £468k pay
“Professor Breakwell will receive more than £600,000 from the university, an enormous reward for failure, and will continue to exercise the authority which has generated the ‘climate of fear’ now openly talked-of on campus,” a joint statement from the campus unions UCU, Unite and Unison, said.

[…]

Ana Dinerstein, a member of the senate who last week voted no-confidence in Breakwell, said: “This is great opportunity for change that will start at Bath University and can spread throughout the sector. It can be a turning point.”

Or not.

 

100 year old suffrage posters

“Our weapon is public opinion” – Posters of the women’s suffrage movement at the University Library
“These posters are fantastic examples of the suffrage publicity machine of the early twentieth century,” says Chris Burgess, exhibitions officer at the Library. “They were created to be plastered on walls, torn down by weather or political opponents, so it is highly unusual for this material to be safely stored for over a hundred years.”

I’ve heard of ‘gutter’ politics…

Trump asked to borrow a Van Gogh, and the Guggenheim offered him a gold toilet
“We are pleased that they are interested in demonstrating their support for the arts… I am sorry, however, to inform you that we are unable to participate in this loan,” it begins. “Fortuitously, a marvellous work by the celebrated contemporary Italian artist, Maurizio Cattelan, is coming off view today after a year’s installation at the Guggenheim, and he would like to offer it to the White House for a long-term loan…. The work beautifully channels the history of 20th-century avant-garde art by referencing Marcel Duchamp’s famous urinal of 1917.”

Indeed. And speaking of Duchamp’s Fountain, here’s a great story from Brian Eno.

When Brian Eno and other artists peed in Marcel Duchamp’s famous urinal
I thought, how ridiculous that this particular … pisspot gets carried around the world at—it costs about thirty or forty thousand dollars to insure it every time it travels. I thought, How absolutely stupid, the whole message of this work is, “You can take any object and put it in a gallery.” It doesn’t have to be that one, that’s losing the point completely. And this seemed to me an example of the art world once again covering itself by drawing a fence around that thing, saying, “This isn’t just any ordinary piss pot, this is THE one, the special one, the one that is worth all this money.” So I thought, somebody should piss in that thing, to sort of bring it back to where it belonged. So I decided it had to be me.

And for more Trump-inspired art, check out Edel Rodriguez’s magazine cover artworks for Der Spiegel and Time.

Just because we can, doesn’t mean we should

How many times has that been said these days?

The 6 worst ideas of CES 2018
Year after year, the Consumer Electronics Show (CES) brings us countless new products. A few are splendid. A majority of them simply don’t matter. And a few–a truly horrible few–are terrible wastes of basic human potential that both our ancestors and descendants would be hugely embarrassed by.

A fascinating look into what it’s like reading with dyslexia

This is very clever, a great use of Javascript.

Dsxyliea
A friend who has dyslexia described to me how she experiences reading. She can read, but it takes a lot of concentration, and the letters seems to “jump around”. I remembered reading about typoglycemia. Wouldn’t it be possible to do it interactively on a website with Javascript? Sure it would.

Much obliged to Christopher Hallas, over on Linked In, who pointed me in the direction of this pdf from the British Dyslexia Association, full of great advice for clear, accessible documents production.

Dyslexia Style Guide (pdf)
The aim is to ensure that written material takes into account the visual stress experienced by some dyslexic people, and to facilitate ease of reading. Adopting best practice for dyslexic readers has the advantage of making documents easier on the eye for everyone.

Couldn’t agree more. And here’s another take on recreating the exasperation​​ ​of reading with dyslexia.​​

This font shows you what it feels like to be dyslexic
“What this typeface does is break down the reading time of a non-dyslexic down to the speed of a dyslexic. I wanted to make non-dyslexic people understand what it is like to read with the condition and to recreate the frustration and embarrassment of reading everyday text and then in turn to create a better understanding of the condition”.​​

Digital good?

Interesting publications on design, technology and change for ‘good’
“I’m pulling together a list of interesting, thought-provoking reading on how design, technology and change (the three things that, for me, define ‘digital’) can help organisations that work in the community, voluntary, charity, non-profit, social enterprise type space.”

There are some interesting people in the non-profit and public sectors, with some great ideas about how technology and a more digital outlook can improve organisations and help people. Hopefully Dave’s reading list is a growing resource.

Designing placebos?

Design, white lies & ethics
“You’ve probably run into “Close Door” buttons that don’t really close the elevator, or sneaky progress bars that fill at an arbitrary rate—these false affordances and placebo buttons are everywhere, and might make life seem a bit easier. But is this ethical design? And can we build a framework for working with false affordances and designing with integrity?”​

And check out the interesting example in the comments about mobile phones and fake antennas.