This wine’s a little flat

I’ve seen some unusual wine glasses, but these wine bottles look very intriguing.

Flat wine bottles could cut costs and emissions, says firm
The global wine industry is estimated to use more than 35bn glass bottles a year (including 1.8bn in the UK alone), and transportation – typically in cases of six or 12 – involves large volumes of unused airspace.

Garçon Wines, launched in 2017, claimed its bottle was the first that could be posted through a letterbox. Until now it has been used only for novelty gifts, but the company said it was in talks with wine manufacturers and suppliers about producing the bottles on a much larger scale.

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The company’s carton for 10 flat bottles, being launched at a packaging conference in Birmingham on Wednesday, would hold only four glass bottles of the same 75cl volume.

What a great idea! I hope it takes off. I’d much rather have one of these bottles on my table or shelf than those cumbersome wine boxes you can never quite properly empty.

Garçon bottles
A majestic homage to the classic Bordeaux bottle shape familiar to wine lovers everywhere, our flat wine bottles are both stylish and sturdy. Their slender form stands proudly and slightly taller than conventional glass bottles, adding a note of distinction to your dinner table and a topic for discussion.

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But don’t be fooled by their delicate demeanour: Garçon wine bottles are durable and dependable. They’re designed to endure the jolting and jarring of the bumpiest delivery service and won’t break in transit. Our flat wine bottles always reach you in the finest condition, even when they’re delivered through the letterbox.

Letterbox wine, to go with letterbox flowers. Whatever next? Do you remember when you could get movies through the post?

(Via)

Electronic embroidery

As if computers weren’t complicated enough already.

A programmable 8-bit computer created using traditional embroidery techniques and materials
The Embroidered Computer by Irene Posch and Ebru Kurbak doesn’t look like what you might expect when you think of a computer. Instead, the work looks like an elegantly embroidered textile, complete with glass and magnetic beads and a meandering pattern of copper wire. The materials have conductive properties which are arranged in specific patterns to create electronic functions. Gold pieces on top of the magnetic beads flip depending on the program, switching sides as different signals are channeled through the embroidered work.

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See also The 200 Year Old Computer for more connections between thread and computing.

Switched on

Here’s a poetic exploration of the humble light switch, highlighting what may be lost if everything becomes smart.

Let there be light switches – from dark living rooms to dark ecology
It means the resilient light switch, like the door handle, reveals the accumulated touch of all those gone before, a patina of presence. Juhani Pallasmaa said that the doorhandle is the handshake of the building; is the light switch the equivalent for the room?

[…]

Pallasmaa, in his The Eyes of the Skin, noted that touch is a key part of remembering and understanding, that “tactile sense connects us with time and tradition: through impressions of touch we shake the hands of countless generations”. Is this reach for the switch merely functional, then? A light switch can stick around for decades, as with the doorhandle. When you touch the switch, you are subconsciously sensing the presence of others who have done so before you, and all those yet to do so. You are also directly touching infrastructure, the network of cables twisting out from our houses, from the writhing wires under our fingertips to the thicker fibres of cables, like limbs wrapped around each other, out into the countryside, into the National Grid.

If we always replace touch with voice activation, or simply by our presence entering a room, we are barely thinking or understanding, placing things out of mind. While data about those interactions exist, it is elsewhere, perceptible only to the eyes of the algorithm. We lose another element of our physicality, leaving no mark, literally. No sense of patina develops, except in invisible lines of code, datapoints feeding imperceptible learning systems of unknown provenance. As is often the case with unthinking smart systems, it is a highly individualising interface, revealing no trace of others.

I think I now need to re-read Bret Victor’s take on the future of interaction design, that I mentioned earlier.

That’s better!

The next Marvel film is set in 1990s, and so is its promotional website.

Marvel launched a delightful, retro website to promote Captain Marvel
The result is absolutely delightful. The website taps into the nostalgia for the 1990s that we’ve seen in the film’s trailers, and features a ton of components that were mainstays of the web almost a quarter of a century ago: random animations, zany photo editing, HTML frames, brightly-colored fonts, and of course, a guestbook and hit counter.

Perfect! Now, all we need to do is switch the rest of the web back.

Just my type

Jesse Simon continues to pay attention to the details of his built environment.

The colours of Berlin: yellow
The colours of Berlin is a new bi-monthly series that will run throughout 2019. Where other posts on this blog have attempted to describe typographic trends and phenomena in Berlin, the entries in this series will focus on a particular colour by presenting a collection of images without additional text. Every city has its full spectrum on display; this is the one that belongs to Berlin.

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It’s hard not to feel down about the ugly state of my city, when I compare it with those examples of considered design. So here’s something quirky to lift my mood.

“Something illegible still has something to say”: Eliott Grunewald on his type designs
“I’ve been more interested in display typefaces, for their expressiveness and ‘voices’; like type as an image more than the design of a text typeface,” he tells It’s Nice That. “So I guess, sometimes, it does result in letterings which are formally too intense or even illegible. But something illegible still has something to say, to show or to promote, I don’t feel that even if you cannot read the word, you cannot get anything from it.”

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And, for a full account of what goes into good typeface design, take a look at this.

Why San Francisco
We got our first glimpse of Apple’s new sans-serif typeface, San Francisco, when the Apple Watch was unveiled in September of 2014—a new typeface designed specifically for legibility at small sizes on a tiny, high-resolution screen. Big news for type nerds and Apple fans alike.

It’s very thorough, and I don’t pretend to understand half of it, but it’s nice to see someone paying such close attention to the details.

Pictures under glass

Following on from yesterday’s post about Joe Clark’s frustrations with various aspects of iPhone interface design (and smartphone design more broadly, I think), here are a few more.

First, Craig Mod on the new iPads — amazing hardware, infuriating software.

Getting the iPad to Pro
The problems begin when you need multiple contexts. For example, you can’t open two documents in the same program side-by-side, allowing you to reference one set of edits, while applying them to a new document. Similarly, it’s frustrating that you can’t open the same document side-by-side. This is a weird use case, but until I couldn’t do it, I didn’t realize how often I did do it on my laptop. The best solution I’ve found is to use two writing apps, copy-and-paste, and open the two apps in split-screen mode.

Daily iPad use is riddled with these sorts of kludgey solutions.

Switching contexts is also cumbersome. If you’re researching in a browser and frequently jumping back and forth between, say, (the actually quite wonderful) Notes.app and Safari, you’ll sometimes find your cursor position lost. The Notes.app document you were just editing fully occasionally resetting to the top of itself. For a long document, this is infuriating and makes every CMD-TAB feel dangerous. It doesn’t always happen, the behavior is unpredictable, making things worse. This interface “brittleness” makes you feel like you’re using an OS in the wrong way.

How we use the OS, the user interface, is key. Here’s Bret Victor on why future visions of interface design are missing a huge trick – our hands are more than just pointy fingers.

A brief rant on the future of interaction design
Go ahead and pick up a book. Open it up to some page. Notice how you know where you are in the book by the distribution of weight in each hand, and the thickness of the page stacks between your fingers. Turn a page, and notice how you would know if you grabbed two pages together, by how they would slip apart when you rub them against each other.

Go ahead and pick up a glass of water. Take a sip. Notice how you know how much water is left, by how the weight shifts in response to you tipping it

Almost every object in the world offers this sort of feedback. It’s so taken for granted that we’re usually not even aware of it. Take a moment to pick up the objects around you. Use them as you normally would, and sense their tactile response — their texture, pliability, temperature; their distribution of weight; their edges, curves, and ridges; how they respond in your hand as you use them.

There’s a reason that our fingertips have some of the densest areas of nerve endings on the body. This is how we experience the world close-up. This is how our tools talk to us. The sense of touch is essential to everything that humans have called “work” for millions of years.

Now, take out your favorite Magical And Revolutionary Technology Device. Use it for a bit. What did you feel? Did it feel glassy? Did it have no connection whatsoever with the task you were performing?

I call this technology Pictures Under Glass. Pictures Under Glass sacrifice all the tactile richness of working with our hands, offering instead a hokey visual facade.

And that was written in 2011. We’ve not got any further.

The YouTube video he links to isn’t there anymore, but this one from Microsoft works just as well.

Stop neglecting the users

This is a great breakdown from Joe Clark — not quite tipping over into a rant — of all the iPhone user interface issues Apple is happily ignoring.

iPhones are hard to use
Observing what are dismissively called “normal people” (or “users”) for more than a decade, the one thing iPhone owners are proud they know how to do is force-quit apps. They also know how to set a ringtone and choose atrocious wallpaper. And that’s it. But they aren’t to blame.

People kind of don’t know that they can swipe up or down from top or bottom of screen. As an example, I certainly almost never see anybody turn wifi on or off that way (it’s almost always through Settings). They certainly don’t know what Control Center and Notification Center are by name. (They also don’t know what their iSight camera is. They don’t know what Springboard is, and shouldn’t have to. But do they know what the home screen is?)

It’s not just an issue with iPhones, I don’t think. It certainly frustrates me too, when I see people struggle unnecessarily with a task on any smartphone, though no fault of their own.

Seniors love iPads, but seniors and unhealthy people in general have a serious pressing need to fill out the Medical ID section (not obvious) in the Health app (also not obvious). Exactly the people who need this function are the least likely to use it. We cannot, and should not, rely on these seniors’ grandkids or caregivers to do it for them.

Fill out these fields and not only could a paramedic, or just a bystander, learn what medical conditions you have if you’re unconscious, they can phone your emergency contacts (and also call an ambulance via 911 or local equivalent).

Ok, I admit that’s something I hadn’t done until reading this. We’re really not making full use of these devices. And Apple (and I’m sure all the others) aren’t really, either.

You really need to tell the phone, and/or Siri, who you are and who your family members are. This involves creating a contact card (what’s that?) for yourself and linking to it. Then all your family members need their own cards, and you have to laboriously specify their relationships to you.

I insist this is not an optional or nice-to-have feature. If you have chest pain, you have to be able to hold the button down and say “Call Charlie” or “Call my wife.” (God help us if Siri asks which Charlie to call.)

Another friend really did have chest pain in a foreign country and it never occurred to him to call anybody. So in fact, Apple, a trillion-dollar corporation, has to put considerably greater resources into telling people how to set up their phones for emergencies so they will actually use those phones then. Again, this means forcing people to do it upon setup and making it exceedingly clear, in writing and in video, what their phones can do for them when they need their phones the most.

This is obvious, when you think about it. I hope someone from Apple reads Joe’s blog.

I’m still quite reluctant to talk to my phone (rather than talk with) but I gave it a go after reading this article, with mixed results. I just wanted to know what was in my calendar later on.

Doing what?

What? Let’s try again.

Doing what?

OK, never mind.

Fancy going up in the world?

The Chrysler Building, the iconic art deco skyscraper in New York, is up for sale.

For sale: New York City’s second most famous skyscraper
The 77-story stainless steel-clad skyscraper, briefly the world’s tallest building after it was finished in 1930, is 90% owned by the Abu Dhabi Investment Council, a sovereign wealth fund, with developer Tishman Speyer owning the remainder. […]

The 1.26m sq ft building underwent a $100m renovation after Tishman acquired the property in 1997. Tishman later reduced its holding. The sovereign wealth fund paid $800m when it bought its stake in 2008.

$800,000,000 in 2008? Who knows what they’re asking for now. It’s an amazing building, though.

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Chrysler Building put up for sale
When the building was completed in 1930, it was the tallest building in the world, a title it held for about a year until the Empire State Building opened less than a mile away in midtown Manhattan. Today it is only the sixth tallest building in the city, and will drop down another notch later this year when a new office tower opens on the city’s west side. But it is still one of the city’s most recognizable buildings. It is famous for its triangle-shaped, vaulted windows worked into the stylized crown, along with its distinctive eagle gargoyles near the top.

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Chrysler building, the art deco masterpiece
A look at the famous building currently on sale.

The Guardian have also gathered together some wonderful images showing the development of New York from the turn of the century onwards.

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Rising high: the evolving skyline of New York City
Manhattan’s skyline is the most famous in the world. Its horizon has been interrupted by verticals from the first 10-storey office buildings in the late 1800s, and will only continue to rise higher.

Can’t go back

2019! As everyone else is greeting the new year with positivity and optimism for the future, I’m taking the contrary position and sharing some rather backward-facing articles.

Jason Koebler at Vice reminiscences about his old Tripod homepage (I had one of those!), and wonders whether he should rejuvenate it.

We should replace Facebook with personal websites
There’s a subtext of the #deleteFacebook movement that has nothing to do with the company’s mishandling of personal data. It’s the idea that people who use Facebook are stupid, or shouldn’t have ever shared so much of their lives. But for people who came of age in the early 2000s, sharing our lives online is second nature, and largely came without consequences. There was no indication that something we’d been conditioned to do would be quickly weaponized against us.

Wired’s Jason Kehe takes a step back from his iPhone.

Going dumb: My year with a flip phone
I felt like a wholer person. My mind was reabsorbing previously offloaded information and creating new connections. I was thinking more and better. My focus was improving. I thought I was breaking through.

In the end, I was not.

(He chooses a Kyocera phone, though I think we can all agree this was the best phone of its time.)

Web designer Andy Clarke shares the techniques he would have used back in 1998 to lay out a website — frames, tables and spacer gifs. Remember them?

Designing your site like it’s 1998
The height and width of these “shims” or “spacers” is only 1px but they will stretch to any size without increasing their weight on the page. This makes them perfect for performant website development.

Of course, these days we’re certain we know a much better way of doing all this. And that’s his point.

Strange as it might seem looking back, in 1998 we were also certain our techniques and technologies were the best for the job. That’s why it’s dangerous to believe with absolute certainty that the frameworks and tools we increasingly rely on today—tools like Bootstrap, Bower, and Brunch, Grunt, Gulp, Node, Require, React, and Sass—will be any more relevant in the future than elements, frames, layout tables, and spacer images are today.

What will all this look like in the next 20 years?

2018 in art and design

Another late December day, another round-up of what happened this year.

It’s Nice That’s Review of the Year 2018
Well, 2018 was a year, wasn’t it? Between us, we’re quite glad that it’s (nearly) all over. Now’s the perfect time to reflect on creativity flourished in yet another turbulent 12 months on a topsy-turvy planet.

A great collection of articles. I particularly enjoyed reading their summary of 2018’s news stories — as they say, it “might be the only round-up of 2018 that’s (mercifully) free of the twin terrors of Donald Trump and Brexit.”

Review of the Year 2018: Top 25 News
From Burberry getting a new logo courtesy of Peter Saville to Marina Abramović promising to electrify herself with one million volts in the name of art, via Taylor Swift butting heads with Spike Jonze over allegations of copy-catting, and the release of a new typeface that claims to be able to boost your memory, a lot has happened in the creative world since we said hello to January back in, well, January.

Some real gems there. Remember that Damien Hirst exhibition? And the great KFC chicken shortage back in February?

And how about this review of what’s been happening in the colourful, noisy, fast-paced world of video game design.

The best in video game concept art for 2018
My favourite feature here at Kotaku is Fine Art, a daily look at the concept art that goes into our favourite games. With the end of the year fast approaching, I thought it was time to look at some of the best work we’ve been able to showcase this year from some of the biggest games.

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It’s Monday, so get the coffee on

We can’t do without it now, but in the seventeenth and eighteenth centuries, coffee was pretty foul stuff requiring the hard sell.

“The Virtues of Coffee” explained in 1690 ad: the cure for lethargy, scurvy, dropsy, gout & more
Price made a “litany of claims for coffee’s health benefits,” some of which “we’d recognize today and others that seem far-fetched.” In the latter category are assertions that “coffee-drinking populations didn’t get common diseases” like kidney stones or “Scurvey, Gout, Dropsie.” Coffee could also, Price claimed, improve hearing and “swooning” and was “experimentally good to prevent Miscarriage.”

Among these spurious medical benefits is listed a genuine effect of coffee—its relief of “lethargy.”

I’m caffeinely unadventurous — I only ever order the ‘Americano with room for milk please’ — but I’ve lately discovered moka pots. Don’t know what took me so long, they’re great. Here’s a potted history from Atlas Obscura; the rise…

The humble brilliance of Italy’s moka coffee pot
Over the next 60 years, the moka pot would conquer the world. As of 2016, the New York Times notes that over 90 percent of Italian homes had one. It became so iconic that Renato Bialetti, when he died in early 2016, was actually buried in a large replica of the moka pot.

… and fall…

The moka pot, which in the U.S. had previously had a light following, especially for Italian-Americans, became an object of extreme derision. Coffee purists cried that it couldn’t possibly produce espresso; the moka pot, like the La Pavoni, uses about 1.5 bars of pressure, while a pump espresso machine ideally hits about nine bars. This is, of course, a ridiculous argument; there is no actual definition of espresso, and in any case, the moka pot is at most a second cousin to the espresso machine. There’s no particular reason to compare a steam-driven stovetop machine to a pump-driven electrical device, but coffee people did.

… and rise again.

The past few years have changed that, a little bit. Coffee people have softened their stance, and recognized the moka pot for what it is: an entirely different branch of the coffee machine tree, a very old, very clever, and very economical way to make coffee. The previous complaints about the moka pot fell away, and it is increasingly, in coffee circles, given credit for all its strengths.

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Well, I’m a big fan of mine. Just as good as on the high street, I think.

Have we reached peak Costa Coffee?
But if Starbucks represents the kind of distant consumerism that Britons often reject for being too American and Caffè Nero symbolises the sophisticated, European consumerism that makes us feel oafish and uncouth, then part of the success of Costa lies in its ability to reach a middle ground – and to offer it with a smile. It provides no-airs-or-graces coffee, with a reassuring mass-produced quality to its stores.

And if anyone needs an idea about what to get me for Christmas…

11 brilliant gifts for the coffee (or tea) enthusiast in your life
Most of us can appreciate a decent cup of joe. Then, there are those who obsess over bean sourcing, brew temperatures, and whether their paper filter is unbleached. For these friends and relatives, a gift card to the local franchise drive-thru probably won’t do. Check out 11 thoughtful gifts for the coffee and tea lovers in your life.

Or I could just look at this for a while…

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Judging a book cover by its book cover

Another fine 2018 retrospective, another rabbit hole to fall into.

The 75 best book covers of 2018
But it is December, and therefore I am inclined to ask: which book covers were the best? As I did last year and the year before that, I asked the experts: book designers. This year, I asked 27 designers to share their favorite book covers of the year, with a bit about why—and they came back with a whopping 75 different covers of note.

I especially liked reading about the trouble with designing a book when its author is in jail.

Sign of the times

This is what happens when people stop paying attention to the details.

Holland Tunnel’s Christmas decorations are ‘OCD nightmare’
“I look at it and it makes me itch. It gives me anxiety and anger — why wouldn’t they just put [the tree] in front of the A?” fumed Cory Windelspecht, 38, of Tribeca, whose change.org petition notes that between one and three percent of Americans have obsessive compulsive disorder. One guy told me he avoids it completely and takes the Lincoln Tunnel because of the decorations.”

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The perfect size and alignment of that first O sets expectations way too high. I can almost see where they were going with the triangular tree against the diagonal of the N, but that second wreath is inexcusable.

The petition Cory set up to sort this out has close to 2,000 signatories now.

Petition: Move the Christmas Tree on the Holland Tunnel from the N to cover the A
The entrance to the Holland Tunnel (One of the busiest enterance ways into America’s most populated and famous city) is a majestic site of architecture and history. A site that should be celebrated. However, every Holiday Season it is decorated with 2 wreaths and a Holiday Tree. But for some reason the tree is over the letter N in the word Holland instead of the letter A where it would fit perfectly. This one small thing triggers anyone with the slightest hint of OCD every time they enter the city. On top of that, it’s just unsightly and ruins the holiday festivities for people to enjoy on such a great piece of architecture.

Cory’s not the only one bothered by this.

Budweister hates the Holland Tunnel’s decorations too
“We stand with @WhosCory. This is what our Newark Brewery will look like until they #MoveThatTree. #TunnelNotTonnel,” the Missouri-based company tweeted Wednesday, along with an image showing a wreath placed on top of the “U” in its Budweiser sign and a triangular tree slapped above the “E.”

Big in Japan

I was inspired to search through my Pinboard bookmarks for things relating to Japan, following my son’s recent school trip there. Here’s some of what I found.

David Bowie memorialized in traditional Japanese woodblock prints
The recent release of two modern ukiyo-e woodblock prints featuring the rocker has caused such mass swooning among legions of Japanophile Bowie fans, the reverberations may well be powerful enough to ring temple bells in Kyoto.

We could all use a little more Chindogu, the Japanese art of useless inventions
A little bit Dada, a little bit “only sold on television,” intentionally useless inventions called Chindogu look like a bunch of plastic junk at first glance, but there’s more to it than that. And they’re not quite altogether useless. In fact, as creator Kenji Kawakami stated when he first revealed Chindogu to the world in 1995, these objects are “un-useless.” They have a purpose, but they take their halfway practical solution to a perceived problem and stretch it to maximum absurdity. It’s all kind of dumb, and that’s the point.

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Japan pampers its pets like nowhere else – A dog’s life
It is common for a parent taking a baby for a stroll to exchange a look of solidarity with another pram-pusher, only to glance down and realise the other’s contains a furry friend. Greying Japan is alert to animal ageing, too: there are acupuncture services for elderly pets, and several firms offer funerals.

In Japan, the Kit Kat isn’t just a chocolate. It’s an obsession.
There are also carefully chosen collaborations that capitalize on Japan’s culture of omiyage, which can be loosely defined as returning from travels with gifts for friends, family and colleagues. The Kikyou shingen mochi Kit Kat, which would go on sale in mid-October, would be sold right alongside the real Kikyou shingen mochi at souvenir shops and in service areas along the Chuo Expressway, a major four-lane road more than 200 miles long that passes through the mountainous regions of several prefectures, connecting Tokyo to Nagoya. With any luck, people would associate the Kit Kat with the traditional sweet and snap it up as a souvenir. But for this to be a success, for Kit Kat to expand into the souvenir market, consumers would have to believe that Kit Kat, originally a British product, was Japanese, and that although it was manufactured in a factory far away, it somehow represented the very essence of a region.

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Miyu Kojima creates miniature replicas of lonely deaths
Twenty six-year old Miyu Kojima works for a company that cleans up after kodokushi (孤独死) or lonely deaths: a Japanese phenomenon of people dying alone and remaining undiscovered for a long period of time. […] Part art therapy and part public service campaign, Kojima spends a large portion of her free time recreating detailed miniature replicas of the rooms she has cleaned.

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An early 20th century guide to wave designs for Japanese craftsmen is now available online
In 1903, Japanese artist Mori Yuzan’s wave designs were published in a resource guide for Japanese craftsmen looking to add aquatic motifs to their wares. The three-volume series, titled Hamonshū, includes variations on contained and free-form wave patterns suitable for embellishing swords, religious objects, and ceramics.

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And their firework catalogue is a pretty interesting resource too.

Word on the street

Street art, but we’re not talking Banksy this time.

Fake News: Miniature signs around the city convey confusing messages
If all the official signage that can be found around an average city bores you, you might not even notice the ones that are a little bit off, warning you of dangerous pigeons and tiny sinkholes or explaining the history of awkward silences in the area. Some are so small, they’re easy to just pass right by – like the one situated next to some velvet ropes and a mouse hole that reads “please wait here until called.” Your loss, really, because in this case, sharp observational skills really pay off.

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ATTENTION: Public warning signs by April Soetarman engage the emotions of unsuspecting pedestrians
Designer and artist April Soetarman has been producing and anonymously hanging custom street signs around her hometown of Seattle since 2016. The practice started as a way for her to diversify her art-making, which had previously been more architecture-based, in addition to working through some feelings she was processing at the time. After her original “NOTICE: I Never Stopped Loving You. Hope You’re Well” sign became viral, she began producing other rewrites of classic street and warning signs and adding them to her website Weird Side Projects.

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Two contrasting technologies

Here are two technologies or tools that couldn’t be more different.

One started out around 1560 or 1795, has no moving parts, needs no manual and is still being sold in their billions…

A sharp look at the surprisingly complex process of pencil manufacturing by photographer Christopher Payne
The photographer, renowned for his cinematic images that show the architectural grace of manufacturing spaces, shares that he has held a lifelong fascination with design, assembly, and industrial processes. “The pencil is so simple and ubiquitous that we take it for granted,” Payne tells Colossal. “But making one is a surprisingly complex process, and when I saw all the steps involved, many of which are done by hand, I knew it would make for a compelling visual narrative.”

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…although for how much longer.

Children struggle to hold pencils due to too much tech, doctors say
His mother, Laura, blames herself: “In retrospect, I see that I gave Patrick technology to play with, to the virtual exclusion of the more traditional toys. When he got to school, they contacted me with their concerns: he was gripping his pencil like cavemen held sticks. He just couldn’t hold it in any other way and so couldn’t learn to write because he couldn’t move the pencil with any accuracy.”

The other, a highly complicated technological marvel that spread across the globe, revolutionising society, only to completely disappear within 30 years

VHS tapes
People have been able to consume their choice of music at home for more than a century, but it wasn’t until the mid-1970s that video was truly freed from the constraints of the multiplex and the network broadcast schedule—and not until the 1980s that it really became accessible. That heyday didn’t last long. Just three decades separated the first VHS-format VCR from the last Hollywood hit distributed on video tape. But in that time, a lot of memories were created, and a new template for consuming media was forged.

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… though fans remain.

From ignored ubiquity to design classic: the art of the blank VHS tape
When the company he worked at acquired a commercial printer with a scan bed on top, Jones began to scan tapes. Looking around on Google, he saw hardly any high-resolution images of these little pieces of everyday ephemera. There were plenty of horror and VHS box art scans, “but no love for the lowly home recording tape box that had been part of so many homes and families.” From this realization, the Vault Of VHS was born, a blog dedicated to the design of retail VHS packaging for both home and pre-recorded tapes.

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“The font, art, and tape dirt grey just feel like the gummy carpet of a grimy porn theater.”

Vroom vroom

I’m sure I heard someone once describe riding one of those high-powered Japanese motorbikes as being like sitting on artillery, compared to Harley Davidson’s armchair feel. Well, with this electric bike from Germany, you can feel what it’s like to be ‘riding on top of a bazooka’.

SOL Motors Pocket Rocket Is a 50mph urban “Noped”
Making its official debut at the INTERMOT International Motorcycle Fair in Cologne, the SOL Motors Pocket Rocket’s unusual large aluminum tube design is functionally driven, encompassing the noped’s removable 220V battery power source and an internal computer compatible with both iOS and Android apps. Each end is capped by LED lights: a 6-bulb headlamp up front, and a circular array of rear brake lights and turn signals in the rear. The design is reminiscent of Vanmoof e-bicycles, sharing a similar large tubular top tube design, exaggerated even further into artillery-sized proportions.

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It’s certainly a distinctive take on the classic design. Reminds me a little of this crazy bike.

For more strange versions of this everyday object, check out this project from designer Gianluca Gimini, who asked friends and random passers by to draw a bicycle from memory. It’s harder than think.

Velocipedia, Gianluca Gimini’s bicycle, sketches and mockups
Some diversities are gender driven. Nearly 90% of drawings in which the chain is attached to the front wheel (or both to the front and the rear) were made by females. On the other hand, while men generally tend to place the chain correctly, they are more keen to over-complicate the frame when they realize they are not drawing it correctly. One of the most frequent issues for participants was not knowing exactly how to describe their job in short. The most unintelligible drawing has also the most unintelligible handwriting. It was made by a doctor.

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Cutting out distractions

Do you get easily distracted?

Screen blocking glasses
IRL Glasses are the answer to screen overload and digital fatigue, putting people back in the driver’s seat to control when and how they interact with screens. Wearing IRL Glasses makes screens that are “on” look like they are “off.”

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Or perhaps you’re looking for something for the office?

Open offices have driven Panasonic to make horse blinders for humans
At what point do we just give up and admit we’re living in exactly the dystopian nightmare speculative fiction warned us about? It probably ought to be these horse blinders for people, which look like something straight out of a Terry Gilliam movie.

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Or how about something more … Halloweeny?

This vintage anti-distraction helmet looks like a creepy horror show prop
Distractions are all around us, whether it’s ambient noise or the colorful items around you, and it’s sometimes extremely difficult to concentrate on the task you need to finish. A 1920’s anti-distraction helmet, known as the Isolator, was invented to address this issue.

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Time for a drink?

We’re used to the idea of pairing the right wine with the right meal. But with the right watch?

Analog Watch Co. designs a watch with wine-dyed cork bands
When you think of wristwatches, your mind probably doesn’t go to wine, but that will change after taking a look at The Somm Collection. Designed by Analog Watch Co., the same brand that created watches out of wood, marble, and plants, the collection of watches feature real cork bands that were dyed with actual wine – cabernet and blueberry wine to be exact.

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Wanting something even more unique?

The Sony FES Watch U’s main function is fashion
Although Apple and Android watches permit a degree of customization, the Sony FES Watch U raises the stakes to a notable degree by allowing wearers to upload and convert nearly any image from their smartphone via a compatible Sony Closet App to crop and position into a monochromatic design that stretches from watch face all the way across the length of the straps. This bit of customization magic is all made possible thanks to the same display technology found inside the Amazon Kindle e-reader.

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Check out the accompanying video. We’re used to ridiculous watch faces, but it’s so strange seeing the strap change too.

Vision of Fashion Entertainments

So, farewell then, GeoCities. Again

Ten years after it shut down for the rest of us, Yahoo Japan has finally pulled the plug on its GeoCities service.

Yahoo Japan is shutting down its website hosting service GeoCities
The company said in a statement that it was hard to encapsulate in one word the reason for the shut down, but that profitability and technological issues were primary factors. It added that it was full of “regret” for the fate of the immense amount of information that would be lost as a result of the service’s closure. […]

The fact that GeoCities survived in Japan for so long speaks to the country’s idiosyncratic nature online. Despite the fact that Yahoo—which purchased GeoCities in 1999 for almost $4 billion at the peak of the dot.com boom—has fallen into irrelevance in much of the world, the company continues to be the dominant news portal in Japan. It still commands a sizeable market share in search, though it has steadily ceded its position to Google over the years.

So it goes.