One of the pieces of classical music on YouTube I keep replaying is this performance of Dvořák’s String Quartet No 12, played by the wonderful Pražák Quartet. It’s such a lyrical piece, played with passion and vigour.
It’s fun to compare that early video of the four of them with this performance of Schubert’s String Quartet No 15 several years later.
Time marches on for all of us, though sadly it didn’t march for very long for Schubert himself.
A lost paradise of purity – Standpoint
Of all the premature deaths among the ranks of the creative, none is more painful to contemplate than Franz Schubert’s. His cutting off in November 1828 at the age of 31 was not as brutal in strictly chronological terms as Keats’s at the age of 25 in 1821, but there is with Schubert a yearning to know the music which he never composed that is even greater than the regret for Keats’s unwritten poems. All Schubert’s works are in a sense early works, and it is striking to think that by the time Haydn reached the age at which Schubert died, he had written none of the music for which we now revere him.
Let’s move from Schubert to Bach, and from the sublime to the ridiculous.
Boomwhacker Bach: Prélude n°1 aux tubes musicaux – The Kid Should See This
This performance by Les Objets Volants is a wonderful mix of work and play… an exercise in “juggling” that requires an immense amount of concentration and teamwork. Boomwhacker Bach! In front of an audience in Luxeuil les Bains, France, this is Prélude n°1 aux tubes musicaux, or Johann Sebastian Bach’s first prelude played with boomwhackers.
All good stuff, but perhaps this musical post has been too male-dominated so far? Let’s address that.
New documentary Sisters with Transistors tells the story of electronic music’s female pioneers – Open Culture
“Technology is a tremendous liberator,” says Laurie Anderson in her voiceover narration for the new documentary Sisters with Transistors, a look at the women who have pioneered electronic music since its beginnings and been integral to inventing new sounds and ways of making them. “Women were naturally drawn to electronic music. You didn’t have to be accepted by any of the male-dominated resources. You could make something with electronics, and you could present music directly to an audience.”
“The history of women has been a history of silence,” Rovner writes. “Music is no exception.” Or as Oliveros put it in a 1970 New York Times Op-Ed:
Why have there been no “great” women composers? The question is often asked. The answer is no mystery. In the past, talent, education, ability, interests, motivation were irrelevant because being female was a unique qualification for domestic work and for continual obedience to and dependence upon men.
All good stuff, but perhaps this musical post has been too human-dominated so far? Let’s address that.
Composer transcribes animal sounds to sheet music – Boing Boing
Alexander Liebermann, an accomplished composer living in Berlin, has been challenging himself to transcribe the sounds of penguins, whales, and other animals as an exercise for ear training.
Ear training challenge – Emperor Penguin – YouTube
During courtship, the male and female penguins trumpet loudly to each other, thus learning each other’s call (They recognize each other amidst breeding colonies that consist of up to 40,000 penguins because of their calls). Emperor penguins typically use both sides of their syrinx simultaneously, producing vocalizations using ‘two-voices’. In the videos I have seen, calls of adult penguins mostly consisted of two-voice vocalizations using three different intervals: M2, m3, M3. In contrast, those of the chicks consisted of single voices outlining numerous intervals: m3, M3, P4, TT, P5, m6.