What better way to start the day than with a bowl of eggo nut frosted strawberry pancakes. I think I’ll pass on the carbonated waffle balls, even if they are the “gold standard for waffle ball fun innovation using wheat-based flavors and crispy aluminum foil.”
None of this makes sense. It didn’t make sense back in March when I first tried to get my head around it all, and I’m none the wiser now.
Miramax is suing Tarantino over Pulp Fiction NFT auction — Quartz
Earlier this month, Tarantino announced plans to auction off unique digital versions of items from the 1994 cult classic, including scanned copies of script pages for seven scenes that didn’t make the final cut. The “secret” NFTs will only be viewable by whoever purchases them. But here’s the five-dollar shake: Miramax claims these NFTs are not Tarantino’s to sell.
Interpol and David Lynch release 2011 collaboration as limited NFT series – NME
The New York band joined forces with the renowned Twin Peaks director for their 2011 Coachella performance, during which they combined Lynch’s I Touch A Red Button Man short film with their 2010 single ‘Lights’. Fans can now own the unique piece of work, with a limited series of eight NFTs up for grabs through the new Lynch x Interpol website. The non-fungible tokens include “newly recorded versions of ‘Lights’ joining Lynch’s engrossing animations”.
A fake Banksy sold for $330K is a perfect symbol of a wild NFT market – The Next Web
There are numerous reports of NFT fraudsters selling fake artworks, stealing credit card information, and hacking into cryptocurrency accounts. Perhaps the most notorious example yet is this week’s sale of a fake Banksy NFT. […] As well as not looking like a Banksy, the piece was reportedly unsigned and hadn’t been authenticated by the artist’s agency. The true mastermind may forever remain a mystery. Whoever they may be, their ruse has further exposed the risks of buying NFTs.
Boy, 12, makes £290,000 in non-fungible tokens with digital whale art – The Guardian
Benyamin Ahmed’s collection of pixelated artworks called Weird Whales went viral during the school holidays. His success may be a harbinger of the digital business models that could disrupt the banking sector. His father, Imran, a software developer, described the artwork as similar to “digital Pokémon cards” and said they had been a big success because collectors realised their historical significance.
Their “historical significance”??
Imagine finding millions of dollars in your garage.
Rock Legend Alice Cooper is selling the Warhol he forgot he owned—then found in his garage – The Art Newspaper
Cooper rediscovered the silkscreen—which had been given to him by his girlfriend, Cindy Lang, “during some crazy years”—a few years ago, rolled up in a tube in his garage. “One day I was talking to [the actor] Dennis Hopper when he was still alive and he said he was selling a couple of his Warhols and I remembered mine and said ‘I think I have still a Warhol somewhere. So I went digging around looking for it.”
Hundreds of Andy Warhol fakes, and one original drawing worth $20k, sold for $250 each – The Art Newspaper
The original Warhol was scanned and 999 copies were redrawn by a robotic arm. According to a video on the collective’s website, each copy then underwent a degradation process before being authenticated as Possibly Real Copy Of ‘Fairies’ by Andy Warhol by MSCHF, then shuffled together and sold for $250 each. The drawing was supposedly purchased in 2016 for $8,125.
We’ve seen how AI can bring to life people that have never existed, as well as those that certainly have. And we’re familiar with the ridiculous surreal art it can churn out and the sublime Bach-like harmonies it can spin. But what about creating something much more substantial, like a whole symphony? And a Beethoven symphony, at that.
The project started in 2019 …
How a team of musicologists and computer scientists completed Beethoven’s unfinished 10th Symphony – The Conversation
When Ludwig van Beethoven died in 1827, he was three years removed from the completion of his Ninth Symphony, a work heralded by many as his magnum opus. He had started work on his 10th Symphony but, due to deteriorating health, wasn’t able to make much headway: All he left behind were some musical sketches.
Ever since then, Beethoven fans and musicologists have puzzled and lamented over what could have been. His notes teased at some magnificent reward, albeit one that seemed forever out of reach.
Now, thanks to the work of a team of music historians, musicologists, composers and computer scientists, Beethoven’s vision will come to life.
… and earlier this month, they premiered the result.
After more than two centuries, Beethoven’s 10th Symphony has been completed by an AI – Euronews
For Werzowa, it was exciting to discover variations of Beethoven’s work each morning, that had been sent overnight by his US colleagues from Rutgers University.
“Because of the time difference, in the morning, I got up early, quite excited and ran to my computer to find hundreds of possibilities which were formulated overnight, well during my night,” he said. “And it was always a beautiful morning occupation, drinking tea and coffee while listening and choosing those Beethoven inspirations”. […]
As for the master computer, no gigantic machine with tons of buttons and keyboards were involved: a simple laptop was used to finish to unfinishable.
“I asked him many times ‘please send me pictures’ and I was so curious, it’s like I imagined like this Star Trek, Star Wars kind of thing, with kilometres of computers,” Werzowa told AP. “He never sent it to me over the two years and finally he did after this whole thing was done. And what he showed me was basically a computer rig which looks like my son’s computer rig so it was actually disappointing: This is it? This made that amazing work?”
And the Beethoven goes on: Bonn premieres ‘new’ 10th symphony – Irish Times
No word on whether London’s Royal Philharmonic Society – who commissioned the symphony in 1817 – ever got its money back from the composer’s estate for services not rendered.
How an AI finished Beethoven’s last symphony and what that means for the future of music – BBC Science Focus Magazine
What has the response been like from musicians and composers? Their response is really mixed. There are people who loved this very much, and love the idea of having an AI that understands music and can help you finish your composition or have you explore different musical ideas.
But on the other side of the spectrum, there are people who just reject even the concept of being able to complete a Beethoven symphony using AI. They are afraid of AI taking their jobs and think that it has nothing to do with this kind of thing.
But enough of all the words — let’s hear the music!
Beethoven X: The AI Project: III Scherzo. Allegro – Trio – Modern Recordings: YouTube
Modern Recordings / BMG present as a foretaste of the album “Beethoven X – The AI Project” (release: 8.10.) the edit of the 3rd movement “Scherzo. Allegro – Trio” as a classical music video.
That was just a short edit of the third movement. Embedded within this next link is a video of the whole premiere, featuring movements 3 and 4.
World Premiere: Beethoven X – MagentaMusic 360
It is done: Shortly before his death, Ludwig van Beethoven began to compose his 10th Symphony, but it remained unfinished. On the 250th birthday of the genius, Deutsche Telekom and an international team of music experts and artificial intelligence experts have dared to try to complete Beethoven’s 10th Symphony with the help of artificial intelligence. On 9 October, the 10th Symphony was premiered in Bonn by the Beethoven Orchestra Bonn under the direction of Dirk Kaftan.
I’m relying on Google Translate for the text of that link. The introductory speeches are in German too, though the little documentary they play that starts 12 minutes in is subtitled and worth a look. The performance itself is 16 minutes in.
It’s also been released on Spotify, together with a recording of the eighth symphony from the premiere.
Beethoven X: The AI Project – Spotify
Beethoven Orchestra Bonn, Dirk Kaftan, Walter Werzowa 2021
It seems this is not the only version of Beethoven’s 10th symphony. There’s also this one, “realized” by Barry Cooper, plus documentary (ignore that crazy sax intro). But seriously, nothing — not even his fifth — matches his ninth. I mean, come on!
The misinformation virus – Aeon
Misinformation isn’t new, of course. … What’s different today is the speed, scope and scale of misinformation, enabled by technology. Online media has given voice to previously marginalised groups, including peddlers of untruth, and has supercharged the tools of deception at their disposal. The transmission of falsehoods now spans a viral cycle in which AI, professional trolls and our own content-sharing activities help to proliferate and amplify misleading claims. These new developments have come on the heels of rising inequality, falling civic engagement and fraying social cohesion – trends that render us more susceptible to demagoguery. Just as alarming, a growing body of research over the past decade is casting doubt on our ability – even our willingness – to resist misinformation in the face of corrective evidence. […]
I’ve wondered recently if, like school violence, misinformation is becoming part of the culture, if it persists because some of us actively partake in it, and some merely stand by and allow it to continue. If that’s the case, then perhaps we ought to worry less about fixing people’s false beliefs and focus more on shifting those social norms that make it OK to create, spread, share and tolerate misinformation.
How about this for a mad theory? Can you even imagine asking this question?
Is it true? Can COVID-19 vaccines connect me to the internet? – Australian Government Department of Health
COVID-19 vaccines do not – and cannot – connect you to the internet. Some of the mRNA vaccines being developed include the use of a material called a hydrogel, which might help disperse the vaccine slowly into our cells. Bioengineers have used similar hydrogels for many years in different ways. For instance, they’ve used them to help stem cells survive after being put inside our bodies. Because of this, some people believe that hydrogels are needed for electronic implants, which can connect to the internet.
The world seems to be full of fakes – from film stars and presidents, to academic sources and recipes. Here’s a fascinating essay from The New York Times about some manuscript pieces found near the Dead Sea in 1883, written in ancient Hebrew, that might or might not be an alternative version of the Book of Deuteronomy. They might even have belonged to Moses himself. More fakes, surely?
Is a long-dismissed forgery actually the oldest known biblical manuscript? – The New York Times
“I felt like it couldn’t be a forgery,” he said. “It’s hard to put my finger on it. It just didn’t match with something I thought could be possible” for the 19th century. For starters, there were too many features that eerily lined up with discoveries and hypotheses about the Bible’s evolution that scholars would only arrive at decades later, after the discovery of the Dead Sea Scrolls.” […]
Still, claiming that a notorious forgery was the only known surviving source text for the Bible is not the kind of thing a young (and, at the time, untenured) scholar stakes his career on. When Dershowitz outlined his theory to Noah Feldman, a professor at Harvard Law School and chairman of Harvard’s Society of Fellows, where he was about to begin a fellowship, the older scholar warned him off. “I said, ‘You’re crazy, I don’t want to hear it, you’re going to destroy your career, go away,’” Feldman recalled. “He would keep emailing me details, and I would reply TGTBT — too good to be true.” […]
Knowledge of the past, especially the ancient past, always rests on fragments, shaped powerfully by contingency. We are dependent not just on what happened to survive, but on who finds those traces, and when, and what happens next. The Shapira story is trailed by a tantalizing swirl of what-ifs. What if someone with a less checkered reputation had found the fragments? What if Shapira hadn’t committed suicide? What if they hadn’t been lost — or had first surfaced 80 years later, after the Dead Sea Scrolls, when scholars might have viewed them differently?
Here’s a little more background on this remarkable tale.
A biblical mystery and reporting odyssey – The New York Times
While reporting the story, I talked with a number of scholars who had previewed Mr. Dershowitz’s research at a confidential seminar two years ago, including some who were intensely skeptical (to put it mildly). But I also became intrigued by another layer of the tale. As it turned out, the mysterious Shapira had made a number of fleeting appearances in The Times over the years, starting even before the Deuteronomy affair.
I need to remind myself to revisit this when they know more — could something that claims to be so old really be genuine? I hope so.
Yesterday, upon the stair, I met a man who wasn’t there.
I’ve shared articles about these fake, engineered nobodies before, but the transitions, animations and sliders in this piece from the New York Times are very effective, and great fun — a genuine individual on every frame.
Designed to deceive: Do these people look real to you? – The New York Times
Given the pace of improvement, it’s easy to imagine a not-so-distant future in which we are confronted with not just single portraits of fake people but whole collections of them — at a party with fake friends, hanging out with their fake dogs, holding their fake babies. It will become increasingly difficult to tell who is real online and who is a figment of a computer’s imagination.
You think you know someone …
… but they turn out to be …
… someone completely different.
This X Does Not Exist
Using generative adversarial networks (GAN), we can learn how to create realistic-looking fake versions of almost anything, as shown by this collection of sites that have sprung up in the past month.
Olympic-sized hoax? ‘Lost’ Krautrock warm-up tapes mysteriously surface – SPIN
Neither interview includes photographs of Zeichnete, and he doesn’t appear in a series of promotional videos for the release … And the more you listen to the music, the more it begins to sound both too pristine, given the tapes’ alleged age, and too stylistically perfect in its aping of Neu! and Kraftwerk. The resemblance is almost uncanny.
Rather than bringing us together, social media can often pull us apart. We all know this, and it seems the platforms themselves know this too.
Facebook executives shut down efforts to make the site less divisive – WSJ
“Our algorithms exploit the human brain’s attraction to divisiveness,” read a slide from a 2018 presentation. “If left unchecked,” it warned, Facebook would feed users “more and more divisive content in an effort to gain user attention & increase time on the platform.”
But of course the platforms aren’t solely to blame. The users have to take some responsibility for what they write and share. Take this user, for example, just your typical conspiracy theorist.
See those little ‘Get the facts’ warning labels, suggesting he’s
spreading fake news making unsubstantiated claims?
Twitter labels Trump’s false claims with warning for first time – The Guardian
The company’s decision on Tuesday afternoon to affix labels to a series of Trump tweets about California’s election planning is the result of a new policy debuted on 11 May. They were applied – hours after the tweets initially went out – because Trump’s tweets violated Twitter’s “civic integrity policy”, a company spokeswoman confirmed, which bars users from “manipulating or interfering in elections or other civic processes”, such as by posting misleading information that could dissuade people from participating in an election.
He didn’t like that, as you can imagine, and is trying to retaliate.
Trump to sign executive order on social media on Thursday: White House – Reuters
The officials gave no further details. It was unclear how Trump could follow through on the threat of shutting down privately owned companies including Twitter Inc. The dispute erupted after Twitter on Tuesday for the first time tagged Trump’s tweets about unsubstantiated claims of fraud in mail-in voting with a warning prompting readers to fact check the posts.
But is this just the beginning?
Trump sows doubt on voting. It keeps some people up at night. – The New York Times
The anxiety has intensified in recent weeks as the president continues to attack the integrity of mail voting and insinuate that the election system is rigged, while his Republican allies ramp up efforts to control who can vote and how. Just last week, Mr. Trump threatened to withhold funding from states that defy his wishes on expanding mail voting, while also amplifying unfounded claims of voter fraud in battleground states. […]
The task force began with 65 possibilities before narrowing the list early this year to eight potential calamities, including natural disasters, a successful foreign hack of voting machines, a major candidate’s challenging the election and seeking to delegitimize the results, and a president who refuses to participate in a peaceful transfer of power. Among the scenarios they eliminated when making final cuts in January, ironically, was a killer pandemic that ravaged the country and kept people homebound before Election Day.
That election’s going to be interesting, to say the least.
So here in the UK we’re to have another three weeks of lockdown. I’m not sure what state I’ll be in after that, I’m already starting to fray at the edges. What’s keeping me up all night isn’t so much how we’ll get through these next few weeks, but what comes after?
Our pandemic summer – The Atlantic
The pandemic is not a hurricane or a wildfire. It is not comparable to Pearl Harbor or 9/11. Such disasters are confined in time and space. The SARS-CoV-2 virus will linger through the year and across the world. “Everyone wants to know when this will end,” said Devi Sridhar, a public-health expert at the University of Edinburgh. “That’s not the right question. The right question is: How do we continue?”
Not a clue. We sit around and wait for a vaccine, but until then— what?
After social distancing, a strange purgatory awaits – The Atlantic
We will get used to seeing temperature-screening stations at public venues. If America’s testing capacity improves and results come back quickly, don’t be surprised to see nose swabs at airports. Airlines may contemplate whether flights can be reserved for different groups of passengers—either high- or low-risk. Mass-transit systems will set new rules; don’t be surprised if they mandate masks too.
Can things just go back to how they were before?
Welcome to our new timeline – Kottke
I’m wondering — how many people are aware that this is going to be our reality for the next few years? There is no “normal” we’re going back to, only weird uncharted waters.
We’re all struggling with it. I know I am. Thankfully, help is still around.
Stephen Fry’s tips for managing virus-based anxiety – BBC News
Stephen Fry has been giving advice on dealing with anxiety and stress whilst self-isolating during the coronavirus pandemic. He told the BBC’s Andrew Marr “anxiety and stress are almost as virulent as this coronavirus”.
Some people, however, are less than helpful.
Facebook will add anti-misinformation posts to your News Feed if you liked fake coronavirus news – The Verge
Today’s update follows a scathing report by nonprofit group Avaaz, which called the site an “epicenter of coronavirus misinformation” and cited numerous posts containing dangerous health advice and fake cures. The company pushed back on this accusation, saying it’s removed “hundreds of thousands of pieces of misinformation” in the past weeks.
A video from The Kid Should See This that I’ll definitely be making sure my kids see. They love all these ‘hacks’, but they aren’t all what they seem. #gross
Debunking fake ‘kitchen hacks’ that have billions of views – The Kid Should See This
Popular kitchen hack videos rack up millions and billions of views on YouTube and Facebook. They’re surprising! They’re fun to watch! And they look pretty easy to do. But beware: Not all of these ideas, tips, and tricks actually work.
Reuters uses AI to prototype first ever automated video reports – Forbes
Developed in collaboration with London-based AI startup Synthesia, the new system harnesses AI in order to synthesize pre-recorded footage of a news presenter into entirely new reports. It works in a similar way to deepfake videos, although its current prototype combines with incoming data on English Premier League football matches to report on things that have actually happened. […]
In other words, having pre-filmed a presenter say the name of every Premier League football team, every player, and pretty much every possible action that could happen in a game, Reuters can now generate an indefinite number of synthesized match reports using his image. These reports are barely indistinguishable from the real thing, and Cohen reports that early witnesses to the system (mostly Reuters’ clients) have been dutifully impressed.
(via Patrick Tanguay)
Just found another example of a deepfake video being used in a, if not true, at least positive sense.
We’ve just seen the first use of deepfakes in an Indian election campaign – Vice
When the Delhi BJP IT Cell partnered with political communications firm The Ideaz Factory to create “positive campaigns” using deepfakes to reach different linguistic voter bases, it marked the debut of deepfakes in election campaigns in India. “Deepfake technology has helped us scale campaign efforts like never before,” Neelkant Bakshi, co-incharge of social media and IT for BJP Delhi, tells VICE. “The Haryanvi videos let us convincingly approach the target audience even if the candidate didn’t speak the language of the voter.”
These lyrics do not exist
This website generates completely original lyrics for various topics, uses state of the art AI to generate an original chorus and original verses.
Want some happy metal lyrics about dogs? No problem.
I am the dog in you
I am the dog in you
How one animal can be so tense, yet so free?
Such vicious dogs in search of a trophy
This foot does not exist
The foot pic, then, becomes a commodity which the consumer is willing to pay for on its basis as an intimate, revealing, and/or pornographic (and perhaps power-granting, when provided on request) asset, while the producer may** see it as a meme, a dupe, a way to trick the horny-credible out of their ill-spent cash.
This July saw the 50th anniversary of the moon landing, and I shared a number of landing related links, including one about a speech for President Nixon in case the worst should happen, titled “In the Event of Moon Disaster.”
Well, it’s been given the deepfake treatment.
A deepfake Nixon delivers eulogy for the Apollo 11 astronauts – Kottke
Fifty years ago, not even Stanley Kubrick could have faked the Moon landing. But today, visual effects and techniques driven by machine learning are so good that it might be relatively simple, at least the television broadcast part of it. In a short demonstration of that technical supremacy, a group from MIT has created a deepfake version of Nixon delivering that disaster speech. […]
The implications of being able to so convincingly fake the televised appearance of a former US President are left as an exercise to the reader.
Remember that website full of photos of fake faces? Well, Dr Julian Koplin from the University of Melbourne has been combining those AI generated portraits with AI generated text, and now there’s a whole city of them.
Humans of an unreal city
These stories were composed by Open AI’s GPT-2 language model and AllenAI’s Grover news generator, which were given various prompts and asked to elaborate. My favourite results are recorded here – some lightly edited, many entirely intact. The accompanying photos were generated by the AI at This Person Does Not Exist. They are not real humans, but you can look into their eyes nonetheless.
As he explains in this commentary on the ethics of the project, some of the results are convincingly human.
The very human language of AI
AI can tell stories about oceans and drowning, about dinners shared with friends, about childhood trauma and loveless marriages. They can write about the glare and heat of the sun without ever having seen light or felt heat. It seems so human. At the same time, the weirdness of some AI-generated text shows that they ‘understand’ the world very differently to us.
I’m worried less about the machines becoming sentient and taking over, with their AI generated art and poetry, and more about the dangers these tools pose when in the hands of ill-intentioned humans.
100,000 free AI-generated headshots put stock photo companies on notice
It’s getting easier and easier to use AI to generate convincing-looking, yet entirely fake, pictures of people. Now, one company wants to find a use for these photos, by offering a resource of 100,000 AI-generated faces to anyone that can use them — royalty free. Many of the images look fake but others are difficult to distinguish from images licensed by stock photo companies. […]
Zhabinskiy is keen to emphasize that the AI used to generate these images was trained using data shot in-house, rather than using stock media or scraping photographs from the internet. “Such an approach requires thousands of hours of labor, but in the end, it will certainly be worth it!” exclaims an Icons8 blog post. Ivan Braun, the founder of Icons8, says that in total the team took 29,000 pictures of 69 models over the course of three years which it used to train its algorithm.
There are valid concerns about technology that’s able to generate convincing-looking fakes like these at scale. This project is trying to create images that make life easier for designers, but the software could one day be used for all sorts of malicious activity.
For all you lazy students out there, here’s a way you can present any Wikipedia article as a real academic source.
M-Journal subverts academia by morphing Wikipedia into a reliable source
Caveat lector, let the buyer beware. These are the words at the end of the Wikipedia page that informs users that attempting to use Wikipedia as a reliable source of cited material comes with a continuous and present risk. Across academia it is a known operating fact that Wikipedia is not an accepted source for research papers and the lot. That hasn’t stopped students from using it and thanks to M-Journal, disguising it.
As the article goes on to say, it’s “ingenious as much as it is ridiculously dubious.”
Website M-Journal will turn Wikipedia articles into “real” academic papers
One of the funnier parts of the M-Journal is that if your teacher does ask for a link to the academic paper, the site will generate a fairly convincing-looking link. But it has a fake paywall, so you can’t see the whole thing.
And we all know that no one ever goes past the paywalls on academic journals.
(Not that the ‘real’ ones are necessarily any better, of course.)
This whole scheme will only work if academics are kept in the dark, otherwise the game is up. Let’s hope the word is getting out — I think the sector has enough fakery problems without this adding to the mix.
A mesmerising, meditative film introducing us to Faramarz, a London-based Iranian watchmaker. The world may seem chaotic, but “everything is in exactly the right place.”
The Watchmaker: A philosohy of craft and life
Filled with the pulses of numerous ticking watch hands, this short documentary from the UK filmmaker Marie-Cécile Embleton profiles a London-based Iranian watchmaker as he muses on the delicate and temporal nature of his work. As Faramarz meticulously polishes wood, shapes metal and positions springs, his personal philosophy emerges – one that values the minutiae of moment-to-moment experiences, and finds craft in all things.
Mitka Engebretsen is another watchmaker working in the UK. Here’s his set-up, somewhat shinier, though no less hypnotic.
He lets us follow along on his blog when he’s servicing his clients’ vintage watches. The intricacy and precision is wonderful to see, however out of my reach they may be. Not that there’s anything wrong with my current watch — I love it!
What would he make of this video from Watchfinder & Co on the level of expertise that goes into producing fake watches these days, fakes that will still set you back £1,000.
This fake Rolex is the most accurate yet
Two years ago, we investigated just how far fake watches have come when we compared a real Rolex Submariner with a fake one. For anyone thinking that fake watches were the easy-to-spot domain of the seaside tat shop, we demonstrated that it’s harder to spot a fake than you might think. Two years on, and it’s got even harder.
One way round that, of course, is to not have a watch at all.
A Norwegian city wants to abolish time
“You have to go to work, and even after work, the clock takes up your time,” Hveding told Gizmodo. “I have to do this, I have to do that. My experience is that [people] have forgotten how to be impulsive, to decide that the weather is good, the Sun is shining, I can just live.” Even if it’s 3 a.m.
It seems we’re not the only ones playing with that AI fake face website.
Experts: Spy used AI-generated face to connect with targets
“I’m convinced that it’s a fake face,” said Mario Klingemann, a German artist who has been experimenting for years with artificially generated portraits and says he has reviewed tens of thousands of such images. “It has all the hallmarks.”
Experts who reviewed the Jones profile’s LinkedIn activity say it’s typical of espionage efforts on the professional networking site, whose role as a global Rolodex has made it a powerful magnet for spies.
Yes, it’s obviously a fake. I mean, only a fool would fall for that, right?
“I’m probably the worst LinkedIn user in the history of LinkedIn,” said Winfree, the former deputy director of President Donald Trump’s domestic policy council, who confirmed connection with Jones on March 28.
Winfree, whose name came up last month in relation to one of the vacancies on the Federal Reserve Board of Governors, said he rarely logs on to LinkedIn and tends to just approve all the piled-up invites when he does.
“I literally accept every friend request that I get,” he said.
Lionel Fatton, who teaches East Asian affairs at Webster University in Geneva, said the fact that he didn’t know Jones did prompt a brief pause when he connected with her back in March.
“I remember hesitating,” he said. “And then I thought, ‘What’s the harm?’”
<sigh> It might not be the technology we need, but it’s the technology we deserve.
But fear not, help is at hand!
Adobe’s new AI tool automatically spots Photoshopped faces
The world is becoming increasingly anxious about the spread of fake videos and pictures, and Adobe — a name synonymous with edited imagery — says it shares those concerns. Today, it’s sharing new research in collaboration with scientists from UC Berkeley that uses machine learning to automatically detect when images of faces have been manipulated.
But as Benedict Evans points out in a recent newsletter,
Potentially useful but one suspect this is just an arms race, and of course the people anyone would want to trick with such images won’t be using the tool.
Fake videos — they’re just a bit of fun that we’re happy to spread around on social media, right? Whilst they play a part in the BBC dystopian future drama, Years and Years, helping to sway a general election, we’re not really fooled by them, are we?
Well, perhaps not yet, but they’ve got US politicians worried enough about their upcoming presidential election in 2020 to officially look into it all.
Congress grapples with how to regulate deepfakes
“Now is the time for social media companies to put in place policies to protect users from this kind of misinformation not in 2021 after viral deepfakes have polluted the 2020 elections,” Schiff said. “By then it will be too late.”
At the outset of the hearing, Schiff came out challenging the “immunity” given to platforms under Section 230 of the Communications Decency Act, asking panelists if Congress should make changes to the law that doesn’t currently hold social media companies liable for the content on their platforms.
Deepfakes: Imagine All the People
Of course this isn’t real. The video was done by a company called Canny AI, which offers services like “replace the dialogue in any footage” and “lip-sync your dubbed content in any language”. That’s cool and all — picture episodes of Game of Thrones or Fleabag where the actors automagically lip-sync along to dubbed French or Chinese — but this technique can also be used to easily create what are referred to as deepfakes, videos made using AI techniques in which people convincingly say and do things they actually did not do or say.
This essay from Cailin O’Connor, co-author of The Misinformation Age: How False Beliefs Spread, frames the issue of online misinformation as an arms race.
The information arms race can’t be won, but we have to keep fighting
What makes this problem particularly thorny is that internet media changes at dizzying speed. When the radio was first invented, as a new form of media, it was subject to misinformation. But regulators quickly adapted, managing, for the most part, to subdue such attempts. Today, even as Facebook fights Russian meddling, WhatsApp has become host to rampant misinformation in India, leading to the deaths of 31 people in rumour-fuelled mob attacks over two years.
Participating in an informational arms race is exhausting, but sometimes there are no good alternatives. Public misinformation has serious consequences. For this reason, we should be devoting the same level of resources to fighting misinformation that interest groups are devoting to producing it. All social-media sites need dedicated teams of researchers whose full-time jobs are to hunt down and combat new kinds of misinformation attempts.
I know I’m a pretty pessimistic person generally, but this all sounds quite hopeless. Here’s how one group of people is responding to the challenge of misuse of information and fake videos — by producing their own.
This deepfake of Mark Zuckerberg tests Facebook’s fake video policies
The video, created by artists Bill Posters and Daniel Howe in partnership with advertising company Canny, shows Mark Zuckerberg sitting at a desk, seemingly giving a sinister speech about Facebook’s power. The video is framed with broadcast chyrons that say “We’re increasing transparency on ads,” to make it look like it’s part of a news segment.
“We will treat this content the same way we treat all misinformation on Instagram,” a spokesperson for Instagram told Motherboard. “If third-party fact-checkers mark it as false, we will filter it from Instagram’s recommendation surfaces like Explore and hashtag pages.”