Welcome, but not too welcome

On one hand, you have giant violins floating down Venice’s Grand Canal drawing in the crowds. On the other, plans to use high-tech crowd control techniques designed to keep those crowds at bay.

Venice, overwhelmed by tourists, tries tracking themThe New York Times
The city’s leaders are acquiring the cellphone data of unwitting tourists and using hundreds of surveillance cameras to monitor visitors and prevent crowding. Next summer, they plan to install long-debated gates at key entry points; visitors coming only for the day will have to book ahead and pay a fee to enter. If too many people want to come, some will be turned away. […]

But many residents see the plans to monitor, and control, people’s movements as dystopian — and either a publicity stunt or a way to attract wealthier tourists, who might be discouraged from coming by the crowds. “It’s like declaring once and for all that Venice is not a city, but a museum,” said Giorgio Santuzzo, 58, who works as a photographer and artist in the city.

Water music

After its test launch in August, Livio De Marchi’s floating violin headed off down the canals of Venice, like something from a Bosch Parade.

A giant violin floats down Venice’s Grand CanalThe New York Times
The craft, called “Noah’s Violin,” set sail accompanied by an escort of gondolas, and in no time a small flotilla of motorboats, water taxis and traditional flat-bottomed Venetian sandoli joined the violin as it glided from city hall, near the Rialto Bridge, to the ancient Customs House across from Piazza San Marco, about an hour’s ride. […]

It was mostly smooth sailing, though De Marchi mumbled anxiously whenever the prow (the neck of the violin) veered too sharply to one side or other. But even though the musicians played standing up (barefoot for a better grip), they scarcely missed a note. At one point the score for the viola flew off the music stand and into the water, but it was quickly recovered.

As is often the case in Italy, the real hitches along with way were bureaucratic. “We were told we needed a vehicle registration plate, but officials didn’t know how to classify it,” said Mario Bullo, a carpenter in the consortium. At first, they were issued the same plates given to rafts. “But the traffic police objected, saying that’s not a raft, it’s a violin,” he said with a shrug.

Il violino di Noè – Bach BWV 1043, adagioAngelica Faccani: YouTube
A fragment from Bach’s two violins concerto adagio played in Venice at the inauguration of Livio de Marchi’s ‘Noah’s Violin’.

They were playing Vivaldi, a Venice native, but perhaps Handel would have been appropriate too?

Teaching, technically speaking

Schools are now thinking about reopening, after being mostly shut since March and cancelling this summer’s GCSE and A-Level exams. As you would imagine, this is far from straightforward.

How will schools be able to reopen?BBC News
In England, ministers say schools should prepare to begin to open for more pupils from 1 June. This would be for those in nursery and pre-school, Reception and Years 1 and 6 at primary school. At secondary school and college, Years 10 and 12 would return first. Only a tiny fraction of the regular school population are likely to attend. Schools in Wales will not reopen on 1 June, while those in Scotland and Northern Ireland may not restart before the summer holidays.

Many teaching unions and councils, including my own, have major reservations.

Ministers under pressure over schools return dateBBC News
The decision to begin reopening schools came after the reproduction, or R number – the number of people that one infected person will pass the virus on to, on average – came down across every part of the UK. But multiple research groups, including those at the University of Cambridge, show it varies across the country – it has come down most in London but is higher in the north-east of England.

Leeds City Council statement on re-opening primary schoolsLeeds.gov.uk
Due to a variety of factors, it would be impossible for all schools to operate to the Government’s timetable of opening Reception, Year 1 and Year 6 from June 1. While some schools will begin to gradually expand their intake from this date, Leeds will not expect all our schools to open to all those pupils from day one.

Only time will tell if this is the right step to take. Italy, which closed its schools at the end of February, initially for just a week, isn’t expecting them to reopen until mid-September, if not later. Teachers, parents and children alike have had mountains to climb, and they’ve still got perhaps four more months to go.

Italian lessons: what we’ve learned from two months of home schoolingThe Guardian
The Digital Economy and Society Index rates Italy 24 out of 28 European countries in its “digitalisation index”, and last year Italy’s national statistics agency, Istat, reported that 23.9% of Italian families have no access to the internet. As one teacher said to me: “We’ve discovered how democratic pencil-and-paper is.” The attempt by many teachers to get less-privileged students the necessary laptops and internet connections is one of the untold stories of this crisis. By 19 March, the ministry of education claimed to have distributed 46,152 tablets throughout the country. Since then, an emergency budget has created a €70m fund for providing computers to those without. Even if the necessary hardware is distributed, one special educational needs teacher told me that online classes just don’t work for children who need bespoke lessons: “Those who are already doing well at school are now doing even better, but those who were struggling are just falling further behind.”

They aren’t the only ones. Here’s the view from China.

The coronavirus exposes education’s digital divideThe New York Times
Students in some places have hiked for hours and braved the cold to listen to online classes on mountaintops, the only places they can get a decent cell signal, according to Chinese news reports. One high schooler in Sichuan Province was found doing homework under a rocky outcropping. Two little girls in Hubei Province set up a makeshift classroom on a wooded hillside.

For children of the millions of migrant laborers who work far from home to keep China’s cities cleaned and fed, another problem is a lack of supervision. These “left-behind children,” as they are called in China, are raised mostly by their grandparents, who are often illiterate and cannot help with homework even when it is not delivered via smartphone app.

I don’t think our position is that much better.

Outdated IT systems pushed to the limit by large-scale remote working, say schoolsThe Independent
Technology in many schools is like the “dark ages” compared with other sectors, the headteachers’ union warned. … One headteacher is desperately trying to raise funds as he says funding cuts have left the school without the cash to carry out critical IT upgrades needed to run a “virtual school” for 1,200 pupils.

Some central support has been made available, from the big players…

UK schools will get tech support from Google and MicrosoftComputer Weekly
The government has also written to organisations overseeing schools and children’s social care, such as local authorities and trusts, to advise them how they can order devices as part of its £100m investment to provide internet access and computers to disadvantaged children.

… as well as from some lesser-known software companies and training providers.

UK education providers are helping teachers, parents and students respond to the impact of COVID-19 worldwideGOV.UK
Century Tech creates personalised learning pathways for students and powerful data for teachers to ensure that every child gets tailored, high quality education. They are offering free maths, English and science resources here.

Personalised learning pathways sounds a little dry. How could we jazz up what Century Tech are offering? What buzzword comes to mind?

‘AI teachers’ to be offered to British students off school due to coronavirusThe Telegraph
“AI teachers” will be offered to every student in the UK that is forced to miss school due to the coronavirus, it has been announced. … Like a human teacher, the virtual tutor tracks how a student learns, adapts to their strengths and weaknesses and constantly adjusts lesson plans.

The educational impact of this pandemic is not restricted to just schools, of course.

Breaking: All University lectures to be online-only in 2020-21Varsity
A leaked email seen by Varsity outlines plans for all lectures in the 2020-21 academic year to be conducted virtually. Head of Education Services, Alice Benton wrote to Senior Tutors today (19/05) to inform them that the ‘General Board’s Education Committee’ has ‘agreed that, since it is highly likely that rigid social distancing will be required throughout the next academic year, there will be no face-to-face lectures next year.’

University of Cambridge shifts lectures online for 2020/2021 academic yearCambridge Independent
The University told the Cambridge Independent: “The University is constantly adapting to changing advice as it emerges during this pandemic. Given that it is likely that social distancing will continue to be required, the University has decided there will be no face-to-face lectures during the next academic year. Lectures will continue to be made available online and it may be possible to host smaller teaching groups in person, as long as this conforms to social distancing requirements. This decision has been taken now to facilitate planning, but as ever, will be reviewed should there be changes to official advice on coronavirus.”

Online lectures ‘likely’ to continue at Edinburgh Uni for ‘some time to come’, VC warnsThe Tab
In an interview on Radio 4 Today, Peter Mathieson said having “hundreds of students packed into in lecture theatres” would probably not be “safe or possible” when asked about Cambridge University’s recent decision to move all lectures online until Summer 2021. … “We haven’t talked about a fully online model,” he said. “Lectures may be online and we were doing that anyway – we’re very good at that, but actually small-group teaching will continue.”

That’s just as well. As we saw above with schools, moving online is not without its challenges.

Universities beware: shifting classes online so quickly is a double-edged swordThe Guardian
But can this rapid shift to online teaching and learning actually work in the long term? Several problems have already emerged. Online teaching needs more than just the basics. Lecturers need access to a computer that supports teaching software and a reliable internet connection. Meanwhile, for students, even basic hardware and software are far from guaranteed in many homes, as families share equipment and internet providers struggle with increased traffic.

Getting through it

Photos: Life in the coronavirus eraThe Atlantic
In an all-out effort to slow the spread of the new coronavirus, health and government officials worldwide have mandated travel restrictions, closed schools and businesses, and set limits on public gatherings. People have also been urged to practice social distancing in public spaces, and to isolate themselves at home as much as possible. This rapid and widespread shift in rules and behavior has left much of the world looking very different than it did a few months ago, with emptied streets, schools, workplaces, and restaurants, and almost everyone staying home.

Rather than the expected shots of empty streets, stadiums and train stations, I find more moving the photos of how this is impacting on individuals, of all ages.

working-through-it-1

Lori Spencer visits her mom, Judie Shape, 81, who Spencer said had tested positive for the coronavirus, at Life Care Center of Kirkland, the Seattle-area nursing home at the epicenter of one of the biggest coronavirus outbreaks in the United States, in Kirkland, Washington, on March 11, 2020.

working-through-it-2

Caidence Miller, a fourth grader at Cottage Lake Elementary, tries to figure out assignment instructions without working speakers on his laptop as he and his grandmother, Chrissy Brackett, navigate the online-learning system the Northshore School District will use for two weeks because of coronavirus concerns, at Brackett’s home in Woodinville, Washington, on March 11, 2020.

working-through-it-3

A woman makes a video call with her smartphone inside her home after the Italian government clamped down on public events, closed bars, restaurants, and schools, imposed travel restrictions, and advised citizens to stay at home in an attempt to slow the spread of the coronavirus on March 15, 2020, in Turin, Italy.

working-through-it-4

A man wearing a mask looks up at a couple looking out of a house window on the 15th day of quarantine in San Fiorano, one of the small towns in northern Italy that has been on lockdown since February, in this picture taken by schoolteacher Marzio Toniolo on March 6, 2020.

Featured image: A student attends an online class at home as students’ return to school has been delayed in Fuyang, Anhui province, China, on March 2, 2020.

Sadly, I think there’ll be plenty of time for more of these photos.

Scientists warn we may need to live with social distancing for a year or moreVox
As Kucharski, a top expert on this situation, sees it, “this virus is going to be circulating, potentially for a year or two, so we need to be thinking on those time scales. There are no good options here. Every scenario you can think of playing out has some really hefty downsides. … At the moment, it seems the only way to sustainably reduce transmission are really severe unsustainable measures.”

Faith in fakes

Everything went according to plan, the art thieves made off with an incredibly valuable Brueghel. Only it wasn’t.

Italian police reveal ‘€3m painting’ stolen from church was a copy
The town’s mayor, Daniele Montebello, was among the few people privy to the subterfuge, and had to keep up the pretence in the hours after the heist, telling journalists that losing the painting was “a hard blow for the community”.

“Rumours were circulating that someone could steal the work, and so the police decided to put it in a safe place, replacing it with a copy and installing some cameras,” Montebello said on Wednesday night. “I thank the police but also some of the churchgoers, who noticed that the painting on display wasn’t the original but kept up the secret.”

It seems nobody’s updated ArtNet News yet, even though they’re referencing this Guardian article.

Thieves just used a hammer to steal a $3.4 million Pieter Bruegel the Younger painting from a remote Italian church
Using a hammer to break the case, the thieves lifted the picture—worth an estimated $3.4 million, according to press reports—and made off in Peugeot car. Police believe two people were involved in the heist. They are now are investigating CCTV footage from around the town and the province for clues.

It’s Monday, so get the coffee on

We can’t do without it now, but in the seventeenth and eighteenth centuries, coffee was pretty foul stuff requiring the hard sell.

“The Virtues of Coffee” explained in 1690 ad: the cure for lethargy, scurvy, dropsy, gout & more
Price made a “litany of claims for coffee’s health benefits,” some of which “we’d recognize today and others that seem far-fetched.” In the latter category are assertions that “coffee-drinking populations didn’t get common diseases” like kidney stones or “Scurvey, Gout, Dropsie.” Coffee could also, Price claimed, improve hearing and “swooning” and was “experimentally good to prevent Miscarriage.”

Among these spurious medical benefits is listed a genuine effect of coffee—its relief of “lethargy.”

I’m caffeinely unadventurous — I only ever order the ‘Americano with room for milk please’ — but I’ve lately discovered moka pots. Don’t know what took me so long, they’re great. Here’s a potted history from Atlas Obscura; the rise…

The humble brilliance of Italy’s moka coffee pot
Over the next 60 years, the moka pot would conquer the world. As of 2016, the New York Times notes that over 90 percent of Italian homes had one. It became so iconic that Renato Bialetti, when he died in early 2016, was actually buried in a large replica of the moka pot.

… and fall …

The moka pot, which in the U.S. had previously had a light following, especially for Italian-Americans, became an object of extreme derision. Coffee purists cried that it couldn’t possibly produce espresso; the moka pot, like the La Pavoni, uses about 1.5 bars of pressure, while a pump espresso machine ideally hits about nine bars. This is, of course, a ridiculous argument; there is no actual definition of espresso, and in any case, the moka pot is at most a second cousin to the espresso machine. There’s no particular reason to compare a steam-driven stovetop machine to a pump-driven electrical device, but coffee people did.

… and rise again.

The past few years have changed that, a little bit. Coffee people have softened their stance, and recognized the moka pot for what it is: an entirely different branch of the coffee machine tree, a very old, very clever, and very economical way to make coffee. The previous complaints about the moka pot fell away, and it is increasingly, in coffee circles, given credit for all its strengths.

monday-coffee-1

Well, I’m a big fan of mine. Just as good as on the high street, I think.

Have we reached peak Costa Coffee?
But if Starbucks represents the kind of distant consumerism that Britons often reject for being too American and Caffè Nero symbolises the sophisticated, European consumerism that makes us feel oafish and uncouth, then part of the success of Costa lies in its ability to reach a middle ground – and to offer it with a smile. It provides no-airs-or-graces coffee, with a reassuring mass-produced quality to its stores.

And if anyone needs an idea about what to get me for Christmas…

11 brilliant gifts for the coffee (or tea) enthusiast in your life
Most of us can appreciate a decent cup of joe. Then, there are those who obsess over bean sourcing, brew temperatures, and whether their paper filter is unbleached. For these friends and relatives, a gift card to the local franchise drive-thru probably won’t do. Check out 11 thoughtful gifts for the coffee and tea lovers in your life.

Or I could just look at this for a while …

hot-coffee

Dante’s Divine Comedy: the book was too long, the video too short

This article from BBC Culture reviews the enormous contribution Dante made with his Divine Comedy, not just in terms of literature and religion but the development and adoption of the Italian language too. It does include this irreverent passage though:

Dante and The Divine Comedy: He took us on a tour of Hell
Dante narrates The Divine Comedy in the first person as his own journey to Hell and Purgatory by way of his guide Virgil, the poet of Roman antiquity who wrote the Aeneid, and then to Heaven, led by his ideal woman Beatrice, a fellow Florentine for whom he felt romantic longing but who died at a very young age. Right there that suggests this view of the afterlife is coloured by authorial wish-fulfillment: Dante gets a personal tour from his father-figure of a literary hero and the woman on whom he had a crush. In the parlance of contemporary genre writing, Dante’s version of himself in The Divine Comedy is a Mary Sue, a character written to be who the author wishes he could be, having experiences he wishes he could have. Sandra Newman, author of How Not to Write a Novel, has said that “The Divine Comedy is really a typical science fiction trilogy. Book one, a classic. Book two, less exciting version of book one. Book three, totally bonkers, unwanted insights into author’s sexuality, Mary Sue’s mask slipping in every scene.”

I guess I must agree. I want to say I read The Divine Comedy as a sixth former, but it’s more accurate to say I read Inferno and just briefly skimmed the rest, like everyone else.

And I loved Peter Greenaway’s video version, A TV Dante, though it was frustratingly too short, only covering the first eight cantos of the first book.

Dante_El Infierno, “A_T.V. Dante” ( Peter greenaway & Tom phillips_1993) subtitulado en español

The illustrations that tend to go along with the books are wonderful, and I’m sure they have contributed to the ongoing appeal of this massive Medieval poem.

A digital archive of the earliest illustrated editions of Dante’s Divine Comedy
These images, from Columbia’s Rare Book and Manuscript Library, represent a 1497 woodcut edition, at the top, with a number of hand-colored pages; an edition from 1544, above, with almost 90 circular and traditionally-composed scenes, all of them probably hand-colored in the 19th century; and a 1568 edition with three engraved maps, one for each book.

As evocative and helpful as they are, that typical cone shape never really worked for me, though, as it doesn’t feel underground-y enough. In this version below, it looks like a vast plain or the map of a pleasant stroll through the North York Moors.

a-wide-open-hell

It needs more ceilings, like in As Above, So Below, a film dealing with similar geography, but with added claustrophobia.

as-above-so-below-ceiling

(I must admit I haven’t seen this film, however. Rather than having to sit through all these kinds of films, I get all I need from the FoundFlix YouTube channel these days. Much quicker.)

All roads really do

Show me the way to go to Rome ♪♫

An interactive map shows just how many roads actually lead to Rome
No one can give you exact directions to Milliarium Aureum (aka the Golden Milestone). Just a few carved marble fragments of the gilded column’s base remain in the Roman Forum, where its original location is somewhat difficult to pinpoint. But as the image above, from interactive map Roads to Rome, shows, the motto Emperor Caesar Augustus’ mighty mile marker inspired still holds true.

All roads lead to Rome.