Let’s stay in France with these articles about Wes Anderson’s new film, The French Dispatch, based loosely on The New Yorker’s writers and editors. Whilst it’s fascinating to read about the real life editors and reporters that inspired the film, I’m more interested in its aesthetics.
The New Yorker writers and editors who inspired “The French Dispatch” – The New Yorker
According to David Brendel, who worked closely with Anderson on “An Editor’s Burial,” an anthology of New Yorker articles and other writing that inspired the film, the filmmaker discussed the significance of the movie’s vibrant visual language during post-production. “This is a world where all of the eccentricities are preserved, and it’s as if the magazine’s offices and culture back then were as colorful as its covers,” Brendel said.
When Wes Anderson comes to town, buildings get symmetrical – The New York Times
The top floors of the building, which include a sign so wordy (The French Dispatch of the Liberty, Kansas Evening Sun) that it continues across the upper-floor windows, were actually designed as a miniature. That miniature was digitally merged with the real building to give the top of it a more stylized look. The townscape of buildings in the background to the left is also a digitally added miniature. But on the ground level, the fronts were constructed for the film.
I noticed that this photo of the original building is credited to Accidentally Wes Anderson, the website that highlights similarly interesting and idiosyncratic places from across the globe. It was nice to see some local architecture featured there, amongst all the others.
Accidentally Wes Anderson: Instagram finds stylised symmetry in real cities – The Guardian
He says his account, @AccidentallyWesAnderson, has found favour with “an engaged group of explorers with a keen eye”, who send him thousands of submissions every week. The community he has built around Anderson’s aesthetic was recognised last month, when Koval was able to exclusively share the artwork for Anderson’s upcoming film, Isle of Dogs: “not accidental, but very much intentional Wes Anderson”.
That’s all been gathered up in book form, now.
‘Accidentally Wes Anderson’, a book of real locations that look like they’re made specifically for his films – Laughing Squid
Wally Koval, the man behind the popular Accidentally Wes Anderson Instagram account that features real-life locations that look like they’re made in the distinct style of Wes Anderson specifically for his films, has put their photographic collection into a hardcover book with a sewn binding. The book showcases 200 different locations over 368 pages and features a foreword by Anderson himself.
But back to the movie, or rather the music video of the movie (with Jarvis Cocker!).
Watch Wes Anderson’s animated music video for The French Dispatch’s ‘Aline’ – Dazed
Wes Anderson has directed a new, animated music video for Jarvis Cocker’s rendition of the 1965 Christophe track “Aline”, performed as the fictional pop star Tip Top. The song is one of several French pop covers to feature on Cocker’s musical counterpart to Anderson’s The French Dispatch. Titled Chansons d’Ennui, the record will also include versions of tracks by Serge Gainsbourg, Brigitte Bardot, Marie LaFôret, Jacques Dutronc, and more.
I note its style is very similar to the design of the initial movie poster, though they seem to have gone in a very different direction for this new set of posters.
12 new posters for The French Dispatch feature each of its characters within the wonderful world of print journalism – It’s Nice That
The New Yorker is known for its beautiful covers. Each month, the publication delivers a new painted or illustrated cover for its readers, so it was important for the creative team behind the posters to emulate the covers and making sure the fonts stand out on the poster design. The result is clean and punchy posters which facilitate design elements to shine through, thus allowing for a clear and consistent design identity to be born of the cinematic world.
Looks like we’re heading off to Spain for the next one.
Wes Anderson is shooting a new film in Spain this summer – Dazed
Sets for Anderson’s as-yet-untitled project can be seen on the outskirts of the town in south east Madrid, says the Spanish newspaper, ready for shooting in July, August, and September. These sets reportedly include a mock train station and landscapes typical of a classic Western (though the film isn’t said to be of that genre).