Certainly more vibrant and kaleidoscopic than my sleepy 98 bus.
D A Pennebaker transformed documentary filmmaking. This is his first film
With its frenetic pace, early morning hues, avant-garde touches, and playful use of shapes and patterns, Pennebaker’s first short, Daybreak Express (1953), made for a precocious debut. The sounds of an eponymous Duke Ellington composition form the film’s clattering backbone, as Pennebaker crafts an urban mosaic from Manhattan’s soon-to-be demolished Third Avenue elevated train line. While more experimental than much of the work he would be celebrated for later, Pennebaker’s career-long knack for kinetic editing, adventurous storytelling and skilfully marrying music and images still permeates nearly every frame.
My son was playing a new piece of piano music following his lesson yesterday that really caught my attention. I didn’t recognise the title, ‘I Wish I Knew How It Would Feel to Be Free’, but if you’re a TV viewer in the UK of a certain age, you’ll certainly recognise the tune.
Barry Norman “Film” theme tune
It reminds me little of the South Bank Show theme tune — wonderful music we’d hear each week that I didn’t fully appreciate had a life outside that TV programme.
It was written in 1963 by Billy Taylor and Dick Dallas and served as an anthem for the Civil Rights Movement in America in the 1960s. Here it is performed by the Billy Taylor Trio, after a wonderfully laid back intro.
Billy Taylor Trio – I Wish I Knew How It Would Feel To Be Free
But if it’s a recording with soul you’re after, here’s the irrepressible Nina Simone. This just builds and builds.
Nina Simone – I Wish I Knew How It Would Feel to Be Free (Audio)
And here’s an amazing live performance from Montreux 1976.
Nina Simone – I Wish I Knew How It Would Feel To Be Free (Montreux 1976)