Here’s a piece from the New York Times on what might be putting people off taking up hobbies — we might be a bit naff at them.
In praise of mediocrity
If you’re a jogger, it is no longer enough to cruise around the block; you’re training for the next marathon. If you’re a painter, you are no longer passing a pleasant afternoon, just you, your watercolors and your water lilies; you are trying to land a gallery show or at least garner a respectable social media following. When your identity is linked to your hobby — you’re a yogi, a surfer, a rock climber — you’d better be good at it, or else who are you? […]
Especially when it comes to physical pursuits, but also with many other endeavors, most of us will be truly excellent only at whatever we started doing in our teens. What if you decide in your 40s, as I have, that you want to learn to surf? What if you decide in your 60s that you want to learn to speak Italian? The expectation of excellence can be stultifying.
I enjoyed reading this, and found it personally quite encouraging. Photography is a hobby of mine, and I’ve enjoyed documenting family life for many years now. I like taking photos much more than I like looking at the photos I’ve taken, however. I’m often disappointed that they never quite match the ideas in my head. But that’s fine.
And I guess this blog is another hobby of mine that I enjoy doing but aren’t really that good at, judging by my blog stats. But you know what, that’s fine too.
Pelle Cass must have the patience of a saint—not because of the number of photos he takes, but what must be involved in stitching them all together.
The dizzying patterns of movement at athletic events captured in composite photographs by Pelle Cass
Although the images are highly manipulated, with over five hundred Photoshop layers involved, Cass notes that each and every figure remains in the original location and position that they were in at the time the photo was taken. His compositional effort is to understand and convey the visual story that unfolded over the course of the sporting event. The artist explains to Colossal, “I scroll up and down, over and over looking for figures I think are interesting. It’s a little like slow-motion Tetris, trying to fit various shapes into various spaces. Then, with luck, a set of coincidences or a kind of gesture or spatial idea begins to emerge.”
Some of Pelle Cass’s images were used in Nicholas Felton’s Photoviz infographics book.
But compare those images with these from South Korea. A similar feel but without any digital manipulation.
Seung-Gu Kim creates Lowry-style photographs of South Korean holidays
Having documented the Korean relationship to the water, as well as recent trends in Korean housing – which sees cities recreating mountains within apartment complexes – one of Seung-Gu’s most recent series focussing on the irony of South Korean holidays, particularly caught our eye. Titled Better Days the series depicts how, as Koreans work extraordinarily long hours, when it comes to going on holiday, they often don’t have the time to travel very far. As a result, leisure parks and entertainment multiplexes have cropped up all over Seoul’s suburbs.