All the music

You might think you have pretty eclectic musical tastes, but honestly, there’s just so much music out there. We can only scratch the surface. What we need is a map of it all.

Every noise at once
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 3,385 genre-shaped distinctions by Spotify as of 2019-08-30. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.

3,385 genres? I only really listen to one now, but perhaps this will encourage me to broaden my horizons again.

Dive into Every Noise at Once, a musical map of genres you didn’t know existed
“I’m continually surprised to find that no matter how obscure some niche genre seems to me at first, there always turn out to be a hundred bands doing that and three more subgenres based on even subtler distinctions,” McDonald says. “The music just doesn’t stop! And some things I had never heard of turn out to make me as happy as things I’ve loved for decades. Australian hip-hop! German oi! Liquid funk, bachata, doomcore, jazz orchestra, warm drone!”

Some genres make more of an impact than others, of course. And the same could be said of some of the albums within those genres. Like this one, for instance.

Miles Davis’ Kind of Blue at 60: A new video essay celebrates the 60th anniversary of the iconic album
With the company of other legendary musicians, like John Coltrane and Bill Evans, Kind of Blue was recorded; the greatest selling jazz album of all time. Miles chose to take an interpretive dance approach to improvisation, developing ideas and using space to create his unique style. This new style of modal jazz pushed musicians to express themselves through melodic creativity.

Kind of Blue 60th anniversay

Or try this version.

Kind of Bloop
Kind of Bloop is a chiptune tribute to Miles Davis’ Kind of Blue, a track-by-track 8-bit reinterpretation of the bestselling jazz album of all time.