Yo-Yo Ma’s touring again, but his Bach Project isn’t just a series of concerts.
Yo-Yo Ma — The Bach Project
It is a journey motivated not only by his six decade relationship with the music, but also by Bach’s ability to speak to our common humanity at a time when our civic conversation is so often focused on division. […] Alongside each concert is a day of action, a series of conversations and collaborations that explore how culture can help us imagine and build a better future.
As well as the concerts, he’s been meeting with students, community groups and artists to share the idea that culture connects us and is needed now more than ever.
Yo-Yo Ma’s days of action
Ma said that he had come to Anacostia because of the community’s efforts to strengthen itself through culture. “You give of yourselves from substance,” he said. “It’s not money, it’s not just work, it’s that you give of yourselves, and, when you do that, that’s when beauty emerges.” He then played the Prelude of Bach’s G-major Suite. Kymone Freeman, the station’s co-founder, approved. “This is the type of culture that should be exposed to our children,” Freeman told his listeners. “The first thing that gets cut is art. The last thing that gets funded is art.”
At the Bowl, Ma said little, disappearing into the music. For the cathedral concert, which was presented by Washington Performing Arts, he was in a more boisterous mood. He wore a colorful scarf around his neck, and explained that he had found it at an Anacostia boutique called Nubian Hueman. “I’m doing all of my holiday shopping there,” he said. At the halfway point—there was no intermission—he motioned for the audience to stand, which was taken as a signal for an ovation. But Ma wasn’t seeking adulation: he wanted everyone to stretch. He proceeded to do a few jumping jacks while holding his multimillion-dollar cello in one hand.
Here he is explaining the reasons behind the new album and tour.
But I couldn’t resist also adding this video here, too. It’s quite remarkable, not just to Yo-Yo’s playing at such an early age, but for Bernstein’s wonderful introduction.
Leonard Bernstein presents 7-year-old Yo-Yo Ma’s high-profile debut for President John F. Kennedy
The New York Times reported that on November 29, 1962, a benefit concert called “The American Pageant of the Arts” was to be held with “a cast of 100, including President and Mrs. Kennedy, Dwight D. Eisenhower, Leonard Bernstein (as master of ceremonies), Pablo Casals, Marian Anderson, Van Cliburn, Robert Frost, Fredric March, Benny Goodman, Bob Newhart and a 7-year-old Chinese cellist called Yo-yo Ma, who was brought to the program’s attention by Casals.”
As biographer Jim Whiting noted, “the article was noteworthy in two respects. First, it included Yo-Yo’s name in the same sentence as those of two U.S. presidents and eight world-famous performers and writers. Second, Yo-Yo had been identified in a major newspaper for the first time. It would hardly be the last. In the years since then, the New York Times alone has written about him more than 1,000 times.”
From the comments:
It makes me weep to see how Bernstein articulates a vision of open internationalism and welcome in this nation, which has now become so closed.
Yo-Yo Ma played before President Kennedy at 7, and also played for President Obama’s inauguration. What a life for him!