Sounds good to me

Yes, it can get a little too loud for us oldies sometimes, but movie music — and cinematic sound more broadly — is such a fascinating area.

Making Waves: The art of cinematic sound
Directed by veteran Hollywood sound editor Midge Costin, the film reveals the hidden power of sound in cinema, introduces us to the unsung heroes who create it, and features insights from legendary directors with whom they collaborate.

An incredible amount of vital yet laborious work goes on behind the scenes.

A new documentary explores the underrated art of movie sound
Synchronised sound came in with “Don Juan” in 1926, and synchronised speech followed in 1927 with “The Jazz Singer”, starring Al Jolson. But sophisticated sound design wasn’t born until 1933, when Murray Spivack created the giant ape’s bellow in “King Kong” by mixing a lion’s roar with a tiger’s roar, and playing it backwards at half-speed. Cece Hall did something similar on “Top Gun” more than 50 years later. Actual fighter-plane engines “sounded kind of wimpy”, she recalls, so she concocted her own substitute from big-cat growls and monkey screeches. The producers nearly fired her for her pains, she says, but she went on to win an Oscar.

The documentary is the work of Midge Costin, a sound editor-turned-academic. It took some time to get off the ground, however — getting clearance for the samples of so many movie clips can be a costly affair.

Making Waves: behind a fascinating documentary about movie sound
The courts have since ruled that sampling footage will be acceptable so long as it’s done in the spirit of public edification, and just like that, Costin was off. Between the connections she’d made in the industry and favors called in from fellow sound people, she put together an all-star lineup of commentators. From her former student Ryan Coogler to Steven Spielberg, who named her the Kay Rose chair at USC’s School of Cinematic Arts, the deep bench of experts dissect scenes classic and contemporary to illustrate the great quantities of work that go into creating and fine-tuning a soundscape. Spielberg, for example, goes into the subtly expressionistic quality of the shellshocking beach invasion that opens Saving Private Ryan.

The bizarre methods by which sound effects are captured often remains a mystery, but in this music video, it’s all on show.

A brilliant highly rhythmic music sample created from abandoned industrial equipment on the docks
Multimedia artist Daniel Gourski and DJ Jonas Appel have created “Docks”, a brilliant, highly rhythmic music sample made entirely from abandoned industry equipment. Gourski and Appel creatively banged, scraped and knocked at the waterside equipment with all sorts of objects.

Gourski & Appel – Docks

Debauched Bach?

Whether alphabetized or not, when it comes to classical music composers, Bach’s at the top of the list. It’s hard to overstate his influence and legacy. But, as this excerpt from Ted Gioia’s Music: A Subversive History shows, he was no saint.

J.S. Bach the rebel
I’ve talked to people who feel they know Bach very well, but they aren’t aware of the time he was imprisoned for a month. They never learned about Bach pulling a knife on a fellow musician during a street fight. They never heard about his drinking exploits—on one two-week trip he billed the church eighteen groschen for beer, enough to purchase eight gallons of it at retail prices—or that his contract with the Duke of Saxony included a provision for tax-free beer from the castle brewery; or that he was accused of consorting with an unknown, unmarried woman in the organ loft; or had a reputation for ignoring assigned duties without explanation or apology. They don’t know about Bach’s sex life: at best a matter of speculation, but what should we conclude from his twenty known children, more than any significant composer in history (a procreative career that has led some to joke with a knowing wink that “Bach’s organ had no stops”), or his second marriage to twenty-year-old singer Anna Magdalena Wilcke, when he was in his late thirties?

Happy 18th birthday, iPod

The iPod is 18 already? Time flies. Here’s the original Apple iPod press release, from 23 October 2001.

Apple presents iPod
“With iPod, Apple has invented a whole new category of digital music player that lets you put your entire music collection in your pocket and listen to it wherever you go,” said Steve Jobs, Apple’s CEO. “With iPod, listening to music will never be the same again.”

Yep, pretty much.

Oct. 23, 2001: Now hear this … The iPod arrives
Apple’s Steve Jobs, who tends to overuse superlatives (“the best ever,” “it’ll put a ding in the universe”), was not far off the mark with the iPod. Despite some conspicuous flaws — a wonky scroll wheel, no Windows compatibility, short battery life and a whopping $400 price tag — this innocuous-looking device was indeed a game-changer.

Mine are still going strong. Well, I guess so, I’ve not fished them out from the back of that drawer for ages.

Apple | The Very 1st iPod Ad (ever) | Circa 2001

Affecting and infecting movie music

In this video from Vanity Fair, director Todd Phillips talks us through a few of the opening scenes from his new film, Joker.

Joker director breaks down the opening scene

At 3:40 or thereabouts, he’s talking about what really helps Joaquin Phoenix get into a scene.

And I think, if I remember it right, in this particular scene I was playing the score for him, in the room, because – we had Hildur Guðnadóttir, who was our composer, I had her write music before we shot the movie, which isn’t done very often, and she wrote it based on the screenplay – and I wanted that because I wanted the music to really affect and infect the set in a way, really, even the camera operators, the set dressers, wardrobe, everybody to feel this music.

(That’s a name to look out for in the future.) Todd Phillips is not the first director to use this technique, however.

Why Sergio Leone played music on set

It might be too much for some people, though.

Deafening cinema sound is ruining films, claims Hugh Grant
Joker, the sinister hit starring Joaquin Phoenix, is dividing film critics. Hailed as a masterpiece by some, it has left others balking at its violence. For the actor Hugh Grant, the experience of watching at his local London cinema last week was “unendurable”, but not because of Todd Phillips’s menacing vision as director.

Grant felt high noise levels in the auditorium had made his trip to see Joker at the Vue in Fulham “pointless”, he complained on Twitter, adding: “The joke was on us”. “Am I old or is the cinema MUCH TOO LOUD?” the film star asked.

Music at war

I’m familiar with the role drums have played during times of war, but not pianos.

When the pianos went to war
During the war, the U.S. government essentially shut down the production of musical instruments in order to divert vital resources such as iron, copper, brass, and other materials to the war effort. Yet the government also determined that the war effort ought to include entertainment that could lift soldiers’ spirits. But just any old piano wouldn’t do. They needed ones hearty enough to withstand the trying conditions out in the field—including being packed into a crate and dropped out of a plane.

From literal war, to a more symbolic musical clash.

The ‘implicit danger’ of a violin concerto
The concerto is the ultimate display of musical virtuosity – pitching a soloist against the orchestra as they alternate, compete and combine in a constantly changing dialogue. Those dynamics are crystallised in the word concerto itself, which has two, apparently contradictory, meanings: Competition and agreement.

And far from clashing and jarring, here are two genres working so well together you wonder why combining metal and jazz hasn’t been done before.

A funky mashup of Black Sabbath’s ‘War Pigs’, Metallica’s ‘Master of Puppets’ and Herb Alpert’s ‘Rise’
Video editor Bill McClintock has created a really funky mashup of “War Pigs” by Black Sabbath, “Master of Puppets” by Metallica and Herb Alpert‘s iconic instrumental “Rise”. It all sounds really good together, however what stands out, is Abraham Laboriel‘s phenomenal bassline punching through.

Mashup – War Puppets Rise to Heaven

There are plenty more where that came from.

Discordant ambitions

Seeing orchestral music played live is a marvellous thing. Years ago I wrote about how uplifting watching an orchestra can be, as opposed to just listening to a recording.

If only the same could be said for being in an orchestra. Here’s an impassioned account from Kate Wagner of the heartache and struggle you face when you come up against the “myth of meritocracy”.

Strike with the band
Classical music is cruel not because there are winners and losers, first chairs and second chairs, but because it lies about the fact that these winners and losers are chosen long before the first moment a young child picks up an instrument. It doesn’t matter if you study composition, devote years to an instrument, or simply have the desire to teach—either at the university level or in the public school system. If you come from a less-than-wealthy family, or from a place other than the wealthiest cities, the odds are stacked against you no matter how much you sacrifice, how hard you work, or, yes, how talented you are.

All the music

You might think you have pretty eclectic musical tastes, but honestly, there’s just so much music out there. We can only scratch the surface. What we need is a map of it all.

Every noise at once
Every Noise at Once is an ongoing attempt at an algorithmically-generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 3,385 genre-shaped distinctions by Spotify as of 2019-08-30. The calibration is fuzzy, but in general down is more organic, up is more mechanical and electric; left is denser and more atmospheric, right is spikier and bouncier.

3,385 genres? I only really listen to one now, but perhaps this will encourage me to broaden my horizons again.

Dive into Every Noise at Once, a musical map of genres you didn’t know existed
“I’m continually surprised to find that no matter how obscure some niche genre seems to me at first, there always turn out to be a hundred bands doing that and three more subgenres based on even subtler distinctions,” McDonald says. “The music just doesn’t stop! And some things I had never heard of turn out to make me as happy as things I’ve loved for decades. Australian hip-hop! German oi! Liquid funk, bachata, doomcore, jazz orchestra, warm drone!”

Some genres make more of an impact than others, of course. And the same could be said of some of the albums within those genres. Like this one, for instance.

Miles Davis’ Kind of Blue at 60: A new video essay celebrates the 60th anniversary of the iconic album
With the company of other legendary musicians, like John Coltrane and Bill Evans, Kind of Blue was recorded; the greatest selling jazz album of all time. Miles chose to take an interpretive dance approach to improvisation, developing ideas and using space to create his unique style. This new style of modal jazz pushed musicians to express themselves through melodic creativity.

Kind of Blue 60th anniversay

Or try this version.

Kind of Bloop
Kind of Bloop is a chiptune tribute to Miles Davis’ Kind of Blue, a track-by-track 8-bit reinterpretation of the bestselling jazz album of all time.

Piano guys

A couple of fun musical performances that caught my eye recently.

World piano playing record broken by 88 schoolchildren
The team created an enormous, multi-stringed instrument which allowed 88 children, aged six to 14 years old, to play at the same time. The record previously stood at 21 pianists.

The project began in 2018 when engineers from University of Cambridge decided to try and break that record, to commemorate the 500th anniversary of Leonardo Da Vinci.

So much invention within each individual key. Here’s the fuller video.

88 pianists on one piano

And from the very large to the very small.

One of the world’s greatest pianists came to Classic FM, so we made him play our silly, pink toy piano
He’s one of the world’s finest keyboard virtuosos – and he composes, paints, writes and is brilliant on Twitter – a true Renaissance man. But can Stephen Hough master our pink piano? We wanted to find out.

Mechanical, musical marvels

I’m not sure how I’ve failed to share Wintergatan’s Marble Machine video before now. It’s from a few years ago, but I still come back to it and am just as blown away as I was the first time I saw it.

Wintergatan – Marble Machine

It’s just (just??) a large music box, really, but it made quite an impression, to say the least. And as technically astounding as that is, a new-and-improved version is being built, and musician/designer/engineer Martin Molin has been sharing the journey in some detail. It looks and sounds incredible.

Marble Machine X plays drums

As well as showing us his own work, Martin has filmed his favourite music machines from the Speelklok Museum in Utrecht, in the Netherlands. They’re just as bizarre.

100 year old self-playing violin – “The Eighth Wonder of the World”
This amazing instrument is The Hupfeld Phonoliszt Violina – an Orchestrion with self-playing Violins, Enjoy!

Domtoren Clock Tower plays the Marble Machine song
Malgosia Fiebig surprised me completely by playing the Marble Machine song on the Carillion of the Domtoren clock tower for the whole city of Utrecht!

It’s crazy to think that that 900 year old tower, all 112.5 metres of it, is one instrument.

mechanical-musical-marvels

A dazzling early-morning commute

Certainly more vibrant and kaleidoscopic than my sleepy 98 bus.

D A Pennebaker transformed documentary filmmaking. This is his first film
With its frenetic pace, early morning hues, avant-garde touches, and playful use of shapes and patterns, Pennebaker’s first short, Daybreak Express (1953), made for a precocious debut. The sounds of an eponymous Duke Ellington composition form the film’s clattering backbone, as Pennebaker crafts an urban mosaic from Manhattan’s soon-to-be demolished Third Avenue elevated train line. While more experimental than much of the work he would be celebrated for later, Pennebaker’s career-long knack for kinetic editing, adventurous storytelling and skilfully marrying music and images still permeates nearly every frame.

Daybreak Express

Happy minimalism

I mentioned earlier how metal has the power to make us happy. Whilst I enjoyed riffing down memory lane, the music that lifts my spirits now is more orchestral.

Here, composer David Bruce introduces us to minimalism and the work of Steve Reich, Philip Glass and, in particular, John Adams. I remember being completely blown away when I first heard this type of music, on a CD just called Minimalist, and it’s great to understand a little more about some of the orchestral decisions that goes into such work.

How John Adams writes for orchestra (The Chairman Dances & influence of minimalism)
The early minimalists choice of instruments and ways of composing influenced a whole generation of composers, myself included. In this video I look at how the style they developed went on to influence later orchestral compositions, in particular looking at the orchestral technique in John Adam’s piece ‘The Chairman Dances’.

And here’s that performance in full.

The Chairman Dances by John Adams – BBC Philharmonic Orchestra

Now for something completely different. I’ve been vaguely aware of the name Victor Borge for a while, but never really knew anything about him or his stage routines. Consider this one of the YouTube recommendation algorithm’s big successes.

Victor Borge – Piano jokes

Les Dawson, anyone?

Happy metal

Did you know that music has the power to affect us physiologically, as well as just emotionally?

Here’s what happens in your brain when you listen to music, according to science
Music can also have a strong effect on your emotions by, in a sense, manipulating your body. For example, a 2009 study published in the scientific journal Circulation found that autonomic responses, such as your heart rate, can synchronize with the music you’re listening to, especially if it includes a number of crescendos.

But how about something more two-way?

Our brain-computer interfacing technology uses music to make people happy
For instance, imagine a device that can detect when you are falling into a state of depression (as evidenced by, for example, an unusual spiking activity in the EEG), and use this information to trigger an algorithm that generates bespoke music to make you feel happier. This approach is likely to be effective. Indeed, recent research has shown, in a large meta-analysis of 1,810 music therapy patients, that music can reduce depression levels.

You wouldn’t think something as aggressive-sounding as metal could help here, but you’d be surprised.

Heavy metal
When fans of metal listen to the music, they don’t feel rage, anger, or despair, but “power, joy, peace, and wonder,” according to research published last year. In fact, a huge survey in 2010 sought to categorize people by their musical tastes, and found a significant overlap between metal and opera fans, who shared “similarly creative and gentle personalities.”

Heavy metal music can have health benefits for fans
Despite the often violent lyrical content in some heavy metal songs, recently published research has shown that fans do not become sensitized to violence, which casts doubt on the previously assumed negative effects of long-term exposure to such music. Indeed, studies have shown long-terms fans were happier in their youth and better adjusted in middle age compared to their non-fan counterparts. Another finding that fans who were made angry and then listened to heavy metal music did not increase their anger but increased their positive emotions suggests that listening to extreme music represents a healthy and functional way of processing anger.

I used to listen to a lot of metal when I was younger. This quick summary of the genre brought all the good vibes back.

20 iconic metal riffs

Want to learn more? You can get a PhD in it now (kind of).

University offers PhD scholarship in heavy metal
The University of Newcastle in Australia is offering a scholarship of $27,596 per annum (assumedly that’s AUS dollars, meaning $19,232 USD or £15,139) to two domestic students and one International student, to study social geographies across a series of cultures. The subjects being studied are Homelessness and Mutual Aid, Vegan Geographies, Unschooling and The Possibilities of Childhood, and of course, Heavy Metal Geographies.

Any study of heavy metal geography is bound to look at Finland…

Finland’s Heavy Metal knitting championship is the real purl jam
While combining heavy metal music with knitting might not seem an obvious match, the organizers say it’s similar to other unusual events in Finland, such as world championships in air guitar, swamp soccer, and wife carrying — Finnish ways of goofing around and making the most of the long summer nights in these northern latitudes.

“We have such dark and long winters,” said Mari Karjalainen, one of the founders of the event. “This really gives us lots of time to plan for our short summers and come up with silly ideas.”

Purl jam: Finland hosts heavy metal knitting championship

Well that’s not something I remember seeing Lemmy do!

Glass in Manchester

Manchester’s Royal Exchange Theatre have a new Philip Glass work, Tao of Glass, “an exploration of life, loss and a single question: Where does true inspiration come from?” It’s a collaboration with Phelim McDermott, who has worked with his music before.

Tao of Glass review – golden odyssey through Philip Glass’s music
Tao of Glass, co-directed with Kirsty Housley and with a score by Glass himself, is – on one level – the story of McDermott’s long-held dream of creating a piece to his music. Aided by three puppeteers and a small band of musicians, he acts out his story not as a narrative, but as a collage of fragments. His initial idea, he tells us, had been to stage Maurice Sendak’s children’s book In the Night Kitchen, about a boy falling into a surreal underworld. But Sendak died before work could begin, and the project came to nothing. Yet what do we have here? A falling puppet boy, a model piano that ingeniously transforms into a toy theatre of kitchen cupboards and utensils, a fantasy flight inside a milk bottle, all to a specially composed score.

It all sounds extraordinary.

Meditating in Manchester: Tao of Glass – in pictures
This world premiere at Manchester international festival combines Philip Glass’s mesmerising music and performer-director Phelim McDermott’s theatricality.

tao-of-glass-2

tao-of-glass-3

Philip Glass: from Einstein on the Beach to a superfan in Manchester
As a young Glass fan, McDermott saw ENO’s European premiere of Akhnaten in London in 1985. After picking up his ticket, he says, he spotted the composer in the street and followed him around Covent Garden until Glass disappeared into a sushi restaurant. “I guess there was a fantasy – if I stopped him, what would I say? A little bit like when I saw Quentin Tarantino at a crime writers’ festival in Nottingham. On some level, Tao of Glass is me finally daring to stop Philip and ask him a question.”

tao-of-glass-1

I love how he has a matching anecdote.

Philip Glass: I once had Salvador Dali in the back of my cab
An element of this show is Phelim McDermott’s love of your music. He says in 1985 he followed you down the street and was too shy to say hello. Have you ever had a moment where you were starstruck?

Oh yes. In my early days as a composer, I had day jobs as most people do. For a period of time I was driving taxis and Salvador Dali got in my cab. Can you believe that? With the moustaches and everything. And I was dying to talk to him.

But it was a very short ride. I took him from a restaurant back to his hotel, only about six blocks. And I was thinking, I’ve gotta say something. I never could think of anything to say to him. Better that, because I’m afraid that if I said something, whatever it was, it would have been probably very stupid. In the end I can say I missed meeting him by very little.

Reminds me of the time as a student when I almost met Peter Greenaway. We were both on a train to Cardiff, for a showing and Q&A of The Baby of Mâcon at the Chapter arts centre. Yep, just too shy to meet a hero. Good to know I’m not the only one.

Collecting and paying for music

Following on from that post about music formats we’ve loved and lost, here’s news of a unique record collection up for grabs.

For Sale: 40 years of vinyl singles that topped the British charts
Tim Claydon acquired his first vinyl single—“She Loves You,” by the Beatles—in 1963, when he was just three years old. The purchase kicked off a lifetime of voracious vinyl-collecting, and Claydon can still recall the most minute details from that auspicious day in Maldon, in southeastern England. He remembers walking to Woolworths on High Street with his grandmother, and watching the vendor slip the vinyl into its brown paper packaging. “I can even smell it now,” he says, more than half a century later.

If you’re looking for something on cassette that’s a little more avant-garde and experimental, check these out.

Various cassette tapes
A collection of digitized commercial and amateur mixtapes recorded on cassette format, dating over the last 30 years.

music-collections-1

Once upon a time, these physical things, vinyl and cassette tapes, were bought with real, physical money, and a proportion of that money would find its way to the artist. Nowadays, of course, it’s all online and streamy, and the way the money flows is less clear.

Let’s imagine Anna, a fictitious Spotify user, spent the whole of last month only listening to one album by her favourite band. You’d think that all of her $10 subscription for that month would go to that band, right? Well.

Your Spotify and Apple Music subscriptions pay artists you never listen to
They take all of the money generated from users, whether by advertisements or subscriptions, and put in a big pot. They then divide that pot by the total share of streams each artist received. So, if Apple Music gave $100 million of their revenues to artists in a month, and Drake songs accounted 1% of all streams that month, then Drake (and the writers of Drake’s songs) would receive $1 million. Essentially, 1% of Anna’s money is going to Drake.

Nothing’s ever straightforward, is it?

Listen to this, ol’ timer

Here’s an addition to the god-that-makes-me-feel-old list — the Walkman turns 40 this year. Fancy having to explain to someone what a Walkman was. Or what Napster was…

Walkman turns 40 today: How listening to music changed over the years
Though it was first invented 40 years ago, in 1979, the iconic cassette tape player defined the decade when legwarmers weren’t part of costumes and Reaganomics ruled the land. It was the first device that allowed listeners to take music with them on the go (hence, the name).

Since then, we’ve evolved to CDs, iPods, and the current age of streaming services like Spotify and Apple Music. It’s easy to forget how revolutionary the Walkman was for its time, and that it marked a pivotal moment in the nearly 150-year-old history of recorded music.

With that in mind, here’s a look at how we’ve listened to music through the years — from the 1800s to today.

There are some great photos here. We’ve certainly gone through a number of formats here. I wonder what’s next.

listen-to-this-1

listen-to-this-2

A well-connected farm

The festival itself really doesn’t appeal, but the infrastructure required is incredible.

How Glastonbury Festival builds a city-sized phone network for just one weekend
In 2010, data usage over the Glastonbury network reached 0.11 terabytes. In 2013, the first year of 4G at the festival, it jumped to 12.3, and at the last event in 2017 (2018 was a fallow year) it rose to 54.2 terabytes. The busiest time for data uploads was during the “legends” slot on Sunday afternoon, when Bee Gee Barry Gibb took to the Pyramid Stage. This year, EE predicts that data usage will pass 60 terabytes – with 5G being brought to the festival for the first time to take on some of the load.

The main challenge is not coverage but capacity, given the tight geographic space people are packed into. “We’re looking at Glastonbury being the size of York, but the capacity required is more like central London,” says Bennett.

a-well-connected-farm-1

Co-incidental music

Time flies. One minute I’m graduating with a university degree, wondering what on earth I’m going to do with it. The next minute*, I’m at a university again, only this time with child #1 on his first Open Day visit.

That evening, whilst reminiscing about my student days and bored of our usual radio station, child #2 switches to Pete Tong’s House Nation programme, something we’ve never listened to before. And just at the right time to catch this blast from the past — Kaw-Liga from The Residents.

The Residents – Kaw-Liga

I don’t think I’ve listened to that since leaving university. Back then, it was their interactive Gingerbread Man and Freakshow CD-ROM work that first caught our eye, I think. (When was the last time you saw the word CD-ROM?)

The Residents 1994 interview PCTV

It’s strange to think that, even though we had the internet in the mid-nineties, it wasn’t anywhere near as easy or as embedded as it is now. This was 10 years before YouTube was founded. It’s taken me just moments to find the original 1950s Hank Williams version and to learn that that bassline in The Residents’ version is deliberate.

Kaw-Liga
The avant-garde band The Residents recorded the song for their 1986 album Stars & Hank Forever: The American Composers Series, replacing its original backing music with the bassline of Michael Jackson’s Billie Jean. This was more than likely a reference to Williams’ wife, who was named Billie Jean.

* OK, not the next minute, but the 12,610,000th one. Roughly.

Fixing music

I can’t think of many things more enjoyable than listening to music. Starting with the radio alarm clock in the morning, mp3s on the bus, Spotify in the office, to relaxing with the radio again on an evening, I try to have music around me all day. Why (apart from distracting me from my tinnitus)? Because it’s pleasurable, of course. But why is it pleasurable? Er, good question.

It’s hard to know why music gives pleasure: is that the point?
We know music is pleasurable, the question is why? Many answers have been proposed: perhaps none are quite right.

The thought of being without music or amongst music makers is horrible — “Between 2007 and 2017, funding for arts programs in Philadelphia public schools was cut from $1.3 million to $50,000 annually.” So begins this short, quirky documentary from Topic.

Broken Orchestra

The format of the film could be seen as gimmicky, but I think its setting and style are really appropriate. And quite moving in parts.

How Philadelphia fixed its ‘Broken Orchestra’
When the Philadelphia public-school system began losing almost all the funding for its music-education programs in 2007, thousands of instruments in need of repair were forced into retirement, and community members moved to action. In this triumphant new documentary by Charlie Tyrell, we are introduced to a few of the innovators, educators, volunteers, advocates, and musicians behind Symphony for a Broken Orchestra, a music and art project begun in 2017 that raised awareness for the issue, helping to get those broken instruments back into Philadelphia students’ hands.

From Philadelphia’s Broken Orchestra to Manchester’s Kaleidoscope Orchestra, and their re-imagining of The Prodigy’s music. We’ve seen this kind of thing before — Nick Proch’s orchestral arrangement of Rage Against the Machine, for example, and of course 2Cellos and Thunderstruck — but there is surprising delicacy and emotion here.

A gorgeous orchestral tribute to the late Keith Flint of The Prodigy
In April we recorded this tribute to Keith Flint. We were shocked and saddened to hear of his passing and wanted to pay our respects through an orchestral medley featuring music by The Prodigy. We’re continually trying to help raise awareness for the mental health of musicians as it affects so many of us.

Tribute to Keith Flint – The Prodigy Orchestra Medley

More on music and loss.

Italy violin-makers rush to save damaged wood
An unprecedented wave of storms has knocked trees down in Italy’s forests and artisans are racing to salvage the valuable wood before it rots. More than 2,500,000 red spruce trees were felled in violent storms. Red spruce is a wood prized by violin-makers – and they are concerned that supplies of it are running out, which makes destructive weather like this even more devastating.

An emotional reunion between cello and cellist
The accident led to the discovery of other, more insidious problems: Matteo’s three-hundred-year-old insides were collapsing. The top was losing its arch; the cracks were widening. “A domino effect,” Haimovitz said. He visited every two months. Once, he arrived to find cello parts scattered around the room, attended to by different experts, like an intensive-care unit. “For thirty years, it goes everywhere with me, and then, so suddenly, not to have it around? And then to see it—” He broke off, full of emotion.

So, farewell then, iTunes

Technology, software, media — none of it stands still. Here’s something that’s been getting a lot of attention from the latest Apple updates.

The rise and fall of iTunes, Apple’s most hated app
The success of iTunes cannot be overstated; it outlived pretty much every other consumer-focused piece of software from its time (here’s to you, Winamp). Windows 10 users would search for iTunes so much in the Windows Store that Microsoft eventually convinced Apple to bring it to the store last year. Over the years, however, Apple’s original philosophy of providing a one-stop shop for all your media became iTunes’ greatest undoing by saddling the app with more and more baggage that’s eaten away at its usability. The world has moved on as ubiquitous connectivity, cloud storage, and streaming media became the norm. iTunes is still around as a legacy app for those who need it. But for everyone else, iTunes is now officially a thing of the past.

I’ve moved away from Apple things now, but back in the day iTunes was such a large part of it all for me, so it was nice to see a screenshot of the old version alongside its less familiar new look.

so-farewell-then-itunes-1

Winamp gets a mention there, which reminded me of this bookmark I’d kept from last year.

Winamp is coming back as an all-in-one music player
First released in 1997, Winamp was a popular freeware media player famous for its utilitarian music playback and its wealth of incredible community-made skins. It was acquired by AOL in 2002, then sold to Radionomy in 2014. The last time Winamp was updated was in 2013, so news that a revival is coming should be welcomed by longtime fans of the app.

Those were the days. We shouldn’t live in the past, though, should we? But before we say goodbye to all that, let me point you to this again.

Remember buying music?

Here’s a simple but very effective chart showing the rise and fall of various music formats. This brings back memories.

Visualizing 40 years of music industry sales
For people of a certain age group, early memories of acquiring new music are inexorably linked to piracy. Going to the store and purchasing a $20 disc wasn’t even a part of the thought process. Napster, the first widely used P2P service, figuratively skipped the needle off the record and ended years of impressive profitability in the recording industry.

Napster was shut down in 2002, but the genie was already out of the bottle. Piracy’s effect on the industry was immediate and stark. Music industry sales, which had been experiencing impressive year-over-year growth, began a decline that would continue for 15 years.

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(Via Cool Infographics)