Well, I’m back in the office for the first time in six months, surrounded by hand sanitisers and risk assessments, one child has returned to school for her final year after in effect six months off, another will be leaving home in a week to start university in a place currently under a local lockdown, so my head’s full of concerns and anxieties I don’t wish to think more about here thank you very much. So let’s put all that to one side and relax with some music.
John Cage, the man behind a much loved piece of nothing, perhaps hadn’t realised how literally some people would take his instruction to play ‘as slow as possible’ when performing one of his compositions. Piano notes eventually fade away, but notes on an organ can be held indefinitely.
A 639-year-long John Cage organ performance has a long-awaited chord change today – Classic FM
Organ2/ASLSP, ‘As Slow as Possible’ is a keyboard work written by John Cage in the mid-1980s. The score consists of eight pages of music, to be played at the piano or organ, well, very, very slowly. […] Up until this time, the most recent note change occurred on 5 October 2013, and the next change will sound on 5 September 2020, with the organ playing a G sharp and an E, until the next scheduled chord change on 5 February 2022.
The concert (installation art performance? sculptural exhibition?) is taking place in Halberstadt, in Germany, thought to be the place where the first modern keyboard organ was built in 1361, 639 years before the turn of the 21st century, hence the duration of this piece.
A 639-year concert, with no intermission for coronavirus – The New York Times
Andreas Henke, the town’s mayor, said that most of Halberstadt’s inhabitants probably didn’t even know about the piece, or, if they did, they referred to it as “that cacophony.” But, he added, “John Cage carries Halberstadt’s name out into the world.”He said the performance raises “philosophical questions about how we confront time.” “We are all so consumed by our daily working lives,” he said. “This forces us to stand back and slow down. It is very special to be a part of an art project that will connect generations and last for generations,” Mr. Henke added. He said that it was “his great hope” that the project would make it to 2640.
Of course it was livestreamed, but see if you can resist the urge not to fast-forward to the chord change moment, three hours and twenty minutes in…
Too subtle a change for me, I think. It’s an interesting idea, though: if you remove the human from the music-making process, you remove the need to constrain time to human scales. But without the human, can we still comprehend it as music? A drone that lasts for years and years just reminds me of my tinnitus.
I know nothing about guitars (or ukuleles, for that matter), but I can tell that playing this “self-playing” guitar would not be as simple as that description suggests.
Self-playing electric ‘circle guitar’ can pick at up to 250 bpm – designboom
Anthony Dickens has built the circle guitar with the help of a team of brilliant engineers to generate sounds, textures, and rhythms that would be impossible with a conventional electric guitar. What differentiates the new design from other electrics, is the motor-driven spinning disc in its body that rotates at up to 250 bpm under the strings. This innovative feature makes it possible to exceed what the musician’s hand can achieve alone.
OK, so I can’t pretend to understand even half of this—mechanical step sequencer discs? hexaphonic pickups?—but it’s great to see the start of what is in effect a brand new type of instrument, one I reckon Wintergatan’s Martin Molin would love to get his hands on.
If redesigning musical classics is your thing, check out this other designboom post I came across, via Moss and Fog. Looking closer, you can see it’s from 2017, so I’m not sure if this ever took off, but I’m smitten, to say the least.
The Elbow cassette player is a turntable tonearm for tapes – designboom
In an industry obsessed with nostalgia, the humble cassette seems to have missed out on the craze that turned old school records back into a music must-have. Yet Brainmonk, the design team behind the Elbow clip-on casette player, have other plans to give the traditional tape the attention it deserves. Described as a ‘portable cassette player reduced to the core,’ Elbow gets rid of the heavy plastic casing that’s usually found on a tape players and strips it back to a single clip-on pulley that almost leaves the cassette to play itself.
After looking into this a little more, I can see that it didn’t take off. According to its Facebook page, the project is suspended, and they’ve not bothered renewing their website domain. This Verge write-up perhaps gives us a clue why.
The Elbow cassette player concept is as impractical as a cassette tape – The Verge
I’m curious what kind of battery life you could get out of an object like this. My guess is not much. But, really, this concept is more of a fashion accessory than a 21st century sequel to the Walkman — just like the cassette tapes that it will theoretically play.
The A-Z of AI – With Google
This beginner’s A-Z guide is a collaboration between the Oxford Internet Institute (OII) at the University of Oxford and Google, intended to break a complex area of computer science down into entry-level explanations that will help anyone get their bearings and understand the basics.
This AI poet mastered rhythm, rhyme, and natural language to write like Shakespeare – IEEE Spectrum
Deep-speare’s creation is nonsensical when you read it closely, but it certainly “scans well,” as an English teacher would say—its rhythm, rhyme scheme, and the basic grammar of its individual lines all seem fine at first glance. As our research team discovered when we showed our AI’s poetry to the world, that’s enough to fool quite a lot of people; most readers couldn’t distinguish the AI-generated poetry from human-written works.
I think they’re better off sticking to the visuals.
Beck launches Hyperspace: AI Exploration, a visual album with NASA – It’s Nice That
The project was made possible by AI architects and directors OSK, founded by artists Jon Ray and Isabelle Albuquerque, who began the project by asking, “How would artificial intelligence imagine our universe?” In answering this question it allowed the directors to create “a unique AI utilising computer vision, machine learning and Generative Adversarial neural Networks (GAN) to learn from NASA’s vast archives.” The AI then trained itself through these thousands of images, data and videos, to then begin “creating its own visions of our universe.”
Some of them can really hold a tune, though.
What do machines sing of? – Martin Backes
“What do machines sing of?” is a fully automated machine, which endlessly sings number-one ballads from the 1990s. As the computer program performs these emotionally loaded songs, it attempts to apply the appropriate human sentiments. This behavior of the device seems to reflect a desire, on the part of the machine, to become sophisticated enough to have its very own personality.
Lastly, it’s good to see that you can still be silly with technology and music.
Olympic-sized hoax? ‘Lost’ Krautrock warm-up tapes mysteriously surface – SPIN
Neither interview includes photographs of Zeichnete, and he doesn’t appear in a series of promotional videos for the release … And the more you listen to the music, the more it begins to sound both too pristine, given the tapes’ alleged age, and too stylistically perfect in its aping of Neu! and Kraftwerk. The resemblance is almost uncanny.
Our concert halls might be re-opening in the summer, but in the meantime:
A cello concert in a swimming pool – this is classical music during COVID-19 distancing – Classic FM
The concert took place south of Stuttgart, in the empty swimming lanes of the Entringen outdoor pool. We fancy the shape of the pool, with its steady slope and cellist against a wall, would have provided quite a fantastic acoustic.
Some people are staying indoors, though.
Indoors – Scottish Ballet
With 28 doors and 36 dancers, Indoors is a playful new work by Sophie Laplane, set to Mozart’s ‘Papageno, Papagena’. Rehearsed via Zoom and recorded in lockdown, the short film explores ways we can open our doors to new possibilities, all in Laplane’s distinctly unique style.
A taste of things to come?
Around the world, we’re getting a glimpse of what live music looks like post-lockdown – Classic FM
Theatres reopen in Europe and concert halls around the world have started to implement social distancing policies to stem the spread of coronavirus – here’s how music, of all genres, looks in a new era.
A while ago I shared a post about brainy music. Here’s some mindful music of a different kind.
Can biofeedback help to unlock the mysteries of music’s therapeutic effects? – Aeon Videos
The US musician and research scientist Grace Leslie works at the frontiers of biotechnology and experimental music. From her Brain Music Lab at the Georgia Tech Center for Music Technology, Leslie and her students probe the physiological effects of sounds and rhythms, including how biofeedback could potentially be used to create new sonic therapies.
So can a mind sing? Filmmaker Vier Nev thinks so.
Staff Pick Award at Annecy 2020: “A Mind Sang” by Vier Nev – Vimeo Blog
Seeing a shape in the clouds, a face on Mars, or Jesus in your toast is called “pareidolia.” Our tendency to perceive objects, patterns, and meanings incorrectly is a psychological phenomenon filmmaker Vier Nev turned into hypnotizing art in his transfixing animated film, “A Mind Sang.” Leading the audience through themes of transformation, perspective, and rebirth, this work of art kept us visually engaged through each second of the film with stunning optical illusions and a haunting and rich musical score. (via Kottke)
That felt like an eye exam. Let’s have something more … relaxing?
Toccata – Optical Arts
The film is an exploration on the nature of time, the relentless violence of entropy and creative energy and its relationship to music itself. The Toccata and Fugue in D Minor has a cinematic history going back to the silent film era, when orchestras played music to films. The piece became often used in the horror genre and famously as the opening to the 1970’s film Rollerball. (via Laughing Squid)
I love this, the slo-mo timing is perfect. Here’s some more.
Orchestra instruments captured in super slow motion – Laughing Squid
A performer with the Toronto Symphony Orchestra demonstrated what the performance of a stand-up double bass looks like in super slow motion. The footage captures how the bow connects with and releases from the string in order to make beautiful music.
Careful with those bows.
Man in Japan arrested for attacking pedestrian with violin bow – Classic FM
The man, who was wielding a horsehair bow, was also reported to be holding a violin. He has no known address and is reported by police to have been intoxicated at the time of the incident.
Maybe he wasn’t a classical music fan. How about something light and carefree?
How the ‘Oh Yeah’ song in Ferris Bueller came to be – Great Big Story
“Oh Yeah.” You’ve heard this song—full of oh yeah, bow bow and ch-ch ch-ch ch-ka!—who knows how many times over the years. Recorded by the Swiss synth pop duo known as Yello, “Oh Yeah” became a pop culture phenomenon after being featured in “Ferris Bueller’s Day Off.” In the 1986 movie, the percussive piece is the soundtrack to the scene where Cameron shows off his father’s prized Ferrari to his friend Bueller. And we all know what happened after that. (via Laughing Squid)
Or something just as poppy but perhaps less carefree?
A brilliant but appropriately anxiety-inducing animated video for the Sparks song ‘The Existential Threat’ – Laughing Squid
Cyriak Harris, the creative mind behind many wonderful surreral short films, created a brilliant but appropriately anxiety-inducing animated music video for the song “The Existential Threat” by the Los Angeles band Sparks, from their album “A Steady Drip, Drip, Drip”.
Or some vintage rock?
Iggy Pop’s “The Passenger” gets a video after 43 years – Boing Boing
On Thursday, on his Instagram account, Iggy Pop announced that, after a 43 year wait, his classic track, “The Passenger,” has a video.
Let’s end how we began, with something mindful. Kind of.
Buddhist monk performs a badass cover of the Judas Priest song ‘Breaking the Law’ on classic instruments – Laughing Squid
Buddhist monk Kossan1108, who does amazing, minimalist covers of classic rock songs with traditional instruments, performed a pretty badass cover of the classic Judas Priest song “Breaking the Law”. He used the wooden fish to keep the beat, a standing bell to add color and his own voice to cover the lyrics.
Something else I’d found around my birthday then forgotten to male a note of here was news of this wonderful concert. If playing music to plants helps them grow, there are thousands of ficus trees, palms and plants in Spain that must be feeling pretty healthy at the moment.
The artist Eugenio Ampudia inaugurates activity at the Liceu with a concert for 2,292 plants – Liceu Opera Barcelona
On the first day after the state of alarm instituted due to the pandemic ends, the Gran Teatre del Liceu reopens its doors, but it does so for an unusual audience. Conceptual artist Eugenio Ampudia is preparing an original, unique and different concert, in which the 2,292 seats of the auditorium will be occupied on this occasion by plants. It will be on 22 June at 5:00 p.m., broadcast live online, when the UceLi Quartet string quartet performs Puccini’s “Crisantemi” for this verdant public, brought in from local nurseries.
2,292 plants fill the audience in opening performance at Barcelona’s Gran Teatre del Liceu – Colossal
A collaboration with Madrid-based artist Eugenio Ampudia and the Max Estrella gallery, the concert was meant to reflect on humans’ relationship with nature. “I thought why don’t we go into the Liceu like weeds, take it over and let nature start growing everywhere and turn it into something alive even when there are no people,” Ampudia said in an interview.
Plants fill seats at Barcelona opera house concert – Associated Press
“I heard many more birds singing. And the plants in my garden and outside growing faster. And, without a doubt, I thought that maybe I could now relate in a much intimate way with people and nature,” he said before the performance.
At the end of the eight-minute concert, the sound of leaves and branches blowing in the wind resonated throughout the opera house like applause.
Here’s the performance in full, complete with “please silence your mobile phones and no pictures please” announcement.
It’s strange seeing these places, designed especially for large crowds, being so empty.
Plush seats and ornate balconies sit empty in Joanna Vestey’s unobstructed photographs of London theaters – Colossal
In Joanna Vestey’s Custodians for COVID series, one worker poses idly amid an otherwise unobstructed shot of a historic venue. The Oxford-based photographer has been capturing the empty seats and balconies of London theaters, which have been closed due to the ongoing coronavirus pandemic. For the timely series, Vestey visited 20 venues, including Royal Albert Hall, The Globe, and National Theatre, to photograph the breadth of the vacant architecture.
I thought it would be fun to share this on my birthday (like I did with something similar the other year), but that was a few weeks ago — I had forgotten all about it.
Some dazzling playing there, and those annotations really get across just how complicated these musical structures can be. I love the idea of Steve Reich and John Cage wishing me happy birthday.
Featured image Nahre Sol
You’ve heard of 8 Bit Cinema, retelling movies as old school arcade games? Well, there was this competition to compose a soundtrack to accompany a scene from Westworld …
Westworld scoring competition – Spitfire Audio
We teamed up with HBO’s Westworld to bring you an exclusive competition: to download and score a scene from Westworld Season 3 for your chance to win some amazing prizes – as well as the opportunity to showcase your work to the best in the business. What happened next was extraordinary. We received 11,000 entries, in a variety of styles and re-imaginings.
The announcement of the eventual winner left many people either scratching their heads or picking up their jaws off the floor. Listen for yourself. It starts conventionally enough, but then—
It stands out, at least, which is more than could be said for the indistinguishable runners-up. But it seems not everyone appreciates this ‘dares to be different’ approach.
Why are some people upset about this ‘Westworld’ scoring contest? – No Film School
Responses to the winning entry have been mixed. For instance, on Twitter, game composer Austin Wintory called Kuddell’s work “out-of-the-box” and a “bold move.” But many other composers who entered the competition commented that they were confused about how the winning score met the brief.
The controversy has prompted one composer to revisit that pompous Hans Zimmer Masterclass YouTube advert.
That Hans Zimmer ad, but it’s chiptune – CDM
“In music, you’re basically having a conversation…” Sometimes that conversation is best expressed in 8 bits. … Hans Zimmer’s ad for Masterclass already felt like self parody; this just goes next level.
How come I’ve only now come across things magazine? What have I been doing all this time? I’m getting a little dizzy with the thought of how much I need to catch up on.
It’s time for another Bill McClintock mashup, I think.
An unexpectedly catchy mashup of ‘Shout’ by The Isley Brothers combined with ‘Ace of Spades’ by Motörhead – Laughing Squid
Video editor Bill McClintock has put together an unexpectedly catchy and entertaining mashup of the classic Isley Brothers song “Shout” with the legendary Motörhead song “Ace of Spades”.
As I’ve said earlier, I used to listen to a lot of metal, and have loved that track from the start. It’s great to see it again, still fresh.
More metal now, in the form of a pipeline, care of Armin Küpper and his saxophone.
Saxophonist cleverly plays into giant piece of pipeline to accompany himself with an echo in perfect pitch – Laughing Squid
(translated) This sound on the tube, in this loneliness always gives me the feeling: Hey, you’re not alone there! Sometimes I just can’t stop playing. The nice thing is, when it gets cool in the evening, I sit down in the tube heated up during the day and enjoy the sunset playing the saxophone.
Remember that young guy with four saxophones playing the Wii theme tune? It seems the lockdown has provided an opportunity for others to have a go at similar recordings.
Bassoonist pulls off one-man “Thomas The Tank Engine” quartet – InspireMore
Everyone deals with quarantine boredom differently. Maybe you deep cleaned your house, built a swing set for the kids, or finally beat that video game you’ve been working on forever. Michael Elderkin took a more musical approach.
You can join in, if you like, though I think I’d rather play along to this one.
Knight Rider for 8 cellos – Kottke
You’re either the type of person who can’t wait to click on a link that says “Knight Rider for 8 cellos” or you are not.
Like no doubt many other homes up and down the land, music is always playing here, somewhere—the kitchen radio, the kids’ laptops or Alexas, the piano and tuba even (that damned thing is so loud). But it’s been a long time since we went out to hear live music. For music fans like Rob Sheffield, that’s becoming a problem.
Life without live – Rolling Stone
This is the longest I’ve gone between live shows since . . . the Replacements broke up? I go see bands every chance I get, and I live in New York City, where there’s plenty of chances. Live music is how I measure out the next week, month, year of my life. But on a bigger scale, the shows are how we measure history. When you picture the past or the future, you imagine what musicians are doing in a room and who shows up to hear it. You can define any point in the arc of human history by who was in Fleetwood Mac at the time. (And whose hotel bed they were sharing.) So what does music fandom mean at a time when we can’t gather together to celebrate, discover, experiment?
Here’s an interesting take on the future of the kind of concerts I’ve been missing recently.
Coronavirus conditions make us rethink classical music for decade ahead – Voice of OC
So far, we’ve been assuming that there will continue to be problems that, at least now and then, require social distancing and home quarantines. It’s definitely something all these groups are going to have to consider over the next decade. Something good could come out of it, though, and that would be the end of subscription seasons as we know them. Subscription seasons, designed to attract a particular kind of listener, older, moneyed, more conservative, able to fork out for a year’s worth of tickets in advance, have long been holding classical music back from its better, more exciting and interesting self.
Symphonies silenced, sonatas streamed: The state of classical music during COVID-19 – Los Angeles Review of Books
Notwithstanding the quality of the audio — piped through his iPhone — the music felt exuberant, and also demanding and manic. “The concert halls are empty,” Levit had tweeted earlier. “Listening and experiencing music together is not possible.” It was mid-March — what feels like eons ago — and on both sides of the Atlantic, governments were starting to roll out isolation measures, suddenly putting all of us into suspended animation. With so much uncertainty in the world, his joyous performance provided a half hour of reprieve, disassociating us from the fear of contagion. Three hundred and twenty thousand users on Twitter and Instagram tuned in — more than at any venue he’s ever performed.
The way we experience music is bound to change in unexpected ways, but the strength of our appreciation of music can already be a little peculiar.
The pandemic hasn’t dulled Japan’s special love for Queen – Atlas Obscura
“Queen Day is an important occasion for Japanese fans to reaffirm the bond between Queen and Japan,” writes fan Yoko Doi of Tokyo in an email. In 2019, Doi—along with 300 others—marked Queen Day with an outdoor screening of the 2018 film Bohemian Rhapsody, featuring band cosplay and plenty of Moet et Chandon, naturally (see the lyrics to “Killer Queen,” if you’re not an initiate).
Tracing Eastern Europe’s obsession with Depeche Mode – Dazed
Urbanovic, who has been a fan since 1986, runs the DM Bar in Riga, a nightclub completely dedicated to the band. There is another, non-affiliated and older club in Tallinn that has been visited by the band themselves. Both establishments are covered in Depeche Mode merchandise (from cardboard cutouts to tour scarves and lyrics scrawled on the walls in different languages) and both put on regular parties playing the band’s music as well as records by other ‘industrial’ bands. “Depeche Mode gigs in Latvia are very well-attended, especially when you take into account the relatively small population – and we get a lot of fans from other Eastern European countries who make a special trip to the bar,” Urbanovic adds.
So long then, Dave and Richard.
Stranglers’ Dave Greenfield Dead at 71, After Coronavirus Battle – Rolling Stone
The Stranglers became a force on the U.K. punk scene in 1977 with the release of their debut LP, Rattus Norvegicus, which featured the singles “Peaches” and “(Get a) Grip (on Yourself),” the latter of which boasted Greenfield’s intricate keyboard lines. The group, which always faired well on the U.K. singles chart, earned their biggest hit in 1982 with “Golden Brown,” a tune that almost exclusively featured Greenfield’s baroque keyboard playing to complement then-guitarist and vocalist Hugh Cornwell’s lyrics. The track won the group an Ivor Novello award.
Little Richard, rock’n’roll pioneer, dies aged 87 – The Guardian
Richard was known for his outrageous performance style at the piano – eyes lined with mascara, pompadour hair fixed with potato starch, ferocious eyes transfixing audiences – and infectious whoops, a style echoed by dozens of performers, Prince prominent among them.
Golden Brown takes me right back to my childhood, but I think my favourite Stanglers track is Keith Floyd’s theme tune, Waltzinblack. And whilst Little Richard doesn’t feature at all on any of my Spotify playlists, this next guy does.
Kraftwerk’s Florian Schneider dead at 73 – Pitchfork
After meeting as classical music students at the Düsseldorf Conservator, Schneider and Ralf Hütter collaborated in a project called Organisation beginning in 1970. Schneider’s main instrument was flute, which he filtered through various effect pedals. In addition, he played violin, guitar, and a wide array of synthesizers.
The duo soon went on to form Kraftwerk and issued a debut album in 1970. They underwent a series of lineup shifts and, following 1973’s breakthrough Ralf und Florian, went on to release acclaimed and highly influential records like 1974’s Autobahn and 1977’s Trans-Europe Express. At the time, Schneider compared the group’s electronic technique to driving a car: “You have the control, but it’s your decision how much you want to control it. If you let the wheel go, the car will drive somewhere, maybe off the road.”
The case for why Kraftwerk may be the most influential band since The Beatles – Open Culture
Kraftwerk began as two long-haired students, Ralf Hütter and Florian Schneider, who met in Dusseldorf in 1969, playing experimental music with electric, acoustic, and electronic instruments and with a variety of musicians, including guitarist Michael Rother and drummer Klaus Dinger. In Dinger’s pounding, repetitive drumming, they found their mekanik sound as early as 1970, but had not yet transitioned into pop, or the clean-cut suit and tie look, until fully absorbing the influence of British artists Gilbert and George and receiving the guidance of superproducer Conny Plank.
Kraftwerk: their 30 greatest songs, ranked! – The Guardian
From cycling soundtracks to anti-nuclear protest music, we celebrate the work of the late Florian Schneider and the groundbreaking group he co-founded.
I’ve turned that Guardian article into a Spotify playlist, for three hours of “computerized industrial campiness”.
With fans far and wide, young and old.
Kraftwerk songs performed by string quartet – Dangerous Minds
In 1992, the international chamber group Balanescu Quartet released a CD called Possessed. It contained three original works by the band’s eponymous leader Alexander Balanescu and a composition by Talking Heads’ artguy-in-chief David Byrne, but that didn’t really matter. Practically all the attention afforded the group was justifiably hogged by the five stunning Kraftwerk covers that led off the album.
Kraftwerk’s “The Robots” performed by German first graders in adorable cardboard robot outfits – Open Culture
“Teach your children well” sang Crosby, Stills and Nash once upon a long ago, and that adage could be paraphrased as “make sure your students don’t grow up learning substandard pop songs. Give them a real education.” An enterprising elementary school teacher in Mombach, a district of the Rhineland city of Mainz, did so in 2015, dressing up his students from Lemmchen Elementary in their own handmade robot outfits and teaching them to sing the classic 1978 Kraftwerk hit “The Robots”.
What to do when you’ve got too much time on your hands? Play a video game? This one looks a little laggy.
Some people are just eating their way through this time of uncertainty.
Don’t overdo it, though, or you’ll be expanding your vocabulary as well as your waistline.
1. Coronavirus fat (noun)
German workers ordered to stay at home to help the government flatten one sort of curve have found themselves battling the emergence of another, just above the belt. Home workouts sound great, but the days are long and dull and your latest bout of Hamsterkäufe (panic-buying; lit. “hamster-purchase”) has left the fridge gloriously well-stocked. There’s always another variety of Ritter Sport to try, oder? Anyway, what’s a few kilos between socially distanced friends?
Coronaspeck is the helpful German word for the fat deposited by weeks of stay-at-home grazing. Shoppers in Germany may know Speck as a bacon-like foodstuff, perhaps found on a crisp Flammkuchen or inside hearty Swabian Maultaschen. But its broader meaning corresponds to something like the English “flab”.
Perhaps you need some exercise, but what if you can’t think of a routine or a soundtrack? No problem. This website will pair up a random move with a random piece of music.
I’ll pass on that, thanks. But speaking of music…
That sounds more like it.
Via the occasionally very interesting Recomendo, something that has renewed my faith in the web and shown us a glimpse of what the internet should have been.
Radio Garden is a website that presents you with a spinnable globe of the Earth. The green dots represent radio stations. Rotate the globe, click a dot and you are suddenly listening to live radio in that part of the world.
Radio Garden invites you to tune into thousands of live radio stations across the globe. By bringing distant voices close, radio connects people and places. From its very beginning, radio signals have crossed borders. Radio makers and listeners have imagined both connecting with distant cultures, as well as re-connecting with people from ‘home’ from thousands of miles away.
This is such fun, just what we need about now. How about Nerds 4 God Radio, Orlando, Florida? ZM Online FM, Auckland, New Zealand? Radio Menhunt FM, Karanganyar, Indonesia? There’s just so much out there.
Let’s have some more orchestral goodness.
Pierre et le loup, a stunning, typography-filled animated story – The Kid Should See This
In 2014, Camera Lucida and Radio France teamed up to create a series of classical music-filled apps for children. One of these shared Sergei Prokofiev’s Pierre et le loup in a typography-filled adaptation by Gordon (Thierry Guernet), Pierre-Emmanuel Lyet, and Corentin Leconte. It’s a stunning version that mixes animation, musical symbols, and musicians, featuring the National Orchestra of France, conducted by the maestro Daniele Gatti.
Yes, it’s another post about that virus, but these two articles about it are a little different.
Scientists translate the novel coronavirus structure into beautiful music – Boing Boing
Translating abstract scientific data into sound can give researchers new insight into the complexities of the phenomena they are studying. MIT materials science professor and musician Markus Buehler, who has employed this technique to understand biological materials and develop new proteins, has now transformed the novel coronavirus into music.
Dazzling coronavirus painting by biologist David Goodsell – Kottke
“You have to admit, these viruses are so symmetrical that they’re beautiful,” said Mr. Goodsell, an associate professor at Scripps Research Institute in La Jolla. “Are bright colors and pretty stuff the right approach? The jury’s still out. I’m not trying to make these things look dangerous, I want people to understand how they’re built.”
This is wonderful. There have been a few of these doing the rounds, but I felt duty bound to share the one from my home town.
2020: An Isolation Odyssey – Opera North
When our concert performances of Strauss’ Also Sprach Zarathustra were cancelled as the coronavirus pandemic intensified, two members of the Orchestra of Opera North decided that the show must go on – virtually.
“They sent their recordings back to us, and we added instrument by instrument, part by part, until this amazing ‘performance’ took shape”, Daniel says. “It has really felt like watching a huge building being constructed, and with Tobias’ musical vision as a starting point, the resemblance to the creative process of an actual rehearsal and concert has been remarkable.”