The Guardian have started their new Extinction Obituaries series with a memorial to a tiny songbird from Hawaii.
Extinction obituary: why experts weep for the quiet and beautiful Hawaiian po’ouli – The Guardian In 2004, the po’ouli got one last chance. It took six people 18 months and $300,000 to catch a bird. It was, remarkably, the same individual that Baker had snared seven years previously, when he became the first person to hold a live po’ouli. In that time, the bird had lost an eye. He was old – at least nine – and found captivity stressful. He died in Maui 11 weeks later, between 10pm and 11.30pm, on 26 November, of multiple (tiny) organ failure. He was the last po’ouli ever seen.
How many more of these articles are there going to be? Too many.
It’s obvious, when you think about it. Of course not all Neanderthals were ‘cavemen’ — half were women.
Sheanderthal – Aeon Essays Archaeology is no exception to biases against women’s interests across science and the humanities. Since the early days, a tendency to conceptualise humanity’s deep origins as populated literally by ‘cavemen’ has led to presumed male activities being presented as most visible and interesting. … In fact, for most of the subsequent 160 years, female Neanderthals – if featured at all – tend to be fewer in number, peripherally located, and limited to ‘domesticated’ activities including childcare and skin-working. They are essentially scenery, in the words of the anthropologist Diane Gifford-Gonzalez, rather than active providers working on stone knapping or hunting and, in addition, they’re often fearfully lurking, hidden in dark grottos.
The world is a very different place now.
Why eye-catching graphics are vital for getting to grips with climate change – The Conversation One misconception about the climate crisis is that warming will be uniform across the world. Deniers cite cold fronts or blizzards as evidence that warming is exaggerated, or hark back to past heatwaves – such as that experienced by the UK in 1976 when temperatures exceeded 35°C – as proof that the scientists have got it wrong. Apart from this misleading conflation of weather (daily conditions) and climate (long-term conditions), this kind of argument misses the complex patchwork of effects that interact to create what gets reported in the headline figures. Maps can be an invaluable weapon against this misunderstanding. … [W]hat is needed are more universally accessible visualisations that are able to show where we’re heading in no uncertain terms.
How on earth would you protect future generations from something with a half-life of over 700 million years? Use your imagination.
The art of pondering Earth’s distant future – Scientific American We do not, of course, live in these imagined worlds. In this sense, they are unreal—merely fictions. However, our capacities to envision potential futures, and to feel empathy for those who may inhabit them, are very real. Depictions of tomorrow can have powerful, concrete effects on the world today. This is why deep time thought experiments are not playful games, but serious acts of intellectual problem-solving. It is why the safety case experts’ models of far future nuclear waste risks are uniquely valuable, even if they are, at the end of the day, mere approximations.
The toaster is partially made of toast so I tried to get it to generate a toaster made of chrome instead. Turns out I don’t think I can get it to do a toaster made of chrome without in some way incorporating the logo of Google Chrome. General internet training seems to poison certain keywords.
Ok, never mind all that.
“Bound Species” by Photographer Jennifer Latour – Booooooom The first lock down in 2020 gave Vancouver photographer Jennifer Latour a chance to develop a beautiful new body of work, and the inspiration actually came from her work as an FX makeup artist. “It was only when I started visualizing the plants and flowers as an extension of my work in special effect makeup that it all started coming together and the splicing began. I now see each piece as kind of Frankenstein of sorts with so many fun variation to come!”
And then, floating over over a park in Japan, an image seemingly straight out of the pages of a Junji Ito horror story.
A giant head hot air balloon floats over a Tokyo park – Laughing Squid Japanese photographer Disc Yuri On used a Panasonic video camera from 1999 to capture the rather startling sight of a giant hot air balloon in the shape of a head that was trying to float high above Yoyogi Park in Tokyo but was hampered by the wind. When a siren sounded, however, the balloon spun around and faced the camera directly. The stuff of nightmares.
I don’t remember adding this to my YouTube ‘Watch Later’ playlist, but I’m glad I did. A charming documentary on a bizarre, elegant, yet absolutely enormous cloud.
Secrets of a Strange Cloud – YouTube This is about the Morning Glory Cloud in the Gulf of Carpentaria, Queensland, Australia. It is an amazing atmospheric phenomenon. It is a shockwave which can be over a thousand kilometres long. Other meteorological terms for this type of formation is a shelf cloud, roll cloud or soliton. They can happen unpredictably in other places in the world but the Gulf of Carpentaria is the only location place where they happen with some degree of regularity around September and October.
Whilst we still have our heads in the clouds, ponder this strange notion — that we didn’t always know where birds went in the winter. They seemed to just vanish each year. Perhaps, rather than flying to different countries, they flew a little further.
When birds migrated to the Moon – The MIT Press Reader Morton rejected Aristotle’s widely accepted hibernation theory, and pointed out a major flaw in the theory that the birds simply migrated to another place on Earth: No one in Europe knew where they went. They literally disappeared. He argued that returning birds, like woodcocks, appeared to drop suddenly from the sky over ships at sea.
Their round trip to the moon took one month each way, taking the distance to the moon and the length of their absence into account. There was no atmospheric resistance to impede their flight (so he had taken on board that much of Pascal’s conclusions) and the journey between the worlds was aided by lack of gravity. They slept for much of it, living off their body fat. It was all logical enough, in its own way.
You must read that article for its charming account of Domingo Gonsales flying to the Moon on his swan engine.
It’s a good job he didn’t try that trip a few hundred years earlier.
In 1110, the Moon vanished from the sky. We may finally know why – Science Alert “On the fifth night in the month of May appeared the Moon shining bright in the evening, and afterwards by little and little its light diminished, so that, as soon as night came, it was so completely extinguished withal, that neither light, nor orb, nor anything at all of it was seen,” an observer wrote in the Peterborough Chronicle.
It was bright enough a week ago, spookily peering through the clouds, though this shot using my binoculars doesn’t do it justice.
Perhaps I need to take some pointers from the experts.
Taking good photos in bad light – Photography Life When the sky is gray or the sun is directly overhead, it can be tough to find inspiration for high-quality photography. My hope with this article is to share some tips that have worked for me when I photograph in bad lighting conditions – something which every photographer experiences at some point.
Time for another post about trees, I think. Here are a couple of links that have been languishing in my drafts folder for a while.
Gramazio Kohler Research, ETH Zurich plants ‘future tree’ in Swiss courtyard – designboom This structure — known as the ‘future tree’ — combines state-of-the-art design techniques, material science, and robotic fabrication to create an eye-catching architectural object. Demonstrating the latest research of Gramazio Kohler Research at ETH Zurich, the ‘future tree’ consists of a funnel-shaped, lightweight timber frame structure built by a robot, and a bespoke concrete column created using an ultra-thin 3D printed formwork. The entire design and fabrication were developed as inseparable and fully digital processes.
The photographs documenting its construction are extraordinary.
Ai Weiwei: Iron Tree – Yorkshire Sculpture Park Iron Tree is the largest and most complex sculpture to date in the artist’s tree series, which he began in 2009. Inspired by the wood sold by street vendors in Jingdezhen, southern China, Iron Tree comprise of 97 tree elements cast in iron and interlocked using a classic – and here exaggerated – Chinese method of joining. Iron Tree expresses Ai’s interest in fragments and the importance of the individual, without which the whole would not exist.
Artificial trees of a different kind, now. OK, so the trees are real, but their glitch-art shapes certainly aren’t natural.
The of the year articles seem a little early this year. I wonder why we’re so keen to get 2020 behind us.
2020’s weather photography of the year doesn’t disappoint – Moss and Fog The Royal Meteorological Society Weather Photographer of the Year contest is now in its 5th year, and has some amazing entrants that show us 2020 wasn’t just about a raging global pandemic. Indeed, Mother Nature, combined with a rapidly warming planet has resulted in record storms, floods, droughts, and wildfires this year.
There are many more beautiful images on those pages, do check them out. And here are some more wonderful things of a different kind.
100 best inventions of 2020 – TIME Every year, TIME highlights inventions that are making the world better, smarter and even a bit more fun. … 100 groundbreaking inventions—including a smarter beehive, a greener tube of toothpaste, and technology that could catalyze a COVID-19 vaccine—that are changing the way we live, work, play and think about what’s possible.
Featured image White Pocket, Arizona — Felix Röser
Here’s an interesting question to ponder after watching that.
How much does a cloud weigh? – The Conversation Summer cumulus clouds vary in size, but a typical one would be about one kilometre across and about the same tall. This means we can consider it to be a cube, with each side measuring 1km across. That means our cloud is 1,000 x 1,000 x 1,000 cubic metres in size – and this makes 1 billion cubic metres. Our cloud had only a quarter of a gram of water per cubic metre, but that’s going to work out as rather a lot now there’s a billion of them. The weight of the water in the cumulus cloud is 250,000,000 grams – 250 tonnes. This is about the same as two adult blue whales.
Looking for the next cloudburst? Perhaps start here.
Those maps (especially the vector map version) make you realise just how tumultuous and highly charged this globe of ours is — which isn’t the impression you get when looking down on Google Earth. “In prioritizing clarity and smoothness in its representation, Google Earth supports how we are consuming the planet.”
Springtime everywhere – Real Life As Covid-19 lockdowns were shuttering citizens indoors in April, for instance, Google Earth seized on the opportunity to launch a slew of themed virtual tours (e.g. the National Parks of the United States tour). It made Google Earth accessible in all browsers and added 2,500 new images to Earth View, a spinoff showcasing surreal and awe-inspiring landscapes from above. For all the feeling that Google Earth’s could be a helpful resource for learning about the climate crisis, its interface of zooming in and out and around the globe seamlessly in high-definition undermines its potential. The form comes to contradict the content: We may revel in the beauty and awesomeness of seeing the earth from the sky — and our ability to freely manipulate this view — despite the crises the imagery may depict. Deforestation on a devastating scale can take on the same aesthetic as any other “virtual holiday” on Google Earth.
As I mentioned before, one of the benefits of working from home is I get to enjoy the view of our little bird feeder all day. I’ll be back in the office at some point, I’m sure, but I know which website to turn to when I get there.
This hypnotic artwork from Andy Thomas is my favourite, I think. I’ve seen visualisations of bird flight before, but not their song. These reinterpretations of bird song take very strange and dramatic forms reminiscent of flowers, insects and the birds themselves.
Spanish photographer Xavi Bou has created some incredible images of birds in flight, layering thousands of shots to capture their movements and patterns.
Unseen movements: multi-shot photography captures the complex trails of birds Bou’s ‘Ornitographies’ series arises from his interest in “questioning the limits of human perception,” combining simple observation of bird behavior from the ground with photography to see what our eyes can’t show us. He takes inspiration from chronophotography, a Victorian technique capturing movement in a series of frames for the purpose of scientific study. Bou’s focus on the birds is less about science and more about the grace of their movements and their unintentional creativity.
These are such wonderful pictures. It’s a shame, though, that we’ll never see anything like this with our own eyes. Mumurations might come close, I guess.