Blob Opera – Google Arts & Culture Create your own opera inspired song with Blob Opera – no music skills required! A machine learning experiment by David Li in collaboration with Google Arts & Culture.
it’s all very silly, but you have to admit, they do make a wonderful sound. That’s due, no doubt, to some clever coding, but also to the skills of the real humans behind these machine-learned voices.
You can now create your own 4-part ‘Blob Opera‘ with this addictive Google app – Classic FM The voices are those of real-life opera singers, tenor Christian Joel, bass Frederick Tong, mezzo-soprano Joanna Gamble and soprano Olivia Doutney, who recorded many hours of singing for the experiment. You don’t hear their actual voices in the tool, but rather the machine learning model’s understanding of what opera singing sounds like, based on what it learned from the four vocalists.
Back in July I shared a few ways we could still see live music in spite of the pandemic, but it was marvellous to experience it for myself recently.
Orchestra of Opera North: The Four Seasons – Opera North From baroque Mantua to mid-20th century Buenos Aires, two radiant evocations of place and the passing of time. Celebrated British violinist Chloë Hanslip joins musicians from the Orchestra of Opera North as soloist/director in Vivaldi’s tour de force.
Vivaldi’s Four Seasons is so well known as to be almost cliche, but Chloe’s performance, together with a slimmed-down (though no less powerful) version of the Orchestra of Opera North, was stunning — so joyful and energetic. And following it with Piazzolla’s version was great fun, too.
Written in the mid to late 1960s, Argentine composer and bandoneon virtuoso Ástor Piazzolla’s Cuatro Estaciones Porteñas are a witty and playful tribute in tango to Vivaldi’s concerti.
I had never heard this piece before. My knowledge of Piazzolla starts and ends with Libertango, so it was wonderful to be introduced to some more. Here’s a performance of it by the Curtis Institute of Music.
I wasn’t the only one to appreciate being back in the Town Hall again, however different the seating arrangements might be now.
Celebrating opera freelancers for World Opera Day – Opera Holland Park At Opera Holland Park, we know the most exciting part of the year has arrived when our team grows from just under twenty to around 300, as we’re joined by the talented freelancers who work onstage, backstage, Front of House and in our Box Office. For World Opera Day 2020, we want to share a few of the projects some of those freelancers have been working on over the last few months.
Tosca review, Opera North, Grand Theatre Leeds: a brutal, thumping success
The closest opera has yet come to the world-view of the action movie, Tosca hits hard, below the belt.There is no subtlety to mine here (though I toy with a fancy that Tosca might secretly be quite excited by Scarpia’s sexual offer) and no time to waste: from the violent opening explosion to the heroine’s final defiant death leap, Puccini has no higher aim than that of gripping an audience by its vitals.
Tosca review – contemporary take on Puccini is compelling and creepy
Edward Dick’s provocative, if quirky new production of Tosca for Opera North relocates Puccini’s political thriller from Rome during the Napoleonic wars to an unnamed present-day country in which church and state collude as forces of reaction. Dick is acutely aware that the opera maps on to the concerns of our own times – the printed programme contains photographs of a Five Star Movement rally in Rome and Donald Trump standing, head bowed, in front of a wooden cross. The staging alludes, too, both to the emergence of the new far right and the abusive sexuality that has resulted in #MeToo.
Tosca, Opera North review – exciting update, strong on sonic thrills
Puccini’s Tosca isn’t a subtle work, and this, Opera North’s fourth production since the company’s founding in 1978, is occasionally too loud and crude. But it’s undeniably powerful. Edward Dick’s 2017 Hansel and Gretel left me a little nonplussed, but this Tosca is miles better, a colourful update which manages to juggle plenty of schlock with sound artistic nous. He’s helped by conductor Antony Hermus, making his Opera North debut and securing some terrific, full-throated orchestral playing, much of it at the upper end of the dynamic scale.
In preparation, I’ve been listening to this Callas recording — it’s all pretty thunderous stuff!
The extraordinary physical and mental demands of performing Sichuan opera
With origins deep in southern China’s folk storytelling and music customs, Sichuan opera is characterised by traditional instrumentation, a distinctive singing style, elaborate, colourful costumes, changing masks that reflect characters’ emotional states, and daring stunts including martial arts, acrobatics and fire-breathing.