The New York Times have compiled photos of students around the world returning to classrooms this week. Poignant attempts to get back to normal in a world where the virus has, in only eight months or so, infected over 25,000,000 people and killed more than 850,000.
This couple hired a robot photographer for their wedding day – My Modern Met
For anyone wondering about how the guests felt about having the robot photographer at the wedding, the groom assures that Eva was positively received by the entire wedding party. “This was a fantastic addition to our day and our guests are still talking about it,” Gary told Bride Magazine. “It made a nice change from the normal photo booths.”
But don’t worry, Eva isn’t designed to replace real photographers. Gary and Megan hired a professional photographer, too. “The robot is a great alternative to traditional photobooths, which are slowly going out of fashion,” Service Robots says. “Hiring both a traditional photographer and a photobooth robot like Eva means newlyweds can look back on crisp, professional shots as well as more candid, fun and cheeky photographs taken with the robot’s help.”
These images from Cássio Vasconcellos remind me of Pelle Cass’s work, shared previously. I wonder if ‘painstaking photography’ is its own genre yet.
Amazing collective photography in solitary times – Print
“Vasconcellos’ compositions were painstakingly assembled through hundreds of aerial shots taken over the course of a decade,” the project details. “The outcome is a striking body of work, which was reinterpreted by the designer in the context of what ‘distancing’ means in pandemic times.” The images, fascinating in their own right, are even more fascinating with our newfound pandemic perspective.
Fantastical overclocked urban scenes by Cássio Vasconcellos – Kottke
These are great onscreen, but I’d love to see them in person someday. I could imagine looking at the highways one for hours, zooming in and out on all the details.
More info on his website.
Collectives – Cássio Vasconcellos
In this series, Vasconcellos instigates a visual debate on the urban chaos of modern civilization by exploring jam-packed situations typical of our society: crowded beaches; cluttered car parking lots; motorcycle gatherings; huge aircraft boneyards in the US; masses of people; and the truck pandemonium in São Paulo’s Ceasa, Latin America’s largest municipal fresh food wholesale market.
This sequence from the series, Noise, is terrifying, I think.
How about something less agoraphobic but still full of hidden detail.
Hundreds of symbols from prehistory to modern day comprise a gold ‘S’ screenprint by Seb Lester – Colossal
Centered on the letter “S,” an anachronistic print from Seb Lester (previously) blends hundreds of symbols into one embellished form. Rendered in metallic on black paper, the typographic piece captures an incredibly long timeline, from prehistory to the Dark Ages to the Renaissance to present day. Look closely and you’ll spot snippets of cave paintings, Egyptian hieroglyphics, emojis, and modern logos.
Find yourself staring out of windows? Try some different ones.
WindowSwap lets you cycle through picturesque views from all over the world – The Verge
There’s something very positive about the experience. Strangers are taking their time to share their favorite watching spot to help those who might not have one (or are just tired of their own). It is a small gesture of kindness and reminder of the positive ways the internet can make the world feel smaller.
As I mentioned before, one of the benefits of working from home is I get to enjoy the view of our little bird feeder all day. I’ll be back in the office at some point, I’m sure, but I know which website to turn to when I get there.
Bird Library, where the need to feed meets the need to read
Welcome to the Bird Library, feeding the birdbrains of Virginia. Concerned about bird literacy? So are we. We believe in biodiversity and welcome birds of all colors, shapes, and species … even squirrels.
Its live video feed is the only way I’ll get to see cardinals, I think, and all the library’s other exotic (to us in the UK, at least) patrons.
But if you’re wanting to see some truly beautiful birds:
Fantastical images of birds from the 2020 Audubon Photography Award – Hyperallergic
The National Audubon Society annually rewards excellence in nature photography; the 2020 winners offer a stunning array of aviary photographs that continue to amaze with their vivid colors and curious behaviors.
This hypnotic artwork from Andy Thomas is my favourite, I think. I’ve seen visualisations of bird flight before, but not their song. These reinterpretations of bird song take very strange and dramatic forms reminiscent of flowers, insects and the birds themselves.
Digital sculptures visualize chirps of Amazonian birds in a responsive artwork by Andy Thomas – Colossal
Based on an audio recording from a 2016 trip to the Amazon, Australian artist Andy Thomas interprets birds’ trills, squawks, and coos through an animated series of digital sculptures. … With each chirp, the fleeting masses contort, grow, and disassemble into a new, vibrant form.
Instead of a window I could happily have this playing on a loop all day on a monitor on a wall or something. I wonder what the sparrows and goldfinches on my bird feeder would make of that.
Featured image Bibek Ghosh
Truthmark is a photography database aiming to stop misuse in fake news – It’s Nice That
The aim, as the companies explain in a statement, is to “protect democracy by reducing the misuse of photos worldwide and ensuring that the truth is protected”.
I’ve a number of posts here about libraries, but I’ve never seen one with such substantial shelving.
The Old Cincinnati Library before being demolished, 1874-1955 – Rare Historical Photos
Built in 1874 on the site reserved for an opera house, the Old Cincinnati Library was a thing of wonder. With five levels of cast iron shelving, a fabulous foyer, checker board marble floors and an atrium lit by a skylight ceiling, the place was breathtaking. Unfortunately that magnificent maze of books is now lost forever.
Some rather more genteel shelving on display here.
One of the world’s oldest reading rooms at the University of Oxford – The Mind Circle
This collection of images of the Bodleian Library in Oxford, while not of the most impressive library interior, are actually extremely rare, and most likely the best images of the interior available anywhere online. Photography of this library, which dates as far back as 1487 during the Medieval period, is usually completely prohibited as it contains many priceless original books, including manuscripts of the gospels of the Bible from the 3rd century, a Shakespeare First Folio and a copy of the Gutenberg Bible (one of 42 left in the world).
Some fascinating images from this New York Times article on how Thailand is dealing with its coronavirus crisis. Here are just a few of them.
No one knows what Thailand is doing right, but so far, it’s working – The New York Times
Can the country’s low rate of coronavirus indfections be attributed to culture? Genetics? Face masks? Or a combination of all three?
Something else I’d found around my birthday then forgotten to male a note of here was news of this wonderful concert. If playing music to plants helps them grow, there are thousands of ficus trees, palms and plants in Spain that must be feeling pretty healthy at the moment.
The artist Eugenio Ampudia inaugurates activity at the Liceu with a concert for 2,292 plants – Liceu Opera Barcelona
On the first day after the state of alarm instituted due to the pandemic ends, the Gran Teatre del Liceu reopens its doors, but it does so for an unusual audience. Conceptual artist Eugenio Ampudia is preparing an original, unique and different concert, in which the 2,292 seats of the auditorium will be occupied on this occasion by plants. It will be on 22 June at 5:00 p.m., broadcast live online, when the UceLi Quartet string quartet performs Puccini’s “Crisantemi” for this verdant public, brought in from local nurseries.
2,292 plants fill the audience in opening performance at Barcelona’s Gran Teatre del Liceu – Colossal
A collaboration with Madrid-based artist Eugenio Ampudia and the Max Estrella gallery, the concert was meant to reflect on humans’ relationship with nature. “I thought why don’t we go into the Liceu like weeds, take it over and let nature start growing everywhere and turn it into something alive even when there are no people,” Ampudia said in an interview.
Plants fill seats at Barcelona opera house concert – Associated Press
“I heard many more birds singing. And the plants in my garden and outside growing faster. And, without a doubt, I thought that maybe I could now relate in a much intimate way with people and nature,” he said before the performance.
At the end of the eight-minute concert, the sound of leaves and branches blowing in the wind resonated throughout the opera house like applause.
Here’s the performance in full, complete with “please silence your mobile phones and no pictures please” announcement.
It’s strange seeing these places, designed especially for large crowds, being so empty.
Plush seats and ornate balconies sit empty in Joanna Vestey’s unobstructed photographs of London theaters – Colossal
In Joanna Vestey’s Custodians for COVID series, one worker poses idly amid an otherwise unobstructed shot of a historic venue. The Oxford-based photographer has been capturing the empty seats and balconies of London theaters, which have been closed due to the ongoing coronavirus pandemic. For the timely series, Vestey visited 20 venues, including Royal Albert Hall, The Globe, and National Theatre, to photograph the breadth of the vacant architecture.
Nine Eyes of Google Street View is over ten years old now. For a while, no new photos were being added, but it seems to have picked up again in recent months. Here are a number of old articles about the project, interspersed with some of the newer images.
Nine Eyes of Google Street View – Net Art Anthology
In 2008, Jon Rafman began to collect screenshots of images from Google Street View. At the time, Street View was a relatively new initiative, an effort to document everything in the world that could be seen from a moving car. A massive, undiscerning machine for image-making whose purpose is to simply capture everything, Street View takes photographs without apparent concern for ethics or aesthetics, from a supposedly neutral point of view.
Towards a postinternet sublime: Jon Rafman’s Street View romanticism – Rhizome
As postinternet photography, the images in Nine Eyes of Google Street View testify above all to the processes of their own making and dissemination. There is no coherent subject matter unifying the images. Certain themes recur, such as glitches in the stitching system or people giving the finger to the camera, but what organizes the photographs together into one single work is simply that they have been selected from Street View during one of the artist’s marathon surfing sessions. Rafman highlights the digital aspects of his photographs—such as pixelation, watermarks, and the navigational interface which appears in nearly every image—but this never detracts from the sense that the photographs portray something real. Instead, they declare the extent to which offline life is always already structured by the online. This is what leads Geoff Dyer to describe Nine Eyes of Google Street View as giving the impression that not only is Rafman not an “old-school photographer,” but that it almost seems as if he has never even been outdoors, and that “his knowledge of the world derives entirely from representations of it.”
Poaching memories from Google’s wandering eye – The New York Times
At first I saw the camera as totally neutral: It’s just whoever happens to be out gets captured. But the truth is that the neutrality of the camera is actually somewhat . . . there’s hidden ideologies within it. For example, the camera only captures who’s on the street during daylight hours, while most, let’s say, white-collar workers are in their offices somewhere. People like prostitutes, people living on the street, they have much more of a chance to be captured by the camera.
He’s not the only one working in this area of course.
How Google Street View is inspiring new photography – The Guardian
[Michael Wolf] saw quickly that the indifferent gaze of the Street View camera randomly recorded what he called (in one of the series resulting from this discovery) Unfortunate Events: altercations and accidents, pissings and pukings, fights and fatalities. The Street View cars usually go about their business unnoticed – or at least unheeded – but occasionally people respond to their all-seeing presence by giving them the finger (hence the title of another of Wolf’s series, FY). And so Wolf combed through mile after uneventful mile of boring footage in search of moments that might or might not prove decisive.
So perhaps we can all be armchair photographers now.
From across the USA …
These pictures show just how large the protests against police brutality really are – Buzzfeed News
Across major cities and small towns, people turned out en masse to demonstrate against the police killing of George Floyd and to call for change in the US.
… and across the decades …
This is what 100 years of racial protest looks like in America – Buzzfeed News
From the 1917 silent protests in the streets of Manhattan to the recent national unrest following the killing of George Floyd, these pictures capture the long and tumultuous struggle for racial justice in the US.
… to cities all around the world, right now.
Images from a worldwide protest movement – The Atlantic
Over the weekend, demonstrations took place around the world, with thousands of people outside the United States marching to show solidarity with American protests over the killing of George Floyd by Minneapolis police. In many places, marchers also voiced their anger about systemic racism and police brutality within their own countries.
From our streets, to our museums …
‘Time to give back the swag, guys!’ British Museum unleashes Twitter storm with statement on Black Lives Matter – The Art Newspaper
“Look, I love you guys, but maybe you ought to sit this one out,” said one Twitter user, Jeff Pearce, a novelist and historian. “Unless you plan to return the looted Ethiopian treasures, the stolen Elgin Marbles and permanently return the Benin Bronzes.”
… and living rooms.
Little Britain pulled from iPlayer and Netflix because ‘times have changed’ – BBC News
In 2017, Lucas said: “If I could go back and do Little Britain again, I wouldn’t make those jokes about transvestites. I wouldn’t play black characters. Basically, I wouldn’t make that show now. It would upset people. We made a more cruel kind of comedy than I’d do now.” Walliams has also said he would “definitely do it differently” in today’s cultural landscape.
Times may have changed for some, but change is moving too slowly for others.
Windrush scandal: only 60 victims given compensation so far – The Guardian
Only 60 people have received Windrush compensation payments during the first year of the scheme’s operation, with just £360,000 distributed from a fund officials expected might be required to pay out between £200m and £500m.
Find yourself staring blankly into space more often these days? Here’s how to do that properly.
The secrets to stargazing from your backyard – The Guardian
How to search the sky and what to see, from moon and stars to planets and the International Space Station. Go on a journey of billions of miles … from your garden.
This is something you won’t see, though.
New image captures ‘impossible’ view of the moon’s surface – Live Science
McCarthy trained his camera on the craters closest to the lunar terminator every night for two weeks as the moon waxed toward complete illumination. By the time the moon was full, McCarthy had a series of high-contrast, high-definition photos of every crater on the moon’s Earth-facing side. Blending them into a single composite image was “exhausting,” he wrote, but ultimately resulted in the gorgeously detailed shot seen above — an image that McCarthy calls the “all terminator” moon.
Whenever I look at a full moon I find it hard to remember it’s spherical. It’s just a flat white circle an inch or two across that someone’s pinned up there, surely, not a solid ball of rock, the size of the United States, that’s slowly drifting away from us. This image, whilst being incredibly detailed, doesn’t help—for all its deep shadows and highlights, the lack of a ‘proper’ lunar terminator still makes it look more disk-like than globe-like, I think. (I wonder if there’s a Flat Moon Society I could join.)
If the moon is a fundamentally strange and other-worldly object, what to make of black holes? This film, like the composite photograph above, might be bending the truth, but is nevertheless equally impactful.
An unnerving new film by Paul Trillo imagines Earth moments before it’s sucked into a black hole – Colossal
“Until There Was Nothing” considers how Earth’s natural landscapes and city life would look just moments before being consumed by a black hole. The surreal work shows massive waves suddenly crawling up the left side of the frame, the tops of taxi cabs shooting into the air, and an entire forest of trees ascending in an amorphous mass.
If contemplating our cosmic oblivion is all too much, let’s lighten the mood with this lockdown-inspired blast from the starry past.
Nebula-75, a new puppet lockdown drama from the folks that brought us Thunderbirds, Stingray, Fireball-XL5 – Boing Boing
Nebula-75 is a new “puppet lockdown drama” being made by some of the folks at Century 21, the Gerry Anderson studio that was responsible for “Supermarionation” programming in the 60s (and beyond), with such shows as Thunderbirds, Stingray, Supercar, and Fireball-XL5. Nebula-75 is also being filmed in “SuperIsolation” and Lo-Budget! […]
Nebula-75 feels so much like the show I wanted to make myself, with cardboard boxes, kitchen implements, and household junk, after watching these programs when I was a wee one. That was one of the things that made them so seductive to a young and over-active imagination — they seemed so doable. And here, lo these many years later, folks associated with the legacy of these shows are doing it. At home. With cardboard boxes and junk. I’m inspired all over again.
Thunderbirds! Captain Scarlet! They don’t make ’em like that anymore. It turns out, they do.
Are things getting better? It doesn’t feel like it.
Paris salons, Shanghai Disney reopen despite global alarm over second coronavirus wave – Reuters
News that the “reproduction rate” – the number of people each person with the disease goes on to infect – had surged back to 1.1 in Germany cast a shadow over the reopening of businesses ranging from Paris hair salons to Shanghai Disneyland. A rate that stays above 1 means the virus is spreading exponentially.
Look at the numbers, they say. But I’ve seen so many I’m becoming curve-blind.
COVID-19 CoronaVirus infographic datapack – Information is Beautiful
COVID-19 #Coronavirus latest data visualized. Updated 11th May. Created by David McCandless, Omid Kashan, Fabio Bergamaschi, Dr Stephanie Starling, Univers Labs
Some are saying we’ve been here before, but this time’s different. Thankfully.
Coronavirus is very different from the Spanish Flu of 1918. Here’s how. – The New York Times
In 1918, the world was a very different place, even without the disruptive influence of World War I. Doctors knew viruses existed but had never seen one — there were no electron microscopes, and the genetic material of viruses had not yet been discovered. Today, however, researchers not only know how to isolate a virus but can find its genetic sequence, test antiviral drugs and develop a vaccine.
Virus-afflicted 2020 looks like 1918 despite science’s march – AP News
As in 1918, people are again hearing hollow assurances at odds with the reality of hospitals and morgues filling up and bank accounts draining. The ancient common sense of quarantining is back. So is quackery: Rub raw onions on your chest, they said in 1918. How about disinfectant in your veins now? mused President Donald Trump, drawing gasps instead of laughs over what he weakly tried to pass off as a joke.
There are so many coronavirus myths that even Snopes can’t keep up – The Washington Post
“The fact-checking industry is so undervalued and underinvested,” he said, “that even with this traffic boom and the rise in prominence and responsibility at this moment when people are relying so heavily on fact-checkers for credible information, we have no hopes for scaling up our businesses.”
1918 feels too distant now, it’s hard to relate to it. But perhaps we should count ourselves lucky that we find it hard to relate to.
The 1918 flu pandemic killed millions. So why does its cultural memory feel so faint? – Slate
Reading letters from survivors of the flu pandemic, one of the things that strikes me over and over again, that’s so moving, is that almost every one of them says, “I never forgot; I never forgot; I never forgot.” [Researching the book], I interviewed one 105-year-old woman who had the flu in Richmond, when she was 8. And in my cheery way, I said something like “Why do you think people forgot the flu?” And she looked at me like I was crazy. “We didn’t forget! We didn’t ignore it! We didn’t forget.” She’s 105, right? And she was like, “It never faded—not for us.”
Meet the 107-year-old woman who survived the coronavirus and Spanish flu – The Jerusalem Post
“It’s remarkable,” Shapiro said. “That’s all I can say. It’s just unbelievable. I think perhaps it’s because of her art that she’s still involved in.”
The numbers are crazy, “6 percent of the Earth’s population in just over a year,” according to this collection of images from the time.
Historical photos of the 1918 Spanish Flu that show what a global pandemic looked like in the 1910s – Design You Trust
The speed of the pandemic was shocking; the numbers of dead bodies overwhelmed hospitals and cemeteries. Quarantine centers, emergency hospitals, public use of gauze masks, and awareness campaigns were all undertaken swiftly to halt the spread. But as World War I was coming to a close, millions of soldiers were still traveling across the globe, aiding the spread of the disease.
The flu was first observed in Europe, the US and parts of Asia before it quickly spread throughout the world. It was wrongly named the Spanish flu because it was first reported in the Madrid daily newspaper ABC. However, modern scientists now believe the virus could have started in Kansas, US.
Kansas, you say? Hmm.
Face masks, then. So what are our options (apart from using socks)?
Face Shield: How do we encourage mass adoption of an unwanted necessity? – Joe Doucet
To try and create a face shield that people would actually want to wear rather than simply put up with, Joe Doucet has designed a shield with integrated sunglass lenses and arms that make them more practical and feel less alien and intrusive on the wearer than a typical face shield would. It is hoped that improving the basic face shield design will encourage far greater uptake of its usage and help everyone adjust to the “new normal” that awaits us.
The Micrashell Futuresuit lets you party like it’s 2099 – Design Milk
Taking design cues from sportswear brands like Yohji Yamamoto and Nike Lab, the Production Club Micrashell wraps an array of speculative environmental technologies within a futuristic athleisure design straight out of the Cyberpunk 2077 trailer. The Micrashell is intended to allow for human-to-human interaction in group settings with a virus-shielded and disinfectable air-tight suit, specifically for attendees of “nightlife and entertainment industries”.
Plastique Fantastique’s iSphere mask is informed by 1950s sci-fi comics – Dezeen
Berlin-based art collective Plastique Fantastique has created an open-source, retro-futuristic face shield shaped like a fish bowl to protect wearers against coronavirus. The helmet-like design, called the iSphere, comprises two transparent, hollow hemispheres that have been secured together and cut to create a hole for the user to fit their head through.
Canevacci and Young wanted to bring an element of humour to a serious object for non-medical users.
In this age of 24-hour, panic-driven, conflict-addictive news content designed just to be clicked on, glanced at and forgotten, here’s an archive of journalism worth spending some time with.
The Stacks Reader
The Stacks Reader is an online collection of classic journalism and writing about the arts that would otherwise be lost to history. Motivated less by nostalgia than by preservation, The Stacks Reader is a living archive of memorable storytelling—a museum for stories. We celebrate writers, highlight memorable publications, honor notable personalities, and produce interviews with writers and editors and illustrators in the hope of offering compelling insight into how journalism worked, particularly in the second half of the 20th Century.
For those of you with a little more time on your hands, perhaps you want to settle down with a good book.
Internet Archive’s ‘national emergency library’ has over a million books to read right now – CNET
The Internet Archive will suspend its waiting lists for digital copies of books, as part of its National Emergency Library. “Users will be able to borrow books from the National Emergency Library without joining a waitlist, ensuring that students will have access to assigned readings and library materials that the Internet Archive has digitized,” the organization said in a blog post last week.
The decision comes as schools around the country are shut down in the midst of the coronavirus pandemic and as it’s become more difficult to get goods of all kinds. The post noted that many people can’t physically go to their local libraries these days.
More open eBooks: routinizing open access eBook workflows – The Signal
We are excited to share that anyone anywhere can now access a growing online collection of contemporary open access eBooks from the Library of Congress website. For example, you can now directly access books such as Cory Doctorow’s Little Brother, Yochai Benkler’s The Wealth of Networks, and Youjeong Oh’s Pop City: Korean Popular Culture and the Selling of Place from the Library of Congress website. All of these books have been made broadly available online in keeping with the intent of their creators and publishers, which chose to publish these works under open access licenses.
Or if you fancy something older and more visual, check out this remarkable archive from the Cambridge Digital Library.
There’s so much in here, I’m having trouble deciding what to highlight.
Newton Papers – Cambridge Digital Library
Cambridge University Library is pleased to present the first items in its Foundations of Science collection: a selection from the Papers of Sir Isaac Newton. The Library holds the most important and substantial collection of Newton’s scientific and mathematical manuscripts and over the next few months we intend to make most of our Newton papers available on this site.
Sassoon Journals – Cambridge Digital Library
The notebooks kept by the soldier-poet Siegfried Sassoon (1886–1967) during his service in the British Army in the First World War are among the most remarkable documents of their kind, and provide an extraordinary insight into his participation in one of the defining conflicts of European history.
It’s not all scans of historic documents, however.
Department of Engineering Photography competition – Cambridge Digital Library
The annual Department of Engineering photo competition highlights the variety and beauty of engineering. For many people, engineering conjures up images of bridges, tunnels and buildings. But the annual University of Cambridge engineering photo competition shows that not only is engineering an incredibly diverse field, it’s a beautiful one too.
Christian Hoecker – Carbon Nanotube Web – Cambridge Digital Library
This fibrous material is made of self-assembled carbon nanotubes. The diameter of each nanotube is more than a thousand times smaller than the diameter of a human hair.
Thousands of satisfyingly stacked drinks crates or a real life Tetris game waiting to be played? – It’s Nice That
“I wanted to capture just a few shots of the crate stacks location,” Bernhard tells It’s Nice That, “But when I looked through the viewfinder and saw how interesting the crate stacks looked, we spontaneously changed the plan and flew over the location several times from different heights and angles to get as many interesting and different motives as possible.” Flying over the stacks, which look more like some kind of digitally rendered bar chart than real life, the photographer captured a little known aspect of the drinks industry.
It goes to show, no matter how many times Bernhard takes to the air, the stance he returns with never fails to surprise. From the skies, Bernhard presents us viewers with a different way to look at the world. What may seem trivial or unalarmingly ubiquitous in every day life, like a crate for instance, is seen in a totally new light from the way Bernhard twists and turns the camera lens from high above.
Traffic Lights 2.0 – Behance
I have been waiting for two long years to finally go out again and progress on my traffic lights series. It was worth the wait.
Directing traffic that isn’t there—seems appropriate at the moment. As does another one of Lucas’s series of photos, highlighting our desire for connection.
Solitude Palace – Behance
Dedicated to the 20th anniversary of the smarthpone. A magical device that connects and divides us. Lets see what the future holds.
I thought these two went together well.
colors.lol – Overly descriptive color palettes
Created as a fun way to discover interesting color combinations. Palettes are hand-selected from the Twitter bot @colorschemez. The feed randomly generates color combinations as well as their descriptions, with each color being matched with an adjective from a list of over 20,000 words.
A painting and photography duo poking fun at fine art – It’s Nice That
The idea behind the project is for the pair to travel to locations any arts aficionado may recognise. Environments painted by Paul Cezanne, Claude Monet or Vincent Van Gogh are all visited, but rather than replicating their celebrated works, Hank chooses to paint the pattern of his shirt instead.
Photos: Life in the coronavirus era – The Atlantic
In an all-out effort to slow the spread of the new coronavirus, health and government officials worldwide have mandated travel restrictions, closed schools and businesses, and set limits on public gatherings. People have also been urged to practice social distancing in public spaces, and to isolate themselves at home as much as possible. This rapid and widespread shift in rules and behavior has left much of the world looking very different than it did a few months ago, with emptied streets, schools, workplaces, and restaurants, and almost everyone staying home.
Lori Spencer visits her mom, Judie Shape, 81, who Spencer said had tested positive for the coronavirus, at Life Care Center of Kirkland, the Seattle-area nursing home at the epicenter of one of the biggest coronavirus outbreaks in the United States, in Kirkland, Washington, on March 11, 2020.
Caidence Miller, a fourth grader at Cottage Lake Elementary, tries to figure out assignment instructions without working speakers on his laptop as he and his grandmother, Chrissy Brackett, navigate the online-learning system the Northshore School District will use for two weeks because of coronavirus concerns, at Brackett’s home in Woodinville, Washington, on March 11, 2020.
A woman makes a video call with her smartphone inside her home after the Italian government clamped down on public events, closed bars, restaurants, and schools, imposed travel restrictions, and advised citizens to stay at home in an attempt to slow the spread of the coronavirus on March 15, 2020, in Turin, Italy.
A man wearing a mask looks up at a couple looking out of a house window on the 15th day of quarantine in San Fiorano, one of the small towns in northern Italy that has been on lockdown since February, in this picture taken by schoolteacher Marzio Toniolo on March 6, 2020.
Featured image: A student attends an online class at home as students’ return to school has been delayed in Fuyang, Anhui province, China, on March 2, 2020.
Sadly, I think there’ll be plenty of time for more of these photos.
Scientists warn we may need to live with social distancing for a year or more – Vox
As Kucharski, a top expert on this situation, sees it, “this virus is going to be circulating, potentially for a year or two, so we need to be thinking on those time scales. There are no good options here. Every scenario you can think of playing out has some really hefty downsides. … At the moment, it seems the only way to sustainably reduce transmission are really severe unsustainable measures.”
Such a simple yet poignant photo series.
A photographer’s parents wave farewell – The New Yorker
At the end of their daughter’s visits, like countless other mothers and fathers in the suburbs, Dikeman’s parents would stand outside the house to send her off while she got in her car and drove away. One day in 1991, she thought to photograph them in this pose, moved by a mounting awareness that the peaceful years would not last forever. […] For more than twenty years, during every departure thereafter, Dikeman photographed her parents at the same moment, rolling down her car window and aiming her lens toward their home. Dikeman’s mother was known to scold her daughter for her incessant photography. “Oh, Deanna, put that thing away,” she’d say. Both parents followed her outdoors anyway.
It ends as you would expect, sadly.
TLS reviews a number of recent books on our best friends.
The ways of dog to Mann: Various responses to canine companions – TLS
For several of the contributors, the most prominent thread that runs through the book is love – both the love dogs have for people and the love that people return. Our love of dogs is in part a response to their happiness but also, as the legendary French actor and animal welfare activist Brigitte Bardot observes, to their wanting us to be happy. Our love, in effect, responds to their love. “Response”, perhaps, is not the ideal word. Certainly, love for a dog need not be an unconsidered, mechanical reaction to their affection. As Monty Don pointed out in his book on his golden retriever Nigel, a dog is an “opportunity” for a person to develop, shape and manifest love for a being that is not going to reject or betray this love. […]
For other contributors, admiration stems less from canine virtue than canine wisdom – what, in other words, do dogs teach us? Alice Walker learns from the ease with which Marley bounces back after a telling-off that, when we behave badly, it is “because we are temporarily not ourselves”. Several other writers express admiration for the dog’s ability to “live in the moment”.
That reminded me of that line by Iris Murdoch about paying attention, to watch “as a dog watches”. The review continues:
This is an element perhaps in the wisdom that Mark Alizart attributes to dogs in Dogs: A philosophical guide to our best friends. It is an ability, identified by Stoics, Buddhists and Spinozans alike, of “accommodating oneself, with simplicity and gratitude, to what life has to offer”. “The dog is joyous because it made man”, he concludes, and since “the human descends from the dog”, its joy is like that which parents take in their offspring. Alizart makes no attempt to elaborate, or even to state in less paradoxical terms, what I take to be the familiar truth behind this rhetoric: namely, that dogs played a significant role in the origins and development of human society. Indeed, the book is certainly not the guide to understanding our best friend that its sub-title promises.
Here’s a look at a new photography book from Martin Usborne, The Silence of Dogs in Cars. They’re not the only ones who can feel a little sad and dejected sometimes.
Martin Usborne’s heartbreaking photos of dogs in cars speak to humans’ fear of abandonment – It’s Nice That
Featuring rejected, lonely and expectant pups, often meeting the lens of the camera with unbearable sadness, the series extrapolates from his very personal experience while commenting on the way humans treat voiceless animals more widely. “The dog in the car is a metaphor, I suppose, not just for the way that animals (domestic and wild) are so often silenced and controlled by humans but for the way that we so often silence and control the darker parts of ourselves: the fear, the loneliness that we all feel at times,” Martin explains.
It’s described as a new book, but this 2013 article from The Independent suggests otherwise. Not that it matters. Perhaps just a new edition.
The silence of dogs in cars – The Independent
Usborne didn’t frequent supermarket car parks in order to photograph dogs left in cars. He set everything up in a studio with careful planning. He says he even chose cars which “matched the dog”, for maximum impact.
“The camera is the perfect tool for capturing a sense of silence and longing,” Usborne says. “The silence freezes the shutter forever and two layers of glass are placed between the viewer and the viewed: the glass of the lens, the glass of the picture frame and, in this instance, the glass of the car window further isolates the animal. The dog is truly trapped.”
These lyrics do not exist
This website generates completely original lyrics for various topics, uses state of the art AI to generate an original chorus and original verses.
Want some happy metal lyrics about dogs? No problem.
I am the dog in you
I am the dog in you
How one animal can be so tense, yet so free?
Such vicious dogs in search of a trophy
This foot does not exist
The foot pic, then, becomes a commodity which the consumer is willing to pay for on its basis as an intimate, revealing, and/or pornographic (and perhaps power-granting, when provided on request) asset, while the producer may** see it as a meme, a dupe, a way to trick the horny-credible out of their ill-spent cash.