Art as triggers for experiences

Maria Popova selects a great passage from Brian Eno’s diary about the nature of art: nice to see the Professor of Technoetic Arts, his old teacher (and my old teacher!) getting a mention.

brian-eno-diaryBrian Eno on Art, Confidence, and How Attention Creates Value
“Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.”

Technoetic Art

Art is stationary conventionally. We can read it from a work of art, be it a painting, a sculpture or a drama. Technoetic art stresses interaction. You can interact with the environment, the painting and the sculpture. Our movements are making changes on them. No stationary works exist as long as there is interaction. Visitors and users are all involved in the creating of these works, whether the works are in words or in pictures. This represents a major innovation in art.

Roy Ascott on technoetic art — A Unique Monkey King Created by Father of Technoetic Arts Professor Roy Ascott