Verso

Is this what happens when you paint a palindrome?

This painting caught my eye recently. I love the idea of not being sure which way round to hang it.

The Reverse of a Framed Painting, and other trompe l’oeil by Cornelis Norbertus Gijsbrechts (ca. 1670)The Public Domain Review
On Easter Sunday 1669, the diarist Samuel Pepys was bowled over by the ability of the Dutch painter Simon Verelst (1644-1710),

who took us to his lodging close by, and did shew us a little flower-pot of his doing, the finest thing that ever, I think, I saw in my life; the drops of dew hanging on the leaves, so as I was forced, again and again, to put my finger to it, to feel whether my eyes were deceived or no. He do ask 70l. for it: I had the vanity to bid him 20l.; but a better picture I never saw in my whole life; and it is worth going twenty miles to see it.

Around the time Peyps was poking the painting of Verelst, another northern European painter, Cornelis Norbertus Gijsbrechts, was also causing confusion with the brush, creating his masterpiece known as The Reverse of a Framed Painting (ca. 1670), an image that is, to modern eyes at least, his most striking.

I love it, but I wonder how it was initially shown off. The gag would be wholly lost if this painting of a frame was itself framed. But weren’t all paintings framed?

I’ve been revisiting my post earlier in the week about the online worldwide Van Gogh exhibition. As well as high resolution scans of the actual paintings, the curators have documented the backs of them too — sturdy, wooden frames covered in gallery stickers. They remind me of airport tags on luggage.

Wheatfield with Crows was in Manchester? I would have loved to have seen that.

Worldwide Van Gogh

We might not be able to get to the galleries, but now some of them can come to us.

He’s the artist I keep coming back to. He’s even on my phone’s lockscreen now.

Van Gogh’s self portrait recreated with stunning sculpture paintingMoss and Fog
Artist Timur Zagirov has created a beautiful rendition of Van Gogh’s famous self portrait, using a myriad of colored wooden blocks. 425 polished pine cubes, to be precise.

I love the idea of an abstract, sculptural painting.

But wait, here’s more Van Gogh. Lots more.

Dive into Van Gogh Worldwide, a digital archive of more than 1,000 works by the renowned Dutch artistColossal
A point of levity during the temporary shutdowns of museums and cultural institutions during the last few months has been the plethora of digital archives making artworks and historical objects available for perusing from the comfort and safety of our couches. A recent addition is Van Gogh Worldwide, a massive collection of the post-impressionist artist’s paintings, sketches, and drawings.

Dutch museums unveil free digital collection of 1,000+ artworks by Van GoghMy Modern Met
Van Gogh Worldwide is a new project by a group of Dutch museums which presents a digital collection of over 1,000 of the artist’s masterpieces. Building off the digitized collection begun several years ago by the Van Gogh Museum in Amsterdam, almost half of the post-Impressionist works of this prolific artist are now available to view—with scholarly commentary—from the safety of your own home.

Take a wander yourself, there’s so much to take in.

Van Gogh Worldwide
Van Gogh Worldwide is a free digital platform providing art-historical and technical data about the work of Vincent van Gogh (1853–1890). The artist produced a total of approximately 2000 artworks, and the aim of Van Gogh Worldwide is to present data for these in an accessible way, via a user-friendly website.

The resolution of each image is wonderful, allowing you to get closer to the paintings than you probably could in real life.

And you can even view the paintings in a raking light, to get a sense of just how heavily textured and expressive these were. Not quite as three-dimensional as Timur Zagirov’s wooden blocks, but still.

Van Gogh’s ongoing troubles

Remember that stolen Van Gogh painting? Photos of it turned up a few weeks ago. I wonder if there’s been any further news.

Images of a stolen van Gogh give experts hope it can be recoveredThe New York Times
A private art detective investigating the case said he was sent the images of the work, which was taken from a Dutch museum in March.

The painting is shown between a copy of The New York Times, which featured an article on the theft, and a copy of a biography of a man who had previously stolen van Goghs – The New York Times

Dutch art detective says he has ‘proof of life’ of stolen Van Gogh paintingThe Guardian
They have been passed to the police after being obtained by Arthur Brand, a renowned art detective. Brand told Agence France-Presse that the photographs had been “circulating in mafia circles” and had been handed to him by a source he declined to identify.

Then there’s this odd story about (another) one of his selfies.

Self-portrait or portrait of Theo?Van Gogh Museum
Van Gogh specialists from the museum recently returned to study the two portraits afresh. A publication on photographs of Vincent and Theo contained new insights regarding the likenesses and differences between the physical appearance of the two brothers. Some researchers had also harboured prolonged doubts about the identification made in 2011.

Left: Vincent van Gogh, Self-Portrait, 1887. Right: Vincent van Gogh, Self-Portrait or Portrait of Theo van Gogh, 1887 – Van Gogh Museum

The resulting discussion made it clear that, based on all sources and arguments, it was not possible to determine with certainty which of the brothers is depicted on the portrait that was identified as being of Theo van Gogh in 2011. The decision has therefore been taken to use the title Self-Portrait or Portrait of Theo van Gogh for this painting from now on.

Perhaps this might help.

Here’s how 20 famous historical and fictional figures ‘really’ looked likedeMilked
Bas Uterwijk is a Dutch photographer and digital artist who likes to show how famous historical and fictional figures ‘really’ looked like in his realistic digital portraits.

Vincent van Gogh – Bas Uterwijk

He’s not the only one using ‘deep learning’ networks to understand more about Van Gogh and his work.

MIT CSAIL develops AI to show how artists created their famous paintingsdesignboom
You mightn’t have thought that Vincent van Gogh and artificial intelligence go hand-in-hand, but thanks to a system developed by researchers at MIT Computer Science and Artificial Intelligence Laboratory (CSAIL), we can now see his painting technique like never before. The system, called ‘Timecraft’, takes the image of a finished painting and analyzes how it was likely to have been originally created. The resulting time-lapse videos provide an amazing insight into renowned works from famous artists such as Cezanne and van Gogh.

But let’s not forget what brought us all here in the first place, some incredible imagery.

Getting inside Van Gogh: A new blockbuster show in Paris in photosForbes
The digital art museum L’Atelier des Lumières brings Vincent Van Gogh’s paintings to life, projecting them on the walls, ceilings and floors of a former foundry, accompanied by music and immersing visitors in the chromatic splendor of the artist’s pictorial world. […]

The first digital art center in Paris, established in a restored 19th-century foundry, the Atelier des Lumières creates monumental digital exhibitions that surround visitors with the pictorial world of the greatest artists.

Wandering through Vincent Van Gogh’s Iris

Van Gogh, Starry NightAtelier des Lumières
The new digital exhibition in the Atelier des Lumières immerses visitors in the paintings of Vincent van Gogh (1853–1890), a genius who was not recognised during his lifetime and who transformed painting. Projected on all the surface of the Atelier, this new visual and musical production retraces the intense life of the artist, who, during the last ten years of his life, painted more than 2,000 pictures, which are now in collections around the world.

Culturespaces

A Dutchman and two Yorkshire men

It was Van Gogh’s birthday the other week. Martin Bailey from The Art Newspaper takes a look at what he was doing on 30 March each year. It ends quite poignantly.

A concise guide to Van Gogh’s adult life: how the artist celebrated his birthday over the yearsThe Art Newspaper
Theo was very worried, writing to him on 29 March: “How pleased I would be to be able to go and see you tomorrow to shake your hand on your birthday. Will it be a celebration for you, or are you still in a state where you find yourself unhappy?” Vincent’s mother posted him a tin of chocolate and sewed him a tobacco pouch. She wrote to Theo: “May the 30th of March not be too unhappy for Vincent. Poor fellow, may he see better days.”

Let’s be more positive and remind ourselves of the joy he took in nature, with this interview with David Hockney from last year at the Van Gogh Museum.

David Hockney on Vincent van Gogh: Full interviewVan Gogh Museum
From 1 March, the colossal works of David Hockney will be on display in the Netherlands. For the first time, this spectacular exhibition offers an extensive and colourful exploration of the common ground between the work of Vincent van Gogh and David Hockney.

Hockney: ‘His paintings are full of movement. What people love about Van Gogh’s paintings is that all the brush marks are visible and you can see how they are painted. When you’re drawing one blade of grass you’re looking and then you see more. And then you see the other blades of grass and you’re always seeing more. Well, that’s exciting to me and it was exciting to Van Gogh. I mean, he saw very clearly’.

That visit to the Netherlands wasn’t without incident, but here’s an interview with another artist from Yorkshire whose latest work goes back to nature in a visually similar way.

Interview: Damien HirstIdler
I’d always made more money the next year than the year before. But it was unsustainable and it bites your arse. They all love you. The bank loves you, and the accountants love you, because they’re taking your money. Every year you get more and more people as well. One guy is taking 10 per cent and then it’s another guy taking 10 per cent and another guy taking 10 per cent and it’s all a big party. But before you know it, suddenly you’ve got an overdraft when before you had loads of cash. The people who give you the overdraft are your best mates as well, smiling at you and telling you that you’re amazing so you keep doing it. […]

You start by thinking you’ll get one assistant and before you know it you’ve got biographers, fire eaters, jugglers, fucking minstrels and lyre players all wandering around. They’re all saying they aren’t being paid enough and they all need assistants. Then one night you ask the lyre player to play for you and they say: “My lyre is all scratched up and I did ask for a lyre technician but you said not yet and if I had one I could come and play for you now.” So you’ve got to have a lyre technician and then you better get him an Uber account too.

Virtual promenades

What would Mussorgsky have made of these virtual promenades around pictures at exhibitions, I wonder.

Google virtual tour The National Gallery
In 2016, Google created this 360° tour of Rooms 4, 5, 9, 10, 11, 12, 15 and Central Hall. Immerse yourself in Renaissance masterpieces from Northern Italy, the Netherlands and Germany, including works by Titian, Veronese, and Holbein.

How to explore the British Museum from homeThe British Museum Blog
Did you know that the Museum is the world’s largest indoor space on Google Street View? You can go on a virtual visit to more than 60 galleries – perfect for creating your own bespoke tour around your favourites. See highlights like the Rosetta Stone in the Egyptian Sculpture Gallery or discover gems like the beautiful textiles in the Sainsbury African Galleries.

It’s not the same, though, is it?

The rise of the virtual gallery tour: what works and what doesn’t (yet)Frame
Received wisdom, and newspaper columnists, would have you believe that we’re currently experiencing a revolution in the way we consume art and artefacts online. The British Museum, frequently the institution at the top of the global visitor-number leaderboard, has seen a corresponding surge in its digital audience since it closed its doors. Meanwhile Art Basel has rushed through the development of its digital viewing rooms (which had over €248 million of art on display for its Hong Kong inauguration) and Hauser and Wirth is hosting its first digital-only exhibition, a collection of drawings by Louise Bourgeois.

But for gallery-goers who are yet to log on, visiting these aforementioned virtual venues is likely to result in disappointment.

I found myself nodding along vigorously to this part further down.

Perhaps the answer lies in the more creative use of an established medium. It’s interesting to note that, as lockdown was looming, and perhaps in a nod to the insufficiency of the above interfaces, The Van Gogh Museum launched an alternative form of the gallery tour. A series of seven carefully choreographed 4K films, available on their YouTube channel, walk the user through the museum’s various rooms to an accompanying sound track. It’s clearly a more prescribed way of experiencing both the art and the space, but one that also feels more natural. The camera movement doesn’t equate to a true point-of-view walkthrough; the stabilized image glides through the rooms in a rather disembodied way. But the manner in which it glances across paintings, occasionally stopping and approaching a particularly affecting portrait before pulling back, does a far better job of transmitting the pleasure of being in the presence of the artefacts than staccato jumping and zooming.

That’s certainly been my experience. I’ve been randomly clicking around the National Gallery for a while now, feeling like that Anish Kapoor fan unable to find his way out.

virtual-exhibition-1

So I think I’ll head over to the Van Gogh Museum’s YouTube channel, after I’ve been guided round the Tate’s Warhol exhibition.

Andy Warhol exhibition guideTate
This major retrospective is the first Warhol exhibition at Tate Modern for almost 20 years. As well as his iconic pop images of Marilyn Monroe, Coca-Cola and Campbell’s soup cans, it includes works never seen before in the UK. […] Join curators Gregor Muir and Fiontán Moran as they discuss Warhol through the lens of the immigrant story, his LGBTQI identity and concerns with death and religion.

There are other ways of approaching this.

 You can download thousands of coloring book pages from museum collectionsMy Modern Met
This year alone touts 117 PDFs from various cultural institutions that can be downloaded and printed right at home, and colored in. You can jump into the past through local advertisements from the West Virginia and Regional History Center Coloring Book or take a ride on a vintage motorcycle with the Harley-Davidson Archive’s digital collection. Visit these exhibits through pages detailing the beloved fairy tale Cinderella, to fascinating diagrams of medical equipment from a bygone era. Simply, there are coloring pages made for every kind of interest a person may have, and the ones available through the #ColorOurCollections website will help you refine your coloring skills at the same time.

Manchester Museum in Quarantine
We believe connection and inspiration is needed during challenging times like this one. We have uploaded our digital content onto this mobile site so you can explore and enjoy Manchester Museum in your own home. We hope it helps entertain, educate and sparks joy and wonder until we re-open.

An augmented reality tool to sell art during the pandemicDesign Milk
ALL World is a self-publishing platform that allows artists to digitally exhibit and sell their work via augmented reality. Artists and designers can upload images of their work, create AR exhibitions, and then share it with users, allowing them to visualize the work within their own space. By being able to see the work at scale in context, the guesswork of whether or not it will work dissolves which could potentially create more sales. While it’s a great tool for established artists and designers, imagine what it could do for those just starting out and struggling to get eyes on their work.

Perhaps some normality (kind of) is slowly returning.

German galleries will reopen next week with strict precautionsArtsy
Galleries in Germany are carefully preparing to reopen their doors over the next few weeks as the government begins to lift business restrictions in the wake of COVID-19. These reopenings will come with strict precautions including a visitor limit and facemasks.

‘Bring your own mask’: German art galleries prepare to reopen in a new reality, giving US dealers a preview of things to comeArtNet
“I am more than thrilled to be opening again. Galleries cannot exist in an online-only world,” dealer André Schlechtriem tells Artnet News. “My gallery is a personal social space where every visitor is greeted personally by myself or my staff. We are always happy to answer questions and talk about the art we present. That’s what we live for.”

Meanwhile.

‘We are all Edward Hopper paintings now’: is he the artist of the coronavirus age?The Guardian
Who can fail to have been moved by all the images of people on their doorsteps clapping for the NHS last night? They filled TV screens and news websites, presenting a warming picture of solidarity in enforced solitude – all alone yet all together. But there are some far less reassuring images circulating on social media. Some people are saying we now all exist inside an Edward Hopper painting. It doesn’t seem to matter which one.

Art world problems #2

I’m currently re-reading this coffee table book about the guy and enjoyed Brain Pickings’ recent tweets about him, so it was sad to read that one of his paintings has just been stolen.

Van Gogh painting stolen from Dutch museum closed by virusABC News
“I’m shocked and unbelievably annoyed that this has happened,” said Singer Laren museum director Jan Rudolph de Lorm. “This beautiful and moving painting by one of our greatest artists stolen – removed from the community,” he added. “It is very bad for the Groninger Museum, it is very bad for the Singer, but it is terrible for us all because art exists to be seen and shared by us, the community, to enjoy to draw inspiration from and to draw comfort from, especially in these difficult times.”

Problems for museums over here, too.

Anish Kapoor fan gets stuck in virtual exhibitionThe Art Newspaper
A man had to be rescued by the London Fire Brigade after getting lost while taking part in a virtual museum tour. As museums worldwide have had to shut their doors to help fight the spread of coronavirus (Covid-19), many institutions have instead put their creative efforts into online engagement with the public, including providing a plethora of virtual tours of their collections and exhibitions. Unfortunately, in some cases, not enough attention has been paid to the visitor experience.

art-world-problems-2-1

An unsettling self-portrait

Another reminder of what Van Gogh went through.

Not a fake: Van Gogh self-portrait is his only work painted while suffering psychosis, experts sayThe Art Newspaper
Van Tilborgh believes that the self-portrait was painted in late August 1889, in the asylum just outside Saint-Rémy: “The somewhat unusual type of canvas, the pigments, the sombre palette and the brushwork are all in keeping with his output in the late summer and autumn of that year.”

The painting is now linked to a letter in which Van Gogh wrote that he had made a self-portrait which was “an attempt from when I was ill”. The artist had suffered a severe mental attack at the asylum in mid July 1889, when he tried to swallow paints, but by 22 August he had recovered sufficiently to write to his brother Theo, asking that he be allowed access to his painting materials. Van Tilborgh argues that the artist made the self-portrait a few days later, before he suffered a minor setback and was ill for a short period at the beginning of September.

one-of-his-1

It’s an arresting image, though I think the version of it that appears in this article, being somewhat darker, feels much deeper.

Someone’s death makes someone rich

Can’t help but think this shouldn’t have gone on sale.

Pistol that Van Gogh ‘used to shoot himself’ sells for £115,000 at Paris auction
An anonymous phone bidder took home the Lefaucheux revolver, its casing heavily rusted and the inlay of the curved handle missing, for more than double the highest estimates made by experts at auction house Drouot.

“It is a very emblematic piece,” said auctioneer Gregoire Veyres. “The fact that it’s a gun, it’s an object of death. And if van Gogh is van Gogh, it’s because of his suicide and this gun is part of it.”

Van Gogh’s gun, ‘most famous weapon in art history’, sells for €162,500
The auctioned Lefaucheux pinfire revolver is almost certainly the weapon used, although this cannot be conclusively proved. The type of weapon, its calibre, its severely corroded state and the location and circumstances of the find strongly suggest it is the gun. In the evening of 27 July 1890 Van Gogh suffered a gunshot wound while in a wheatfield and he then staggered back to the inn, dying two days later.

Selfie portraits

There’s no escaping the selfie, they’re everywhere. But have we really stopped to consider them as an art form? Here’s a critique of this new genre, with some famous and infamous examples.

Art at arm’s length: A history of the selfie
In some way, selfies reach back to the Greek theatrical idea of methexis—a group sharing wherein the speaker addresses the audience directly, much like when comic actors look at the TV camera and make a face. Finally, fascinatingly, the genre wasn’t created by artists. Selfies come from all of us; they are a folk art that is already expanding the language and lexicon of photography. Selfies are a photography of modern life—not that academics or curators are paying much attention to them. They will, though: In a hundred years, the mass of selfies will be an incredible record of the fine details of everyday life. Imagine what we could see if we had millions of these from the streets of imperial Rome.

And here’s Jason Bailey from Artnome suggesting we could see Rembrandt as the Paris Hilton of his day…

How Rembrandt and Van Gogh mastered the art of the selfie
Next time someone gives you a hard time for spending 15 minutes fussing with filters on your selfie, remind them that Rembrandt spent a full 10% of his career perfecting selfies.

Charting Van Gogh’s shifting colours

Taking a break from their AI coverage, Artnome take us on an interesting journey through Van Gogh’s shifting colour schemes, busting a couple of myths as they go.

New data shows why Van Gogh changed his color palette
We were not convinced by the medical reasoning behind the shift in Van Gogh’s color palette and we could not think of any French Impressionists that painted with colors nearly as bold as Van Gogh, so we decided to take a look at some other possibilities.

Van Gogh was a restless soul and moved around quite a bit. He also spent a lot of time painting outdoors, especially in his later years. As someone who famously struggled with mood swings, we thought location, and more importantly, weather patterns may have impacted his use of color.

To test this, we created composite images averaging every painting Van Gogh created from each of the major locations he worked from and compared them to weather patterns from those regions. We think the results are quite remarkable.

Using data and technology like this is a fascinating way to learn more about works of art and the hidden narratives behind them.

Filmed memories

Here’s a interesting idea, a film of reconstructed memories.

“No Blue Without Yellow” by artist Maciek Janicki
San Francisco-based artist and animator Maciek Janicki takes us into the world of Vincent van Gogh with his latest short film. Created in partnership with the Van Gogh Museum in Amsterdam, “No Blue Without Yellow” offers an immersive 3D tour, constructed using sampled paintings from consequential times in the renowned artist’s life.

No Blue Without Yellow

It’s very atmospheric, wandering around Van Gogh’s landscapes like that. It reminded me of this other attempt to bring his paintings to life, from Serena Malyon.

And here’s another film from Maciek Janicki, Paper City.

Paper City

Bringing Van Gogh back with 56,800 paintings

Loving Vincent – Bringing the paintings of Van Gogh to life

“What is truly groundbreaking about “Loving Vincent” is that every frame of the film is an oil painting on canvas, using the very same technique in which Vincent himself painted. And what makes it a great story to experience is the intriguing, tragic, and inspiring story of Vincent Van Gogh himself.”

http://www.kickstarter.com/projects/438026311/loving-vincent-bringing-van-goghs-paintings-to-lif

I’ve never really been tempted by anything on Kickstarter before, but this concept for ‘the first feature-length painted animnation’ on the people and events of Van Gogh’s life, based on his own letters and told through his own paintings, certainly has me intrigued. (Via)