Can’t help but think this shouldn’t have gone on sale.
Pistol that Van Gogh ‘used to shoot himself’ sells for £115,000 at Paris auction
An anonymous phone bidder took home the Lefaucheux revolver, its casing heavily rusted and the inlay of the curved handle missing, for more than double the highest estimates made by experts at auction house Drouot.
“It is a very emblematic piece,” said auctioneer Gregoire Veyres. “The fact that it’s a gun, it’s an object of death. And if van Gogh is van Gogh, it’s because of his suicide and this gun is part of it.”
Van Gogh’s gun, ‘most famous weapon in art history’, sells for €162,500
The auctioned Lefaucheux pinfire revolver is almost certainly the weapon used, although this cannot be conclusively proved. The type of weapon, its calibre, its severely corroded state and the location and circumstances of the find strongly suggest it is the gun. In the evening of 27 July 1890 Van Gogh suffered a gunshot wound while in a wheatfield and he then staggered back to the inn, dying two days later.
So black holes are really real, then?
The first photo of a black hole
We have the first photo of a supermassive black hole, from imagery taken two years ago of the elliptical galaxy M87 (in the constellation Virgo) by the Event Horizon Telescope project. The EHT team is a group of 200 scientist that has been working on this project for two decades. The image was created using data captured from radio telescopes from Hawaii to the South Pole and beyond using very long baseline interferometry.
This animation, via the Event Horizon Telescope project website, explains what we’re looking at.
Zooming into a simulated black hole accretion system in M87
As always with space stuff, I have a problem with scale. This helps enormously, though.
xkcd: M87 Black Hole Size Comparison
That’s pretty big. But how about these images of Jupiter.
NASA has released new images of Jupiter, taken by the Juno Spacecraft
Favourite comment: “God I wish Vincent van Gogh was alive to see this”
Yes, I can just imagine Van Gogh looking at these with a ‘told you so’ smile on his face. NASA has some more images from their Juno mission.
There’s no escaping the selfie, they’re everywhere. But have we really stopped to consider them as an art form? Here’s a critique of this new genre, with some famous and infamous examples.
Art at arm’s length: A history of the selfie
In some way, selfies reach back to the Greek theatrical idea of methexis—a group sharing wherein the speaker addresses the audience directly, much like when comic actors look at the TV camera and make a face. Finally, fascinatingly, the genre wasn’t created by artists. Selfies come from all of us; they are a folk art that is already expanding the language and lexicon of photography. Selfies are a photography of modern life—not that academics or curators are paying much attention to them. They will, though: In a hundred years, the mass of selfies will be an incredible record of the fine details of everyday life. Imagine what we could see if we had millions of these from the streets of imperial Rome.
And here’s Jason Bailey from Artnome suggesting we could see Rembrandt as the Paris Hilton of his day…
How Rembrandt and Van Gogh mastered the art of the selfie
Next time someone gives you a hard time for spending 15 minutes fussing with filters on your selfie, remind them that Rembrandt spent a full 10% of his career perfecting selfies.
Taking a break from their AI coverage, Artnome take us on an interesting journey through Van Gogh’s shifting colour schemes, busting a couple of myths as they go.
New data shows why Van Gogh changed his color palette
We were not convinced by the medical reasoning behind the shift in Van Gogh’s color palette and we could not think of any French Impressionists that painted with colors nearly as bold as Van Gogh, so we decided to take a look at some other possibilities.
Van Gogh was a restless soul and moved around quite a bit. He also spent a lot of time painting outdoors, especially in his later years. As someone who famously struggled with mood swings, we thought location, and more importantly, weather patterns may have impacted his use of color.
To test this, we created composite images averaging every painting Van Gogh created from each of the major locations he worked from and compared them to weather patterns from those regions. We think the results are quite remarkable.
Using data and technology like this is a fascinating way to learn more about works of art and the hidden narratives behind them.
Here’s a interesting idea, a film of reconstructed memories.
“No Blue Without Yellow” by artist Maciek Janicki
San Francisco-based artist and animator Maciek Janicki takes us into the world of Vincent van Gogh with his latest short film. Created in partnership with the Van Gogh Museum in Amsterdam, “No Blue Without Yellow” offers an immersive 3D tour, constructed using sampled paintings from consequential times in the renowned artist’s life.
No Blue Without Yellow
It’s very atmospheric, wandering around Van Gogh’s landscapes like that. It reminded me of this other attempt to bring his paintings to life, from Serena Malyon.
And here’s another film from Maciek Janicki, Paper City.
Loving Vincent – Bringing the paintings of Van Gogh to life
“What is truly groundbreaking about “Loving Vincent” is that every frame of the film is an oil painting on canvas, using the very same technique in which Vincent himself painted. And what makes it a great story to experience is the intriguing, tragic, and inspiring story of Vincent Van Gogh himself.”
I’ve never really been tempted by anything on Kickstarter before, but this concept for ‘the first feature-length painted animnation’ on the people and events of Van Gogh’s life, based on his own letters and told through his own paintings, certainly has me intrigued. (Via)
Serena Malyon tilt-shifts some of Van Gogh’s classics.
Van Gogh’s paintings get tilt-shifted
Serena Malyon, has taken the classics works of Vincent Van Gogh and added a tilt-shifting…