Venice, overwhelmed by tourists, tries tracking them – The New York Times The city’s leaders are acquiring the cellphone data of unwitting tourists and using hundreds of surveillance cameras to monitor visitors and prevent crowding. Next summer, they plan to install long-debated gates at key entry points; visitors coming only for the day will have to book ahead and pay a fee to enter. If too many people want to come, some will be turned away. […]
But many residents see the plans to monitor, and control, people’s movements as dystopian — and either a publicity stunt or a way to attract wealthier tourists, who might be discouraged from coming by the crowds. “It’s like declaring once and for all that Venice is not a city, but a museum,” said Giorgio Santuzzo, 58, who works as a photographer and artist in the city.
A giant violin floats down Venice’s Grand Canal – The New York Times The craft, called “Noah’s Violin,” set sail accompanied by an escort of gondolas, and in no time a small flotilla of motorboats, water taxis and traditional flat-bottomed Venetian sandoli joined the violin as it glided from city hall, near the Rialto Bridge, to the ancient Customs House across from Piazza San Marco, about an hour’s ride. […]
It was mostly smooth sailing, though De Marchi mumbled anxiously whenever the prow (the neck of the violin) veered too sharply to one side or other. But even though the musicians played standing up (barefoot for a better grip), they scarcely missed a note. At one point the score for the viola flew off the music stand and into the water, but it was quickly recovered.
As is often the case in Italy, the real hitches along with way were bureaucratic. “We were told we needed a vehicle registration plate, but officials didn’t know how to classify it,” said Mario Bullo, a carpenter in the consortium. At first, they were issued the same plates given to rafts. “But the traffic police objected, saying that’s not a raft, it’s a violin,” he said with a shrug.