Turns out it only takes me a quarter of an hour to go from yeah-it’s-an-ok-painting-I-guess to god-you’re-right-that’s-amazing-I-never-realised.
Great art explained – YouTube I’m James Payne, a curator, gallerist and a passionate art lover. I am on a mission to demystify the art world and discover the stories behind the world’s greatest paintings and sculptures. Each episode will focus on one piece of art and break it down, using clear and concise language free of ‘art-speak’.
One of the pieces of classical music on YouTube I keep replaying is this performance of Dvořák’s String Quartet No 12, played by the wonderful Pražák Quartet. It’s such a lyrical piece, played with passion and vigour.
It’s fun to compare that early video of the four of them with this performance of Schubert’s String Quartet No 15 several years later.
Time marches on for all of us, though sadly it didn’t march for very long for Schubert himself.
A lost paradise of purity – Standpoint Of all the premature deaths among the ranks of the creative, none is more painful to contemplate than Franz Schubert’s. His cutting off in November 1828 at the age of 31 was not as brutal in strictly chronological terms as Keats’s at the age of 25 in 1821, but there is with Schubert a yearning to know the music which he never composed that is even greater than the regret for Keats’s unwritten poems. All Schubert’s works are in a sense early works, and it is striking to think that by the time Haydn reached the age at which Schubert died, he had written none of the music for which we now revere him.
Let’s move from Schubert to Bach, and from the sublime to the ridiculous.
Boomwhacker Bach: Prélude n°1 aux tubes musicaux – The Kid Should See This This performance by Les Objets Volants is a wonderful mix of work and play… an exercise in “juggling” that requires an immense amount of concentration and teamwork. Boomwhacker Bach! In front of an audience in Luxeuil les Bains, France, this is Prélude n°1 aux tubes musicaux, or Johann Sebastian Bach’s first prelude played with boomwhackers.
All good stuff, but perhaps this musical post has been too male-dominated so far? Let’s address that.
New documentary Sisters with Transistors tells the story of electronic music’s female pioneers – Open Culture “Technology is a tremendous liberator,” says Laurie Anderson in her voiceover narration for the new documentary Sisters with Transistors, a look at the women who have pioneered electronic music since its beginnings and been integral to inventing new sounds and ways of making them. “Women were naturally drawn to electronic music. You didn’t have to be accepted by any of the male-dominated resources. You could make something with electronics, and you could present music directly to an audience.”
Why have there been no “great” women composers? The question is often asked. The answer is no mystery. In the past, talent, education, ability, interests, motivation were irrelevant because being female was a unique qualification for domestic work and for continual obedience to and dependence upon men.
All good stuff, but perhaps this musical post has been too human-dominated so far? Let’s address that.
Ear training challenge – Emperor Penguin – YouTube During courtship, the male and female penguins trumpet loudly to each other, thus learning each other’s call (They recognize each other amidst breeding colonies that consist of up to 40,000 penguins because of their calls). Emperor penguins typically use both sides of their syrinx simultaneously, producing vocalizations using ‘two-voices’. In the videos I have seen, calls of adult penguins mostly consisted of two-voice vocalizations using three different intervals: M2, m3, M3. In contrast, those of the chicks consisted of single voices outlining numerous intervals: m3, M3, P4, TT, P5, m6.
It’s a crazy world out there sometimes, for some of us.
Introverts are excluded unfairly in an extraverts’ world – Psyche Ideas The main cultural problem is that introverts are widely seen as not adapted to the environment, instead of it being acknowledged that the environment is designed to profit extraverts. Society’s praise and acceptance of extraversion as the norm has led many introverts, along with many ambiverts, to suppress different aspects of their personality, or to see them as flaws. This state of affairs is bad not only for introverts, but for society as a whole.
By way of example:
The ritualised excess of life aboard a cruise ship is tragic and parodic by turns – Aeon Videos The observational documentary All Inclusive drops viewers head-first into the strange rituals of tableside conga lines, captain meet-and-greets and pool cannonball contests that characterise the cruise experience. While the Swiss director Corina Schwingruber Ilić’s tongue-in-cheek tone permeates throughout, the film offers more than just an invitation to gawk, as ‘fun’ plays out in a series of over-the-top pastimes, hinting at the economic and social stratification between guests and workers.
I’d much rather watch this than be there. The film’s style reminds me of that short documentary about the drive-in church service, something else I’m happy I’ve seen—from a distance.
TheirTube – How do the recommended videos look on their Youtube home page?
This whole project started when I was in a heated discussion with a person who thought climate change was a hoax and 9/11 was a conspiracy. Through conversations with him, I was surprised to learn that he thought everyone’s YouTube feed had the same information as his own feed. When we showed each other our YouTube homepages, we were both shocked. They were radically different. And it got me thinking about the need for a tool to step outside of information bubbles.
As I mentioned before, one of the benefits of working from home is I get to enjoy the view of our little bird feeder all day. I’ll be back in the office at some point, I’m sure, but I know which website to turn to when I get there.
This hypnotic artwork from Andy Thomas is my favourite, I think. I’ve seen visualisations of bird flight before, but not their song. These reinterpretations of bird song take very strange and dramatic forms reminiscent of flowers, insects and the birds themselves.
Staff Pick Award at Annecy 2020: “A Mind Sang” by Vier Nev – Vimeo Blog Seeing a shape in the clouds, a face on Mars, or Jesus in your toast is called “pareidolia.” Our tendency to perceive objects, patterns, and meanings incorrectly is a psychological phenomenon filmmaker Vier Nev turned into hypnotizing art in his transfixing animated film, “A Mind Sang.” Leading the audience through themes of transformation, perspective, and rebirth, this work of art kept us visually engaged through each second of the film with stunning optical illusions and a haunting and rich musical score. (via Kottke)
That felt like an eye exam. Let’s have something more … relaxing?
Toccata – Optical Arts The film is an exploration on the nature of time, the relentless violence of entropy and creative energy and its relationship to music itself. The Toccata and Fugue in D Minor has a cinematic history going back to the silent film era, when orchestras played music to films. The piece became often used in the horror genre and famously as the opening to the 1970’s film Rollerball. (via Laughing Squid)
I love this, the slo-mo timing is perfect. Here’s some more.
Maybe he wasn’t a classical music fan. How about something light and carefree?
How the ‘Oh Yeah’ song in Ferris Bueller came to be – Great Big Story “Oh Yeah.” You’ve heard this song—full of oh yeah, bow bow and ch-ch ch-ch ch-ka!—who knows how many times over the years. Recorded by the Swiss synth pop duo known as Yello, “Oh Yeah” became a pop culture phenomenon after being featured in “Ferris Bueller’s Day Off.” In the 1986 movie, the percussive piece is the soundtrack to the scene where Cameron shows off his father’s prized Ferrari to his friend Bueller. And we all know what happened after that. (via Laughing Squid)
Or something just as poppy but perhaps less carefree?
Ages ago, I shared a post about that incredible movie, The Russian Ark. It was filmed entirely in the Winter Palace of the Russian State Hermitage Museum with 2,000 cast members, three orchestras and a single 96-minute steadicam shot.
Well, the folks at Apple have done something similiar, to show off their new mobile, but have considerably upped the runtime. No orchestras this time, though it’s just as mesmerising.
German workers ordered to stay at home to help the government flatten one sort of curve have found themselves battling the emergence of another, just above the belt. Home workouts sound great, but the days are long and dull and your latest bout of Hamsterkäufe (panic-buying; lit. “hamster-purchase”) has left the fridge gloriously well-stocked. There’s always another variety of Ritter Sport to try, oder? Anyway, what’s a few kilos between socially distanced friends?
Coronaspeck is the helpful German word for the fat deposited by weeks of stay-at-home grazing. Shoppers in Germany may know Speck as a bacon-like foodstuff, perhaps found on a crisp Flammkuchen or inside hearty Swabian Maultaschen. But its broader meaning corresponds to something like the English “flab”.
Perhaps you need some exercise, but what if you can’t think of a routine or a soundtrack? No problem. This website will pair up a random move with a random piece of music.
WFH = working from home. An abbreviation I hadn’t heard of until recently. It seems we’re all at it. Well, not all of us.
The great Zoom divide: How working from home is a privilege – New Statesman
Supporting the WFH and self-isolating economy is an army of factory and warehouse workers who are now busier than ever. There is much awareness and respect, rightfully, for medical staff who are at the frontlines of fighting Covid-19 – but what about those on the industrial frontlines? Who is protecting them? How can we keep essential supplies and functions running without exposing these workers to health risks? Is that even possible?
Avoiding Coronavirus may be a luxury some workers can’t afford – New York Times
For many workers, being sick means choosing between staying home and getting paid. One-quarter of workers have no access to paid sick days, according to Labor Department data: two-thirds of the lowest earners but just 6 percent of the highest earners. Just a handful of states and local governments have passed sick leave laws. Only 60 percent of workers in service occupations can take paid time off when they are ill — and they are also more likely than white-collar workers to come in contact with other people’s bodies or food.
But for those of us who are, there’s no end of advice out there, from kit to clothes.
Stykka designs a temporary workstation so you’ll stay the f*** home – Design Milk
When Denmark ordered people to stay home, Stykka got creative knowing many people had to share workspaces at home with their families or had to use the dining table. They challenged themselves to use only cardboard, zip ties, and a laser cutter, and in less than 24 hours, they not only had a prototype but they were ready to ship the desks out. Once received, the desk takes less than 10 minutes to assemble.
Don’t mute, get a better headset – Matt Mullenweg
When you’re speaking to a muted room, it’s eerie and unnatural — you feel alone even if you can see other people’s faces. You lose all of those spontaneous reactions that keep a conversation flowing. If you ask someone a question, or they want to jump in, they have to wait to unmute. I also don’t love the “unmute to raise your hand” behavior, as it lends itself to meetings where people are just waiting their turn to speak instead of truly listening.
As population works from home, Walmart reports increased sales for tops but not pants – CBS News
Men’s fashion brand Suitsupply is getting in on both sides of the trend. The company recently posted a photo on Instagram of a model wearing a button-down, tie and blazer on top — and nothing but underwear on the bottom. “Working from home doesn’t mean compromising on style. Keep your look professional—from the waist up at least,” the brand wrote. Scrolling through the Instagram post leads to a picture that says, “Off-camera?” before featuring the same model, this time wearing a sweatshirt.
Zoom announces 90-day feature freeze to fix privacy and security issues – The Verge
Zoom has never shared user numbers before, but Yuan reveals that back in December the company had a maximum of 10 million daily users. “In March this year, we reached more than 200 million daily meeting participants, both free and paid,” says Yuan. That’s a huge increase that has seen people use Zoom for reasons nobody expected before the coronavirus pandemic.
Security and privacy implications of Zoom – Schneier on Security
In general, Zoom’s problems fall into three broad buckets: (1) bad privacy practices, (2) bad security practices, and (3) bad user configurations. […] Zoom is a security and privacy disaster, but until now had managed to avoid public accountability because it was relatively obscure. Now that it’s in the spotlight, it’s all coming out.
Automated tool can find 100 Zoom meeting IDs per hour – The Verge
In addition to being able to find around 100 meetings per hour, one instance of zWarDial can successfully determine a legitimate meeting ID 14 percent of the time, Lo told Krebs on Security. And as part of the nearly 2,400 upcoming or recurring Zoom meetings zWarDial found in a single day of scanning, the program extracted a meeting’s Zoom link, date and time, meeting organizer, and meeting topic, according to data Lo shared with Krebs on Security.
The Sinfonia of Leeds, the orchestra my wife ordinarily plays in, were supposed to be playing a concert this weekend. That didn’t happen, obviously, but they invited us to enjoy their programme anyway.
Their Facebook page directed us to live recordings of other orchestras performing the pieces they were going to play, and we watched along from the comfort of our sofa, starting at 7:30pm and with ice cream at the interval, as is only proper.
We had a wonderful evening (you can’t really go wrong with a Sibelius symphony), so much so that we’ve promised ourselves to create another YouTube concert evening next weekend. And it’s my turn to pick the programme.
It’s an iconic piece of classical music, and even if you’re not a fan of the genre you’ve probably come across it before now—Bach’s prelude from his Cello Suite No. 1 in G Major. It’s only a couple of minutes long, depending on who’splayingit (and on what instrument), but it’s perfectly constructed. To understand why, let’s take a closer look with Alisa Weilerstein. (via Kottke)
Bach’s G major prelude, deconstructed – Vox
If you hear the first few measures you’ll likely recognize it. A simple G major arpeggiated chord played expressively on the cello opens a short, but harmonically and melodically rich, 42 measures of music. Bach makes a single instrument sound like a full ensemble. How does he do it?
It’s simple, really (to some, perhaps!), just the tonic key G and the dominant key D playing off each other.
I do miss the early web, sometimes. Amateurish, in a good way—spontaneous, care-free, lighthearted.
The early internet, explained by one weird Celine Dion fan site – The Atlantic Celine Dreams was a bit of a sensation. Toroptsov never lacked for dream submissions, and at the turn of the century—before the internet was a corporatized monoculture repeated across only a handful of giant web properties—a scrappy, DIY fan site could easily build an audience by climbing up search rankings and encouraging active participation. For years, Celine Dreams appeared in the first page of Google and Yahoo search results for Celine Dion—a distinction now reserved for Celine Dion’s official website, Celine Dion’s Wikipedia page, Celine Dion’s Twitter page, Celine Dion on Spotify, and Celine Dion on YouTube.
And then it shut down, blinkering out at the same time as thousands of other fan sites. The whole ecosystem slid into the digital ocean slowly, but pretty much all at once, like a famous ship.
More of these fan sites disappear all the time, and the Wayback Machine isn’t able to keep even a near-perfect record. Toroptsov’s project, and the work of his “competitors,” are vanishing in what information scientists have long been referring to as the “digital dark age.” “However widely the myth of the automatically archival Internet has spread over the past 70 years, the fact is that the system of networked computing utterly fails as a memory machine,” the UC Berkeley media researcher Abigail De Kosnik writes in her 2016 book, Rogue Archives. “The internet and computers do not constitute the greatest archive in human history, but rather the reverse.”
This applies to iconic software, too.
The last vestige of Internet Explorer dies today – Gizmodo When Microsoft decided to use EdgeHTML, it made sense. Internet Explorer had once been the biggest web browser around and consequently, lots of web page designers focused their energies on making their sites work for IE. But Chrome had a foothold when Edge launched and Microsoft’s new browser just never gained the popularity it needed. Instead, more and more web page designers focused on making the best looking sites the could—for Chrome.
Chrome uses the Blink engine and the source code originates with the open-source Chromium project. The Edge that launches today will rely on Blink and Chromium too.
Some people are clinging on, though. I’ve been reading Joanne McNeils’s newsletter for a while, now, and her website is joyously web 1.0.
joannemcneil.com Hi, my name is Joanne McNeil and this is my Home Page on the World Wide Web. My book Lurking is out on February 25, 2020 with MCD.
And do you remember Noah Everyday from the 2000s? He’s back again, and doesn’t look a day older. Ok, that’s a lie. He looks older, we all do.
This video struck a chord recently. It was shown to us as part of a Wellbeing Day at work a few weeks ago and—as well as being quite funny—I thought its practical, down-to-earth steps to a more positive mindset made a lot of sense.
One of his slides summarises the ways you can train your brain to become more positive.
I’ve been following these steps for a few weeks now, and writing down three new things I’m grateful for and a positive experience I’ve had that day does help me focus on looking for the positives.
That video was published in 2012, but one that contained a very similar message coincidentally appeared just a few days ago, from Kurzgesagt.
An antidote to dissatisfaction – YouTube
Everybody is familiar with the feeling that things are not as they should be. That you are not successful enough, your relationships not satisfying enough. That you don’t have the things you crave. In this video we want to talk about one of the strongest predictors of how happy people are, how easily they make friends and how good they are at dealing with hardship. An antidote against dissatisfaction so to speak: Gratitude.
This video, too, discussed the benefits of a simple gratitude journal, “sitting down for a few minutes, one to three times a week, and writing down five to ten things you’re grateful for.”
In the end, how you experience life is a representation of what you believe about it. If you attack your core beliefs about your self and your life, you can change your thoughts and feelings, which automatically changes your behaviour. It’s pretty mind-blowing that something as simple as self-reflection can hack the pathways in our brain to fight dissatisfaction. And if this is no reason to be optimistic, what is?
I enjoyed this trip down memory lane, care of the BBC and Vic Reeves.
Kill Your TV: Jim Moir’s Weird World of Video Art – BBC iPlayer With contributions from leading British artists such as Isaac Julien and Rachel Maclean, Jim shows how the arrival of the portable video camera in the 1960s allowed artists to create work that set out to take on the power of corporate media. New York-based artist Nam June Paik, credited as video art’s inventor, once declared, ‘television has been attacking us all our lives – now we can attack it back.’
It took me back to my student days, messing around with sound and video in an attempt to forge a new ‘interactive’ art. The work of Brian Eno featured quite heavily in those days (he was an ex-student of our Head of Programme, as our Head of Programme was always keen to point out), and I see he was in the news again the other day.
At 3pm on 3 December, the background muzak technician will pull the sheets off an oversized digital Christmas card (pictured) outside the Home Office’s Westminster premises, featuring a snap of white-haired WikiLeaks founder Julian Assange and emblazoned with the cheery message: “This Christmas journalism is on trial.”