It’s good to see Doc Martens taking fast fashion at a walking pace.
Dr Martens to get foot in the door of resale market with help from Depop – The Guardian
Under Dr Martens’ ReSouled scheme with Depop, ageing DMs can be repolished, given new laces, soles, heel loops and insoles before being put back on the market. The footwear is priced at about 80% that of a new pair. The lower price is likely have wider appeal after Dr Martens raises the price of its classic 1460 eight-hole boots in the UK by £10 a pair to £159 in July.
Others are taking a somewhat different approach.
‘Rubbish bin’ Balenciaga trainers that cost US$1,850 slammed by Chinese consumers who question value of luxury brands – South China Morning Post
Luxury fashion brand Balenciaga was panned by Chinese consumers after it launched a 12,000 yuan (US$1,850) trainers line that looks like they have been fished out from the rubbish dump to promote environmental protection. […]
The shoes went viral on Weibo this week and were widely criticised as being too ugly to be an effective awareness tool but more as an example of tone-deafness from wealthy people. “I can find a pair of these shoes in the bin for free,” one person wrote. Another asked: “Wouldn’t it be more eco-friendly not to sell these shoes?”
sublime to the ridiculous ridiculous to the even more ridiculous.
The Mullet Shoe is here! – Sad And Useless
The Mullet Shoe is a high-top with silky smooth set of light brown locks cascading down the back. It’s a mullet… for a shoe… ready to swish all sultry when you walk, and blow romantically in the breeze. And also get muddy, matted, and rank when you drag it through the dirt, and possibly make you trip and fall on your face if you don’t mind its flowing length, which appears to be couple inches longer than the shoe itself.
Finally, here are some shoes making a more artistic spectacle of themselves.
Assembled sculptures by artist Willie Cole cluster high hHeels into expressive masks – Colossal
Artist Willie Cole juxtaposes readymade footwear and African tradition in his series of sculptural masks. The figurative assemblages stack women’s heels into clusters that are expressive and distinctly unique, an effect Cole derives from the shoes’ material, color, and pattern rather than a preconceived plan or sketch. Depicting exaggerated toothy grins, pointed brows, and outstretched tongues, the sculptures span more than a decade of the artist’s career.