WordPress have launched P2, their new internal communications platform—a potential competitor to Microsoft Teams, and perhaps Google’s Shared Drives.

WordPress have launched P2, their new internal communications platform—a potential competitor to Microsoft Teams, and perhaps Google’s Shared Drives. It’s free so naturally I immediately signed up. But, as with so many things like this, I’m only ever in teams of one (aww), so I may find it of limited use.

Moving away from paper monitors

Thinking about the old web again, and how different web pages looked back then, compared to now. In a word, tiny.

A short history of body copy sizes on the WebFlorens Verschelde
Ten and 11 pixels may seem puny today, but in the early 2000s that was deemed readable for two reasons:

  1. the 800×600 and 1024×768 screens of the late 1990s and early 2000s had biggish pixels, so the result was on the small side but not as small as it might look today;
  2. designers and their clients were accustomed to 9, 10 and 11 point sizes for body copy in print (books, magazines, leaflets…), and the prospect of using bigger values felt like shouting at readers.

It took quite an effort to pull web designers away from this assumption that screens should be treated the same way as print.

moving-away-from-paper-monitors

In November 2006, iA’s Oliver Reichenstein ran a simple experiment: he compared a magazine’s body copy at arms’ length and a typical site’s body copy at a common, eye-to-desktop-screen distance. The website’s text looked much smaller. Oliver argued for setting the body copy to the browser’s default, or 100%, which by convention is 16px in common browsers. In 2006, and even a few years later, it was a revolutionary proposition. Web designers and clients thought it was extreme. Five years later, we still had to fight for the death of 11px body copy (example, in French).

It’s been interesting to see how text has been treated over the years, not only on the various default WordPress themes but on blogs like Jason Kottke’s, and my own when it was on Blogger. Layouts like Swiss Miss’s look anachronistic now.

Verschelde’s exploration into this aspect of web design is full of links to examples and other articles about typography and layout, including Jeremy Keith’s Resilient web design, a online book that uses CSS to smoothly vary the font size depending on the width of the screen. It’s a great read, especially the opening chapter’s review of the intertwined history of interfaces.

Resilient Web Design – Chapter 1
The hands on a clock face move in a clockwise direction only because that’s the direction that the shadow cast by a sundial moves over the course of a day in the northern hemisphere. Had history turned out differently, with the civilisation of the southern hemisphere in the ascendent, then the hands on our clocks would today move in the opposite direction. […]

These echoes of the past reverberate in the present even when their usefulness has been outlived. You’ll still sometimes see a user interface that displays an icon of a Compact Disc or vinyl record to represent music. That same interface might use the image of a 3½ inch floppy disk to represent the concept of saving data. The reason why floppy disks wound up being 3½ inches in size is because the disk was designed to fit into a shirt pocket. The icons in our software interfaces are whispering stories to us from the history of clothing and fashion.

The quote used in the introduction to that online book seems appropriate here.

We look at the present through a rear‐view mirror. We march backwards into the future.
Marshall McLuhan

Whose side is WordPress on?

I’ve never met a flat-Earther in my life. I don’t know any fans of David Icke or Alex Jones. Granted, I don’t have too many Facebook friends, but I’m pretty confident they are all quite normal.

In short, I’d have to go a long way to meet anyone who believes in any of those crazy conspiracy theories. But on the web, these people are just around the corner — in just a couple of clicks I can be in the thick of it. This ease of access makes it all feel much more widespread and conventional and mainstream than it really is.

And WordPress and other companies that are part of the internet infrastructure seemed quite relaxed about that.

This company keeps lies about Sandy Hook on the web
Mr. Pozner said he was tired of hearing technology companies say that they do not want to be “arbiters of truth,” an oft-repeated refrain, particularly as concerns around misinformation on social media grow.

“Technology platforms have had this misguided, futuristic vision of freedom of speech and everything was built around that, but it doesn’t really fit into the day-to-day use of it,” Mr. Pozner said. “By not taking action, they have made a choice. They are the arbiters of truth by doing nothing.”

Shortly after that New York Times article, WordPress tried to sort itself out.

New WordPress policy allows it to shut down blogs of Sandy Hook deniers
The update to WordPress’s policy follows a damning report from The NYT this week that explained on how the world’s largest blogging service has allowed Sandy Hook conspiracy theorists to remain online. […]

If the booted bloggers now move to their own self-hosted sites, the responsibility of shutting them down will fall on the web hosting companies. Of course, don’t expect that to happen anytime soon.

It beggars belief that we’ve got to this position.

Instead of all these privacy policy pop-ups and cookie notices, why isn’t there a pop-up on these websites that clearly labels them as “Obviously Ridiculous and Vexatious“?

(I think I need to re-read this post about facts and beliefs.)