Clive Thompson has written a clever little web app that shows you only the questions in a piece of writing, and tries it out on a range of writers, from Churchill and Orwell to Martin Luther King and Joan Didion.
As short stories go, this one’s very clever — and ruthless.
Do you ever get stuck with your blog? I certainly do, as these gaps between posts can testify. Here, Tim Davies shares his obstacles and succinctly reminds us why he — and many of the rest of us — sticks with it.
Overcoming posting-paralysis? – Tim’s Blog
The caption of David Eaves’ blog comes to mind: “if writing is a muscle, this is my gym”. And linked: writing is a tool of thought. So, if I want to think properly about the things I’m reading and engaging with, I need to be writing about them. And writing a blog post, or constructing a tweet thread, can be a very effective way to push that writing (and thinking) beyond rough bullet points, to more complete thoughts.
And for inspiration, check out these visualisations of creative processes.
Process – Melike Turgut
No matter how much we all try to ground our ideas in simplicity, the process of solving a creative problem is often chaotic. With this project, I try to make sense of the chaos by trying to pin-point the stages of my creative process. I use time as my constant [represented as a straight red line] and map my process around it.
Sorry to any bean curd enthusiasts out there, but this has nothing to do with coagulating soy milk but is about these little boxes and Google’s plan to get rid of them.
Google Noto Fonts
When text is rendered by a computer, sometimes characters are displayed as “tofu”. They are little boxes to indicate your device doesn’t have a font to display the text. Google has been developing a font family called Noto, which aims to support all languages with a harmonious look and feel. Noto is Google’s answer to tofu. The name noto is to convey the idea that Google’s goal is to see “no more tofu”.
I had picked the Noto Sans typeface for this blog without realising any of this — I just thought it looked quite elegant.
Preserving endangered languages with Noto fonts – Google Keyword
From billions of readers to very small language communities, the freely available, open source Noto font family from Google Fonts supports literacy for hundreds of languages. The Cherokee Nation, with an estimated 20,000 speakers, uses Noto on phones for texting, email and teaching their language in the USA. Noto is used every day for Tibetan, millions of African users, and hundreds of languages of Asia. The government of British Columbia in Canada, with a population of 5 million people, wanted to cover all their languages, including indigenous ones, in a single font and merged Noto Sans + Noto Sans Canadian Aboriginal into a single font, BC Sans font.
Google and Monotype launch Noto, an open-source typeface family for all the world’s languages – It’s Nice That
Many of the scripts required significant research for Monotype, in order to apply the rules and traditions of the individual languages to the designs of their fonts. For example for the Tibetan face, Monotype did in-depth research into a vast library of writings and then enlisted the help of Buddhist monks to critique the font and make adjustments to the design.
“There are some characters you can only see on stones,” says Xiangye Xiao, product manager at Google. “If you don’t move them to the web, over time those stones will become sand and we’ll never be able to recover those drawings or that writing.”
Well, if it’s good enough for IKEA, it’s good enough for me.
Deborah Roberts reminding us that even a flat sheet of text isn’t a level playing field.
As well as saying that Black lives, history, respect and status matters, I should have added spelling.
The Spell Checkers Agenda – Kottke
The piece above is part of a series called Pluralism by artist Deborah Roberts — it’s a collage of dozens of Black names marked as misspelled by Microsoft Word’s built-in spell checker. I don’t know about you, but this makes me think about the neutrality of technology, how software is built, who builds it, and for whom it is designed.
Glasstire and Contemporary Art Review Los Angeles have more on this piece, and how it fits in with Deborah’s wider body of work.
Naming and shaming: Deborah Roberts at Art Palace – Glasstire
Other text pieces involve roughly printed words like bad offset printing. In the best of these, Roberts prints black-sounding women’s names (Tynisha, Shawanna, Roneshia) in a jittery, repeated overlay of red and black. Printed over them in a nearly-illegible, but unmistakable, light yellow, are four white women’s names: lean in close and you can barely discern Bethany, Lindsey, Becky, Haley.
Deborah Roberts at Luis De Jesus – Carla
Opposite Human nature and Golden Smile hung the triptych Sovereignty (2016), a hand-drawn set of three serigraphs of black women’s names that Roberts sourced from friends. The far right in the triptych was a dense list of 213 names, from Khepri to Sharnell. All, however, were underlined with that all-too-familiar squiggly red line—these names were ostensibly misspelled, unrecognizable to word processing programs. The drawing on the left side of the triptych contrasted the list by featuring a sole name— Sharkesha—in large serif font. This work followed a similar logic to the collages: the viewer’s gaze moved from the minute to the masses and back again. However, the simplicity of this solution—names, listed— can’t be ignored. Sovereignty suggested a way to begin to humanize the silent figures that Roberts depicts, or at least to begin to find words that do the work.
Christmas is just round the corner. Have you started buying presents yet?
The new COVID trend? Apparently, it’s buying rare books. – Literary Hub
“We’ve seen an uptick in participation and enthusiasm,” James Gannon, director of rare books at Heritage Auctions, told Bloomberg. Heritage’s third auction of books from the library of Otto Penzler doubled its estimate; similarly, all online sales at Christie’s during COVID have surpassed their low estimates. This trend actually makes sense: the extremely wealthy have remained wealthy during COVID, and are left at home searching for things that bring them joy, like gazing at a letter written by Ludwig Wittgenstein and knowing you paid the most anyone in the world has ever paid for a letter written by Ludwig Wittgenstein.
if $137,575 for an author’s letter is a little steep, don’t worry, here’s another idea for the book lover in your life.
Portland’s iconic Powell’s Books is selling a book-scented unisex fragrance – CNN
With hints of violet, wood and biblichor, the $24.99 perfume aims to replicate the smell of old paper that “creates an atmosphere ripe with mood and possibility, invoking a labyrinth of books; secret libraries; ancient scrolls; and cognac swilled by philosopher-kings,” according to the product description on Powell’s website.
Powell’s Books is releasing a fragrance that smells like a bookstore – Kottke
If you can’t get your hands on Powell’s scent, you have other options. Demeter makes a fragrance called Paperback that’s available in a variety of formats (cologne, shower gel, diffuser oil) and Christopher Brosius offers a scent called In The Library in his shop.
I love the smell of books, but I don’t know I’d want to smell like “a warm blend of English Novel, Russian and Moroccan Leather Bindings, Worn Cloth and a hint of Wood Polish.”
Who knew there was so much to say about punctuation, those strange squiggles that sit in between the usual carriers of meaning, the words?
How to punctuate with style: Lewis Thomas’s charming meditation on the subtleties of language – Brain Pickings
Thomas opens the essay, the whole of which is strewn with clever meta-demonstrations of his points about the marks, with a Russian nesting doll of punctuational observations:
There are no precise rules about punctuation (Fowler lays out some general advice (as best he can under the complex circumstances of English prose (he points out, for example, that we possess only four stops (the comma, the semicolon, the colon and the period (the question mark and exclamation point are not, strictly speaking, stops; they are indicators of tone (oddly enough, the Greeks employed the semicolon for their question mark (it produces a strange sensation to read a Greek sentence which is a straightforward question: Why weepest thou; (instead of Why weepest thou? (and, of course, there are parentheses (which are surely a kind of punctuation making this whole matter much more complicated by having to count up the left-handed parentheses in order to be sure of closing with the right number (but if the parentheses were left out, with nothing to work with but the stops, we would have considerably more flexibility in the deploying of layers of meaning than if we tried to separate all the clauses by physical barriers (and in the latter case, while we might have more precision and exactitude for our meaning, we would lose the essential flavor of language, which is its wonderful ambiguity)))))))))))).
As found in Maria Popova’s ever-wonderful Brain Pickings blog. She illustrates that post with images taken from Rathna Ramanathan’s artwork for a modern graphic design edition of Christian Morgenstern’s 1905 poem “In the Land of Punctuation”.
A darkly delightful 1905 poem celebrating punctuation, newly illustrated in silkscreened typographic art – Brain Pickings
Morgenstern, a sort of German Lewis Carroll who crafted literary nonsense with an aphoristic quality and a touch of wry wisdom, was in his early thirties when he wrote the poem — a jocular parable of how dividing a common lot into warring subgroups produces only devastation and no winners. That he died mere months before the start of WWI only lends the piece an eerie air of prescient poignancy.
A new AI language model generates poetry and prose – The Economist
But the program is not perfect. Sometimes it seems to regurgitate snippets of memorised text rather than generating fresh text from scratch. More fundamentally, statistical word-matching is not a substitute for a coherent understanding of the world. GPT-3 often generates grammatically correct text that is nonetheless unmoored from reality, claiming, for instance, that “it takes two rainbows to jump from Hawaii to 17”.
An interesting read about the little notes we add to our interesting reads.
At the margins – National Review
That what I’m describing is a tension inherent in the marginalia business will be obvious to anyone who’s ever read with pen in hand. Writing in a book today, I record some portion of my thinking for tomorrow. Though I trust that it will be readable, I can’t pretend that it will all make sense. Among my favorite margin notes, for instance, is the lone exclamation point, with which I frequently signal both agreement and furious dissent. Will those who come behind me know one from the other? Will I? Perhaps not. But we’ll know what moved me.
Two things strike me about this. Firstly, are our Kindle notes too impersonal and clinical, compared to those left by our fading pencils and scratchy pens? And secondly, is this entire blog—my collection of notes about things I’ve read—just one huge margin?
Whilst I could be described as being a ‘knowledge worker’, I work in a place as far from Silicon Valley as it’s possible to be. There is no table-football or Lego in my office. We don’t have hot desks or use Slack. And there’s no expectation that we swap the 9-to-5 with 996, that is 9am to 9pm, six days a week. Less 24/7, more 7-and-a-half/5. Others aren’t so lucky, however.
Silicon Valley ruined work culture – Wired
Lyons believes these new-agey corporate practices, along with perks like free snacks or beer on tap, are simply a misdirection from something rotten at the core. He blames worker unhappiness not just on Silicon Valley’s work culture but also on its business model—one he calls “shareholder capitalism.” The modern tech company is obsessed with growth and profit, at the expense of its employees and to the benefit of its investors. Some lucky employees might have stock options, but most don’t, and even then it’s a small percentage of the money flowing back to investors. The perks, then, function like trick mirrors, “a way to distract employees and keep them from noticing that their pockets are being picked.”
Seduced by Start-up Land: A new memoir about millennial ambition in Silicon Valley – The Cut
Uncanny Valley is a memoir about Wiener’s journey through start-up culture during its most bullish and self-aggrandizing era, and how her idealism gives way to disappointment and horror as society starts to suffer the consequences of tech’s unchecked fetish for growth.
Examining endemic ills of tech bros in ‘Uncanny Valley’ – The Boston Globe
The most valuable question Wiener asks is why we are allowing that to happen — why we have such blind faith in these “ambitious, aggressive, arrogant young men from America’s soft suburbs,” why we’re so seduced by their confidence that we assume their priorities should be our own, why we defer to them when we ought to be saying no.
As well as via some very suspect management practices, that culture is expressed by the choice of language being used.
Garbage language: Why do corporations speak the way they do? – Vulture
Wiener writes especially well — with both fluency and astonishment — about the verbal habits of her peers: “People used a sort of nonlanguage, which was neither beautiful nor especially efficient: a mash-up of business-speak with athletic and wartime metaphors, inflated with self-importance. Calls to action; front lines and trenches; blitzscaling. Companies didn’t fail, they died.” She describes a man who wheels around her office on a scooter barking into a wireless headset about growth hacking, proactive technology, parallelization, and the first-mover advantage. “It was garbage language,” Wiener writes, “but customers loved him.” […]
I like Anna Wiener’s term for this kind of talk: garbage language. It’s more descriptive than corporatespeak or buzzwords or jargon. Corporatespeak is dated; buzzword is autological, since it is arguably an example of what it describes; and jargon conflates stupid usages with specialist languages that are actually purposeful, like those of law or science or medicine. Wiener’s garbage language works because garbage is what we produce mindlessly in the course of our days and because it smells horrible and looks ugly and we don’t think about it except when we’re saying that it’s bad, as I am right now.
She’s not the only one to spot this, of course.
Corporate buzzwords are how workers pretend to be adults – The Atlantic
From a more cynical perspective, buzzwords are useful when office workers need to dress up their otherwise pointless tasks with fancier phrases—you know, for the optics. Coal miners and doctors and tennis instructors have specific jargon they use to get their points across, but “all-purpose business language is the language you use when you aren’t really doing anything.”
Perhaps, instead of using garbage language, we could flick through the pages of Eunoia, a diction of words that don’t translate.
Eunoia: The internet’s dictionary of untranslatable words – Blog of the Long Now
Eunoia is itself an untranslatable word meaning a “well-mind” or “beautiful thinking.” The user can search Eunoia’s database by “language, tag, or the word itself. There are over 500 words in the database, across 50+ languages and 50+ tags.”
The language with the highest untranslatable words was German; from the well-known Schadenfreude, which means to be happy at someone else’s misfortune, to the complicated Jein, meaning both yes and no.
That last one, jein, reminded me of this new construction that I’m still looking for an excuse to use.
But/and – Robin Sloan
I find that in my own writing, my own sequencing of ideas, what I most often want is “and,” except that “and” is so linear: it can’t capture a turn or a twist. The layers of “but/and” do it almost perfectly, and, as a bonus, its clumsiness basically admits, “I am no great rhetorician; this is not a mathematical proof; I’m just trying my best,” which, to me, is a great benefit. […]
“And” is the continuation, fine as far as is goes; “but” is the negation, even if you pretend it’s not; “but/and” is the turn, the twist, the resonance, the perfect fifth.
If you don’t want to send your sweetheart a Vinegar Valentine’s card, you could always try something a little different, like– a Valentine’s wall?
Say it with Banksy? Valentine’s gift catapults house to street art fame – The Guardian
She said: “We really want to preserve it, but he’s given us a bit of a headache. First thing’s first is to maybe get some Perspex to preserve it so everyone can enjoy it and then try to get some professional advice. It has been a crazy day, with lots of people being able to come and enjoy it and we want people to be able to continue doing that.
“I just kept like squealing and I’ve not stopped smiling all day. It’s just so special. They are calling it the Valentine’s Day Banksy.”
It’s nice to see that Banksy has since confirmed it’s one of his.
OK, so sending someone some street art might not be very practical. Pen and paper it is, then.
Grab a pen. It’s time to revive the love letter. – The Lily
Unlike digital messages, they’re concrete; we can feel their weight in our hands. (“Will we ever glow when we open an email folder?” Simon Garfield writes in a book celebrating letter writing. “Emails are a poke, but letters are a caress, and letters stick around to be newly discovered.”) Months, years, decades in the future, they prove we lived and loved, savored and felt sorrow. They allow us to grasp at immortality.
Enduring love: how greetings cards are surviving the smartphone era – The Guardian
“The real growth we’re seeing is among people sending a message to cheer someone up,” says Fergusson, explaining that there has been a huge rise in “No occasion” cards. She believes millennials and gen Z are buying these cards because they are more powerful than social media messages. Hare calls her new range “contemporary sentiments” – one card says, “Just be your beautiful self”, while another reads: “Proud of you.” In 2019, the online retailer Moonpig launched a collection with the Samaritans – personalised cards were emblazoned with messages such as: “Matthew, I’m not sure how to help but if you need me, I’m here.” Fergusson says there has been a recent rise in “man-to-man” sending, but GCA research suggests 85% of cards are bought by women.
Poundland sells 40,000 engagement rings ahead of Valentine’s Day – BBC News
The £1 “Bling Rings” and “Man Bands” are meant to be used as “placeholders” for proper rings, it said. But one analyst described such promotions as “increasingly desperate”.
And here’s a modern take on that Vinegar Valentine idea.
Name a cockroach after your ex and watch an animal eat it on Valentine’s Day – CNN
For just $5, zoo staff will name a cockroach after your former lover and feed it to an animal at their “Cry Me a Cockroach” event on Valentine’s Day. And if your ex-boo was an especially snakey one, pay $20 more to have them name a rat and feed it to a reptile instead.
Sadly/inevitably, that Banksy Valentine’s Day graffiti has been graffiti-ed, which raises a number of interesting questions (including is it even possible to actually damage Banksy’s artwork, given that it itself is criminal damage, in law).
Banksy: what happens when someone vandalises graffiti – and who owns it anyway? – The Conversation
Where graffiti has been applied to the wall of a property, that physical piece of “art” belongs to the owners of the property, who may choose to lawfully remove it or to protect it. If the property is rented – as is reportedly the case for the Valentine’s mural – the graffiti becomes part of the fabric of that building and belongs to the property owner, not the tenants. Ownership of the intangible rights to the artwork (the copyright), however, will remain the property of Banksy as the artist.
There are other collections of school exercise books around, but this one is fully online and looks to be vast, with hundreds of children’s exercise books from across the globe, from the 1700s to 2000s.
Exercise Book Archive
The Exercise Book Archive is an ever-growing collection of old exercise books from all over the world. Everybody is invited to discover the history, education, and daily life of the children and young people of the past through this unique material.
The Boeing. France, March 31, 1973
3rd year of school 1943-44. Austria, September 1943
My Friend. United Kingdom, March 7, 1936
The blizzard at Honey Brook. United States of America, February 1899
From Amelia Wattenberger, a simple but very effective way of visualising an aspect of some famous texts from a variety of classical authors, such as Charles Dickens, Oscar Wilde and Jane Austin.
How do different writers vary their sentence length? See how some authors play with different lengths, while others stick with one.
I wasn’t expecting much from this article, to be honest, with its click-baity headline—just filler about keyboard shortcuts and pinned tabs. But I was pleasantly surprised by how useful this create-your-own-search-engine tip was.
How to use Google Chrome like a pro – Wired UK
With a few tweaks you can also search your email or Google Drive directly from the search bar. To do this you have to create a new search engine in Chrome – it’s not as complex as it sounds. Right click in the Omnibox and select ‘edit search engines’. Scroll to ‘other search engines’ and click on add. Here you enter the name of the website you want to search, a keyword that you’ll type into Chrome’s Omnibox, and a URL. The URL should be the search result page of the service you’re setting the system up for.
I’ve just set up search engines for my gmail, calendar, onedrive and blog. Being able to quickly jump into those things directly from the search bar is quite addictive.
Here’s something else that intrigued me, though I’m not sure how much I’ll use it.
You can even use a blank tab as a one-off note taker – enter “data:text/html, <html contenteditable>” and you’ll get a quick notepad. The files won’t save, but it’s useful if you want to jot something down quickly.
The Apostrophe Protection Society was started by journalist and sub editor John Richards, in 2001. 18 year’s later, hes calling it a day.
‘Laziness has won’: apostrophe society admits its defeat – The Guardian
Now 96, Richards is calling time on the society, which lists the three simple rules for correct use of the punctuation mark.
Writing on the society’s website, he said: “Fewer organisations and individuals are now caring about the correct use of the apostrophe in the English language.
“We, and our many supporters worldwide, have done our best but the ignorance and laziness present in modern times have won!”
Update – 06/12/2019
Heres an interesting follow-up.
Apostrophes: linguistics expert imagines a happier world without them – The Conversation
Hardcore apostrophites would no longer be able to roll their eyes at people’s inability to work out where the apostrophe goes in examples such as “The Joneses front door”, “Holding each others hand” or “Others opinions”. Neither would they be able to indulge in their habitual mocking of someone who has used the wrong form of “its”.
In fact, by removing apostrophes altogether, the pedantry arsenal is vastly reduced. Without their favourite punctuation mark of judgement, your average pedant will be forced to make do with old favourites such as split infinitives and insisting on the “correct” meaning of “decimate”. […]
In reality, the Apostrophe Protection Society did not, of course, hold dominion over apostrophes or any other aspect of English. Nobody does. Linguistic conventions (for this is all they are) come and go, and are often based on idiosyncratic preferences from another era. A good grasp of apostrophe use says more about your ability to remember inconsistent patterns than it does about your intelligence.
It seems to me that apostrophes are used to judge others as much as they are used to clarify writing. Maybe the APS finally saw the light and realised this, and decided it wanted no further part in the snobbish pedantry that surrounds this fetishised punctuation mark.
See also this earlier post about apostrophe use.
TV reviewers the world over owe debt to Clive James – Irish times
live James, who died this week, was a man of many impressive parts, poet, essayist, literary critic, broadcaster, songwriter and blogger among them. But for me, it was the TV reviews he wrote for the Observer newspaper from 1972 to 1982 that left the most vivid and lasting impression. That’s partly because James essentially invented the newspaper TV review as a particular sort of place where writers could flex their muscles and show off in a way that might have been frowned on elsewhere. But it was mostly because he was so damned brilliant at the job that everyone who followed remains in his shadow.
Clive James’ best quips – from Beyoncé takedown to Arnold Schwarzenegger ‘condom full of walnuts’ jibe – Mirror
On novelist Barbara Cartland: “Twin miracles of mascara, her eyes looked like the corpses of two small crows that had crashed into a chalk cliff.”
“Windows is Shutting Down” – Caltech
Clive James is an illustrious expatriate Australian poet and author living in London. The title (and opening phrase) of his poem will be familiar to everyone reading these words. I’ve read them often enough myself, but it has taken James’s wit to point out how they should have grated painfully on my grammatical ear. It is a marvellously chosen example to illustrate his claim about declining grammatical standards, since digital technology has been such a powerful force for generating mangled syntax.
It’s through his TV work that I know him best, and his shows in the 80s and 90s were compulsory viewing.
Trump’s handwriting was in the news the other day, when cameras caught a glimpse of the notes he’d made for himself before meeting reporters.
Handwriting expert says Trump’s ‘I WANT NOTHING’ note bears ‘the sign of a liar’ – Rolling Stone
As for the large, blocky writing, Lowe attributes that to him being “someone who has a strong need for security and to be in control, to be looked up to.” The way the letters disconnect point to “someone who was unable to assimilate the difficulties he experienced in childhood, which leaves him open to life’s various adversities. He lacks good coping mechanisms and has trouble relating fully to himself and to others.”
Goodness me, have you ever seen a more attention-seeking, egotistical ‘I’? Now you too can write like the president, though why on earth you’d want to is another matter.
Write your own notes in Trump’s handwriting with this new web generator – Fast Company
Part of what made the photo notable was that it revealed that the unique writing style the president uses online—the Twitter-friendly brevity of character count and a seemingly unpredictable all-caps emphasis—applies to good old pen on paper, too. For the website, called Final Word From the Pres, the Jones Knowles Ritchie team took those characteristics and automated them. The generator will autocorrect words, turning “we” to “I,” “Trump” to “Stable Genius,” “big” to “yuuge,” and “SNL” to “unfunny,” so the note you write is adapted to the president’s voice. But there are many more autocorrections, with over one hundred Easter eggs up for discovery as you uncover the distinctive language patterns of a very stable genius.
This isn’t the first time such a typeface has been created.
Tiny Hand will be your new Comic Sans — Buzzfeed News
I was struck not only by the peculiar delivery of the notes, but also by the idiosyncratic way Trump writes the alphabet. At that moment it was clear to me — as it surely must be to you, dear reader — I had to make a font based on Donald Trump’s handwriting.
Mad to think that’s from 2016. Here we are, nearly 2020, and he and his juvenile writing/thinking is still here.
Following on from yesterday’s reconsideration of the treatment of Guy Fawkes, here’s a quirky little piece from The New Yorker.
Guy Fawkes and the new pronoun in town
The new pronoun is “guys” itself, which, according to Allan Metcalf in “The Life of Guy: Guy Fawkes, the Gunpowder Plot, and the Unlikely History of an Indispensable Word,” belongs on a paradigm of English personal pronouns in the twenty-first century: “I, you, he/she/it, we, guys, they.”
It’s used as a non-gender-specific pronoun, and I’ve certainly heard it being used that way at work for a while now. But for some, that’s still a problem.
But, for many, Guy’s etymological offspring, “guys,” when used as a pronoun, remains masculine, and its use is frowned upon as demeaning to women and L.G.B.T.Q. people. What to do about this upstart pronoun that has sneaked in through the back door? “Folks” is a little too folksy, but those same L.G.B.T.Q. people who gave us the singular nonbinary “they,” as well as “Mx.” and “Latinx,” have a solution: “folx.” Which sounds a bit like Fawkes. We can’t get away from this Guy, guys.
What would you do with 17 rejection letters?
A doctoral student wore a skirt made of rejection letters to defend her dissertation
The skirt communicated what her presentation didn’t: the grueling, bumpy process she went through on her way to her major moment in front of a committee of five professors on Oct. 7.
“The dissertation presentation is in this narrative form, where … it looks like everything went smoothly in my process from start to finish,” said Kirby, 28, who for the past 4½ years has been a doctoral student in environmental science and policy. “So I wanted something in my presentation that shows that really isn’t how it goes. There are a lot of roadblocks along the way.”
A nice write-up in the New Yorker about Bullet Journalling, with an interview with its creator, Ryder Carroll.
Can Bullet Journaling save you?
In the next hour, he helped me set it up. “The Bullet Journal is designed to embrace the chaos that is life,” he said. We made a meta page with my intentions for the journal and a “brain dump” for anything on my mind. He had me draw bullet points instead of a checkboxes for tasks, because, he said, “Things aren’t binary; things begin, they pause, they resume, they get moved.” We talked about the BuJo practice of “a.m. and p.m. reflection,” when you look over the day’s notes. “For us, lists aren’t just stuff we have to do,” he said. “Each task is an experience waiting to be born.” […]
“Only add what serves you, and be patient with yourself, because it’s a new thing. You’re not doing it right, you’re not doing it wrong, you’re just figuring it out as you go along.” He paused. “It’s another reason why I love the notebook,” he said. “It’s like every day is another chance.”
The notebooks I use for work are based on this, a little. For all the bells and whistles that the million apps and online systems have, there’s something immediate and concrete about pen and paper that I prefer. As he says, things aren’t binary.
As with anything, some people can get carried away with it all, and spend hours creating wonderfully polished, Instagram-friendly pages that would take more time to produce than the actual tasks being listed. But that’s up to them, it’s not a requirement of the system. Thankfully, as my handwriting’s appalling.